Chronology : 19th century 1870-1879 1890-1899 1928 1961
1872 Les Courses au Bois de Boulogne by Manet
2004 SOLD 26.3 M$ including premium by Sotheby's
1875 Artist's Life in Paris
2011 SOLD 4.5 M£ including premium
Young Russian artist who came to Paris in 1873 to complete his training, Ilya Repin is carried into the vortex, like the Baron of La Vie Parisienne, the great theater success on the boulevard.
Painstakingly, after long watching of his fellow poets, artists and actresses, he painted this "Café du Boulevard" which was exhibited at the Salon in 1875, and raised the wrath of his Russian teachers.
Taking on a cosmopolitan mix as a theme is a betrayal by a young man who was trained to illustrate the beauty of traditions. Still worse, it is a café, that place of subversion housing since the French Révolution the most passionate political discussions.
This large oil on canvas, 120 x 192 cm, shown on the release shared by Artdaily, is for sale byChristie's in London on June 6.
Repin admired Manet but did not follow the path of the Impressionists. He will become a respected classical artist, author of realistic portraits and historical, social and religious scenes.
The café scene is a daring feat of his early career, when he was still tempted at rebelling against the official schools. But it also paved the way for similar themes, the following year, by Renoir and Manet. This is not necessarily what buyers are seeking, and the estimate, £ 3M, is ambitious.
1876 Bal du Moulin de la Galette by Renoir
1990 SOLD 78 M$ by Sotheby's
1877 The Great Station of Modernism
2018 SOLD for £ 25M including premium
Argenteuil decidedly does not inspire him any more. Just back from Montgeron he left for Paris with an authorization from the railway administration to work inside the Gare Saint-Lazare.
From January to March 1877 he made a sort of report composed of twelve artworks, four inside the station and eight outside, in varied weather conditions. A passer-by narrated that he saw Claude Monet perched on a stack of crates with his brush in his hand, feverishly waiting for the ambient light to match his expectations.
The choice of this theme is unexpected for this artist but is certainly not a self attempt to be disgusted from the smokes of the city. A better hypothesis is that Monet considered himself as a leader of the new outdoor painting and did not want to be overcome by the urban pictures of Caillebotte and Manet.
Indeed when the third exhibition of the Impressionnistes opened in April 1877 his Saint-Lazare series was already completed and it featured prominently in his selection. The rejection of modernist themes by Monet comes one year later when Camille fails to recover from a child birth. Life and work in the countryside become indispensable for Monet and his family. His Gares Saint-Lazare will remain forever an unparalleled set.
On May 8, 2018 Christie's sold for $ 33M including premium the only sunny image of the group, 61 x 81 cm.
On June 20 in London, Christie's sells another outdoor view, oil on canvas of the same size, lot 25 B estimated £ 22M. The foreground is intentionally empty to draw a better attention to the background where the thick steam from the trains mingle in a cloudy sky. The two locomotives and the tall arches of the glass roofs of the station provide the illusion of a picturesque instantaneous.
The image is shared by Wikimedia.
1877 The Ultimate Train of Claude Monet
2018 SOLD for $ 33M including premium
In January 1877 Monet spends a few days in Paris for a series on the Gare Saint-Lazare, one of the best symbols of modernism. He paints twelve canvases showing the interior with the platforms or the outside with trains coming or leaving. The result of this creativity is significant. The nauseating smoke of trains mingles with a heavily loaded sky and makes you want to run away.
Only one of the twelve paintings, 61 x 81 cm, escapes this pessimism thanks to a bright sunshine. The view is taken towards the double tunnel of the Batignolles. On the left the smoke is a fairly sharp cone. On the right the train has not yet come out and its smoke is diffused in all directions in the square, creating a veil in the atmosphere of clear weather.
In the best tradition of early Impressionnisme, this painting offers an ambience through which we can almost perceive heat and smell. Rockefeller did not make a mistake when he bought it. He liked this artwork very much while noting that the asking price had seemed high. It is for sale by Christie's in New York on May 8, lot 26.
This series marks a decisive turning point in Claude Monet's career. For the very last time he had tried to illustrate the progress. For nearly half a century he will stubbornly devote to landscapes, to monuments and to his garden.
The image is shared by Wikimedia.
1878 Balconies in Paris
2019 SOLD for $ 14M including premium
Born in Paris in 1848, Gustave Caillebotte knew and appreciated such a breakthrough. In 1875 the young artist became an Impressionniste after his resentment of the Salon's rejection of a too social painting. He has the imagination for finding new themes.
Another wonder of the time is the railroad. In 1876 Caillebotte paints a view of the pont de l'Europe, a very long railway viaduct that connects to the Gare Saint-Lazare. Monet is well acquainted with this station, the terminus of the line that leads him to Argenteuil. Is he suddenly inspired by modernism or is he afraid of being overcome by a competitor? He devotes the winter of 1877 to his series of paintings of the same station.
The capital is also experiencing cultural transformations. Inaugurated in 1875, the immense Opéra de Paris becomes the symbol of the wealthy bourgeoisie to which the Caillebotte family belongs.
On May 14 in New York, Sotheby's sells La Rue Halévy vue du sixième étage, oil on canvas 60 x 73 cm painted by Caillebotte in 1878, lot 17 estimated $ 6M. The image below, shared by Wikimedia, was taken from an art book.
As wide as a boulevard, the rue Halévy leads from the boulevard Haussmann to the Opéra, which is visible beyond the Haussmannian buildings. This aerial cityscape is bold for its time. The street is pleasantly animated with sparse pedestrians and carriages.
Caillebotte definitely likes this district. After the death of their mother in that same year, Gustave and his brother Martial move to the 3rd floor at 31 boulevard Haussmann, less than 200 meters from the position of the previous sight. Their balcony overlooking the boulevard is the theme of several paintings in 1880 and 1881.
1881 Through the Looking Bar
2015 SOLD for £ 17M including premium
The inspiration of Manet is modernist, which is clearly visible in the series of Seasons that he will not complete and where he is adapting the classic portraiture to display a modern young woman.
On June 24 in London, Sotheby's sells Le bar aux Folies-Bergère, oil on canvas 47 x 56 cm painted in 1881, lot 8 estimated £ 15M.
The barmaid is positioned before a vast space which is a reflection in a wall mirror, including her own reflection. The exact position of the glass is hardly noticeable. In the background, colors in dots figure a crowd at a show, anticipating altogether Lautrec and abstract art.
This scene that desires to be a counterpart to Las Meninas by Velazquez is troubling in its angles. It was painted in the studio. The man on the right who is visible only in his reflection is the door neighbor. The consistency of his position is explained when we accept to exclude the logical assumption that it he placed just in front of the woman.
Manet wants to create a masterpiece and appreciates that this theme allows it. Painted a few months later, the second and final version 96 x 130 cm marks a come back to a scene in realistic line with a towering girl whose actual model is an employee of the Folies-Bergère, a crowd whose details are visible and some additions like the increased assortment of drinks on the bar and the legs of the trapeze artist that anticipate Chagall.
I invite you to watch the video shared by Sotheby's :
1897 Pissarro in Paris
2014 SOLD 19.7 M£ including premium
Considered now as one of the founders of Impressionism, he rather was one of its last precursors. Living in Pontoise and later in Eragny, he painted local themes : the village, the river, the orchards, the peasants. Close to nature, he observes the beautiful colors that vary according to season, time and sky. The Impressionist technique of restoring the shades without using lines matches perfectly his artistic quest.
Many years later, Pissarro is now feeling to be the last guarantor of the impressionist purity against the younger generation of Signac and Bonnard. After a discussion with Durand-Ruel, he begins a series of views of Paris.
In 1897, he rents a room for several months at the Grand Hôtel de Russie to observe the unlimited perspective and the busy life of Boulevard Montmartre. He knows to capture the mood of a moment.
His spring morning with the gas nozzle still lit, the shy sun onto the wet street and the early leaves that do not hide the branches is one of the best views of the series. This oil on canvas 65 x 81 cm is estimated £ 7M for sale by Sotheby's in London on February 5, lot 43 in the catalog.
POST SALE COMMENT
This beautiful demonstration of impressionist art was sold for £ 19.7 million including premium.
I invite you to play the video shared by Sotheby's :
1897 The Series of Boulevards
2019 SOLD for £ 7.1M including premium
Durand-Ruel is not discouraged. He had supported the movement since the first hour and organized their second exhibition in his gallery in 1876. Threatened by bankruptcy, he keeps his impressionist paintings because nobody wants them. He finds the solution by organizing permanent or temporary exhibitions in London and New York. Collectors are becoming interested in Monet and Renoir.
During the winter of 1890-1891, the theme of the Meules by Monet became a series, although it was not originally intended as such by the artist. The breakthrough of this new phase of Impressionism is the series of Peupliers in 1891 and the three series of Cathédrales de Rouen begun in 1892 : Monet keeps the same composition from one work to another for expressing the variations of light .
The new success of Impressionism finally reaches Pissarro, installed since 1884 at Eragny-sur-Epte where he tirelessly paints the rural atmosphere. Unlike Monet, Pissarro does not avoid the urban animation. After a consultation with Durand-Ruel, he conceives a series on modern Paris.
For that first series of views of Paris, he moves in February 1897 to the Grand Hôtel de Russie. Throughout several weeks he observes through the window the whole perspective of the boulevard Montmartre, with its interminable double procession of carriages, the passers-by on the sidewalk, the reappearance of the leaves in early spring, the gas burners to illuminate the night.
Pissarro painted fourteen oils on canvas in an identical topography. Matinée de printemps, 65 x 81 cm, was sold for £ 19.7M including premium by Sotheby's on February 5, 2014 over a lower estimate of £ 7M. Fin de journée, 54 x 65 cm, is estimated £ 3.5M for sale by Sotheby's in London on June 19, lot 9.
#AuctionUpdate Brilliantly evoking the excitement of Paris at the fin-de-siécle, Camille Pissarro’s Boulevard Montmartre, fin de journée from 1897 – bathed in the warm glow of the setting sun – brings £7.1 million, besting its £5 million high est pic.twitter.com/FDc7YCBZJv— Sotheby's (@Sothebys) June 19, 2019
1928 Under the Romantic Protection of the Eiffel Tower
2016 SOLD for £ 7M including premium
The following years were very hard, but his return to Paris in 1923 with his wife Bella opens to this hypersensitive artist the happiest period of his life. His little family now lives in comfort thanks to a contract with the dealer Bernheim-Jeune and to the projects of illustrations undertaken with Vollard.
Few figurative artists managed to express a perfect happiness. On February 2 in London, Christie's sells Les Mariés de la Tour Eiffel, oil on canvas 90 x 117 cm painted in 1928, lot 24 estimated £ 4.8M.
The title is nice. Marc had married his muse thirteen years earlier but their couple in the lower right of the image retains the freshness of tenderly embraced newlyweds. Both gaze out towards the viewer while their daughter Ida aged 12 flies with her angel wings through a window to present to her parents a big bouquet of flowers.
Paris provided them the happiness and the colors are joyous. The Eiffel Tower is viewed beyond the gently animated green lawn of the Champ de Mars. The surrealism in the manner of Chagall is included : behind the Tower, trees float like clouds, bringing an additional lightness to this romantic composition.
1961 Lente Hourloupe in Paris
2015 SOLD for $ 25M including premium
He creates his own artistic style based on trivial and pun. He complacently adds an earthiness that perfectly suits his need to shock. He surprises by his difference and becomes a famous artist.
After several years in the provinces, Dubuffet rediscovered Paris in 1961. The big city appears as a capital of the joie de vivre, the last place where Hemingway had tried to lead a festive life.
The artist interprets Paris in his way in his series of paintings Paris Circus. On May 11 in New York, Christie's sells Paris Polka, lot 22A. The press release of April 7 announces an estimate in the region of $ 25M.
This large oil on canvas, 190 x 220 cm, may be read like a tourist guide with facades and names of dancing halls symbolized by boxes filled with a dancing character. One of these signs, L'Entourloupe (the rotten trick), is anticipating the unprecedented and untranslatable pun that will define the next series of his art (l'Hourloupe).
In the same year, other paintings show Parisian buses fully loaded by his stylized figures, passing signs of various trades in the street. Trinité - Champs Elysées, 116 x 89 cm, was sold for $ 6.1 million including premium by Sotheby's on 11 November 2009. Gare Montparnasse - Porte des Lilas, 165 x 217 cm, was sold for $ 4.7 million including premium by Christie's on May 14, 2002.
1961 The Life on the Grands Boulevards
2016 SOLD for $ 24M including premium
This series is entitled Paris-Circus, where circus has not the meaning of a show but instead of a frenetic activity. In a surrounding of exuberant colors, people are dull, without personality, each one in his box like within a game of the goose and they do not communicate. The drawing is resolutely naive.
Paris Polka evokes dancing rooms and pleasures. This oil on canvas 190 x 220 cm was sold for $ 25M including premium by Christie's on May 11, 2015.
Humor comes back even bitter in Les Grandes Artères, oil on canvas 114 x 146 cm for sale by Christie's in New York on November 15, lot 17 A estimated $ 15M. Please watch the videoshared by the auction house.
The composition is made in three parallel registers successively showing the roadway, the sidewalk and the dense urban pattern of shops and buildings.
In the foreground, each driver is alone in his car, stuck in traffic jam and stuck in his attitude. The childish figure is reinforced by identifying the brand of the vehicle and its license plate.
The titles of the shops are countless puns. Their often incongruous identification remind that the big city is a threat to the individual : A l'issue fatale (fatal outcome), Faillite (bankruptcy), Fruits et légumes du désespoir (Fruits and vegetables of despair). Poetry is not absent : Fin de saison (end of season) is in line with Salaisons (salted meat). The artist adds his recommendations : Buvez froid (drink cold), Urinez souvent (urinate frequently).