Decade 1780-1789
See also : Louis XIV to XVI Ancient French painting Ancient art by women Birth of USA Autograph Political writing 18th century furniture Ancient French furniture European ceramics Austria II Coin Early US coins Gold coins Music Musical instrument Violin Jade Dragon
1782 Venetian Impressions
2014 SOLD 9.9 M£ including premium
Pupil and imitator of Canaletto, Francesco Guardi appears on the vedutist market during the last decade of his master. He innovates with very large formats.
Canaletto dies in 1768. Guardi's art gets more freedom. He now waives the strict topographic truth while maintaining an extreme detail in the monuments and an intense and picturesque animation.
Around 1780 Guardi loves to show Venice in its greatest splendor when the bright sun of late morning reveals all the warm shades of the color of the stone. The term 'Impressionism' sometimes used to describe the style of his later period is not a reference to the future French school but to his desire to restore the atmosphere of the place, anticipating the art of Constable.
The view of Venice for sale by Christie's in London on July 8 has all these qualities. The magnificent panorama from the Bacino di San Marco includes the Piazzetta and is centered on the Doge's Palace. This oil on canvas 70 x 102 cm is estimated £ 8M.
The paintings by Canaletto and Guardi are not dated, but fortunately for the chronologist the grand tours of their wealthy English clients provide some accurate information. This one was purchased between 1782 and 1784 by the 5th Earl of Shaftesbury.
POST SALE COMMENT
This view of Venice from one of the best periods of Francesco Guardi was sold for £ 9.9 million including premium.
I invite you to play the video shared by Christie's, including an interesting comparison in the treatment of the surface of water between this painting and a view of Venice by Monet.
Canaletto dies in 1768. Guardi's art gets more freedom. He now waives the strict topographic truth while maintaining an extreme detail in the monuments and an intense and picturesque animation.
Around 1780 Guardi loves to show Venice in its greatest splendor when the bright sun of late morning reveals all the warm shades of the color of the stone. The term 'Impressionism' sometimes used to describe the style of his later period is not a reference to the future French school but to his desire to restore the atmosphere of the place, anticipating the art of Constable.
The view of Venice for sale by Christie's in London on July 8 has all these qualities. The magnificent panorama from the Bacino di San Marco includes the Piazzetta and is centered on the Doge's Palace. This oil on canvas 70 x 102 cm is estimated £ 8M.
The paintings by Canaletto and Guardi are not dated, but fortunately for the chronologist the grand tours of their wealthy English clients provide some accurate information. This one was purchased between 1782 and 1784 by the 5th Earl of Shaftesbury.
POST SALE COMMENT
This view of Venice from one of the best periods of Francesco Guardi was sold for £ 9.9 million including premium.
I invite you to play the video shared by Christie's, including an interesting comparison in the treatment of the surface of water between this painting and a view of Venice by Monet.
1783 A Real Guadagnini for Rostropovich
2018 SOLD for £ 1.93M including premium
Like Stradivari before him, Guadagnini never stopped improving his instruments, seeking the strength of the violin and the voice of the cello. Carlo Ferrari, who was his most important patron in his first three residences, was a virtuoso cellist.
Arrived in 1771 in Turin which will be his fourth and last residence, Guadagnini agrees from 1773 to 1777 to work exclusively for Cozio who was a great admirer of Stradivari. At this time Guadagnini adds the information "Cremonensis alumnus Antonii Stradivari" on his labels. His cellos of this period are short, without loss of sound thanks to a modification of the shape which increases the surface of wood in the cavity.
Mstislav Rostropovich was one of the greatest performers of the cello. For his first success, the gold medal at the Soviet Young Musicians Competition in 1945, he had played a Guadagnini.
In exile from 1974, Rostropovich had appraised the cello of his first glory and learned that its label was apocryphal and that the instrument had nothing to do with a Guadagnini. He is therefore on the watch to acquire an excellent Guadagnini. He will wait a quarter of a century.
The Guadagnini cello bought by Rostropovitch in 2000 is from the best period : made in Turin in 1783 three years before the death of the luthier, it is one of the last instruments of the master and has kept intact its dark intense red-brown varnish typical of that period. It is estimated £ 1M for sale by Sotheby's in London on November 28, lot 42.
Arrived in 1771 in Turin which will be his fourth and last residence, Guadagnini agrees from 1773 to 1777 to work exclusively for Cozio who was a great admirer of Stradivari. At this time Guadagnini adds the information "Cremonensis alumnus Antonii Stradivari" on his labels. His cellos of this period are short, without loss of sound thanks to a modification of the shape which increases the surface of wood in the cavity.
Mstislav Rostropovich was one of the greatest performers of the cello. For his first success, the gold medal at the Soviet Young Musicians Competition in 1945, he had played a Guadagnini.
In exile from 1974, Rostropovich had appraised the cello of his first glory and learned that its label was apocryphal and that the instrument had nothing to do with a Guadagnini. He is therefore on the watch to acquire an excellent Guadagnini. He will wait a quarter of a century.
The Guadagnini cello bought by Rostropovitch in 2000 is from the best period : made in Turin in 1783 three years before the death of the luthier, it is one of the last instruments of the master and has kept intact its dark intense red-brown varnish typical of that period. It is estimated £ 1M for sale by Sotheby's in London on November 28, lot 42.
Take an unprecedented glimpse into the lives and loves of two of Russia’s greatest musical legends. Visit our London galleries to view the private collection of #Rostropovich and Vishnevskaya or click ahead to see highlights https://t.co/tDnS2NOICK #SothebysRussia pic.twitter.com/ymPge0oA5s
— Sotheby's (@Sothebys) November 23, 2018
1784 Sèvres mounted Console by Carlin
2002 SOLD for £ 2.65M including premium by Christie's
Link to catalogue.
1786 The Master of the New Frontier
2010 SOLD for HK$ 122M including premium by Sotheby's
2019 SOLD for RMB 94M including premium
PRE 2019 SALE DISCUSSION
Belonging to the Qing dynasty of Manchu origin, the Qianlong emperor wants to unify all the Chinese ethnic groups, certainly to escape a hegemony of the Han. His territory is separated from the Mongols and Tibetans by a rebel people, the Dzungars.
The war against the Dzungars ends with a Qing victory in the 24th year of the reign matching 1759 CE. The strategy proposed by the emperor himself had been determining. The area is emptied of its original occupants by genocide, deportation and smallpox and becomes Shintian (or Xinjiang) meaning new frontier.
Qianlong is immensely proud of his civilizing achievement on behalf of the authentic Chinese people. He agrees to add to his nicknames that of master of Shintian which is partly a homophony with Xintian Shuren meaning "the ruler who believes in heaven". In that period he has a significant quantity of seals made with that name.
Time passes. The emperor is getting older. During the 49th year of the reign, courtiers seek to reinterpret the sobriquet. Qianlong complacently writes a poem in which he is astonished that his civilizing work has been so completely supported by the heavens. New Xintian Shuren seals will be regularly created over the years to honor Shintian's master.
On October 7, 2010, Sotheby's sold as lot 2103 for HK $ 122M including premium a very large seal with that mark. It will be sold by Poly in Beijing on June 5, lot 5569.
This piece 12.9 cm square and 11 cm high in greenish white jade weighs 3.5 kg. The knob consists of a pair of superbly sculpted crossed dragons. Its production including chiseling and inscription had lasted five months. It is identified in the imperial archives during the 51st year of the reign matching 1786 CE.
Belonging to the Qing dynasty of Manchu origin, the Qianlong emperor wants to unify all the Chinese ethnic groups, certainly to escape a hegemony of the Han. His territory is separated from the Mongols and Tibetans by a rebel people, the Dzungars.
The war against the Dzungars ends with a Qing victory in the 24th year of the reign matching 1759 CE. The strategy proposed by the emperor himself had been determining. The area is emptied of its original occupants by genocide, deportation and smallpox and becomes Shintian (or Xinjiang) meaning new frontier.
Qianlong is immensely proud of his civilizing achievement on behalf of the authentic Chinese people. He agrees to add to his nicknames that of master of Shintian which is partly a homophony with Xintian Shuren meaning "the ruler who believes in heaven". In that period he has a significant quantity of seals made with that name.
Time passes. The emperor is getting older. During the 49th year of the reign, courtiers seek to reinterpret the sobriquet. Qianlong complacently writes a poem in which he is astonished that his civilizing work has been so completely supported by the heavens. New Xintian Shuren seals will be regularly created over the years to honor Shintian's master.
On October 7, 2010, Sotheby's sold as lot 2103 for HK $ 122M including premium a very large seal with that mark. It will be sold by Poly in Beijing on June 5, lot 5569.
This piece 12.9 cm square and 11 cm high in greenish white jade weighs 3.5 kg. The knob consists of a pair of superbly sculpted crossed dragons. Its production including chiseling and inscription had lasted five months. It is identified in the imperial archives during the 51st year of the reign matching 1786 CE.
1786 Commode by Carlin and Weisweiler
1999 SOLD for FF 46M including premium by Christie's
narrated in 2020
On December 11, 1999, Christie's sold for FF 46M including premium, which would later correspond to € 7M, a Louis XVI commode à encoignures stamped by both Carlin and Weisweiler, from a lower estimate of FF 15M.
This 91 x 135 x 51 cm piece of furniture responds to the fashion for inlays of luxurious materials launched under Louis XV by the marchand-mercier Poirier. It is in ebony veneer, blackened wood, copper and pewter marquetry, relief inlays of pietra dura from the Gobelins, Florentine pictures in pietra dura marquetry, and adorned with gilded bronzes.
Daguerre succeeded Poirier in 1777. The cabinetmaker Carlin, who was one of the major suppliers of Poirier and Daguerre, died in 1785. Weisweiler took over de facto from Carlin for supplies to Daguerre.
The Florentine plaques constitute the major element of the decoration of that commode. They had been recovered from some cabinet made around 1700 in the Grand Ducal workshops. Out of fashion, the monumental Florentine cabinets in the French royal collections had been sold by the Garde Meuble from 1741.
The commode is not listed in the inventory after Carlin's death and its mark is undoubtedly posthumous, before his widow remarried with another cabinetmaker in 1786.
Daguerre settles permanently in 1789 in London where the Prince of Wales, future George IV, is furnishing in the greatest luxury his new residence of Carlton House.
The inventory of the Carlton House Council Salon, carried out in 1793, lists two pietra dura commodes, similar to each other. One of them, still in the British Royal Collection and stamped by Weisweiler, is probably the commode sold by James Christie in March 1791 directly from the stock transferred to London by Daguerre. The other, which no longer appears in 1806 in the collection of the Prince of Wales, is probably the Carlin-Weisweiler commode.
This 91 x 135 x 51 cm piece of furniture responds to the fashion for inlays of luxurious materials launched under Louis XV by the marchand-mercier Poirier. It is in ebony veneer, blackened wood, copper and pewter marquetry, relief inlays of pietra dura from the Gobelins, Florentine pictures in pietra dura marquetry, and adorned with gilded bronzes.
Daguerre succeeded Poirier in 1777. The cabinetmaker Carlin, who was one of the major suppliers of Poirier and Daguerre, died in 1785. Weisweiler took over de facto from Carlin for supplies to Daguerre.
The Florentine plaques constitute the major element of the decoration of that commode. They had been recovered from some cabinet made around 1700 in the Grand Ducal workshops. Out of fashion, the monumental Florentine cabinets in the French royal collections had been sold by the Garde Meuble from 1741.
The commode is not listed in the inventory after Carlin's death and its mark is undoubtedly posthumous, before his widow remarried with another cabinetmaker in 1786.
Daguerre settles permanently in 1789 in London where the Prince of Wales, future George IV, is furnishing in the greatest luxury his new residence of Carlton House.
The inventory of the Carlton House Council Salon, carried out in 1793, lists two pietra dura commodes, similar to each other. One of them, still in the British Royal Collection and stamped by Weisweiler, is probably the commode sold by James Christie in March 1791 directly from the stock transferred to London by Daguerre. The other, which no longer appears in 1806 in the collection of the Prince of Wales, is probably the Carlin-Weisweiler commode.
1786 Portrait of Joseph Brant by Gilbert Stuart
2014 SOLD for £ 4.1M including premium by Sotheby's
1786 Fish in Water
2019 SOLD for $ 2.9M including premium
For the Taoists, the fish is a symbol of happiness, spending all its life in the water where it was born in a perfect example of harmony between an animal and its environment. The couple of fish paired in high relief in the interior of a bronze bowl is a favorite ornament under the Han.
On March 20 in New York, Christie's sells a fish bowl or washer made in the archaic style in carved jade for the Qianlong emperor, lot 806 estimated $ 1M.
The base of the bowl displays a poem incised in 40 characters arranged in three concentric circles around the imperial mark. It is signed with two seals of Qianlong as Son of Heaven and as Everyday Assiduous, and dated from the autumn of his bingwu year corresponding to 1786 CE. The most erudite of the emperors details in his poem the cultural interest of such replicas.
Its stone is pale celadon slightly spotted with white, approaching the color of the water preserved for the emperor. With or without water in the bowl, this hue brings onto the jade figures the illusion of the natural element of a real fish.
The emperor indicates that these fish in high relief are in the Han style, different from the vessels of the Zhou. Modernity is not essential but it is useful because jade does not have the poor taste of bronze.
Measuring 25 cm in diameter, this bowl raised on five small feet is the largest of only three known examples. One of them, 18 cm in diameter, is inscribed with the same poem and same date. The smallest, 13 cm, is not inscribed.
On March 20 in New York, Christie's sells a fish bowl or washer made in the archaic style in carved jade for the Qianlong emperor, lot 806 estimated $ 1M.
The base of the bowl displays a poem incised in 40 characters arranged in three concentric circles around the imperial mark. It is signed with two seals of Qianlong as Son of Heaven and as Everyday Assiduous, and dated from the autumn of his bingwu year corresponding to 1786 CE. The most erudite of the emperors details in his poem the cultural interest of such replicas.
Its stone is pale celadon slightly spotted with white, approaching the color of the water preserved for the emperor. With or without water in the bowl, this hue brings onto the jade figures the illusion of the natural element of a real fish.
The emperor indicates that these fish in high relief are in the Han style, different from the vessels of the Zhou. Modernity is not essential but it is useful because jade does not have the poor taste of bronze.
Measuring 25 cm in diameter, this bowl raised on five small feet is the largest of only three known examples. One of them, 18 cm in diameter, is inscribed with the same poem and same date. The smallest, 13 cm, is not inscribed.
#AuctionUpdate 'An Important and Extremely Rare Imperially Inscribed Greenish-White Jade "Twin Fish" Washer' achieves $2,895,000, after 8 minutes of bidding https://t.co/hhyxo80GKQ pic.twitter.com/zdtk4VZujT
— Christie's (@ChristiesInc) March 20, 2019
1787 Doblons for New York
2014 SOLD 4.6 M$ including premium
When the United States declared their independence, the issue of monetary autonomy became a puzzle whose importance was vital to the new state. In 1783 the first federal project named Nova Constellatio is a failure. In 1785, a step forward is made with the naming of the new currency, the dollar.
Meanwhile, business transactions use large foreign gold coins, dominated by those from the Spanish colonies in South America. Banks and grand merchants are the only users of such coins. To deal against counterfeiting, they have their gold checked by specialists, the assayers, who put their own punch on the controlled pieces.
Ephraim Brasher is a goldsmith operating in New York City where he is a neighbor and supplier of George Washington, the President, known as a great lover of silverware. Brasher appreciates that he can play a role in the fight against the monetary anarchy, but his offer in early 1787 to carry out a copper coinage for the state of New York is rejected.
Brasher is an assayer. He knows well the doblon of Lima, a large gold coin worth 8 escudos and weighing 26 grams, whose name is anglicized to doubloon. Circa 1786, he produces in his workshop some Lima-type doubloons which are not fakes because their gold content is correct.
Brasher changes his theme in 1787 for producing doubloons and half doubloons to the use of New York identified under the Latin name Nova Eboraca. The pieces are stamped with his initials, EB, with two possible positions on the wing and on the breast of the eagle. Although their centering and cutting are awkward, they are beautiful coins whose design is sharp enough to discourage counterfeiting.
The only known Brasher doubloon with the mark on the breast was sold for $ 7.395 million in a private sale in December 2011, although its condition is only graded AU50 by PCGS.
On January 9 in Orlando, Heritage sells one from only two units in mint condition from an overall surviving total of six wing marked doubloons. The coin for sale is graded MS63 by PCGS. Here is the link to the catalog.
The coin for sale had been the first Brasher doubloon that was described in the nineteenth century. It was at that time in the estate of an important dealer importer named Gilmor also known as an early collector of coins.
This mercantile provenance strengthens the argument that the Brasher doubloon, earliest gold coin made for circulation in the United States, was designed to supersede the foreign currencies in large commercial operations. Other assumptions are however not rejected such as a promotional operation or a demonstration of know how.
POST SALE COMMENT
This great coin was sold for $ 4.6M including premium.
PRIVATE SALE IN 2018 :
Meanwhile, business transactions use large foreign gold coins, dominated by those from the Spanish colonies in South America. Banks and grand merchants are the only users of such coins. To deal against counterfeiting, they have their gold checked by specialists, the assayers, who put their own punch on the controlled pieces.
Ephraim Brasher is a goldsmith operating in New York City where he is a neighbor and supplier of George Washington, the President, known as a great lover of silverware. Brasher appreciates that he can play a role in the fight against the monetary anarchy, but his offer in early 1787 to carry out a copper coinage for the state of New York is rejected.
Brasher is an assayer. He knows well the doblon of Lima, a large gold coin worth 8 escudos and weighing 26 grams, whose name is anglicized to doubloon. Circa 1786, he produces in his workshop some Lima-type doubloons which are not fakes because their gold content is correct.
Brasher changes his theme in 1787 for producing doubloons and half doubloons to the use of New York identified under the Latin name Nova Eboraca. The pieces are stamped with his initials, EB, with two possible positions on the wing and on the breast of the eagle. Although their centering and cutting are awkward, they are beautiful coins whose design is sharp enough to discourage counterfeiting.
The only known Brasher doubloon with the mark on the breast was sold for $ 7.395 million in a private sale in December 2011, although its condition is only graded AU50 by PCGS.
On January 9 in Orlando, Heritage sells one from only two units in mint condition from an overall surviving total of six wing marked doubloons. The coin for sale is graded MS63 by PCGS. Here is the link to the catalog.
The coin for sale had been the first Brasher doubloon that was described in the nineteenth century. It was at that time in the estate of an important dealer importer named Gilmor also known as an early collector of coins.
This mercantile provenance strengthens the argument that the Brasher doubloon, earliest gold coin made for circulation in the United States, was designed to supersede the foreign currencies in large commercial operations. Other assumptions are however not rejected such as a promotional operation or a demonstration of know how.
POST SALE COMMENT
This great coin was sold for $ 4.6M including premium.
PRIVATE SALE IN 2018 :
1787 Brasher #gold doubloon changes hands for more than $5 million in private sale https://t.co/FE1uy1Zzat via @CoinNews #numismatics pic.twitter.com/L0X9E3fZd3
— David L. Tranbarger (@dltcoins) March 23, 2018
1787 Washington promotes the Spirit of the American Constitution
2009 SOLD 3.2 M$ including premium
In the United States, 1787 is the year of the Constitution. It became vital to build a strong government and to end the risk of opposition between these former colonies whose respective histories were so varied.
George Washington, the hero of the War of Independence, is one of the most active proponents of this reform. In a letter written to his nephew on November 9, he explains that power is not given to people but will always be with the people.
This autograph letter of four large pages is presented for auction by Christie's in New York on December 4. We anticipate a price equivalent to the major political manuscripts of Lincoln. It is estimated $ 1.5 million.
I would not discuss the U.S. Constitution without mentioning the great legislator who designed the mechanism for implementing such a political masterpiece. His name was James Madison. His unsignificant presidential output undervalues him in the American memory, and it is a pity. The U.S. Constitution is still in force today without fundamental changes, while the French Revolution, which began two years later, is mostly leaving an emotional memory.
POST SALE COMMENT
As I expected (or better: as I hoped in the preparation of my auction barometer) this letter of Washington met the prices of the two political manuscripts of Lincoln recently sold (with less than 10% accuracy range).
For Lincoln:
$ 3.4 million including premium at Sotheby's in New York on April 3, 2008, and the same price at Christie's in New York on February 12, 2009.
For Washington, yesterday: $ 3.2 million including premium.
See the image of that lot, shared before the sale by AuctionPublicity.
George Washington, the hero of the War of Independence, is one of the most active proponents of this reform. In a letter written to his nephew on November 9, he explains that power is not given to people but will always be with the people.
This autograph letter of four large pages is presented for auction by Christie's in New York on December 4. We anticipate a price equivalent to the major political manuscripts of Lincoln. It is estimated $ 1.5 million.
I would not discuss the U.S. Constitution without mentioning the great legislator who designed the mechanism for implementing such a political masterpiece. His name was James Madison. His unsignificant presidential output undervalues him in the American memory, and it is a pity. The U.S. Constitution is still in force today without fundamental changes, while the French Revolution, which began two years later, is mostly leaving an emotional memory.
POST SALE COMMENT
As I expected (or better: as I hoped in the preparation of my auction barometer) this letter of Washington met the prices of the two political manuscripts of Lincoln recently sold (with less than 10% accuracy range).
For Lincoln:
$ 3.4 million including premium at Sotheby's in New York on April 3, 2008, and the same price at Christie's in New York on February 12, 2009.
For Washington, yesterday: $ 3.2 million including premium.
See the image of that lot, shared before the sale by AuctionPublicity.
1787 Glory and Shame in the Neoclassical Nude
2016 SOLD for $ 2.63M including premium
In the century of Boucher, mythology is an excuse to show the nude. Gaetano Gandolfi works in Bologna. His neoclassical groups are like a choreography of Nymphs, Graces and Cupids whirling around the main goddess.
One of his most important works is a pair of paintings made to order for an anonymous Russian client. It is attested by a letter from Mauro Gandolfi who desired to find the preparatory drawings made by his father.
The patron is now identified with a strong presumption as a prince Yusupov who was ambassador to Turin and had a great collection of modern paintings. The appointment of this aristocrat as an honorary member of the Accademia Clementina in Bologna in 1787 provides a plausible date to the commission executed by Gandolfi.
The two oil paintings of the same size 148 x 170 cm resurfaced separately. Their processing of the theme of love is in opposition.
Diana was sold by Christie's for $ 4.1 million including premium on January 27, 2010 over a lower estimate of $ 800K. The chaste goddess is a vigilante refusing an amnesty to Callisto naked by the nymphs to reveal her pregnancy.
The Birth of Venus is the classic episode of fertility and hope. The fully grown newborn goddess rises out of her shell to entice her surrounding. This painting is estimated $ 2.5M for sale by Christie's in New York on April 14, lot 115
One of his most important works is a pair of paintings made to order for an anonymous Russian client. It is attested by a letter from Mauro Gandolfi who desired to find the preparatory drawings made by his father.
The patron is now identified with a strong presumption as a prince Yusupov who was ambassador to Turin and had a great collection of modern paintings. The appointment of this aristocrat as an honorary member of the Accademia Clementina in Bologna in 1787 provides a plausible date to the commission executed by Gandolfi.
The two oil paintings of the same size 148 x 170 cm resurfaced separately. Their processing of the theme of love is in opposition.
Diana was sold by Christie's for $ 4.1 million including premium on January 27, 2010 over a lower estimate of $ 800K. The chaste goddess is a vigilante refusing an amnesty to Callisto naked by the nymphs to reveal her pregnancy.
The Birth of Venus is the classic episode of fertility and hope. The fully grown newborn goddess rises out of her shell to entice her surrounding. This painting is estimated $ 2.5M for sale by Christie's in New York on April 14, lot 115
1788 The Ambassador from Mysore
2019 SOLD for $ 7.2M including premium
Louise-Elisabeth Vigée Le Brun becomes in 1778 an official painter of Queen Marie-Antoinette. The court highly appreciates her charming and exquisite portraits. Her pictures of the queen, born like her in 1755, are of a young woman dressed simply and audaciously altogether. She will have this comment on that carefree period : "Women were reigning then, the Revolution has dethroned them."
The arrival in Paris in July 1788 of three ambassadors from Mysore with a suite of about thirty people is a sensational and picturesque event. Great enemy of the English, the Sultan of Mysore was preparing a new war and hoped to be helped by France. The sumptuous Muslim clothes of his diplomats ensure their credibility.
Elisabeth remembers opportunely that one of her earliest ambitions had been to be a history painter. With the indispensable support of King Louis XVI, she obtains the authorization to paint the portraits of these exotic lords.
On January 30 in New York, Sotheby's sells the full length portrait of the leader of the delegation, lot 48 estimated $ 4M.
This oil on canvas 226 x 136 cm shows the white bearded man holding an oriental sword with curved blade. This composition is reminiscent of the portrait of the young Polynesian prince Omai by Reynolds in 1776. The exotic traveler is shown life-size, standing in front of a landscape in a counter-dive view that increases his dignity.
The image shared by Wikimedia is trimmed on the left and lower edges.
The arrival in Paris in July 1788 of three ambassadors from Mysore with a suite of about thirty people is a sensational and picturesque event. Great enemy of the English, the Sultan of Mysore was preparing a new war and hoped to be helped by France. The sumptuous Muslim clothes of his diplomats ensure their credibility.
Elisabeth remembers opportunely that one of her earliest ambitions had been to be a history painter. With the indispensable support of King Louis XVI, she obtains the authorization to paint the portraits of these exotic lords.
On January 30 in New York, Sotheby's sells the full length portrait of the leader of the delegation, lot 48 estimated $ 4M.
This oil on canvas 226 x 136 cm shows the white bearded man holding an oriental sword with curved blade. This composition is reminiscent of the portrait of the young Polynesian prince Omai by Reynolds in 1776. The exotic traveler is shown life-size, standing in front of a landscape in a counter-dive view that increases his dignity.
The image shared by Wikimedia is trimmed on the left and lower edges.
1789 Creation of American Freedoms
2012 SOLD 9.8 M$ including premium
During the ten years following the Declaration of Independence of the United States, the Congress sets up a code known as the Articles of Confederation to manage the relations between the states. Too idealistic, this first law is a failure.
The founders of the nation are now trying to redefine the delicate balance between the executive and legislative branches while considering also the need for autonomy of each state. Their work is outstanding, since the system defined between 1787 and 1789 is still the foundation of the US law.
George Washington is one of the key figures in this success. On June 22 in New York, Christie's sells his personal copy of the main acts of Congress. This collection gathers the Constitution, various acts including the creation of major Executive Departments, and the first draft of twelve articles known as the Bill of Rights for an effective and pragmatic definition of freedoms.
This collection was a working document for the new President. It is also a much valuable autograph: signed on the title page, it includes handwritten notes in the margin of several acts.
This collection of 53 sheets 30 x 19 cm assembled in 1789 in a binding probably made in the same year remains in excellent condition. It is difficult to predict the price of such a treasure, but the auction house tries an estimate: $ 2M to 3M. Here is the link to the catalog.
POST SALE COMMENT
US people know to recognize their historical documents of great importance. This extraordinary witness of the birth of the Constitution was sold $ 9.8 million including premium.
I invite you to play the video shared before sale on YouTube from Fox News :
The founders of the nation are now trying to redefine the delicate balance between the executive and legislative branches while considering also the need for autonomy of each state. Their work is outstanding, since the system defined between 1787 and 1789 is still the foundation of the US law.
George Washington is one of the key figures in this success. On June 22 in New York, Christie's sells his personal copy of the main acts of Congress. This collection gathers the Constitution, various acts including the creation of major Executive Departments, and the first draft of twelve articles known as the Bill of Rights for an effective and pragmatic definition of freedoms.
This collection was a working document for the new President. It is also a much valuable autograph: signed on the title page, it includes handwritten notes in the margin of several acts.
This collection of 53 sheets 30 x 19 cm assembled in 1789 in a binding probably made in the same year remains in excellent condition. It is difficult to predict the price of such a treasure, but the auction house tries an estimate: $ 2M to 3M. Here is the link to the catalog.
POST SALE COMMENT
US people know to recognize their historical documents of great importance. This extraordinary witness of the birth of the Constitution was sold $ 9.8 million including premium.
I invite you to play the video shared before sale on YouTube from Fox News :
