ArtHitParade
ArtHitParade on X
  • Home
    • Contact
  • Calendar
  • Top 10
    • Origin
    • From 600 BCE to CE
    • Years 1 to 1000
    • Years 1000 to 1400
    • 15th Century >
      • Years 1400-1429
      • Years 1430-1459
      • Years 1460-1479
      • Years 1480-1499
    • 16th Century >
      • Years 1500-1519
      • Decade 1520-1529
      • Decade 1530-1539
      • Years 1540-1569
      • Years 1570-1599
    • 17th Century >
      • Decade 1600-1609
      • Decade 1610-1619
      • Decade 1620-1629
      • Decade 1630-1639
      • Decade 1640-1649
      • Decade 1650-1659
      • Years 1660-1679
      • Years 1680-1699
    • 18th Century >
      • Decade 1700-1709
      • Decade 1710-1719
      • Decade 1720-1729
      • Decade 1730-1739
      • Decade 1740-1749
      • Decade 1750-1759
      • Decade 1760-1769
      • Decade 1770-1779 >
        • 1776
      • Decade 1780-1789 >
        • 1787
      • Decade 1790-1799 >
        • 1792
    • 19th Century >
      • Decade 1800-1809
      • Decade 1810-1819
      • Decade 1820-1829
      • Decade 1830-1839
      • Decade 1840-1849
      • Decade 1850-1859
      • Decade 1860-1869
      • Decade 1870-1879 >
        • 1877
        • 1878
        • 1879
      • Decade 1880-1889 >
        • 1880
        • 1881
        • 1882
        • 1884
        • 1885
        • 1887
        • 1888
        • 1889
      • Decade 1890-1899 >
        • 1890
        • 1891
        • 1892
        • 1895
        • 1896
    • 20th Century >
      • Decade 1900-1909 >
        • 1901
        • 1902
        • 1903
        • 1904
        • 1905
        • 1906
        • 1907
        • 1908
        • 1909
      • Decade 1910-1919 >
        • 1910
        • 1911
        • 1912
        • 1913
        • 1914
        • 1915
        • 1916
        • 1917
        • 1918
        • 1919
      • Decade 1920-1929 >
        • 1920
        • 1921
        • 1922
        • 1923
        • 1924
        • 1925
        • 1926
        • 1927
        • 1928
        • 1929
      • Decade 1930-1939 >
        • 1930
        • 1931
        • 1932
        • 1933
        • 1934
        • 1935
        • 1936
        • 1937
        • 1938
        • 1939
      • Decade 1940-1949 >
        • 1941
        • 1942
        • 1943
        • 1945
        • 1946
        • 1947
        • 1948
        • 1949
      • Decade 1950-1959 >
        • 1950
        • 1951
        • 1952
        • 1953
        • 1954
        • 1955
        • 1956
        • 1957
        • 1958
        • 1959
      • Decade 1960-1969 >
        • 1960
        • 1961
        • 1962
        • 1963
        • 1964
        • 1965
        • 1966
        • 1967
        • 1968
        • 1969
      • Decade 1970-1979 >
        • 1970
        • 1971
        • 1972
        • 1973
        • 1974
        • 1975
        • 1976
        • 1977
        • 1978
        • 1979
      • Decade 1980-1989 >
        • 1980
        • 1981
        • 1982
        • 1983
        • 1984
        • 1985
        • 1986
        • 1987
        • 1988
        • 1989
      • Decade 1990-1999 >
        • 1990
        • 1991
        • 1992
        • 1993
        • 1994
        • 1995
        • 1996
        • 1997
        • 1998
        • 1999
    • 21st Century >
      • Decade 2000-2009 >
        • 2000
        • 2001
        • 2002
        • 2003
        • 2004
        • 2005
        • 2006
        • 2007
        • 2008
        • 2009
      • Decade 2010-2019 >
        • 2010
        • 2011
        • 2012
        • 2013
        • 2014
        • 2015
        • 2017
        • 2018
      • 2020 to now >
        • 2021
        • 2022
  • Ancient Painting
    • Flemish Art >
      • Pieter II Brueghel
      • Jan Brueghel
    • Rubens
    • Rembrandt
    • Early Still Life
    • Oil on Copper
  • 18th Century Painting
  • Ancient Drawing
  • Art on Paper
  • Sculpture
    • Bust
    • Ancient Sculpture >
      • Roman Sculpture
    • Italian Sculpture
    • French Sculpture >
      • Rodin
    • Sculpture by Painters
  • Women Artists
    • Ancient Art by Women
    • O'Keeffe
    • Lempicka
    • Martin
    • Mitchell
    • Yayoi Kusama
    • Brown
  • Furniture
    • Chairs and Seats
    • Colonial Furniture
    • Ancient French Furniture
    • Modern Furniture >
      • Art Deco
      • Modern Tables
  • Prints
    • Ancient Prints
    • Modern Prints
  • Photo
    • Old Photos >
      • Travel Photos
      • Early French Photo
    • Photos 1900s 1910s
    • Photos 1920s 1930s
    • Photos 1970s 1980s
    • Sherman
    • Gursky
  • The Man
  • The Woman
  • Children
  • Man and Woman
  • Groups
  • Self Portrait
    • Self Portrait 2nd page
  • Nude
  • Abstract Art - 2nd page
  • Landscape
    • Alps
  • Cities
    • Venice
    • Paris
  • Flowers
    • Bouquet
  • Animals
    • Bird
    • Cats and Lions
    • Horse
  • Tabletop
  • Music and Dance in Art
    • Music in Old Painting
  • Sport in Art
  • Orientalism
    • Orientalism 1830-1900
  • France
    • French Painting before 1860
    • Manet
    • Degas
    • Cézanne
    • Monet >
      • Monet before 1879
      • Monet 1879-1887
      • Series by Monet
      • London and Venice
      • Bassin aux Nymphéas
    • Renoir
    • Caillebotte
    • Gauguin
    • Seurat
    • Signac
    • Lautrec
    • Matisse
    • Léger
    • Klein
    • Lalanne
    • Post War French Art
  • Italy
    • Canaletto
    • Modigliani
    • Fontana
    • Mappa by Boetti
  • Swiss Painting
  • Giacometti
    • Giacometti 1947-53
    • Femme Debout
  • Bacon
    • Bacon before 1963
    • Bacon 1963-70
    • Later Bacons
    • Head Triptych
  • UK - 2nd page
    • Ancient England
    • George III
    • British Royals
    • Turner >
      • Watercolor by Turner
    • Freud >
      • Early Freud
    • Hockney
    • Doig
    • Hirst
    • Banksy
  • Richter
    • Richter before 1983
  • Germany - 2nd page
    • Ancient Germany >
      • Cranach
    • Marc
  • Van Gogh
  • Mondrian
  • De Kooning
  • Magritte
    • Early Magritte
  • Belgium 2nd page
  • Ancient Spain
  • Picasso
    • Picasso before 1907
    • Picasso 1907-1931
    • Marie-Thérèse
    • Picasso later 1930s
    • Picasso 1940-1960
    • Picasso in Mougins
    • Prints by Picasso
  • Gris
  • Miro
  • Klimt
  • Schiele
  • USA
    • US Independence
    • Development of USA
    • US Civil War
    • US Painting before 1940 >
      • Sargent
    • Hopper
    • Rockwell
    • Calder
    • Rothko >
      • Early Rothko
      • Rothko 1957-70
    • Still
    • Newman
    • Guston
    • Pollock
    • Diebenkorn
    • Lichtenstein >
      • Lichtenstein after 1965
    • Warhol >
      • USA by Warhol
      • Celebrities by Warhol >
        • Elvis and Liz
      • Later Warhols
      • Prints by Warhol >
        • Warhol Prints 2nd page
    • Twombly
    • Johns
    • Ruscha
    • Koons
    • Marshall
    • Wool
    • Basquiat
    • Bradford
  • Wild West
  • Central and South Americas
    • Mexico
  • China
    • Ritual Bronzes
    • Song
    • Yuan
    • Ming
    • Early Qing
    • Qianlong
    • Modern China >
      • Qi Baishi
      • Zhang Daqian >
        • Zhang Daqian before 1965
      • Fu Baoshi
      • Sanyu >
        • Sanyu before 1950
      • Li Keran
      • Wu Guanzhong
      • Zao Wou-Ki
      • Cui Ruzhuo
    • Chinese Porcelain >
      • Song to Yuan Porcelain
      • Ming Porcelain
      • Qing Porcelain
    • Chinese Art
    • Mountains in China
    • Chinese Calligraphy
    • Chinese Furniture
    • Imperial Seal
    • Chinese Dragon
    • Jadeite
  • India
    • Gaitonde
    • Modern India
  • Persia
    • Safavid Carpets
  • Yoshitomo Nara
  • Russia and Eastern Europe
    • Russia 1700-1900
    • Kandinsky
    • Brancusi
    • Chagall
    • Soutine
    • Ghenie
  • Munch
    • Prints by Munch
  • Egypt
  • Tropical Africa
    • Congo
    • Gabon
    • Mask
  • Tribal Oceania
    • Easter Island
  • Australia
    • Colonial Australia
  • Islam
  • Buddhism
    • Early Buddhist Sculpture
    • Tibet and Nepal
  • Judaica
  • Christianity
    • Madonna and Child
  • Cars
    • Birth of Automobile
    • Cars of the 1910s
    • Cars of the 1920s
    • Cars of the 1930s >
      • Cars 1930-33
      • Cars 1934-35
      • Cars 1936-37
      • Cars 1938-39
    • Post War Cars
    • Cars of the 1950s >
      • Cars 1953-54
      • Cars 1955
      • Cars 1956-57
      • Cars 1958-59
    • Cars of the 1960s >
      • Cars 1960-61
      • Cars 1962-63
      • Cars 1964-65
      • Cars 1966-67
    • Cars 1970s 1980s
    • Supercars
    • Hypercars
    • Ferrari >
      • California Spider
      • Big Five
    • Alfa Romeo
    • Mercedes-Benz
    • Porsche
    • Aston Martin
    • Jaguar
    • McLaren
    • Bugatti
    • French Cars
    • Duesenberg
    • Ford and Shelby
    • Cars in Movies
  • Motorcycles
  • Jewels
    • White Diamond
    • Pink Diamond
    • Blue Diamond
    • Jewels - 2nd page
    • Cartier
  • Silverware
    • Old Silverware
  • Coin
    • Antique Coins >
      • Roman Coins
    • Coins 1000-1775
    • Coins 1776-92
    • Coins 1793-1819
    • Coins 1820-49
    • Coins 1850-69
    • Coins 1870-99
    • 20th century Coins
    • US Gold Coins
    • Silver Dollar
    • Cent and Dime
    • British Coins
    • Japanese Coins
    • Chinese Coins
  • Paper Currency
  • Medal and Decoration
  • Time Pieces
    • Clocks >
      • Old Clocks
    • Mechanical Craft ca 1800
    • Jaquet-Droz and Followers
    • Modern Watches
    • New Watches >
      • OnlyWatch
    • Patek Philippe >
      • Patek Philippe before 1950
      • World Time
      • Perpetual Calendar
    • Rolex
    • French Time Pieces
    • Daniels
  • Glass and Crystal
    • Glass before 1900
    • Tiffany Studios
  • Terracotta and Porcelain
    • Meissen
  • Textiles
  • Books
    • Incunabula
    • 16th Century Books
    • 17th Century Books
    • Fine Books 1700-1850
    • The Birds of America
  • Literature
    • Literature in French
  • Poems and Lyrics
  • Autograph
  • Manuscript
    • Paleography
    • Illuminated Christian Manuscript
  • Political Writing
  • Comic Books
  • Illustration Art
    • Tintin
  • Travel
  • Ancient Maps
  • Space
  • Movies
  • Screen Worn
  • Music
  • Musical Instrument
    • Stradivarius
    • Violin 2nd page
    • Guitar
    • Chinese Instrument
  • The Beatles
  • Poster
  • Sport
    • Sport Equipment
    • Sport Document
    • Sport Rewards
    • Sport Cards >
      • Sport Images before 1942
      • T206 Wagner
      • Babe Ruth Cards
      • Sport Cards 1942-92
      • Topps Mantle
      • Modern Sport Cards
    • Baseball >
      • Baseball Bat
      • Baseball Jersey
      • Babe Ruth
      • Lou Gehrig
    • Basketball >
      • Michael Jordan
      • Kobe Bryant
    • Ice Hockey
    • Sport 2nd page
  • Olympic Games
  • Origins of Sports
  • Historical Arms
    • Blade and Armour
    • Colt in Lifetime
    • Later Colts
    • Winchester
    • Firearms
  • Toys
  • Doll
  • Games
  • Stamps
    • US Stamps
    • Inverted Jenny
  • Inventions
  • Leica
  • Sciences
    • Ancient Science
    • Sciences 1600-1800
    • Astronomy
    • Physics
    • Medicine
  • Dinosaur
  • Computing
  • Nobel Medals
    • Nobel in Medicine
  • Whisky
    • Whisky 2nd page
  • Wine
  • Plus
    • Plus 17C Art
    • Plus 18C Art
    • Plus 1910s
    • Plus 1982 Basquiat
    • Plus Ferrari
    • Plus US Cars
    • Plus Qing Porcelain
    • Plus Tribal
  • Work in Progress

1911

Except otherwise stated, all results include the premium.
​See also : Sculpture  Italian sculpture  Bust  Tabletop  Bouquet  Italy  Modigliani  Matisse  Brancusi
1910

Tête by MODIGLIANI
​Intro

Amedeo Modigliani is a young Italian immigrant who is learning the tendencies of modern art in Paris at the Bateau-Lavoir. From his meeting with Brancusi he discovers the sculpture in direct carving, perfectly suited to his skills : Modi operates quickly and without rework. 

Brancusi is one of the greatest innovators of sculpture. Reacting against the realistic details of clay and bronze, he is the first to seek beauty through basic and simplified forms that will lead him up to abstraction. 

Modigliani is easily convinced by Brancusi that the direct stone carving may bring an utmost purity to art. Opposed to Rodin's realism, the two artists are attempting a conceptual art that their detractors include in the Cubism still highly disputed at that time.

From 1909 to 1914 Modigliani is obsessed with a unique project : to build a temple dedicated to feminine beauty. To provide a roof for his monument, he tirelessly draws figures of cariatides which he calls his columns of tenderness.

Brancusi and Modigliani find inspiration for their new styles in the antique and African arts. In 1910, Modi draws women topped with a tablette in reference to the Caryatids of the Erechtheion. 


Around 1911 he finally exerts his indisputable skills for sculpture in a series of limestone and sandstone women's heads. These elongated heads with a long neck on a cubic base are similar to each other but details of the faces are different. His series of busts made ​​in 1911 and 1912 will prepare his temple of art. The varied heights show that its overall design is far from fixed.

Art critics have searched for models and styles that have inspired the timeless beauty of Modigliani's women's heads. They are indeed a synthesis of all ages and all civilizations. They are simple as the Cycladic idols, noble as queens of Egypt, Mannerist as a Botticelli, mysterious as African masks, serene as deities, geometric like the art of his friend Brancusi. They are designed to be viewed as a group, such as the Cariatides of a Greek temple.

Modi is not yet famous. He uses limestone blocks taken from construction sites and carries them in a wheelbarrow to his modest studio in Montparnasse. His heads of women create around him a crowd of pure and stylized faces with the intense force of a tribal ceremony.


He carved about 25 heads. In 1911 five of them are recognizable by photography in his solo exhibition organized with the help of Brancusi in the vast workshop of Amadeo de Souza-Cardoso. In 1912 the Salon d'Automne aligns seven heads in the Cubist Hall. Only the artist in his small studio in Montparnasse, or some friends at an exhibition in 1911 or 1912, could breathe the mystical atmosphere of the whole.

In 1913 Modigliani feels that his project of temple is ready. He chooses to use marble and visits Carrara. He carved only one caryatid. His fragile health will not allow him to do more. He abandons his great project and becomes a portrait painter again. The bust heads were dispersed.

Modigliani carved the stone in direct cut. In 1914 he had to give up his vocation as a sculptor for reasons of health and money. His brush was as skilled as his chisel to express the purity of the curves, and he became the best portrait painter of Montparnasse.

1
1911-1912
2014 SOLD for $ 71M by Sotheby's

On November 4, 2014, Sotheby's sold for $ 71M from an estimate in excess of $ 45M a bust 73 cm high including the base, lot 8. Please watch the video shared by the auction house. This specimen had been exhibited at the Salon d'Automne.​
Sculpture
Bust
Italy
Italian Sculpture
Modigliani
Decade 1910-1919

2
1911
2010 SOLD for € 43M by Christie's

One of these statues, made of Parisian limestone, 64 cm high including the cubic base, was sold for € 43M from a lower estimate of € 4M by Christie's on June 14, 2010.  It is shared in an article in French by Le Figaro.

This specimen had been exhibited by Souza-Cardoso and at the Salon d'Automne.​

​3
​1911-1912
​2019 SOLD for $ 34M by Christie's

​A 51 cm high Tête carved in limestone around 1911-1912 with no early exhibition history was sold for $ 34M by Christie's on May 13, 2019, lot 31A.

On May 13 we will offer Amedeo Modigliani’s limestone sculpture, 'Tête', circa 1911-1912, in our New York Evening Sale of Impressionist and Modern Art.

Find out more: https://t.co/gMtuCZPqy8 pic.twitter.com/Tia9YIKeZC

— Christie's (@ChristiesInc) April 18, 2019

1911 Les Coucous, tapis bleu et rose by Matisse
2009 SOLD for € 36M by Christie's

Born in northern France, Henri Matisse very early visited the local weaving workshops. Throughout his life, he will be a creator of forms on the most varied supports, overlapping figuration and abstraction.

Fauvism is a short but decisive phase during which he experiences the power of pure colors. Seeking exotic solutions, he travels to Algeria in 1906 and spends two months in Spain in 1910 studying Moorish art. At that time, collectors ahead of their time like Shchukin no longer support the traditional separation between art and decoration.

In 1910 in Madrid, Matisse bought in an antique shop a two-tone rug in fairly poor condition, whose arabesques were naturalistic without being identifiable. He was seduced by the expressive force of this anonymous textile, close by chance to the new style that he had developed for La Danse in 1909.

By varying the colors, he uses his rug as a decorative element in several paintings. In L'Atelier rose, oil on canvas 180 x 221 cm painted for Shchukin in 1911, it is spread over the large screen.

Les coucous - tapis bleu et rose, oil on canvas 81 x 66 cm painted in spring 1911, appears as a preparatory work for L'Atelier rose. On the table, the vase of primroses (coucous) is the pretext for this image, but the rug used as a tablecloth is indeed the main theme by its invitation to abstraction. The turquoise wall at the back is enhanced with pink reflections.

Yves Saint-Laurent saw in the image of this fabric a precursor to his own work. This painting which offers a link between two great designers went to be the most expensive lot of the sale of his collection by Christie's on February 23, 2009 : it was sold for € 36M from a lower estimate of € 12M, lot 55. The image is shared by Wikimedia.
Les coucous, tapis bleu et rose Matisse 1911
Tabletop
Bouquet
Matisse

​1911 Improvisation mit Pferden by Kandinsky
​2017 SOLD for $ 12.7M by Christie's

In 1909 Wassily Kandinsky described his inspiration by three categories : Impression, Improvisation, Komposition. This excessively theoretical approach should not obscure the fact that his great jump forward was to highlight the expression and confrontation of the colors while minimizing the line.

In January 1911 Kandinsky was enthralled by the music of Schönberg heard in a concert. He will now endeavor to express through his painting a universal and pantheistic feeling with a rhythm which is equivalent to a breath. For that purpose he no longer needs a narrative excuse nor a perspective and he also eliminates the graphic consistency between lines and colors.

An example from this new experimental phase was sold for $ 12.7M from a lower estimate of $ 9M by Christie's on November 13, 2017, lot 9 A. this oil on canvas 71 x 99 cm painted in 1911 is titled Improvisation mit Pferden (Studie für Improvisation 20).

The lyrical breath is assured by the primordial force of the diagonal rising from lower left to upper right. The figures are more or less identifiable : horses, a blue and yellow couple, a tower, a row of trees. The powerful rising flow is disturbed by a thick semi-circular black line with zigzag.

The final version 95 x 108 cm titled Improvisation 20 (Zwei Pferde) retained the diagonal and the zigzag, with solid colors. Appearing as a mere detail in comparison with its Studie, it does not offer the same amplitude but is indisputably one of the ultimate stages before pure abstraction.

Christie's prépare la vente d'une #collection européenne fin 2017 https://t.co/BpMV1mGnNo @artdaily #AvantGarde #ArtModerne #Bijoux #Design pic.twitter.com/apHITK96W2

— Christie's Paris (@christiesparis) July 26, 2017

1911 Prométhée by Brancusi
2012 SOLD for $ 12.7M by Sotheby's

Conceived in 1909 by Brancusi, La Muse Endormie reduces the figure to an ovoid head with some face lines. The head is treated as an autonomous object rather than a fragment of the body.

In 1911 his Prométhée goes still closer to abstraction. Almost all details have disappeared. The remnants are traces of the neck, of an ear and of a line defining nose and brow. He was inspired by Goethe's Prometheus poem brought to him by his muse Margit Pogany.

Brancusi managed to compare his own creativity with the mystical birth of the human race. Prometheus is the mythological Titan who gave birth to mankind from clay and stole the fire in heaven.

The conclusion of the story is the eagle endlessly eating the liver of Prometheus in chains. It is reflected is the slight backward inclination of the head to express pain or sorrow.

Gold is the suitable glowing color to remind Prometheus's fire. A 14 x 17.5 x 14 cm polished gilt bronze cast in 1911 was sold for $ 12.7M from a lower estimate of $ 6M by Sotheby's on May 2, 2012, lot 43.

Brancusi made three other casts in bronze, one marble, two plasters and two in black cement.

The final iteration of this theme with no remaining detail on the undisturbed ovoid form is titled Le Commencement du Monde, conceived in 1920-1924.
Brancusi

1911 PICASSO 
​Intro

Supported by Kahnweiler, Georges Braque and Pablo Picasso had their studios in Montmartre. Despite their dissimilar temperaments, they friendly discussed on a daily basis the great project of a new form of graphic perception that would challenge and supersede realism and perspective. They were to acknowledge the planar fragments by Cézanne as a precursor style but they went much further in the faceting of the forms.

Braque's cubisme analytique endeavored to express the emotion, the attributes and the privacy of the artist through a recreated space within a self contained art work.

Le Guéridon, oil on canvas 41 x 33 cm, was painted by 
Braque in Paris in the spring of 1911. The personal elements are not perceived as a first glance. They include the image of the equipment of the painter : table, palette, stick, brush, a container, a brush washer and two tubes of paint. In the new graphic style, the palette is doubled and the wash pot is oblique and fragmented. The color of the ochre tube is repeated elsewhere in the composition. It was sold for $ 10.1M by Christie's on May 15, 2017, lot 5A.

In 1910 Picasso had been reluctant to follow the trend to total abstraction. He instead managed to use the theme of the tabletop of everyday volumetric objects as a support to an unprecedented pictorial space developed with Braque, the Cubisme analytique, departing from realism. He was more looking than Braque at the root nature of the object.
​
​That early cubisme was short lived. Braque later commented : ​
“One should always have two ideas : one to destroy the other”. Indeed it failed to appeal the public by the nearly impossiibility to match the theme and the figure. In 1912 with Avec l'arc noir, Kandinsky gives up the theme and triggers the abstract art, and the Futurist Boccioni comes back to some figuration by adding colors into the facets of the divisionism.

1
spring 1911 Buffalo Bill
2022 SOLD for $ 12.4M by Christie's

At the time of the Cubisme analytique, Picasso and Braque were playfully amazed by the cowboys of the Wild West personified by Buffalo Bill's show. Other folk heroes include Wilbur Wright. 

In the spring 1911 in Paris, Picasso tries a portrait of Buffalo Bill. It was more a tribute than a portrait as that head shaken in planar fragments cannot be identified. This oil and sand on canvas 46 x 33 cm was sold for $ 12.4M by Christie's on November 17, 2022, lot 12.

Picasso's followers try to recognize the famous moustache of Buffalo Bill. Nevertheless Picasso's portraits of the cubisme analytique certainly influenced half a century the Soho portraits by Francis Bacon identifying a friend by tiny details.

2
​summer 1911
2015 SOLD for $ 10.5M by Christie's

In mid-August 1911, Braque joined Picasso for a three week summer holidays at Céret in the French Pyrénées. Relying on their previous partnership in Montmartre, they further developed the Cubisme applied by Braque to the still life theme of bottle and glass.

La Carafe, oil on canvas 55 x 38 cm, was painted by Picasso in the following fall or winter. The forms of a carafe, a bottle and a glass are reduced to an overlapping assemblage of fractured forms. The palette is restricted to grey, ochre and black with flashes of white and unpainted areas for an effect of translucence.


La Carafe was sold for $ 10.5M from a lower estimate of $ 6M by Christie's on November 12, 2015, lot 21C.

3
fall 1911 Cafetière, Tasse et Pipe
​2023 SOLD for $ 11.3M by Christie's

Painted in the fall or winter 1911, Cafetière, Tasse et Pipe displays  a wineglass, a coffee pot, a cup and a pipe set from foreground to background on a table in perspective. The features of these artefacts are easily recognizable within a well balanced composition in a very limited palette.

Confiscated by the Germans to Alphonse Kann in 1940, it was owned from ca 1945 by Dora Maar, probably a gift from Picasso but its re-acquisition by Picasso is not documented.

This oil on canvas 46 x 27 cm was sold for $ 11.3M from a lower estimate of $ 8M by Christie's on May 11, 2023, lot 10A in the sale of the Newhouse collection.

​1911 Landscape by Malevich
​2018 SOLD for £ 7.9M by Christie's

Relations are excellent between France and Russia, and the Parisian avant-garde artists diffuse up to Moscow. From 1908 exhibitions are organized in that city to confront the young artists of both countries. Also in 1908 Shchukin opened his residence to the public.

This momentum makes Natalia Goncharova and her companion Mikhail Larionov want to create a modern art more directly rooted in Russian traditions. The peasant scenes are one of their themes. It has been said that their group was also inspired by the figures of the icons. Around Repin the official artists spit their contempt.

Based in Moscow since 1904 Kazimir Malevich brings his contribution. In 1911 his Peasant Funeral is comparable to Un Enterrement à Ornans by Courbet but with a choice of colors in the style of Jawlensky. This work is lost. A 46 x 46 cm preparatory gouache showing the head of a bearded peasant was sold for £ 2.1M by Sotheby's on June 2, 2014.

A gouache on paper laid on board realized in the same year was sold for £ 7.9M by Christie's on June 20, 2018, lot 17 B.

This view of an imaginary village is almost unique in Malevich's art. The only other identified example is lost. With its large size 106 x 106 cm it appears as an experimental work in search of a synthesis of styles. The square format and the disappearance of the horizon are bold for this theme and perhaps inspired from Klimt, the variety of colors evokes Kandinsky and the intentionally naive drawing of the houses is in the post-cubist style of Lhote and Gleizes.

Malevich considered this artwork as important in his career. He often exhibited it until his catastrophic attempt of passing to the West in 1927 in which he lost control of his best works. It was restituted to his family in 2012 after hanging for 48 years at the Kunstmuseum Basel.

Christie’s Scores a Second Malevich for June https://t.co/dYUgxvIGFX pic.twitter.com/Cyj4Lb8o9v

— Art Market Monitor (@artmarket) April 13, 2018
1912
Powered by Create your own unique website with customizable templates.