Furniture and Furnishings
Except otherwise stated, all results include the premium.
See also : Chinese furniture Modern furniture Art Deco Lalanne Chairs and seats Modern tables Colonial furniture Women artists
Chronology : 1570-1599 1730-1739 1770-1779 1920 2001 2003
See also : Chinese furniture Modern furniture Art Deco Lalanne Chairs and seats Modern tables Colonial furniture Women artists
Chronology : 1570-1599 1730-1739 1770-1779 1920 2001 2003
Ming Armchair
2022 SOLD for HK$ 125M by Sotheby's
Huanghuali and zitan are both belonging to the category of the rosewoods. Extremely heavy and very dense, the zitan allows a deep and very fine carving. It was preferred by the emperors of China for ceremonial pieces.
Highly appreciated by the Ming, the huanghuali is a tropical hardwood that enables to create furniture with bold shapes. Its color varies from reddish brown to golden yellow while its grains may display seductive pseudo-figurative patterns. Huanghuali literally means yellow pear tree flower.
It is believed that less that 10,000 pieces of furniture in huanghuali are still in existence. Its main source was in Hainan Island. The best pieces were made in the late Ming period and in the Ming-Qing transition. Most of them cannot be dated more precisely.
The use of folding seats, easily transformable into sedan chairs. is very convenient for garden or travel. The folding chair is named jiaoyi meaning chair with crossed legs.
The Han already used folding stools. Much later, the quality and beauty of the wood distinguish the elites of higher rank, the huanghuali being the high-end. Such brass mounted furniture is fragile and seats in soft wood did not survive.
In the Ming dynasty, jiaoyi were made in two main forms of the back, the horseshoe and the much rarer square with or without arms.
The very elegant quanyi form of armchair is characterized by its horseshoe-shaped rail that serves altogether as backrest and armrest. The quanyi is better suited than other forms of Chinese armchairs for the creation of folding models, its front rail fitting into the curved support of the arms.
The use of a jiaoyi as an occasional imperial throne is likely under the Ming but was not illustrated until the Qing. A painting by Castiglione features the Qianlong emperor sitting on a folding armchair during a negotiation with Kazakh emissaries.
A jiaoyi of comfortable proportions and simple forms was sold for HK $ 125M from a lower estimate by Sotheby's on October 8, 2022, lot 11. Its size is 71 x 67 x 103 cm.
Its damascened iron strengthening places it in the earliest examples of late Ming horseshoe back folding armchairs. Its elegant plain backrest flanked with carved geometrical borders is unique in that group while the five other surviving examples have dragon or floral carvings.
A set of eight Ming seats in huanghuali would be the holy grail for a collector. I do not know if such a wonder remains in private hands and the submultiples, four and two, are much in demand. The consistency of colors and grains ensures the homogeneity of a group. The virtuosity of the craftsman is also considered.
On March 17, 2015, Christie's dispersed the Ellsworth collection. The bidders recognized the best qualities of a quanyi in the group of four that constituted the lot 41. Moreover the other two pairs that would make it possible to constitute a set of eight were identified in the catalog. That set was sold for $ 9.7M.
Highly appreciated by the Ming, the huanghuali is a tropical hardwood that enables to create furniture with bold shapes. Its color varies from reddish brown to golden yellow while its grains may display seductive pseudo-figurative patterns. Huanghuali literally means yellow pear tree flower.
It is believed that less that 10,000 pieces of furniture in huanghuali are still in existence. Its main source was in Hainan Island. The best pieces were made in the late Ming period and in the Ming-Qing transition. Most of them cannot be dated more precisely.
The use of folding seats, easily transformable into sedan chairs. is very convenient for garden or travel. The folding chair is named jiaoyi meaning chair with crossed legs.
The Han already used folding stools. Much later, the quality and beauty of the wood distinguish the elites of higher rank, the huanghuali being the high-end. Such brass mounted furniture is fragile and seats in soft wood did not survive.
In the Ming dynasty, jiaoyi were made in two main forms of the back, the horseshoe and the much rarer square with or without arms.
The very elegant quanyi form of armchair is characterized by its horseshoe-shaped rail that serves altogether as backrest and armrest. The quanyi is better suited than other forms of Chinese armchairs for the creation of folding models, its front rail fitting into the curved support of the arms.
The use of a jiaoyi as an occasional imperial throne is likely under the Ming but was not illustrated until the Qing. A painting by Castiglione features the Qianlong emperor sitting on a folding armchair during a negotiation with Kazakh emissaries.
A jiaoyi of comfortable proportions and simple forms was sold for HK $ 125M from a lower estimate by Sotheby's on October 8, 2022, lot 11. Its size is 71 x 67 x 103 cm.
Its damascened iron strengthening places it in the earliest examples of late Ming horseshoe back folding armchairs. Its elegant plain backrest flanked with carved geometrical borders is unique in that group while the five other surviving examples have dragon or floral carvings.
A set of eight Ming seats in huanghuali would be the holy grail for a collector. I do not know if such a wonder remains in private hands and the submultiples, four and two, are much in demand. The consistency of colors and grains ensures the homogeneity of a group. The virtuosity of the craftsman is also considered.
On March 17, 2015, Christie's dispersed the Ellsworth collection. The bidders recognized the best qualities of a quanyi in the group of four that constituted the lot 41. Moreover the other two pairs that would make it possible to constitute a set of eight were identified in the catalog. That set was sold for $ 9.7M.
#AuctionUpdate This weekend, a rare Huanghuali Folding Horseshoe-Back Armchair- offered from the collection of the late Sir Joseph Hotung- soared to $15.9 million. The price is not only a record for a Chinese chair, but is also the third highest sum paid for any chair at auction. pic.twitter.com/J8SNw0F5Gd
— Sotheby's (@Sothebys) October 10, 2022
1732 The Badminton cabinet
2004 SOLD for £ 19 M£ by Christie's
Although its architectural style is Florentine, the Beaufort-Badminton cabinet is one of a kind. It is by far the most monumental piece of furniture that has ever been produced at the Galleria dei Lavori, the workshops of the Grand Duke of Tuscany, exceeding by more than one meter in height a piece of furniture made for the Elector Palatine.
In 1726 the 3rd Duke of Beaufort, aged 19, makes his tour of Italy. He is extremely rich and desires to build an art collection. His stay in Florence was very short. It seems likely that a pre-existing project for a monumental piece of furniture was offered to him. He orders this piece, of which he has followed the make by his agents.
The piece of furniture is delivered to him in 1732. It will be known as the Badminton cabinet from the residence where the 3rd Duke installed it and where it stayed until 1990.
It was sold by Christie's for £ 8.6M on July 5, 1990 and for £ 19M on December 9, 2004, lot 260. It was acquired at this latter sale by Prince Hans Adam II von und zu Liechtenstein to become the central piece in the collection of pietra dura works in his private museum.
The Badminton cabinet is a piece of furniture with four superimposed ebony segments over eight pilasters, for a total height of 386 cm including the Beaufort coat of arms in finial. It is 232 cm wide and 94 cm deep.
The assembly of this piece is a tour de force of joinery. It is sumptuously decorated on front and lateral sides in pietra dura and semi-precious stones with floral themes including birds. The upper segment consists of a clock whose dial is later. The allegories of the four seasons in gilt bronze surround the clock.
In 1726 the 3rd Duke of Beaufort, aged 19, makes his tour of Italy. He is extremely rich and desires to build an art collection. His stay in Florence was very short. It seems likely that a pre-existing project for a monumental piece of furniture was offered to him. He orders this piece, of which he has followed the make by his agents.
The piece of furniture is delivered to him in 1732. It will be known as the Badminton cabinet from the residence where the 3rd Duke installed it and where it stayed until 1990.
It was sold by Christie's for £ 8.6M on July 5, 1990 and for £ 19M on December 9, 2004, lot 260. It was acquired at this latter sale by Prince Hans Adam II von und zu Liechtenstein to become the central piece in the collection of pietra dura works in his private museum.
The Badminton cabinet is a piece of furniture with four superimposed ebony segments over eight pilasters, for a total height of 386 cm including the Beaufort coat of arms in finial. It is 232 cm wide and 94 cm deep.
The assembly of this piece is a tour de force of joinery. It is sumptuously decorated on front and lateral sides in pietra dura and semi-precious stones with floral themes including birds. The upper segment consists of a clock whose dial is later. The allegories of the four seasons in gilt bronze surround the clock.
#ThrowbackThursday The Badminton Cabinet was sold in July 1990 in London. Commissioned in 1726 by Henry Somerset, 3rd Duke of Beaufort, it took 6 years to make & was regarded as the greatest Florentine cabinet of its time. It is on display at the Liechtenstein Museum in Vienna. pic.twitter.com/fTdEaJAm4e
— Christie's (@ChristiesInc) April 16, 2020
Pair of Qianlong Cabinets
2013 SOLD for RMB 93M by Poly
On June 4, 2013, Poly sold for RMB 93M an exceptional pair of zitan cabinets of Qianlong period whose achievement was a real technical feat.
3.25 m high, these cabinets are among the tallest known zitan furniture, although another one 4.40 m high is preserved in Beijing. Its depth of 74 cm is also exceptional. The conception of these cabinets included slits in the boards of doors and sides to relieve the pressure.
There is no evidence that the origin of this pair of furniture is imperial, but they are finely carved in high relief with patterns of dragons and lotus.
3.25 m high, these cabinets are among the tallest known zitan furniture, although another one 4.40 m high is preserved in Beijing. Its depth of 74 cm is also exceptional. The conception of these cabinets included slits in the boards of doors and sides to relieve the pressure.
There is no evidence that the origin of this pair of furniture is imperial, but they are finely carved in high relief with patterns of dragons and lotus.
1772-1785 Desk-and-Bookcase attributed to Daniel Spencer
1989 SOLD for $ 12M by Christie's
The Block and Shell style, denoting the ornaments of the drawers, appears around 1755 in Newport RI in the furniture made by the Townsend-Goddard dynasty of cabinetmakers.
The Chippendale style succeeds the Queen Anne. John Goddard is probably the first to make the desk-and-bookcase which is an adaptation of the Block and Shell to the Chippendale. These pieces of furniture are not signed and very difficult to attribute to one or another master in that family. Nine examples in the six-shell design have survived, all of them in mahogany.
The Brown brothers were wealthy merchants and statesmen of Providence RI, involved in slave trade and smuggling. A Newport-style desk-and-bookcase that belonged to John Brown, 272 × 113 × 64 cm, is kept at Yale University. The piece that belonged to Nicholas Brown, 287 × 108 × 64 cm, is very similar. It had remained in the direct descent of its first owner and was sold for $ 12M by Christie's on June 3, 1989.
For the attribution of these two pieces of furniture, it was noticed that Daniel Spencer, a nephew of John Goddard, had left Newport and established a workshop for the making of cabinets and chairs in Providence in 1772. The terminus ante quem is his imprisonment for debt in 1785. He ended his career in Kentucky.
The Chippendale style succeeds the Queen Anne. John Goddard is probably the first to make the desk-and-bookcase which is an adaptation of the Block and Shell to the Chippendale. These pieces of furniture are not signed and very difficult to attribute to one or another master in that family. Nine examples in the six-shell design have survived, all of them in mahogany.
The Brown brothers were wealthy merchants and statesmen of Providence RI, involved in slave trade and smuggling. A Newport-style desk-and-bookcase that belonged to John Brown, 272 × 113 × 64 cm, is kept at Yale University. The piece that belonged to Nicholas Brown, 287 × 108 × 64 cm, is very similar. It had remained in the direct descent of its first owner and was sold for $ 12M by Christie's on June 3, 1989.
For the attribution of these two pieces of furniture, it was noticed that Daniel Spencer, a nephew of John Goddard, had left Newport and established a workshop for the making of cabinets and chairs in Providence in 1772. The terminus ante quem is his imprisonment for debt in 1785. He ended his career in Kentucky.
1920 Fauteuil aux Dragons by Gray
2009 SOLD for € 22M by Christie's
The estate sale of the collection of the fashion designer Yves Saint-Laurent was jointly organized by Christie's and Pierre Bergé et Associés from 23 to 25 February, 2009. The furniture of the 20th century was led by an armchair made by Eileen Gray around 1920-1922, sold for € 22M from a lower estimate of € 2.5M.
This seat is only 61 cm high. The sitting height is normal, but the back is small. It is large (91 cm), making it a comfortable chair. It is named the Fauteuil aux Dragons for the sculptures of its armrests.
On June 1, 2005, Camard had separated a suite of six armchairs à la Sirène. They had belonged from 1923 to Damia, the music hall singer woman with whom Eileen had a love affair. From a very different model from the fauteuil aux dragons, their sculpture of the women fish was enhanced by an open back. The highest result was € 1.75M.
This seat is only 61 cm high. The sitting height is normal, but the back is small. It is large (91 cm), making it a comfortable chair. It is named the Fauteuil aux Dragons for the sculptures of its armrests.
On June 1, 2005, Camard had separated a suite of six armchairs à la Sirène. They had belonged from 1923 to Damia, the music hall singer woman with whom Eileen had a love affair. From a very different model from the fauteuil aux dragons, their sculpture of the women fish was enhanced by an open back. The highest result was € 1.75M.
LALANNE
1
1964 Rhinocrétaire
2023 SOLD for € 18.3M by Christie's
After the death of Yves Klein, two couples try to awaken French art. Jeanine de Goldschmidt, companion of Pierre Restany, is the manager of the Galerie J, opened in 1961. The Nouveaux Réalistes movement was ephemeral but opened the way to a playful and heterogeneous art, appropriating the industrial object.
In 1964 at the Galerie J manages in 1964 the Zoophites exhibition is highlighted by François-Xavier Lalanne's Rhinocrétaire in the shop window and by the Choupatte and Montre Oignon of his companion and future wife Claude Lalanne. These biomorphic works can be used as pieces of furniture.
Their conceptions and their product lines are slightly different. François-Xavier maintains the functionality of his models of furniture even when they are zoomorphic. Claude creates decorative objects for the living room or the garden with an unlimited imagination. Before them Fornasetti had changed the decoration of the furniture but not the shape.
The Rhinocrétaire is hiding a desk, a bar, a safe and tubes for holding bottles in the inspiration of the French 18th century meubles à secrets. The seminal example, 145 x 300 x 100 cm extended and 120 x 283 x 70 folded, is made of brass, bronze, zinc, leather, natural wax plus a light source. It was acquired in Galerie J by the mother of Jeanine de Goldschmidt-Restany after the original show. It was sold for € 18.3M from a lower estimate of € 4M by Christie's on October 20, 2023, lot 201.
The world of fashion is charmed by their inventions. Beside the zoomorphic, François-Xavier offers custom furniture in which the unconventional position and shape of cases and pots meets a functional need.
The bar in metal supplied in 1965 to Yves Saint-Laurent and Pierre Bergé is equipped with an ovoid bottle rack, a shaker in the shape of a cornucopia and a spherical ice bucket. It was sold in February 2009 by Christie's and Pierre Bergé et Associés for € 2.75M.
The drawing board prepared from 1964 to meet the demands of Karl Lagerfeld was delivered to him in 1966. In an inspiration very similar to the YSL bar, this tray with adjustable inclination is equipped with glass and metal containers for pencils and brushes, an adjoining surface for preparing colors, a spherical storage box and a light source. This KL table was sold for € 750K by Sotheby's on May 3, 2018, lot 156.
In 1964 at the Galerie J manages in 1964 the Zoophites exhibition is highlighted by François-Xavier Lalanne's Rhinocrétaire in the shop window and by the Choupatte and Montre Oignon of his companion and future wife Claude Lalanne. These biomorphic works can be used as pieces of furniture.
Their conceptions and their product lines are slightly different. François-Xavier maintains the functionality of his models of furniture even when they are zoomorphic. Claude creates decorative objects for the living room or the garden with an unlimited imagination. Before them Fornasetti had changed the decoration of the furniture but not the shape.
The Rhinocrétaire is hiding a desk, a bar, a safe and tubes for holding bottles in the inspiration of the French 18th century meubles à secrets. The seminal example, 145 x 300 x 100 cm extended and 120 x 283 x 70 folded, is made of brass, bronze, zinc, leather, natural wax plus a light source. It was acquired in Galerie J by the mother of Jeanine de Goldschmidt-Restany after the original show. It was sold for € 18.3M from a lower estimate of € 4M by Christie's on October 20, 2023, lot 201.
The world of fashion is charmed by their inventions. Beside the zoomorphic, François-Xavier offers custom furniture in which the unconventional position and shape of cases and pots meets a functional need.
The bar in metal supplied in 1965 to Yves Saint-Laurent and Pierre Bergé is equipped with an ovoid bottle rack, a shaker in the shape of a cornucopia and a spherical ice bucket. It was sold in February 2009 by Christie's and Pierre Bergé et Associés for € 2.75M.
The drawing board prepared from 1964 to meet the demands of Karl Lagerfeld was delivered to him in 1966. In an inspiration very similar to the YSL bar, this tray with adjustable inclination is equipped with glass and metal containers for pencils and brushes, an adjoining surface for preparing colors, a spherical storage box and a light source. This KL table was sold for € 750K by Sotheby's on May 3, 2018, lot 156.
2
2003 Grand Rhinocrétaire
2025 SOLD for $ 16.4M by Sotheby's
Les Lalanne accumulate new subjects without obsoleting the old themes. On 23 and 24 October, 2019, Sotheby's sold the works that they were keeping in their home and studio near Fontainebleau. The lot 13 , sold for € 5.4M, was a Rhinocrétaire 2.55 m long in welded metal. Opening the beast unfolds the desk. This unique piece made in 1991 was certainly executed for the personal use of the artist.
The Grand Rhinocrétaire II, also identified as Grand Rhinocéros II, was designed in 2002. The 1/8 in gold patinated bronze, brass and leather from the 2003 edition, 130 x 260 x 61 cm, was sold for $ 16.4M from a lower estimate of $ 3M by Sotheby's on June 11, 2025, lot 105.
In the same materials as the example above, the 7/8 from the 2017 posthumous edition by Bocquel, 145 x 250 x 61 cm, was sold for € 5.5M by Sotheby's on May 24, 2022, lot 140.
The Grand Rhinocrétaire II, also identified as Grand Rhinocéros II, was designed in 2002. The 1/8 in gold patinated bronze, brass and leather from the 2003 edition, 130 x 260 x 61 cm, was sold for $ 16.4M from a lower estimate of $ 3M by Sotheby's on June 11, 2025, lot 105.
In the same materials as the example above, the 7/8 from the 2017 posthumous edition by Bocquel, 145 x 250 x 61 cm, was sold for € 5.5M by Sotheby's on May 24, 2022, lot 140.
3
1968 Bar aux Autruches
2025 SOLD for € 11M by Sotheby's
Created around 1882, the Pâte Nouvelle is a new hard paste developed by the Manufacture de Porcelaine de Sèvres, prepared at a lower temperature than the porcelains of the previous century. Around 1965 Antoine d'Albis, head of the Manufacture laboratory, develops on a similar principle an intensely white porcelain referenced PA.A. François-Xavier Lalanne is interested.
The Bar aux Autruches is unprecedented in its design. The tray is carried on each side in the beak of an ostrich. The life size standing birds turn their backs each other for the balance. The folding wings open laterally on a bottle rack. The tray is centered with a removable ice bucket in the shape of an egg. The birds bear the mark of the Manufacture de Sèvres.
Six Ostrich bars were assembled between 1967 and 1973.
One of them is exhibited in the permanent collections of the Musée de Sèvres and another one was deposited at the Palais de l'Elysée at the request of President Pompidou, a great sponsor of contemporary art.
An example 120 x 198 x 68 cm that was kept by the Lalanne family was sold for € 11M from a lower estimate of € 3M by Sotheby's on May 20, 2025, lot 114. The top is dated 1967 and an ostrich is dated 1968.
Another copy, 143 x 194 x 39 cm, was sold for € 6.2M by Sotheby's on November 21, 2017, lot 40. The top is dated 1970 and each ostrich is dated 1967.
In 1970 Lalanne edits another bar using the new ultra-white porcelain. That Grasshopper Bar, 175 cm long, is produced in two copies only. One was offered by President Pompidou to Queen Elizabeth II in 1972. The other was sold for $ 1.64M by Sotheby's on May 24, 2018, lot 449.
The Bar aux Autruches is unprecedented in its design. The tray is carried on each side in the beak of an ostrich. The life size standing birds turn their backs each other for the balance. The folding wings open laterally on a bottle rack. The tray is centered with a removable ice bucket in the shape of an egg. The birds bear the mark of the Manufacture de Sèvres.
Six Ostrich bars were assembled between 1967 and 1973.
One of them is exhibited in the permanent collections of the Musée de Sèvres and another one was deposited at the Palais de l'Elysée at the request of President Pompidou, a great sponsor of contemporary art.
An example 120 x 198 x 68 cm that was kept by the Lalanne family was sold for € 11M from a lower estimate of € 3M by Sotheby's on May 20, 2025, lot 114. The top is dated 1967 and an ostrich is dated 1968.
Another copy, 143 x 194 x 39 cm, was sold for € 6.2M by Sotheby's on November 21, 2017, lot 40. The top is dated 1970 and each ostrich is dated 1967.
In 1970 Lalanne edits another bar using the new ultra-white porcelain. That Grasshopper Bar, 175 cm long, is produced in two copies only. One was offered by President Pompidou to Queen Elizabeth II in 1972. The other was sold for $ 1.64M by Sotheby's on May 24, 2018, lot 449.
4
2001 Troupeau d'Eléphants dans les Arbres
2024 SOLD for $ 11.6M by Sotheby's
Troupeau d'éléphants dans les arbres is a playful installation made in 2001 by François-Xavier Lalanne, mingling furniture and animal art. The 1/8 was sold for $ 6.6M by Christie's on June 10, 2021, lot 17. All elements are impressed FxL LALANNE 1/8 2001.
It had been commissioned by Sydell Miller and was a highlight of her 'La Rêverie' Palm Beach home. Four others were made for other customers.
The octagonal table in gilt bronze and glass is 81 cm high and 160 cm in diameter. Its four legs are trees. The branches without leaves support the top. The seven elephants of various sizes in gilt bronze are standing each alone on various attitudes. They may be positioned under or on the table, like toys. The biggest is 52 cm high.
Interestingly this composition associates the signature animal models of François-Xavier with the vegetal world of Claude.
The 2/8 of the Troupeau d'éléphants dans les arbres had been acquired in 2001 by the same collector who had commissioned the 1/8. All elements are impressed FxL LALANNE 2/8 2001.
Coming from her collection, it was sold for $ 11.6M from a lower estimate of $ 4M by Sotheby's on November 18, 2024, lot 3. Please watch the video shared by the auction house.
It had been commissioned by Sydell Miller and was a highlight of her 'La Rêverie' Palm Beach home. Four others were made for other customers.
The octagonal table in gilt bronze and glass is 81 cm high and 160 cm in diameter. Its four legs are trees. The branches without leaves support the top. The seven elephants of various sizes in gilt bronze are standing each alone on various attitudes. They may be positioned under or on the table, like toys. The biggest is 52 cm high.
Interestingly this composition associates the signature animal models of François-Xavier with the vegetal world of Claude.
The 2/8 of the Troupeau d'éléphants dans les arbres had been acquired in 2001 by the same collector who had commissioned the 1/8. All elements are impressed FxL LALANNE 2/8 2001.
Coming from her collection, it was sold for $ 11.6M from a lower estimate of $ 4M by Sotheby's on November 18, 2024, lot 3. Please watch the video shared by the auction house.
1976 Promenade des Amis by Diego Giacometti
2024 SOLD for € 9.5M by Christie's
Diego Giacometti was thirteen months younger than Alberto. Decorators and sculptors, they establish their studio together in Montparnasse. The pieces of furnishing that they realize in the 1930s in particular for Jean-Michel Frank appeal by their modernism.
The war separates them temporarily. At that moment their art takes very different directions. While Alberto expresses existentialism by relying on surrealism, Diego does not leave decoration and realism. He meets the desires of his customers with his nice and humorous themes where animal figures come to perch on the struts or to huddle in the table legs.
Promenade des amis is a playful scene designed in 1976 by Diego Giacometti. It stages trees, horses and dogs in various numbers for various furnishing configurations.
The 88 cm high console table in patinated bronze with a glass top 121 x 35 cm stages on the spacer a horse with raised head confronting three dogs following one another amidst three trees with a round foliage. The first dog barks aggressively to the horse. The second dog is ready to jump and the farther dog is waiting.
An example was sold for € 9.5M from a lower estimate of € 1.5M by Christie's on December 3, 2024, lot 68.
In the same style and similar size based on a console sculpture created ca 1972 for James Lord, Biche, Arbre et Renard à l'affût, executed in 1976-1978 by Diego, was sold for € 2.93M by Ader on December 4, 2024, lot 33.
The glass top console Hommage à Böcklin is a tribute to the Toteninsel by the previous Swiss artist. Diego took for that reference the cypress trees limited to two groups of two in a degrading symmetry on both sides of a moon shaped golden disc in the interior crossbars. A contemplating owl is perched on one of the side bars.
This model was designed ca 1978. An example 90 x 110 x 34 cm in patinated and gilt bronze and patinated iron was sold for $ 6.8M by Sotheby's on December 8, 2021, lot 118. An example executed in 1980 in bronze and iron with green and grey patina and copper was sold for £ 5.1M by Christie's on October 13, 2023, lot 18.
The war separates them temporarily. At that moment their art takes very different directions. While Alberto expresses existentialism by relying on surrealism, Diego does not leave decoration and realism. He meets the desires of his customers with his nice and humorous themes where animal figures come to perch on the struts or to huddle in the table legs.
Promenade des amis is a playful scene designed in 1976 by Diego Giacometti. It stages trees, horses and dogs in various numbers for various furnishing configurations.
The 88 cm high console table in patinated bronze with a glass top 121 x 35 cm stages on the spacer a horse with raised head confronting three dogs following one another amidst three trees with a round foliage. The first dog barks aggressively to the horse. The second dog is ready to jump and the farther dog is waiting.
An example was sold for € 9.5M from a lower estimate of € 1.5M by Christie's on December 3, 2024, lot 68.
In the same style and similar size based on a console sculpture created ca 1972 for James Lord, Biche, Arbre et Renard à l'affût, executed in 1976-1978 by Diego, was sold for € 2.93M by Ader on December 4, 2024, lot 33.
The glass top console Hommage à Böcklin is a tribute to the Toteninsel by the previous Swiss artist. Diego took for that reference the cypress trees limited to two groups of two in a degrading symmetry on both sides of a moon shaped golden disc in the interior crossbars. A contemplating owl is perched on one of the side bars.
This model was designed ca 1978. An example 90 x 110 x 34 cm in patinated and gilt bronze and patinated iron was sold for $ 6.8M by Sotheby's on December 8, 2021, lot 118. An example executed in 1980 in bronze and iron with green and grey patina and copper was sold for £ 5.1M by Christie's on October 13, 2023, lot 18.
