Years 1480-1499
Except otherwise stated, all results include the premium.
See also : Ancient painting Ancient drawing Christianity The Man Madonna and Child Italy Ming Chinese porcelain Ming porcelain Bird
See also : Ancient painting Ancient drawing Christianity The Man Madonna and Child Italy Ming Chinese porcelain Ming porcelain Bird
BOTTICELLI
1
1480 Young Man holding a Roundel
2021 SOLD for $ 92M by Sotheby's
Botticelli painted two works in a mixed technique of great originality. A man holds with both hands a round image which he proudly shows to visitors. This medallion is an additive piece that has been inserted into the wood of the painting.
The earliest is a 58 x 44 cm tempera painted around 1474, kept in the Uffizi Gallery. The added element is a gilded gesso medal bearing the effigy of Cosimo de Medici. The second, 58 x 39 cm tempera painted around 1480, was sold for $ 92M by Sotheby's on January 28, 2021, lot 15. Its added element is an icon of an elderly bearded saint painted on a gold background.
In both cases, there is no doubt that Botticelli designed and made the recess in the wood to place the insert. The position of the fingers around the added object is very precise. However, we can legitimately question if the currently inserted piece is original.
Cosimo's medal probably meets the artist's original intention. The Quattrocento portraits are painted with great care in the physiognomy, but also with elements that symbolize the social position, character or life of the model. The Lady with an Ermine painted by Leonardo in 1489 is a perfect example. The medal inserted in Botticelli's painting is a tribute of the model to the founder of the political power of the Medici.
The image of the bearded saint is an authentic fragment of a Sienese painting from the Trecento. The absence of an attribute to identify the saint is an anomaly if we consider the importance given to it by its holder. It may have been inserted later to replace another detached or damaged image.
Beyond these doubts, both paintings are direct witnesses of the iconographic inventiveness of one of the greatest masters of the Quattrocento.
The portrait of the young man holding the icon is in an exceptional state of conservation. This unidentified prince is sympathetic by his desire to have his medallion admired. His attitude is straight. The dark mauve pigment of the tunic is luxurious and rare.
The image is shared by Wikimedia.
The earliest is a 58 x 44 cm tempera painted around 1474, kept in the Uffizi Gallery. The added element is a gilded gesso medal bearing the effigy of Cosimo de Medici. The second, 58 x 39 cm tempera painted around 1480, was sold for $ 92M by Sotheby's on January 28, 2021, lot 15. Its added element is an icon of an elderly bearded saint painted on a gold background.
In both cases, there is no doubt that Botticelli designed and made the recess in the wood to place the insert. The position of the fingers around the added object is very precise. However, we can legitimately question if the currently inserted piece is original.
Cosimo's medal probably meets the artist's original intention. The Quattrocento portraits are painted with great care in the physiognomy, but also with elements that symbolize the social position, character or life of the model. The Lady with an Ermine painted by Leonardo in 1489 is a perfect example. The medal inserted in Botticelli's painting is a tribute of the model to the founder of the political power of the Medici.
The image of the bearded saint is an authentic fragment of a Sienese painting from the Trecento. The absence of an attribute to identify the saint is an anomaly if we consider the importance given to it by its holder. It may have been inserted later to replace another detached or damaged image.
Beyond these doubts, both paintings are direct witnesses of the iconographic inventiveness of one of the greatest masters of the Quattrocento.
The portrait of the young man holding the icon is in an exceptional state of conservation. This unidentified prince is sympathetic by his desire to have his medallion admired. His attitude is straight. The dark mauve pigment of the tunic is luxurious and rare.
The image is shared by Wikimedia.
2
masterpiece
1481 Madonna of the Magnificat
Uffizi
The Madonna of the Magnificat is a 118 cm tondo panel painted in tempera ca 1481 by Botticelli and kept at the Galleria degli Uffizi. The image is shared by Wikimedia.
Tondi were a fashion of the time for a private devotion and contemplation above eye level. Botticelli managed to have the lines modified to match a perfect view in that position.
The Madonna and Child are surrounded by five angels, two of them holding a crown over Mary's head. The Child raises his head to look at the crown and puts his hand on an illuminated book. The text of the book is identified as two canticles from the Gospel of Luke.
The Madonna holds a quill to write the left page which is the opening of the Magnificat also referred as the Song of Mary. The left hands of Mother and Child join to hold a pomegranate, the heart shaped symbol of the Passion. That co-ordinated movement of the two hands of the two leading characters is beautiful.
Tondi were a fashion of the time for a private devotion and contemplation above eye level. Botticelli managed to have the lines modified to match a perfect view in that position.
The Madonna and Child are surrounded by five angels, two of them holding a crown over Mary's head. The Child raises his head to look at the crown and puts his hand on an illuminated book. The text of the book is identified as two canticles from the Gospel of Luke.
The Madonna holds a quill to write the left page which is the opening of the Magnificat also referred as the Song of Mary. The left hands of Mother and Child join to hold a pomegranate, the heart shaped symbol of the Passion. That co-ordinated movement of the two hands of the two leading characters is beautiful.
3
later 1480s Madonna of the Magnificat, Replica
2022 SOLD for $ 48M by Christie's
On November 9, 2022, Christie's sold for $ 48M a replica of the Madonna of the Magnificat, lot 25.
This tempera, oil and gold on a 63 cm tondo panel is largely autograph as evidenced by underdrawings and pentimenti revealed by infrared and x-ray inspection. The style of the lines argues for a date in the later 1480s.
The composition is simplified to match with the smaller format. The two angels and the crown have been removed, making more mystical the raised gaze of the Child. The three remaining angels are now winged.
This tempera, oil and gold on a 63 cm tondo panel is largely autograph as evidenced by underdrawings and pentimenti revealed by infrared and x-ray inspection. The style of the lines argues for a date in the later 1480s.
The composition is simplified to match with the smaller format. The two angels and the crown have been removed, making more mystical the raised gaze of the Child. The three remaining angels are now winged.
A selection of works from the collection of the late Microsoft co-founder Paul Allen—including a work by Cézanne with an estimate in excess of $120m—are on show at @ChristiesInc London this weekend prior to their sale in New York next month. https://t.co/jcI3Jaz2n9
— The Art Newspaper (@TheArtNewspaper) October 15, 2022
4
masterpiece
1482 Primavera by Botticelli
Uffizi
The image is shared by Wikimedia.
5
1493-1495 Madonna and Child with the young St. John
2013 SOLD for $ 10.5M by Christie's
Sandro Botticelli is an empathetic artist. His art will never be outdated. Like Praxiteles and Picasso, he was able to take as a model the most beautiful woman in the world. His passion for his city, Florence, is the thread of his life.
On January 30, 2013, Christie's sold for $ 10.5M from a lower estimate of $ 5M a tempera on panel of a Madonna and Child with the young St. John. The image is shared by Wikimedia.
The scene is by evidence located in Florence, and is not a Biblical story. The presence of John is only meaning that he is the patron saint of Florence. The three characters are graceful and communicate together with ardor. The faces are beautiful.
This work is dated around 1493-1495, the period of transition between the principate of Lorenzo de' Medici and the theocracy of Savonarola. The legend that he had himself brought his secular works in the Bonfire of the Vanities is not confirmed by Vasari, but it seems certain that his career as an artist became difficult afterwards.
On January 30, 2013, Christie's sold for $ 10.5M from a lower estimate of $ 5M a tempera on panel of a Madonna and Child with the young St. John. The image is shared by Wikimedia.
The scene is by evidence located in Florence, and is not a Biblical story. The presence of John is only meaning that he is the patron saint of Florence. The three characters are graceful and communicate together with ardor. The faces are beautiful.
This work is dated around 1493-1495, the period of transition between the principate of Lorenzo de' Medici and the theocracy of Savonarola. The legend that he had himself brought his secular works in the Bonfire of the Vanities is not confirmed by Vasari, but it seems certain that his career as an artist became difficult afterwards.
1480s Head of a Bear by Leonardo
2021 SOLD for £ 8.9M by Christie's
Leonardo da Vinci needs animals to populate the stagings of his painting. He tries an unprecedented realism of the pose of live animals in his preparatory drawings. He uses the highly accurate technique of the silverpoint for that purpose.
On July 8, 2021, Christie's sold for £ 8.9M the drawing of the head of a bear made by Leonardo in the 1480s, lot 20. This piece is a silverpoint on 7 x 7 cm pink-beige prepared paper with top corners cut.
No bear is known to appear in Leonardo's paintings. Nevertheless this drawing was certainly used as a preparatory sketch for the pet stoat when he designed the Lady with an ermine at the end of the same decade.
On July 8, 2021, Christie's sold for £ 8.9M the drawing of the head of a bear made by Leonardo in the 1480s, lot 20. This piece is a silverpoint on 7 x 7 cm pink-beige prepared paper with top corners cut.
No bear is known to appear in Leonardo's paintings. Nevertheless this drawing was certainly used as a preparatory sketch for the pet stoat when he designed the Lady with an ermine at the end of the same decade.
#AuctionUpdate Leonardo da Vinci's 'Head of a bear' achieved £8,857,500 in The Exceptional Sale, setting a new #WorldAuctionRecord for a drawing by the artist. The drawing is an exquisite demonstration of #LeonardodaVinci's unsurpassed mastery as a draughtsman. #ClassicWeekLondon pic.twitter.com/d0Ja2Ualub
— Christie's (@ChristiesInc) July 8, 2021
< 1485 CE Chenghua
1
Chicken Cup
2014 SOLD for HK$ 280M by Sotheby's
In 1464 CE, Chenghua became the eighth Ming Emperor. Politically dominated by his eunuchs and socially by his concubines, he did not leave an indelible mark in history during this reign that lasted 24 years. Inactive after the reign of Xuande, the Jingdezhen kilns were reactivated three decades later by Chenghua.
The blue and white in two hues of the beginning looks similar as Yuan and early Ming styles. The most recent technical innovation is then the doucai, by which other colors could be added through a second firing.
The best period of Chenghua porcelains is the second decade of his reign with the unique technique of the so-called palace bowls. Improvements are made to the choice of materials, enabling a higher temperature.
These pieces are innovative by the extreme care in realizing the porcelain with a dense paste, a transparent and robust glaze, providing a tactile quality that will never be available again.
The doucai color also gets some spectacular progress. Mixing enameled colors over the glaze allows a wide range of shades. The gently curved shapes of their walls are also new, in several variants.
Cups are used for wine and bowls for food. These pieces bearing the imperial mark are mainly made for the use of the principal concubine Wan Guifei whose demands were evidently extreme. They are highly rare and not even found as failed or waste pieces, demonstrating the rigorous surveillance made on site in Jingdezhen by imperial eunuchs.
This limited production was so expensive that the emperor's advisers were able to stop it after about ten years, during the 20th year of the reign corresponding to 1485 CE, two years before the death of the emperor and his concubine.
The drawing is innovative with asymmetrical compositions often adorned with spirals. The chicken cups are prestigious. Bowls are decorated with delicacy and simplicity, with flowers or fruits of botanical accuracy.
The figures of Chenghua ceramics are simple and naive. However, his chicken wine cups had an almost mystical reputation. The rooster is the emperor, and the hen protecting her chicks is his favorite concubine. Wan Guifei herself intervened to improve the quality of imperial porcelains.
One of these wonders is in perfect condition, on a pristine white background, without any crack or scratch. This piece 8.2 cm in diameter is decorated underglaze in cobalt blue and multicolored on its surface.
It was sold for HK $ 29M on April 27, 1999 by Sotheby's, purchased at that sale by Eskenazi. It was sold by Sotheby's on April 8, 2014 for HK $ 280M from a lower estimate of HK $ 200M. Please watch the video shared by the auction house.
380 years earlier the Ru of the Song had been interrupted by the Yuan invasion after only a few years. Similarly, the production of Chenghua bowls did not survive his reign. Easier to execute, the doucai had a great future and is one of the major steps that lead to the perfection of colors of the falangcai under the Qing.
The blue and white in two hues of the beginning looks similar as Yuan and early Ming styles. The most recent technical innovation is then the doucai, by which other colors could be added through a second firing.
The best period of Chenghua porcelains is the second decade of his reign with the unique technique of the so-called palace bowls. Improvements are made to the choice of materials, enabling a higher temperature.
These pieces are innovative by the extreme care in realizing the porcelain with a dense paste, a transparent and robust glaze, providing a tactile quality that will never be available again.
The doucai color also gets some spectacular progress. Mixing enameled colors over the glaze allows a wide range of shades. The gently curved shapes of their walls are also new, in several variants.
Cups are used for wine and bowls for food. These pieces bearing the imperial mark are mainly made for the use of the principal concubine Wan Guifei whose demands were evidently extreme. They are highly rare and not even found as failed or waste pieces, demonstrating the rigorous surveillance made on site in Jingdezhen by imperial eunuchs.
This limited production was so expensive that the emperor's advisers were able to stop it after about ten years, during the 20th year of the reign corresponding to 1485 CE, two years before the death of the emperor and his concubine.
The drawing is innovative with asymmetrical compositions often adorned with spirals. The chicken cups are prestigious. Bowls are decorated with delicacy and simplicity, with flowers or fruits of botanical accuracy.
The figures of Chenghua ceramics are simple and naive. However, his chicken wine cups had an almost mystical reputation. The rooster is the emperor, and the hen protecting her chicks is his favorite concubine. Wan Guifei herself intervened to improve the quality of imperial porcelains.
One of these wonders is in perfect condition, on a pristine white background, without any crack or scratch. This piece 8.2 cm in diameter is decorated underglaze in cobalt blue and multicolored on its surface.
It was sold for HK $ 29M on April 27, 1999 by Sotheby's, purchased at that sale by Eskenazi. It was sold by Sotheby's on April 8, 2014 for HK $ 280M from a lower estimate of HK $ 200M. Please watch the video shared by the auction house.
380 years earlier the Ru of the Song had been interrupted by the Yuan invasion after only a few years. Similarly, the production of Chenghua bowls did not survive his reign. Easier to execute, the doucai had a great future and is one of the major steps that lead to the perfection of colors of the falangcai under the Qing.
2
Musk Mallow Palace Bowl
2013 SOLD for HK$ 140M by Sotheby's
White porcelain from the imperial kilns in Jingdezhen was highly appreciated by the Ming. Yongle, third emperor of the dynasty, had promoted pieces in immaculate white, without slowing the progress of underglaze decoration in cobalt blue.
The "palace bowls" were produced for a very short period not exceeding 7 years, from 1481 to 1487 CE at the end of the reign of Chenghua, the seventh emperor. This utensil is by nature an object to be touched. These Chenghua bowls reach a perfection of tactility that will never be exceeded.
On October 8, 2013, Sotheby's sold a palace bowl with the Chenghua imperial mark for HK $ 140M from a lower estimate of HK $ 80M, lot 101.
It is decorated inside and outside with humble musk-mallows. It wears the Imperial mark.
The "palace bowls" were produced for a very short period not exceeding 7 years, from 1481 to 1487 CE at the end of the reign of Chenghua, the seventh emperor. This utensil is by nature an object to be touched. These Chenghua bowls reach a perfection of tactility that will never be exceeded.
On October 8, 2013, Sotheby's sold a palace bowl with the Chenghua imperial mark for HK $ 140M from a lower estimate of HK $ 80M, lot 101.
It is decorated inside and outside with humble musk-mallows. It wears the Imperial mark.
3
Melon Palace Bowl
2011 SOLD for HK$ 90M by Sotheby's
Vines of melons are a rare theme symbolizing an auspicious prosperity to the offspring.
The bowl from the Meiyintang collection with a nice balance of blue and white was sold in post sale for HK $ 90M at Sotheby's on April 7, 2011. Measuring 15 cm in diameter, it is inscribed with the six-character mark of Chenghua and decorated with melon vines including leaves and fruits.
On April 6, 2016, Sotheby's sold for HK $ 64M another melon bowl, lot 25. This piece is unique in the details of its pattern by the quantity and density of the fruit. Its size is 15.4 cm in diameter.
The bowl from the Meiyintang collection with a nice balance of blue and white was sold in post sale for HK $ 90M at Sotheby's on April 7, 2011. Measuring 15 cm in diameter, it is inscribed with the six-character mark of Chenghua and decorated with melon vines including leaves and fruits.
On April 6, 2016, Sotheby's sold for HK $ 64M another melon bowl, lot 25. This piece is unique in the details of its pattern by the quantity and density of the fruit. Its size is 15.4 cm in diameter.
1486 Triumphs of Caesar by Mantegna
2020 SOLD for $ 11.7M by Sotheby's
From 1460 Andrea Mantegna was in the service of the successive marquis of Mantua, of the Gonzaga dynasty. His genius far ahead of his time is recognized by his patrons, giving him a facility for new experiences on proportions and perspective.
One of his most important achievements is the series of the Triumphs of Caesar. Nine tempera paintings were made in a unique format 268 x 278 cm. A tenth image is known from an engraving. The realization lasted several years. It was sufficiently advanced in 1486 to be praised by the Duke of Ferrara.
These paintings were conceived as a narrative suite, with a homogeneity in the position of the light. We do not know however in what chronology they were painted. Acquired by King Charles I, this monumental set is exhibited in a row at Hampton Court.
A preparatory drawing for the second opus has just surfaced. Measuring 26.6 x 26.6 cm, it is an exact 1:10 scale. The hero on horseback passes between two monumental statues which are an Aesculapius standing on a carriage and a head of Cybele.
This drawing has a role of demonstration before the realization of the painting. The inscriptions identifying Aesculapius at the top of the carriage and Alexandria under the round tower were not copied in the final work. The banner texts have changed. Divo Iulio Aug ... became Imp Iulio Caesari ob Galliam devict in a reference to the First Italian War. A competent condottiero, the marchese Francesco II Gonzaga was in 1495 the governor general of the armies of the League of Venice against the new 'Gallic' invader.
The infrared inspection of the drawing, carried out by Sotheby's, revealed important reworks skillfully masked in the line, confirming that the work is autograph. The tall Aesculapius thus hides a previous Apollo whose much smaller dimension could be mingled with the characters of the action. The invocation of Aesculapius in a triumph, maintained in the painting, is a fancy.
This drawing was sold for $ 11.7M by Sotheby's on January 29, 2020, lot 19. Please watch the video shared by Sotheby's in which the artwork is commented by the specialist Cristiana Romalli who was the discoverer of the hidden figures.
One of his most important achievements is the series of the Triumphs of Caesar. Nine tempera paintings were made in a unique format 268 x 278 cm. A tenth image is known from an engraving. The realization lasted several years. It was sufficiently advanced in 1486 to be praised by the Duke of Ferrara.
These paintings were conceived as a narrative suite, with a homogeneity in the position of the light. We do not know however in what chronology they were painted. Acquired by King Charles I, this monumental set is exhibited in a row at Hampton Court.
A preparatory drawing for the second opus has just surfaced. Measuring 26.6 x 26.6 cm, it is an exact 1:10 scale. The hero on horseback passes between two monumental statues which are an Aesculapius standing on a carriage and a head of Cybele.
This drawing has a role of demonstration before the realization of the painting. The inscriptions identifying Aesculapius at the top of the carriage and Alexandria under the round tower were not copied in the final work. The banner texts have changed. Divo Iulio Aug ... became Imp Iulio Caesari ob Galliam devict in a reference to the First Italian War. A competent condottiero, the marchese Francesco II Gonzaga was in 1495 the governor general of the armies of the League of Venice against the new 'Gallic' invader.
The infrared inspection of the drawing, carried out by Sotheby's, revealed important reworks skillfully masked in the line, confirming that the work is autograph. The tall Aesculapius thus hides a previous Apollo whose much smaller dimension could be mingled with the characters of the action. The invocation of Aesculapius in a triumph, maintained in the painting, is a fancy.
This drawing was sold for $ 11.7M by Sotheby's on January 29, 2020, lot 19. Please watch the video shared by Sotheby's in which the artwork is commented by the specialist Cristiana Romalli who was the discoverer of the hidden figures.
#AuctionUpdate: Andrea Mantegna’s only preparatory drawing for one of the canvases in the Triumphs of Caesar, realizes $11.7 million - a new record for a drawing by the artist at auction, and the 5th highest price for a drawing ever at auction pic.twitter.com/p6e3THFEU6
— Sotheby's (@Sothebys) January 29, 2020
1490 Pentecost by a follower of Memling
2023 SOLD for £ 7.9M by Sotheby's
The Rapaert Pentecost is so named from a family who treasured it in Bruges for three centuries. It features the eleven apostles of post-Ascension time gathered around the seated Madonna. This theme could be considered as representing the birth of the Christian church.
Mary is looking down at the open book on her lap. The gaze of the men is more or less turned upwards while a haloed dove is flying down. A couple of donors has been added. The composition is complex with a large fireplace, a door opening to a corridor and a yard through the windows.
A German painter working in Bruges from 1465 to his death in 1494, Hans Memling had begun his career in Brussels as an assistant to Rogier van der Weyden. A Madonna and Child surrounded by a praying crowd had been painted by Memling around 1488-1490.
The Rapaert Pentecost could be a prototype of the Pentecost theme painted in Bruges ca 1490 by a follower of Memling. Scholars consider a parallel with the half length donor portraits of Baroncelli husband and wife, painted in the 1490s by an unidentified master, possibly a son of Petrus Christus. Baroncelli was the operator of the Medici bank in Bruges.
This oil on panel 126 x 102 cm was sold for £ 4.2M by Christie's on December 7, 2010, lot 8, and for £ 7.9M by Sotheby's on July 5, 2023, lot 7. Its condition is exceptional. The image is shared by Wikimedia.
Mary is looking down at the open book on her lap. The gaze of the men is more or less turned upwards while a haloed dove is flying down. A couple of donors has been added. The composition is complex with a large fireplace, a door opening to a corridor and a yard through the windows.
A German painter working in Bruges from 1465 to his death in 1494, Hans Memling had begun his career in Brussels as an assistant to Rogier van der Weyden. A Madonna and Child surrounded by a praying crowd had been painted by Memling around 1488-1490.
The Rapaert Pentecost could be a prototype of the Pentecost theme painted in Bruges ca 1490 by a follower of Memling. Scholars consider a parallel with the half length donor portraits of Baroncelli husband and wife, painted in the 1490s by an unidentified master, possibly a son of Petrus Christus. Baroncelli was the operator of the Medici bank in Bruges.
This oil on panel 126 x 102 cm was sold for £ 4.2M by Christie's on December 7, 2010, lot 8, and for £ 7.9M by Sotheby's on July 5, 2023, lot 7. Its condition is exceptional. The image is shared by Wikimedia.
_Pinksteren_Groeningemuseum_26-12-2019.JPG)
for reference
1488-1490 Madonna and Child by Memling
Louvre
The image is shared by Wikimedia.
Fra BARTOLOMEO
The relationship between art and Christianity were an intense concern in Florence at the end of the glorious principate of Lorenzo de' Medici. In 1492 the dying Lorenzo had doubts about the merits of his work, and desired (but unsuccessfully) Savonarola, the preacher of repentance, as his last confessor.
Savonarola, whose memory of his bonfires horrifies current art lovers, was chasing all vanities. Botticelli's mythological works have sunk therein. But he did not reject art when it glorified the Christian virtues.
Savonarola, whose memory of his bonfires horrifies current art lovers, was chasing all vanities. Botticelli's mythological works have sunk therein. But he did not reject art when it glorified the Christian virtues.
1
mid 1490s Virgin and Child by Baccio della Porta
2013 SOLD for $ 13M by Christie's
On January 30, 2013, Christie's sold for $ 13M from a lower estimate of $ 10M a 65 cm tondo on the subject of Virgin and Child. This oil on panel is still remaining in its original frame. It is a recent discovery. The image is shared by Wikimedia.
It is a charming example of Christian art. The naked child rises to the mother's neck for a kiss. Empathy is intense between mother and child. The tondo format, as circular as a halo, contributes to the perfection of this nicely composed image.
That picture had been executed by Baccio della Porta in the mid 1490s during the iconoclastic dictatorship of Savonarola. Born in 1472, Baccio is a young artist whose skills are already recognized.
It is a charming example of Christian art. The naked child rises to the mother's neck for a kiss. Empathy is intense between mother and child. The tondo format, as circular as a halo, contributes to the perfection of this nicely composed image.
That picture had been executed by Baccio della Porta in the mid 1490s during the iconoclastic dictatorship of Savonarola. Born in 1472, Baccio is a young artist whose skills are already recognized.
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2
masterpiece
Portrait of Savonarola
Museum of San Marco
An avid follower of Savonarola, Baccio della Porta directs his art in accordance with the theocratic vision of his guru of whom he will also execute a famous portrait. The image is shared by Wikimedia.
Savonarola is executed in 1498. In 1500, Baccio becomes the Dominican friar Fra Bartolommeo (or Fra Bartolomeo). He then abandons his artistic creation for a long period, before brilliantly resuming his brushes at the time of Raphael.
Savonarola is executed in 1498. In 1500, Baccio becomes the Dominican friar Fra Bartolommeo (or Fra Bartolomeo). He then abandons his artistic creation for a long period, before brilliantly resuming his brushes at the time of Raphael.
1490s Michelangelo after Masaccio
2022 SOLD for € 23M by Christie's
In the 1490s Michelangelo Buonarroti trained by Ghirlandaio used to copy some masterpieces of the Quattrocento for preparing his own paintings. He was specially inspired from Masaccio's fresco Baptism of the Neophytes studied by him in Santa Maria del Carmine in Florence under a Medici patronage before or after Savonarola's bonfires. This practice was recorded by his biographer Vasari in 1568.
Previously attributed to a later minor artist or to the school of Michelangelo, a drawing 33 x 20 cm in pen, two shades of brown ink and brown wash was attributed for the first time in 2019 to the master by an expert at Christie's. Its availability on the international art market had been delayed by a French export ban which is now lifted.
The main character is a full length fleshy young nude in a shivering position that copies the man in the right in Masaccio's Carmine Baptism. Two lesser figures comfort him from behind in a softer hue. Some relief effect is added by skilled hatchings. Remorses have been made with a dark ink, confirming that this piece was a study for a painting by the young master.
This drawing was sold for € 23M by Christie's on May 18, 2022, lot 1. Please watch the video shared by the auction house.
Previously attributed to a later minor artist or to the school of Michelangelo, a drawing 33 x 20 cm in pen, two shades of brown ink and brown wash was attributed for the first time in 2019 to the master by an expert at Christie's. Its availability on the international art market had been delayed by a French export ban which is now lifted.
The main character is a full length fleshy young nude in a shivering position that copies the man in the right in Masaccio's Carmine Baptism. Two lesser figures comfort him from behind in a softer hue. Some relief effect is added by skilled hatchings. Remorses have been made with a dark ink, confirming that this piece was a study for a painting by the young master.
This drawing was sold for € 23M by Christie's on May 18, 2022, lot 1. Please watch the video shared by the auction house.
First it was Raphael making $38m; then da Vinci made $11.8m; now a rediscovered Michelangelo is looking for $33m @christiesparis this Mayhttps://t.co/oXmswtdga3 pic.twitter.com/BNt64YAPzg
— LiveArt (@artmarket) April 5, 2022
masterpiece
1495-1498 Ultima Cena by Leonardo
Santa Maria delle Grazie, Milano
The image is shared by Wikimedia.
masterpiece
1490-1510 The Garden of Earthly Delights by Bosch
Prado
The image is shared by Wikimedia.
