Orientalism
Except otherwise stated, all results include the premium.
See also : Top 10 Orientalism 1830-1900 Klimt Picasso Picasso 1940-1960 France Matisse Groups The Woman Nude Flowers Bouquet Animals Bird
Chronology : 20th century 1904 1910-1919 1918 1920-1929 1923 1937 1950-1959 1955
See also : Top 10 Orientalism 1830-1900 Klimt Picasso Picasso 1940-1960 France Matisse Groups The Woman Nude Flowers Bouquet Animals Bird
Chronology : 20th century 1904 1910-1919 1918 1920-1929 1923 1937 1950-1959 1955
1883 Antony and Cleopatra by Alma-Tadema
2011 SOLD for $ 29 M$ by Sotheby's
The Dutch artist Lawrence Alma-Tadema moved to England in 1870. Taking advantage of the pre-Raphaelite fashion for ancient themes, he spent the rest of his career there. His business was flourishing and meticulously managed, and he was covered with honors in Victorian and Edwardian England.
Alma-Tadema paints the antique passions, with a sharp drawing and bright colors that evoke the Orient. He depicts the most beautiful women and their lovers, languid to the limits of debauchery. He surrounds them with luxurious objects for which he accumulates a strong documentation through his trips to Greco-Roman sites, his visits to museums and his abundant collection of photographs.
In 1883 Alma-Tadema is inspired by Shakespeare's play to paint the First meeting of Antony and Cleopatra for a private commission. The queen displays her beauty as in a window, in a barge covered with a canopy. The lover docks in a sort of gondola driven by Roman soldiers. Between the two, a slave girl plays the flute.
The composition is bold, letting see through the boats the sea and some elements of antique architecture. According to historians, this scene took place in Tarsus in 41 BCE. Never mind : it especially gives Victorian England the envy of the scandalous pleasures which indulgently appealed the greatest characters of antiquity.
This Antony and Cleopatra is the opus CCXLVI in the chronological list maintained by Alma-Tadema for avoiding counterfeits. This oil on panel 66 x 91 cm was sold for $ 29M by Sotheby's on May 5, 2011 from a lower estimate of $ 3M, lot 65. The image is shared by Wikimedia.
The display of an instant effect into a dramatic action is a specialty of Alma-Tadema and will influence the scenarios and even some framings of the cinema. He is in some way an orientalist precursor of Norman Rockwell.
Alma-Tadema paints the antique passions, with a sharp drawing and bright colors that evoke the Orient. He depicts the most beautiful women and their lovers, languid to the limits of debauchery. He surrounds them with luxurious objects for which he accumulates a strong documentation through his trips to Greco-Roman sites, his visits to museums and his abundant collection of photographs.
In 1883 Alma-Tadema is inspired by Shakespeare's play to paint the First meeting of Antony and Cleopatra for a private commission. The queen displays her beauty as in a window, in a barge covered with a canopy. The lover docks in a sort of gondola driven by Roman soldiers. Between the two, a slave girl plays the flute.
The composition is bold, letting see through the boats the sea and some elements of antique architecture. According to historians, this scene took place in Tarsus in 41 BCE. Never mind : it especially gives Victorian England the envy of the scandalous pleasures which indulgently appealed the greatest characters of antiquity.
This Antony and Cleopatra is the opus CCXLVI in the chronological list maintained by Alma-Tadema for avoiding counterfeits. This oil on panel 66 x 91 cm was sold for $ 29M by Sotheby's on May 5, 2011 from a lower estimate of $ 3M, lot 65. The image is shared by Wikimedia.
The display of an instant effect into a dramatic action is a specialty of Alma-Tadema and will influence the scenarios and even some framings of the cinema. He is in some way an orientalist precursor of Norman Rockwell.
1904 The Finding of Moses on the Nile by Alma-Tadema
2010 SOLD for $ 36M by Sotheby's
No painter is more typical of Victorian and Edwardian art than Sir Lawrence Alma-Tadema. We are therefore surprised to know that this artist, in fact, was of Dutch origin.
He followed a theme that appealed to the public of his time: the exotic antiques. He was amazed by the collections of the British Museum, and featured his characters amidst monuments for which he relied on photographs. He particularly liked the marble seats in which he showed languid ladies.
Strong personality, he had managed his career and became wealthy and famous. His name was Laurens Alma Tadema, which he adapted to be better positioned in alphabetical lists. He gave an opus number to each of his paintings, creating himself a record that protected his work against counterfeits.
He would not adapt to the trends of modern art, and was forgotten for more than half a century after his death.
The Opus CCCLXXVII is a commissioned work for the benefit of the engineer who had invited him in 1902 at the opening of the Aswan Dam.
Completed in 1904, this large oil on canvas, 137 x 213 cm, shows a scene from the finding of Moses on the Nile. Pharaoh's daughter is surrounded by an opulent procession of servants and slaves. From the top of her carriage, she fondly looks at the baby in his basket, carried by two women.
It was sold for $ 2.7M by Christie's on May 25, 1995 and for $ 36M from a lower estimate of $ 3M by Sotheby's on November 4, 2010.
The image is shared by Wikimedia :
He followed a theme that appealed to the public of his time: the exotic antiques. He was amazed by the collections of the British Museum, and featured his characters amidst monuments for which he relied on photographs. He particularly liked the marble seats in which he showed languid ladies.
Strong personality, he had managed his career and became wealthy and famous. His name was Laurens Alma Tadema, which he adapted to be better positioned in alphabetical lists. He gave an opus number to each of his paintings, creating himself a record that protected his work against counterfeits.
He would not adapt to the trends of modern art, and was forgotten for more than half a century after his death.
The Opus CCCLXXVII is a commissioned work for the benefit of the engineer who had invited him in 1902 at the opening of the Aswan Dam.
Completed in 1904, this large oil on canvas, 137 x 213 cm, shows a scene from the finding of Moses on the Nile. Pharaoh's daughter is surrounded by an opulent procession of servants and slaves. From the top of her carriage, she fondly looks at the baby in his basket, carried by two women.
It was sold for $ 2.7M by Christie's on May 25, 1995 and for $ 36M from a lower estimate of $ 3M by Sotheby's on November 4, 2010.
The image is shared by Wikimedia :
1918 Dame mit Fächer by Klimt
2023 SOLD for £ 85M by Sotheby's
The lifelong artistic quest of Gustav Klimt was the representation of the ideal woman, in conjunction with his project to revolutionize clothing and fabrics in partnership with his life companion the fashion designer Emilie Flöge.
The artist suddenly died on February 6, 1918 of a stroke and pneumonia brought by the Spanish flu, aged 55. Entering his studio, his friends found a masterpiece, just finished and still on the easel, his ultimate iteration of his preferred theme.
The lady with the fan is a beautiful woman in three quarter length with a sharply painted head in a richly decorated surrounding. Such a style follows early masterpieces such as Adele Bloch-Bauer I and The Kiss of 1907-1908, excepted that the application of the golden leaf is now superseded by motifs of the brightest colors : turquoise, yellow, pink, purple, orange.
The composition is now resolutely Orientalist, inspired by the Japanese prints and Asian robes which Klimt and Flöge eagerly collected. The new Austrian geisha wears a kimono that widely unveils the bare shoulder. The fan covers the breast. The yellow background is covered by a pattern of lotus blossoms of various shapes and colors plus a pheasant, a crane and a Chinese phoenix in flight, emblems of good fortune.
The woman is straight and confident, with a distant gaze ignoring the background and a small smile. She is charming with her curling hair around the ear. She is not identified : certainly not coming from the bourgeoisie of Vienna with her risqué kimono, this beauty was probably a professional model or a fashion mannequin.
This Dame mit Fächer, oil on canvas in the squared format 100 x 100 cm favored by the artist, was sold by Sotheby's for $ 11.6M (before fees ?) on May 11, 1994, lot 44, and for £ 85M on June 27, 2023, lot 125. The image is shared by Wikimedia.
The artist suddenly died on February 6, 1918 of a stroke and pneumonia brought by the Spanish flu, aged 55. Entering his studio, his friends found a masterpiece, just finished and still on the easel, his ultimate iteration of his preferred theme.
The lady with the fan is a beautiful woman in three quarter length with a sharply painted head in a richly decorated surrounding. Such a style follows early masterpieces such as Adele Bloch-Bauer I and The Kiss of 1907-1908, excepted that the application of the golden leaf is now superseded by motifs of the brightest colors : turquoise, yellow, pink, purple, orange.
The composition is now resolutely Orientalist, inspired by the Japanese prints and Asian robes which Klimt and Flöge eagerly collected. The new Austrian geisha wears a kimono that widely unveils the bare shoulder. The fan covers the breast. The yellow background is covered by a pattern of lotus blossoms of various shapes and colors plus a pheasant, a crane and a Chinese phoenix in flight, emblems of good fortune.
The woman is straight and confident, with a distant gaze ignoring the background and a small smile. She is charming with her curling hair around the ear. She is not identified : certainly not coming from the bourgeoisie of Vienna with her risqué kimono, this beauty was probably a professional model or a fashion mannequin.
This Dame mit Fächer, oil on canvas in the squared format 100 x 100 cm favored by the artist, was sold by Sotheby's for $ 11.6M (before fees ?) on May 11, 1994, lot 44, and for £ 85M on June 27, 2023, lot 125. The image is shared by Wikimedia.
1923 Odalisque couchée aux Magnolias by Matisse
2018 SOLD for $ 81M by Christie's
Installed in Nice after the war, Henri Matisse resumes his research of colors and compositions with a serenity that Paris could not bring him. With Antoinette and even better with Henriette, he maintains an intimate connivance with his models. Their body becomes the central element of the artwork.
Henriette poses complacently because she appreciates the beauty of her athletic body. In parallel to nude studies, Matisse stages her in orientalist attires that are a new excuse for the shimmer of colors in her surroundings. Her portraits exudes her confidence in the artist without inhibiting her sensuality.
On May 8, 2018, Christie's sold for $ 81M at lot 8 Odalisque couchée aux magnolias, oil on canvas 61 x 81 cm painted in 1923. Please watch the video shared by Christie's. The nice intimacy of this artwork had seduced David and Peggy Rockefeller.
The young woman enjoys the pleasures of idleness, ready to nap or just finishing it. She is reclining on a chaise longue probably in the gate of a veranda. She wears on her shoulders a light shirt completely opened to expose the naked chest to the beneficent sun of the Côte d'Azur.
The orientalist impression is brought by the Persian harem pants which loosely cover the lower part of her body and by the screen behind her whose right panel is centered on two large magnolia flowers.
Henriette poses complacently because she appreciates the beauty of her athletic body. In parallel to nude studies, Matisse stages her in orientalist attires that are a new excuse for the shimmer of colors in her surroundings. Her portraits exudes her confidence in the artist without inhibiting her sensuality.
On May 8, 2018, Christie's sold for $ 81M at lot 8 Odalisque couchée aux magnolias, oil on canvas 61 x 81 cm painted in 1923. Please watch the video shared by Christie's. The nice intimacy of this artwork had seduced David and Peggy Rockefeller.
The young woman enjoys the pleasures of idleness, ready to nap or just finishing it. She is reclining on a chaise longue probably in the gate of a veranda. She wears on her shoulders a light shirt completely opened to expose the naked chest to the beneficent sun of the Côte d'Azur.
The orientalist impression is brought by the Persian harem pants which loosely cover the lower part of her body and by the screen behind her whose right panel is centered on two large magnolia flowers.
1937 Odalisque Harmonie Bleue by Matisse
2007 SOLD for $ 33.6M by Christie's
Completed in 1932 for Barnes, la Danse is a key step in the career of Matisse who appreciates that the simplicity of the drawing brings power and emotion to the artwork.
Coming back to a Fauviste expression, he then seeks to associate the rarest and most spectacular colors which he uses to display the clothes of his sitters and the wallpapers. The effect is more important than the image, and the composition has the audacity of a Degas.
This trend results in 1937 in a restart of the Odalisques as a series of five paintings.
L'Odalisque, Harmonie bleue, oil on canvas 60 x 50 cm, was sold for $ 33.6M from a lower estimate of $ 15M by Christie's on November 6, 2007, lot 24. The title of the artwork had been defined by the artist.
The blonde Lydia is surrounded with decorative elements, without the titillation generally associated with the odalisques.. She looks with a close attention at a big bouquet of anemones which may be the major theme of the composition. Its vase is posed beside two oranges and one lemon on the top of a low octagonal column.
Coming back to a Fauviste expression, he then seeks to associate the rarest and most spectacular colors which he uses to display the clothes of his sitters and the wallpapers. The effect is more important than the image, and the composition has the audacity of a Degas.
This trend results in 1937 in a restart of the Odalisques as a series of five paintings.
L'Odalisque, Harmonie bleue, oil on canvas 60 x 50 cm, was sold for $ 33.6M from a lower estimate of $ 15M by Christie's on November 6, 2007, lot 24. The title of the artwork had been defined by the artist.
The blonde Lydia is surrounded with decorative elements, without the titillation generally associated with the odalisques.. She looks with a close attention at a big bouquet of anemones which may be the major theme of the composition. Its vase is posed beside two oranges and one lemon on the top of a low octagonal column.
1955 Les Femmes d'Alger by PICASSO
Intro
The Femmes d'Alger by Delacroix, by inspiring Picasso, had a role in the genesis of modern painting. Executed in Paris in 1907, the painting Les Demoiselles d'Avignon shows a group of women. Unlike in Delacroix, they are naked. They are not in the hot atmosphere of a harem but their offering is venal.
It is difficult to recognize the influence of Delacroix upon the Demoiselles because the tribal art that inspired the deconstruction of forms is the real origin of Cubism. Other influences have also been identified for this painting which is one of the most important breakthroughs of Western art : el Greco, Cézanne, Gauguin.
Matisse's death in November 1954 deprives Picasso of a friend with whom he liked to compare his ideas about the essentials of art. Matisse's Odalisques were famous. Picasso had been little interested so far by Orientalism but he was somehow jealous of his late friend.
To overcome Matisse in the history of art, Picasso resuscitates the Femmes d'Alger in a series of fifteen paintings numbered A to O in the chronological order of their execution. This project is unique in the history of art as the artist carefully imitated several styles used by himself starting from his invention of Cubism.
Picasso leaves no doubt about his real intention by acknowledging not without humor that he got the legacy of Matisse's odalisques. His new muse, Jacqueline, resembles one of the odalisques by Delacroix. Matisse's Nu bleu is another influence.
It is difficult to recognize the influence of Delacroix upon the Demoiselles because the tribal art that inspired the deconstruction of forms is the real origin of Cubism. Other influences have also been identified for this painting which is one of the most important breakthroughs of Western art : el Greco, Cézanne, Gauguin.
Matisse's death in November 1954 deprives Picasso of a friend with whom he liked to compare his ideas about the essentials of art. Matisse's Odalisques were famous. Picasso had been little interested so far by Orientalism but he was somehow jealous of his late friend.
To overcome Matisse in the history of art, Picasso resuscitates the Femmes d'Alger in a series of fifteen paintings numbered A to O in the chronological order of their execution. This project is unique in the history of art as the artist carefully imitated several styles used by himself starting from his invention of Cubism.
Picasso leaves no doubt about his real intention by acknowledging not without humor that he got the legacy of Matisse's odalisques. His new muse, Jacqueline, resembles one of the odalisques by Delacroix. Matisse's Nu bleu is another influence.
1
Version F
2020 SOLD for $ 29M by Christie's
From December 13, 1954 to January 18, 1955, Picasso painted six sketches 46 x 55 cm, sometimes limited to one detail. The day before the end of this first phase, he made an oil on canvas 54 x 65 cm which foreshadows the final work by its overall composition, its brilliant colors and the post-Cubist interweaving of forms.
That F version was sold for $ 29M by Christie's on July 10, 2020, lot 52. Please watch the video shared by the auction house.
That F version was sold for $ 29M by Christie's on July 10, 2020, lot 52. Please watch the video shared by the auction house.
2
Version O
2015 SOLD for $ 180M by Christie's
The next phase is devoted to larger formats, including grisaille paintings which allow the details of the drawing to be worked out. The result meets what was undoubtedly Picasso's main objective : making a modern following to the Demoiselles d'Avignon.
The Version J, painted on January 26, 1955, is the tenth opus in the series. It features the four women of the full compositions, one seated, one reclining, one smoking a narghile and one serving tea. This oil on canvas 114 x 146 cm was sold for $ 18.6M by Sotheby's on May 3, 2005, lot 12.
The Version L is a grisaille, 130 x 97 cm, dated February 9, 1955. The topic, centered on a figure of dominatrix woman, is executed in the manner of the experimental years of Cubism before the First World War. The cumulated experience of Picasso makes this painting a luminous work that exceeds in this respect many early Cubist paintings of the master. It was sold for $ 21.3M by Christie's on May 4, 2011.
The final iteration, oil on canvas 114 x 146 cm achieved on 14 February 1955, appears as a synthesis of this rather disparate set, like the ultimate completion of Pablo's art on that date.
It takes much imagination to see Delacroix's influence in the Version O, but the comparison with the Demoiselles is obvious. The women are naked or half dressed but in a later cubism style that excites the imagination by blurring the vision. The standing woman on the left displays a much better readability that joins the then recent art of Pablo.
Pablo has always enjoyed to confront himself with the great masters. The large mirror anticipates his series of Las Meninas painted two years later.
The fifteen paintings are exhibited together to be sold as a batch. For that purpose, they should not be considered as fourteen sketches and a final painting but as fifteen versions on the same theme.
Thus the dispersion will not be made under the control of the artist or his dealers but by the Ganz couple who bought the set in 1956 for owning the final version (O). The Ganzs will also keep for their collection one of the most complete sketches (C), a style typical of the time of Marie-Thérèse (H) and two grisailles of the final phase (K and M).
The selection of the Ganzs is much judicious. It does not include the 54 x 65 cm complete version of the first phase (F), probably because it does not bring much beside the O version.
The Version O of Les Femmes d'Alger was sold by Christie's for $ 32M on 10 November 10, 1997 and for $ 180M on May 11, 2015, lot 8A.
The Version J, painted on January 26, 1955, is the tenth opus in the series. It features the four women of the full compositions, one seated, one reclining, one smoking a narghile and one serving tea. This oil on canvas 114 x 146 cm was sold for $ 18.6M by Sotheby's on May 3, 2005, lot 12.
The Version L is a grisaille, 130 x 97 cm, dated February 9, 1955. The topic, centered on a figure of dominatrix woman, is executed in the manner of the experimental years of Cubism before the First World War. The cumulated experience of Picasso makes this painting a luminous work that exceeds in this respect many early Cubist paintings of the master. It was sold for $ 21.3M by Christie's on May 4, 2011.
The final iteration, oil on canvas 114 x 146 cm achieved on 14 February 1955, appears as a synthesis of this rather disparate set, like the ultimate completion of Pablo's art on that date.
It takes much imagination to see Delacroix's influence in the Version O, but the comparison with the Demoiselles is obvious. The women are naked or half dressed but in a later cubism style that excites the imagination by blurring the vision. The standing woman on the left displays a much better readability that joins the then recent art of Pablo.
Pablo has always enjoyed to confront himself with the great masters. The large mirror anticipates his series of Las Meninas painted two years later.
The fifteen paintings are exhibited together to be sold as a batch. For that purpose, they should not be considered as fourteen sketches and a final painting but as fifteen versions on the same theme.
Thus the dispersion will not be made under the control of the artist or his dealers but by the Ganz couple who bought the set in 1956 for owning the final version (O). The Ganzs will also keep for their collection one of the most complete sketches (C), a style typical of the time of Marie-Thérèse (H) and two grisailles of the final phase (K and M).
The selection of the Ganzs is much judicious. It does not include the 54 x 65 cm complete version of the first phase (F), probably because it does not bring much beside the O version.
The Version O of Les Femmes d'Alger was sold by Christie's for $ 32M on 10 November 10, 1997 and for $ 180M on May 11, 2015, lot 8A.
November 1955 Femme au Costume Turc by PICASSO
Intro
Matisse's death in November 1954 deprives Picasso of a friend with whom he liked to compare his ideas about the essentials of art. Little interested so far by Orientalism, Pablo begins on December 13 his series of fifteen paintings titled Les Femmes d'Alger.
The theme is ostensibly following Delacroix but Picasso leaves no doubt about his real intention by declaring not without humor that he got the legacy of Matisse's odalisques. Remind that Les Femmes d'Alger is a project probably unique in the history of art where the artist carefully imitated several styles used by himself during his long career.
A new series of paintings beginning on November 19, 1955 combines this orientalist fantasy with the exploration of the face and body of his new muse Jacqueline Roque, shown in clothes and attitudes of a Turkish harem from Pablo's imagination. The style resumes the normal course of evolution of Picasso's art.
Meanwhile in May 1955, Picasso and his muse had moved to the villa La Californie in Cannes.
The theme is ostensibly following Delacroix but Picasso leaves no doubt about his real intention by declaring not without humor that he got the legacy of Matisse's odalisques. Remind that Les Femmes d'Alger is a project probably unique in the history of art where the artist carefully imitated several styles used by himself during his long career.
A new series of paintings beginning on November 19, 1955 combines this orientalist fantasy with the exploration of the face and body of his new muse Jacqueline Roque, shown in clothes and attitudes of a Turkish harem from Pablo's imagination. The style resumes the normal course of evolution of Picasso's art.
Meanwhile in May 1955, Picasso and his muse had moved to the villa La Californie in Cannes.
1
November 20 Femme dans un Fauteuil
2014 SOLD for £ 17M by Christie's
On February 4, 2014, Christie's sold as lot 28 for £ 17M Femme au costume turc dans un fauteuil, oil on canvas 92 x 73 cm painted by Picasso on 20 November 1955.
It features Jacqueline as a half length portrait in an armchair. The new Odalisque is adorned with multicolored turban and vest. Her face is almost realistic.
It features Jacqueline as a half length portrait in an armchair. The new Odalisque is adorned with multicolored turban and vest. Her face is almost realistic.
2
November 22 Femme Accroupie
2021 SOLD for $ 25.6M by Christie's
On November 11, 2021, Christie's sold for $ 25.6M at lot 44C an oil on canvas 92 x 73 cm dated November 22, 1955, titled Femme accroupie en costume turc II (Jacqueiine), estimated $ 20M. It is the second of three paintings completed on that day in that series.
The skin is deep black. The high fez and the costume are in gaudy colored patterns over white. Her crouching attitude with a straight back is in the follow of one of the women in Les Femmes d'Alger.
The skin is deep black. The high fez and the costume are in gaudy colored patterns over white. Her crouching attitude with a straight back is in the follow of one of the women in Les Femmes d'Alger.
3
November 26 Femme Accroupie
2007 SOLD for $ 31M by Christie's
An oil on canvas 116 x 89 cm dated 26 November 1955 is titled Femme accroupie au costume turc (Jacqueline). It was sold for $ 31M by Christie's on November 6, 2007, lot 73. Drawing attention to the body rather than to the face, this figure is erotic.
This painting is one of the last two of the second and last series by Picasso on the theme of the odalisques.
This painting is one of the last two of the second and last series by Picasso on the theme of the odalisques.
