Decade 1780-1789
See also : Louis XIV to XVI Ancient French painting Ancient art by women Development of USA Autograph Political writing 18th century furniture Ancient French furniture Terracotta to porcelain Austria II Coin Gold coins Coins 1776-92 Music Jade Dragon
1782 Venetian Impressions
2014 SOLD 9.9 M£ including premium
Pupil and imitator of Canaletto, Francesco Guardi appears on the vedutist market during the last decade of his master. He innovates with very large formats.
Canaletto dies in 1768. Guardi's art gets more freedom. He now waives the strict topographic truth while maintaining an extreme detail in the monuments and an intense and picturesque animation.
Around 1780 Guardi loves to show Venice in its greatest splendor when the bright sun of late morning reveals all the warm shades of the color of the stone. The term 'Impressionism' sometimes used to describe the style of his later period is not a reference to the future French school but to his desire to restore the atmosphere of the place, anticipating the art of Constable.
The view of Venice for sale by Christie's in London on July 8 has all these qualities. The magnificent panorama from the Bacino di San Marco includes the Piazzetta and is centered on the Doge's Palace. This oil on canvas 70 x 102 cm is estimated £ 8M.
The paintings by Canaletto and Guardi are not dated, but fortunately for the chronologist the grand tours of their wealthy English clients provide some accurate information. This one was purchased between 1782 and 1784 by the 5th Earl of Shaftesbury.
POST SALE COMMENT
This view of Venice from one of the best periods of Francesco Guardi was sold for £ 9.9 million including premium.
I invite you to play the video shared by Christie's, including an interesting comparison in the treatment of the surface of water between this painting and a view of Venice by Monet.
Canaletto dies in 1768. Guardi's art gets more freedom. He now waives the strict topographic truth while maintaining an extreme detail in the monuments and an intense and picturesque animation.
Around 1780 Guardi loves to show Venice in its greatest splendor when the bright sun of late morning reveals all the warm shades of the color of the stone. The term 'Impressionism' sometimes used to describe the style of his later period is not a reference to the future French school but to his desire to restore the atmosphere of the place, anticipating the art of Constable.
The view of Venice for sale by Christie's in London on July 8 has all these qualities. The magnificent panorama from the Bacino di San Marco includes the Piazzetta and is centered on the Doge's Palace. This oil on canvas 70 x 102 cm is estimated £ 8M.
The paintings by Canaletto and Guardi are not dated, but fortunately for the chronologist the grand tours of their wealthy English clients provide some accurate information. This one was purchased between 1782 and 1784 by the 5th Earl of Shaftesbury.
POST SALE COMMENT
This view of Venice from one of the best periods of Francesco Guardi was sold for £ 9.9 million including premium.
I invite you to play the video shared by Christie's, including an interesting comparison in the treatment of the surface of water between this painting and a view of Venice by Monet.
1784 Louis XVI Console with Sèvres Plaques
2002 SOLD for £ 2.65M including premium by Christie's
narrated in 2021
In the 1780s, furniture decorated with Sèvres porcelain plaques is the pinnacle of luxury, rivaling the pietre dure and the Japanese lacquers. The marchand mercier Dominique Daguerre obtains a virtual monopoly with the Manufacture. Although his clientele is international, this style of furniture is extremely rare.
The traceability is excellent. The porcelains are signed and dated with a letter code. For the two consoles below, Daguerre's purchases have been identified unambiguously in the Sèvres archives. In 1784 he had only acquired three sets of plaques, five and three plaques in a group purchase, then five plaques. In the second half of 1786, Daguerre's only purchase was a set of five plaques at the same prices as the first batch of 1784. Daguerre had this type of furniture made by Carlin.
From 1976 to 1979, the two consoles dessertes belonged to the exceptional collection of Akram Ojjeh. They are of the same model, with three plaques on the front face and two side plates. The porcelain flower paintings were monogramed by the same artist. The consoles are in solid mahogany with identical dimensions, 91 x 135 x 51 cm.
The earliest, considered as a prototype, had not been kept by Ojjeh. The porcelains are dated 1784 and it is stamped by Carlin. It was sold by Christie's on December 12, 2002 for £ 2.65M including premium from a lower estimate of £ 1M, lot 50.
On the other console, the porcelains dated 1786 have thus been made after Carlin's death. It was probably assembled by Weisweiler. Coming from the Ojjeh estate, it was sold for FF 10M including premium by Christie's on December 11, 1999 from a lower estimate of FF 5M.
The traceability is excellent. The porcelains are signed and dated with a letter code. For the two consoles below, Daguerre's purchases have been identified unambiguously in the Sèvres archives. In 1784 he had only acquired three sets of plaques, five and three plaques in a group purchase, then five plaques. In the second half of 1786, Daguerre's only purchase was a set of five plaques at the same prices as the first batch of 1784. Daguerre had this type of furniture made by Carlin.
From 1976 to 1979, the two consoles dessertes belonged to the exceptional collection of Akram Ojjeh. They are of the same model, with three plaques on the front face and two side plates. The porcelain flower paintings were monogramed by the same artist. The consoles are in solid mahogany with identical dimensions, 91 x 135 x 51 cm.
The earliest, considered as a prototype, had not been kept by Ojjeh. The porcelains are dated 1784 and it is stamped by Carlin. It was sold by Christie's on December 12, 2002 for £ 2.65M including premium from a lower estimate of £ 1M, lot 50.
On the other console, the porcelains dated 1786 have thus been made after Carlin's death. It was probably assembled by Weisweiler. Coming from the Ojjeh estate, it was sold for FF 10M including premium by Christie's on December 11, 1999 from a lower estimate of FF 5M.
1786 The Master of the New Frontier
2010 SOLD for HK$ 122M including premium by Sotheby's
2019 SOLD for RMB 94M including premium
PRE 2019 SALE DISCUSSION
Belonging to the Qing dynasty of Manchu origin, the Qianlong emperor wants to unify all the Chinese ethnic groups, certainly to escape a hegemony of the Han. His territory is separated from the Mongols and Tibetans by a rebel people, the Dzungars.
The war against the Dzungars ends with a Qing victory in the 24th year of the reign matching 1759 CE. The strategy proposed by the emperor himself had been determining. The area is emptied of its original occupants by genocide, deportation and smallpox and becomes Shintian (or Xinjiang) meaning new frontier.
Qianlong is immensely proud of his civilizing achievement on behalf of the authentic Chinese people. He agrees to add to his nicknames that of master of Shintian which is partly a homophony with Xintian Shuren meaning "the ruler who believes in heaven". In that period he has a significant quantity of seals made with that name.
Time passes. The emperor is getting older. During the 49th year of the reign, courtiers seek to reinterpret the sobriquet. Qianlong complacently writes a poem in which he is astonished that his civilizing work has been so completely supported by the heavens. New Xintian Shuren seals will be regularly created over the years to honor Shintian's master.
On October 7, 2010, Sotheby's sold as lot 2103 for HK $ 122M including premium a very large seal with that mark. It will be sold by Poly in Beijing on June 5, lot 5569.
This piece 12.9 cm square and 11 cm high in greenish white jade weighs 3.5 kg. The knob consists of a pair of superbly sculpted crossed dragons. Its production including chiseling and inscription had lasted five months. It is identified in the imperial archives during the 51st year of the reign matching 1786 CE.
Belonging to the Qing dynasty of Manchu origin, the Qianlong emperor wants to unify all the Chinese ethnic groups, certainly to escape a hegemony of the Han. His territory is separated from the Mongols and Tibetans by a rebel people, the Dzungars.
The war against the Dzungars ends with a Qing victory in the 24th year of the reign matching 1759 CE. The strategy proposed by the emperor himself had been determining. The area is emptied of its original occupants by genocide, deportation and smallpox and becomes Shintian (or Xinjiang) meaning new frontier.
Qianlong is immensely proud of his civilizing achievement on behalf of the authentic Chinese people. He agrees to add to his nicknames that of master of Shintian which is partly a homophony with Xintian Shuren meaning "the ruler who believes in heaven". In that period he has a significant quantity of seals made with that name.
Time passes. The emperor is getting older. During the 49th year of the reign, courtiers seek to reinterpret the sobriquet. Qianlong complacently writes a poem in which he is astonished that his civilizing work has been so completely supported by the heavens. New Xintian Shuren seals will be regularly created over the years to honor Shintian's master.
On October 7, 2010, Sotheby's sold as lot 2103 for HK $ 122M including premium a very large seal with that mark. It will be sold by Poly in Beijing on June 5, lot 5569.
This piece 12.9 cm square and 11 cm high in greenish white jade weighs 3.5 kg. The knob consists of a pair of superbly sculpted crossed dragons. Its production including chiseling and inscription had lasted five months. It is identified in the imperial archives during the 51st year of the reign matching 1786 CE.
1786 Commode by Carlin and Weisweiler
1999 SOLD for FF 46M including premium by Christie's
narrated in 2020
On December 11, 1999, Christie's sold for FF 46M including premium, which would later correspond to € 7M, a Louis XVI commode à encoignures stamped by both Carlin and Weisweiler, from a lower estimate of FF 15M.
This 91 x 135 x 51 cm piece of furniture responds to the fashion for inlays of luxurious materials launched under Louis XV by the marchand-mercier Poirier. It is in ebony veneer, blackened wood, copper and pewter marquetry, relief inlays of pietra dura from the Gobelins, Florentine pictures in pietra dura marquetry, and adorned with gilded bronzes.
Daguerre succeeded Poirier in 1777. The cabinetmaker Carlin, who was one of the major suppliers of Poirier and Daguerre, died in 1785. Weisweiler took over de facto from Carlin for supplies to Daguerre.
The Florentine plaques constitute the major element of the decoration of that commode. They had been recovered from some cabinet made around 1700 in the Grand Ducal workshops. Out of fashion, the monumental Florentine cabinets in the French royal collections had been sold by the Garde Meuble from 1741.
The commode is not listed in the inventory after Carlin's death and its mark is undoubtedly posthumous, before his widow remarried with another cabinetmaker in 1786.
Daguerre settles permanently in 1789 in London where the Prince of Wales, future George IV, is furnishing in the greatest luxury his new residence of Carlton House.
The inventory of the Carlton House Council Salon, carried out in 1793, lists two pietra dura commodes, similar to each other. One of them, still in the British Royal Collection and stamped by Weisweiler, is probably the commode sold by James Christie in March 1791 directly from the stock transferred to London by Daguerre. The other, which no longer appears in 1806 in the collection of the Prince of Wales, is probably the Carlin-Weisweiler commode.
This 91 x 135 x 51 cm piece of furniture responds to the fashion for inlays of luxurious materials launched under Louis XV by the marchand-mercier Poirier. It is in ebony veneer, blackened wood, copper and pewter marquetry, relief inlays of pietra dura from the Gobelins, Florentine pictures in pietra dura marquetry, and adorned with gilded bronzes.
Daguerre succeeded Poirier in 1777. The cabinetmaker Carlin, who was one of the major suppliers of Poirier and Daguerre, died in 1785. Weisweiler took over de facto from Carlin for supplies to Daguerre.
The Florentine plaques constitute the major element of the decoration of that commode. They had been recovered from some cabinet made around 1700 in the Grand Ducal workshops. Out of fashion, the monumental Florentine cabinets in the French royal collections had been sold by the Garde Meuble from 1741.
The commode is not listed in the inventory after Carlin's death and its mark is undoubtedly posthumous, before his widow remarried with another cabinetmaker in 1786.
Daguerre settles permanently in 1789 in London where the Prince of Wales, future George IV, is furnishing in the greatest luxury his new residence of Carlton House.
The inventory of the Carlton House Council Salon, carried out in 1793, lists two pietra dura commodes, similar to each other. One of them, still in the British Royal Collection and stamped by Weisweiler, is probably the commode sold by James Christie in March 1791 directly from the stock transferred to London by Daguerre. The other, which no longer appears in 1806 in the collection of the Prince of Wales, is probably the Carlin-Weisweiler commode.
1786 Joseph Brant by Gilbert Stuart
2014 SOLD for £ 4.1M including premium by Sotheby's
narrated in 2021
The Mohawks, who were one of the six nations of the Iroquois Confederacy, were established in upper New York State.
The Mohawk captain Joseph Brant had been an unwavering ally of the British in the wars against the French and then against the American rebels. His mastery of the English language enabled him to become the most important negotiator of the Iroquois cause, and he was honored as such by King George III. He was a pious Anglican. Brant is an alteration of the first name given by white people to his father.
He made two diplomatic stays in London, in 1775-1776 and 1785-1786. Like the Polynesian Omai whose portrait was painted by Reynolds in 1776, he aroused curiosity in aristocratic salons, skillfully exploiting his "noble savage" personality and not hesitating to show himself in public in an Iroquois costume.
His second stay in London follows the Treaty of Paris of 1783, because of which the British could no longer keep the promises made to their native American allies. Joseph reunites with his only white friend, Earl Percy, of whom he had been a comrade in arms during the New York campaign in 1776. Percy acceded in 1786 to the Duchy of Northumberland.
Percy, who had a strong temperament, supported the Loyalist American painter Gilbert Stuart, in exile in England since 1775. A portrait of Joseph by Stuart, oil on canvas 76 x 61 cm, had been commissioned by him in 1786. Still in the ownership of the Dukes of Northumberland, it was sold by Sotheby's on July 9, 2014 for £ 4.1M including premium from a lower estimate of £ 1M, lot 21.
The 43 year old Mohawk warrior has a tall feathered headdress and large silver ornaments on his coat. His upright and intelligent manner is in line with his diplomatic mission. The image is shared by Wikimedia.
The Mohawk captain Joseph Brant had been an unwavering ally of the British in the wars against the French and then against the American rebels. His mastery of the English language enabled him to become the most important negotiator of the Iroquois cause, and he was honored as such by King George III. He was a pious Anglican. Brant is an alteration of the first name given by white people to his father.
He made two diplomatic stays in London, in 1775-1776 and 1785-1786. Like the Polynesian Omai whose portrait was painted by Reynolds in 1776, he aroused curiosity in aristocratic salons, skillfully exploiting his "noble savage" personality and not hesitating to show himself in public in an Iroquois costume.
His second stay in London follows the Treaty of Paris of 1783, because of which the British could no longer keep the promises made to their native American allies. Joseph reunites with his only white friend, Earl Percy, of whom he had been a comrade in arms during the New York campaign in 1776. Percy acceded in 1786 to the Duchy of Northumberland.
Percy, who had a strong temperament, supported the Loyalist American painter Gilbert Stuart, in exile in England since 1775. A portrait of Joseph by Stuart, oil on canvas 76 x 61 cm, had been commissioned by him in 1786. Still in the ownership of the Dukes of Northumberland, it was sold by Sotheby's on July 9, 2014 for £ 4.1M including premium from a lower estimate of £ 1M, lot 21.
The 43 year old Mohawk warrior has a tall feathered headdress and large silver ornaments on his coat. His upright and intelligent manner is in line with his diplomatic mission. The image is shared by Wikimedia.
1787 First Flights of the Eagle
2021 SOLD for $ 9.4M including premium
The independence of the United States creates the need for a national emblem which will be affixed from an official seal. The project was accepted by Congress after six years, in 1782. It was double-sided, so that it could be printed at the end of a ribbon, but in practice only the face with the heraldic eagle would be used.
The popular iconography seized on this patriotic symbol in 1786, with the engravings prepared by James Trenchard for the first two issues of Columbian Magazine. The eagle with its outstretched wings, the thirteen stripes on the breast shield, the olive branch and the arrows appeared in 1787 on the reverse side of the Cent and Half Cent from Massachusetts.
The first gold coin illustrated with these symbols is the New York-style Brasher doubloon, also in 1787. The finest of the seven known examples, graded MS65 by NGC, will be sold by Heritage in Dallas on January 21, lot 3934.
Brasher was a metallurgist and definitely not an artist, which is amply demonstrated by his Lima-style doubloon prepared in 1786. In the meantime he partnered with the designer John Bailey. His new doubloon is superbly engraved on both sides. The centering is very good, with full readability all around.
Both sides are inspired by the national emblem. The eagle has all of its attributes, including the constellation of thirteen stars around its head. On the other side, the Eye of Providence shines its radiant light from above a pyramidal mountain. The inscription conforms to the federal motto E Pluribus Unum but the production is located in Nova Eboraca (New York).
Brasher's Lima-type and New York-type doubloons were not documented in period, which confirms how limited their use was. The gold alloy had undoubtedly been recovered by the melting of some jewelry. Brasher assayer's punch EB gave these coins an authorization for circulation and they are considered regular by numismatists.
A half doubloon is kept at the Smithsonian. It was made with the same dies and a thinner planchet. Unlike the doubloons of the same year but in accordance with the two known Lima style doubloons, some trimming was required to adjust the weight. This half doubloon was perhaps an intermediate version for testing the dies.
The popular iconography seized on this patriotic symbol in 1786, with the engravings prepared by James Trenchard for the first two issues of Columbian Magazine. The eagle with its outstretched wings, the thirteen stripes on the breast shield, the olive branch and the arrows appeared in 1787 on the reverse side of the Cent and Half Cent from Massachusetts.
The first gold coin illustrated with these symbols is the New York-style Brasher doubloon, also in 1787. The finest of the seven known examples, graded MS65 by NGC, will be sold by Heritage in Dallas on January 21, lot 3934.
Brasher was a metallurgist and definitely not an artist, which is amply demonstrated by his Lima-style doubloon prepared in 1786. In the meantime he partnered with the designer John Bailey. His new doubloon is superbly engraved on both sides. The centering is very good, with full readability all around.
Both sides are inspired by the national emblem. The eagle has all of its attributes, including the constellation of thirteen stars around its head. On the other side, the Eye of Providence shines its radiant light from above a pyramidal mountain. The inscription conforms to the federal motto E Pluribus Unum but the production is located in Nova Eboraca (New York).
Brasher's Lima-type and New York-type doubloons were not documented in period, which confirms how limited their use was. The gold alloy had undoubtedly been recovered by the melting of some jewelry. Brasher assayer's punch EB gave these coins an authorization for circulation and they are considered regular by numismatists.
A half doubloon is kept at the Smithsonian. It was made with the same dies and a thinner planchet. Unlike the doubloons of the same year but in accordance with the two known Lima style doubloons, some trimming was required to adjust the weight. This half doubloon was perhaps an intermediate version for testing the dies.
Heritage Auctions will offer the Donald G. Partrick Collection in a series of auctions over the next year, making available one of the most historic collections of American colonial coins ever assembled.https://t.co/lZtpZzLOKC#Coins #DonaldPartrick pic.twitter.com/0a798TEqkh
— Heritage Auctions (@HeritageAuction) August 11, 2020
"The World's Most Famous Coin" and a selection of seven-figure rarities could make numismatic history in Heritage Auctions' Jan. 20-24 U.S. Coins events held in Dallas.https://t.co/2oN3W3GbmL#USCoins #Coins pic.twitter.com/VxcRdUR9XC
— Heritage Auctions - Coins (@heritagecoins) January 7, 2021
Join us tomorrow for a little F-U-N!
— Heritage Auctions (@HeritageAuction) January 20, 2021
It is a coin any collector would love to own, but only one will be able to possess. We could only be talking about the 1787 New York-Style Brasher Doubloon!
Jan. 20-24 FUN US Coins Auction #HeritageAuctions #coins https://t.co/Jq3TVG58jP pic.twitter.com/wysPjhL8uk
1787 Doblons for New York
2014 SOLD 4.6 M$ including premium
When the United States declared their independence, the issue of monetary autonomy became a puzzle whose importance was vital to the new state. In 1783 the first federal project named Nova Constellatio is a failure. In 1785, a step forward is made with the naming of the new currency, the dollar.
Meanwhile, business transactions use large foreign gold coins, dominated by those from the Spanish colonies in South America. Banks and grand merchants are the only users of such coins. To deal against counterfeiting, they have their gold checked by specialists, the assayers, who put their own punch on the controlled pieces.
Ephraim Brasher is a goldsmith operating in New York City where he is a neighbor and supplier of George Washington, the President, known as a great lover of silverware. Brasher appreciates that he can play a role in the fight against the monetary anarchy, but his offer in early 1787 to carry out a copper coinage for the state of New York is rejected.
Brasher is an assayer. He knows well the doblon of Lima, a large gold coin worth 8 escudos and weighing 26 grams, whose name is anglicized to doubloon. Circa 1786, he produces in his workshop some Lima-type doubloons which are not fakes because their gold content is correct.
Brasher changes his theme in 1787 for producing doubloons and half doubloons to the use of New York identified under the Latin name Nova Eboraca. The pieces are stamped with his initials, EB, with two possible positions on the wing and on the breast of the eagle. Although their centering and cutting are awkward, they are beautiful coins whose design is sharp enough to discourage counterfeiting.
The only known Brasher doubloon with the mark on the breast was sold for $ 7.395 million in a private sale in December 2011, although its condition is only graded AU50 by PCGS.
On January 9 in Orlando, Heritage sells one from only two units in mint condition from an overall surviving total of six wing marked doubloons. The coin for sale is graded MS63 by PCGS. Here is the link to the catalog.
The coin for sale had been the first Brasher doubloon that was described in the nineteenth century. It was at that time in the estate of an important dealer importer named Gilmor also known as an early collector of coins.
This mercantile provenance strengthens the argument that the Brasher doubloon, earliest gold coin made for circulation in the United States, was designed to supersede the foreign currencies in large commercial operations. Other assumptions are however not rejected such as a promotional operation or a demonstration of know how.
POST SALE COMMENT
This great coin was sold for $ 4.6M including premium.
PRIVATE SALE IN 2018 :
Meanwhile, business transactions use large foreign gold coins, dominated by those from the Spanish colonies in South America. Banks and grand merchants are the only users of such coins. To deal against counterfeiting, they have their gold checked by specialists, the assayers, who put their own punch on the controlled pieces.
Ephraim Brasher is a goldsmith operating in New York City where he is a neighbor and supplier of George Washington, the President, known as a great lover of silverware. Brasher appreciates that he can play a role in the fight against the monetary anarchy, but his offer in early 1787 to carry out a copper coinage for the state of New York is rejected.
Brasher is an assayer. He knows well the doblon of Lima, a large gold coin worth 8 escudos and weighing 26 grams, whose name is anglicized to doubloon. Circa 1786, he produces in his workshop some Lima-type doubloons which are not fakes because their gold content is correct.
Brasher changes his theme in 1787 for producing doubloons and half doubloons to the use of New York identified under the Latin name Nova Eboraca. The pieces are stamped with his initials, EB, with two possible positions on the wing and on the breast of the eagle. Although their centering and cutting are awkward, they are beautiful coins whose design is sharp enough to discourage counterfeiting.
The only known Brasher doubloon with the mark on the breast was sold for $ 7.395 million in a private sale in December 2011, although its condition is only graded AU50 by PCGS.
On January 9 in Orlando, Heritage sells one from only two units in mint condition from an overall surviving total of six wing marked doubloons. The coin for sale is graded MS63 by PCGS. Here is the link to the catalog.
The coin for sale had been the first Brasher doubloon that was described in the nineteenth century. It was at that time in the estate of an important dealer importer named Gilmor also known as an early collector of coins.
This mercantile provenance strengthens the argument that the Brasher doubloon, earliest gold coin made for circulation in the United States, was designed to supersede the foreign currencies in large commercial operations. Other assumptions are however not rejected such as a promotional operation or a demonstration of know how.
POST SALE COMMENT
This great coin was sold for $ 4.6M including premium.
PRIVATE SALE IN 2018 :
1787 Brasher #gold doubloon changes hands for more than $5 million in private sale https://t.co/FE1uy1Zzat via @CoinNews #numismatics pic.twitter.com/L0X9E3fZd3
— David L. Tranbarger (@dltcoins) March 23, 2018
Please watch the video shared by Heritage :
1787 Diana and Callisto by Gaetano Gandolfi
2010 SOLD for $ 4.1M including premium by Christie's
narrated in 2016 before the sale of another painting by Christie's (see below)
In the century of Boucher, mythology is an excuse to show the nude. Gaetano Gandolfi works in Bologna. His neoclassical groups are like a choreography of Nymphs, Graces and Cupids whirling around the main goddess.
One of his most important works is a pair of paintings made to order for an anonymous Russian client. It is attested by a letter from Mauro Gandolfi who desired to find the preparatory drawings made by his father.
The patron is now identified with a strong presumption as a prince Yusupov who was ambassador to Turin and had a great collection of modern paintings. The appointment of this aristocrat as an honorary member of the Accademia Clementina in Bologna in 1787 provides a plausible date to the commission executed by Gandolfi.
The two oil paintings of the same size 148 x 170 cm resurfaced separately. Their processing of the theme of love is in opposition.
Diana and Callisto was sold by Christie's for $ 4.1M including premium on January 27, 2010 over a lower estimate of $ 800K, lot 29. The chaste goddess is a vigilante refusing an amnesty to Callisto naked by the nymphs to reveal her pregnancy. The image is shared by Wikimedia.
The Birth of Venus is the classic episode of fertility and hope. The fully grown newborn goddess rises out of her shell to entice her surrounding. This painting was sold for $ 2.63M by Christie's on April 14, 2016, lot 115.
One of his most important works is a pair of paintings made to order for an anonymous Russian client. It is attested by a letter from Mauro Gandolfi who desired to find the preparatory drawings made by his father.
The patron is now identified with a strong presumption as a prince Yusupov who was ambassador to Turin and had a great collection of modern paintings. The appointment of this aristocrat as an honorary member of the Accademia Clementina in Bologna in 1787 provides a plausible date to the commission executed by Gandolfi.
The two oil paintings of the same size 148 x 170 cm resurfaced separately. Their processing of the theme of love is in opposition.
Diana and Callisto was sold by Christie's for $ 4.1M including premium on January 27, 2010 over a lower estimate of $ 800K, lot 29. The chaste goddess is a vigilante refusing an amnesty to Callisto naked by the nymphs to reveal her pregnancy. The image is shared by Wikimedia.
The Birth of Venus is the classic episode of fertility and hope. The fully grown newborn goddess rises out of her shell to entice her surrounding. This painting was sold for $ 2.63M by Christie's on April 14, 2016, lot 115.
1788 The Ambassador from Mysore
2019 SOLD for $ 7.2M including premium
Louise-Elisabeth Vigée Le Brun becomes in 1778 an official painter of Queen Marie-Antoinette. The court highly appreciates her charming and exquisite portraits. Her pictures of the queen, born like her in 1755, are of a young woman dressed simply and audaciously altogether. She will have this comment on that carefree period : "Women were reigning then, the Revolution has dethroned them."
The arrival in Paris in July 1788 of three ambassadors from Mysore with a suite of about thirty people is a sensational and picturesque event. Great enemy of the English, the Sultan of Mysore was preparing a new war and hoped to be helped by France. The sumptuous Muslim clothes of his diplomats ensure their credibility.
Elisabeth remembers opportunely that one of her earliest ambitions had been to be a history painter. With the indispensable support of King Louis XVI, she obtains the authorization to paint the portraits of these exotic lords.
On January 30 in New York, Sotheby's sells the full length portrait of the leader of the delegation, lot 48 estimated $ 4M.
This oil on canvas 226 x 136 cm shows the white bearded man holding an oriental sword with curved blade. This composition is reminiscent of the portrait of the young Polynesian prince Omai by Reynolds in 1776. The exotic traveler is shown life-size, standing in front of a landscape in a counter-dive view that increases his dignity.
The image shared by Wikimedia is trimmed on the left and lower edges.
The arrival in Paris in July 1788 of three ambassadors from Mysore with a suite of about thirty people is a sensational and picturesque event. Great enemy of the English, the Sultan of Mysore was preparing a new war and hoped to be helped by France. The sumptuous Muslim clothes of his diplomats ensure their credibility.
Elisabeth remembers opportunely that one of her earliest ambitions had been to be a history painter. With the indispensable support of King Louis XVI, she obtains the authorization to paint the portraits of these exotic lords.
On January 30 in New York, Sotheby's sells the full length portrait of the leader of the delegation, lot 48 estimated $ 4M.
This oil on canvas 226 x 136 cm shows the white bearded man holding an oriental sword with curved blade. This composition is reminiscent of the portrait of the young Polynesian prince Omai by Reynolds in 1776. The exotic traveler is shown life-size, standing in front of a landscape in a counter-dive view that increases his dignity.
The image shared by Wikimedia is trimmed on the left and lower edges.
1789 Creation of American Freedoms
2012 SOLD 9.8 M$ including premium
During the ten years following the Declaration of Independence of the United States, the Congress sets up a code known as the Articles of Confederation to manage the relations between the states. Too idealistic, this first law is a failure.
The founders of the nation are now trying to redefine the delicate balance between the executive and legislative branches while considering also the need for autonomy of each state. Their work is outstanding, since the system defined between 1787 and 1789 is still the foundation of the US law.
George Washington is one of the key figures in this success. On June 22 in New York, Christie's sells his personal copy of the main acts of Congress. This collection gathers the Constitution, various acts including the creation of major Executive Departments, and the first draft of twelve articles known as the Bill of Rights for an effective and pragmatic definition of freedoms.
This collection was a working document for the new President. It is also a much valuable autograph: signed on the title page, it includes handwritten notes in the margin of several acts.
This collection of 53 sheets 30 x 19 cm assembled in 1789 in a binding probably made in the same year remains in excellent condition. It is difficult to predict the price of such a treasure, but the auction house tries an estimate: $ 2M to 3M. Here is the link to the catalog.
POST SALE COMMENT
US people know to recognize their historical documents of great importance. This extraordinary witness of the birth of the Constitution was sold $ 9.8 million including premium.
I invite you to play the video shared before sale on YouTube from Fox News :
The founders of the nation are now trying to redefine the delicate balance between the executive and legislative branches while considering also the need for autonomy of each state. Their work is outstanding, since the system defined between 1787 and 1789 is still the foundation of the US law.
George Washington is one of the key figures in this success. On June 22 in New York, Christie's sells his personal copy of the main acts of Congress. This collection gathers the Constitution, various acts including the creation of major Executive Departments, and the first draft of twelve articles known as the Bill of Rights for an effective and pragmatic definition of freedoms.
This collection was a working document for the new President. It is also a much valuable autograph: signed on the title page, it includes handwritten notes in the margin of several acts.
This collection of 53 sheets 30 x 19 cm assembled in 1789 in a binding probably made in the same year remains in excellent condition. It is difficult to predict the price of such a treasure, but the auction house tries an estimate: $ 2M to 3M. Here is the link to the catalog.
POST SALE COMMENT
US people know to recognize their historical documents of great importance. This extraordinary witness of the birth of the Constitution was sold $ 9.8 million including premium.
I invite you to play the video shared before sale on YouTube from Fox News :
1789 pair of Qianlong Jade Seals
2011 Dec 6 SOLD for HK$ 43M including premium by Poly, lot 4981
Link to post sale press release (not illustrated)
