ArtHitParade
ArtHitParade on Twitter
  • Home
    • Contact
  • Next Auctions
    • Calendar
  • Top 10
    • Origin
    • From 600 BCE to CE
    • Years 1 to 1000
    • Years 1000 to 1300
    • 14th Century
    • 15th Century >
      • Years 1400-1429
      • Years 1430-1459
      • Years 1460-1479
      • Years 1480-1499
    • 16th Century >
      • Years 1500-1519
      • Decade 1520-1529
      • Decade 1530-1539
      • Years 1540-1569
      • Years 1570-1599
    • 17th Century >
      • Decade 1600-1609
      • Decade 1610-1619
      • Decade 1620-1629
      • Decade 1630-1639
      • Decade 1640-1649
      • Decade 1650-1659
      • Years 1660-1679
      • Years 1680-1699
    • 18th Century >
      • Years 1700-1719
      • Decade 1720-1729
      • Decade 1730-1739
      • Decade 1740-1749
      • Decade 1750-1759
      • Decade 1760-1769
      • Decade 1770-1779 >
        • 1776
      • Decade 1780-1789
      • Decade 1790-1799 >
        • 1792
    • 19th Century >
      • Decade 1800-1809
      • Decade 1810-1819
      • Decade 1820-1829
      • Decade 1830-1839
      • Decade 1840-1849
      • Decade 1850-1859
      • Decade 1860-1869
      • Decade 1870-1879
      • Decade 1880-1889 >
        • 1887
        • 1888
        • 1889
      • Decade 1890-1899 >
        • 1890
        • 1892
        • 1896
    • 20th Century >
      • Decade 1900-1909 >
        • 1903
        • 1904
        • 1905
        • 1907
        • 1908
        • 1909
      • Decade 1910-1919 >
        • 1911
        • 1912
        • 1913
        • 1914
        • 1915
        • 1916
        • 1917
        • 1918
        • 1919
      • Decade 1920-1929 >
        • 1920
        • 1923
        • 1925
        • 1926
        • 1927
        • 1928
        • 1929
      • Decade 1930-1939 >
        • 1930
        • 1931
        • 1932
        • 1933
        • 1934
        • 1935
        • 1936
        • 1937
        • 1938
        • 1939
      • Decade 1940-1949 >
        • 1941
        • 1942
        • 1945
        • 1946
        • 1947
        • 1948
        • 1949
      • Decade 1950-1959 >
        • 1950
        • 1951
        • 1952
        • 1953
        • 1954
        • 1955
        • 1956
        • 1957
        • 1958
        • 1959
      • Decade 1960-1969 >
        • 1960
        • 1961
        • 1962
        • 1963
        • 1964
        • 1965
        • 1966
        • 1967
        • 1968
        • 1969
      • Decade 1970-1979 >
        • 1970
        • 1971
        • 1972
        • 1975
        • 1977
        • 1979
      • Decade 1980-1989 >
        • 1980
        • 1981
        • 1982
        • 1983
        • 1985
        • 1986
        • 1987
        • 1988
      • Decade 1990-1999 >
        • 1993
        • 1994
        • 1996
        • 1997
        • 1998
    • Decade 2000-2009 >
      • 2000
      • 2001
      • 2006
      • 2007
    • From 2010 to Now >
      • Current Art
  • Roman Empire
  • Renaissance
  • Painting
    • Ancient Painting >
      • Oil on Copper
    • 18th Century Painting
  • Ancient Drawing
  • Art on Paper
  • Sculpture
    • Bust
    • Ancient Sculpture
    • Italian Sculpture
    • French Sculpture
  • Women Artists
    • Ancient Art by Women
    • Art by Women ca 1960
    • Current Art by Women
  • Furniture
    • Chairs and Seats
    • Colonial Furniture
    • Ancient French Furniture
    • 18th Century Furniture
    • 20th Century Furniture >
      • Art Deco
      • Lalanne
  • Prints
    • Ancient Prints
    • Modern Prints
  • Photo
    • Old Photos >
      • Travel Photos
      • Early French Photo
    • Photos 1900-1940 >
      • Photos in the 1920s
    • Photos 1970s 1980s
    • Gursky
    • Photos by Women
  • The Man
  • The Woman
  • Children
  • Man and Woman
  • Groups
  • Self Portrait
    • Self Portrait 2nd page
  • Nude
  • Abstract Art
    • Abstract Art - 2nd page
  • Landscape
    • Midi
    • Alps
    • Mountains in China
  • Cities
    • Venice
    • Paris
    • Los Angeles
  • Flowers
    • Bouquet
  • Animals
    • Bird
    • Cats
    • Horse
  • Dragon
  • Tabletop
  • Early Still Life
  • Music and Dance in Art
    • Music in Old Painting
  • Sport in Art
  • Orientalism
    • Orientalism 1830-1900
  • France
    • Louis XIV to XVI
    • Revolution and Empire
    • Louis XVIII to 2nd Empire
    • Ancient French Painting
    • Cézanne
    • Monet >
      • Monet before 1878
      • From Vétheuil to Giverny
      • Pond by Monet
    • Gauguin
    • Lautrec
    • Matisse
    • Post War French Art >
      • Klein
  • Italy
    • Italian Painting 1280-1700
    • Canaletto
    • Modigliani
    • Modern Italian Art
    • Italy 2nd page
  • Switzerland before 1940
  • Giacometti
    • Giacometti 1947-53
  • Bacon
    • Bacon before 1963
    • Bacon 1963-70
    • Later Bacons
  • UK - 2nd page
    • Ancient England
    • George I to III
    • George IV to Victoria
    • British Royals
    • Turner
    • Freud
    • Hockney
    • Doig
  • Germany
    • Ancient Germany
    • Richter >
      • Richter before 1986
    • Germany - 2nd page
  • Rembrandt
  • Van Gogh
  • De Kooning
  • Holland 2nd page
  • Old Flanders and Belgium
    • Flemish Art >
      • Rubens
    • Magritte
    • Tintin
    • Belgium 2nd page
  • Picasso
    • Picasso before 1907
    • Picasso 1907-1931
    • Picasso in the 1930s
    • Picasso 1940-1960
    • Picasso from 1961
    • Prints by Picasso
  • Spain - 2nd page
    • Ancient Spain
    • Miro
    • Spain 3rd page
  • Klimt
  • Austria 2nd page
  • USA
    • US Independence
    • Development of USA
    • US Civil War
    • Far West
    • US Painting before 1940
    • Rockwell
    • Rothko >
      • Early Rothko
      • Rothko 1957-70
    • Pollock
    • Lichtenstein >
      • Lichtenstein after 1965
    • Warhol >
      • USA by Warhol
      • Celebrities by Warhol
      • Later Warhols
      • Prints by Warhol
    • Twombly
    • Koons
    • Basquiat
    • USA 2nd page
  • Canada
  • Central and South Americas
  • China
    • Archaic China >
      • Ritual Bronzes
    • Northern Song
    • Southern Song and Yuan
    • Early Ming
    • Later Ming
    • Early Qing
    • Qianlong
    • Modern China >
      • Zhang Daqian
      • Sanyu
      • Zao Wou-Ki
    • New Chinese Painting
    • Chinese Porcelain >
      • Song to Yuan Porcelain
      • Ming Porcelain
      • Qing Porcelain
    • Chinese Art
    • Chinese Calligraphy
    • Jade
  • India
    • Tibet and Nepal
    • Modern India >
      • Gaitonde
  • Persia
    • Safavid Carpets
  • Japan
  • Russia
    • Russia 1700-1900
    • Kandinsky
  • Eastern Europe
    • Chagall
  • Northern Europe
    • Prints by Munch
  • Egypt
  • Tropical Africa
    • Congo
    • Gabon
    • Mask
  • Tribal Oceania
  • Australia
    • Colonial Australia
  • Islam
  • Buddhism
    • Early Buddhist Sculpture
  • Judaica
  • Christianity
    • Madonna and Child
  • Cars
    • Birth of Automobile
    • Cars of the 1910s
    • Cars of the 1920s
    • Cars of the 1930s >
      • Cars 1930-33
      • Cars 1934-36
      • Cars 1937-39
    • Post War Cars >
      • Cars 1940-50
      • Cars 1951-53
      • Cars 1954-55
      • Cars 1956-57
      • Cars 1958-59
    • Cars of the 1960s >
      • Cars 1960-61
      • Cars 1962-64
      • Cars 1965-67
    • Cars 1970s 1980s
    • Supercars
    • Hypercars
    • Ferrari >
      • Early Ferrari
      • From LWB to GTO >
        • California Spider
      • Ferrari after 1962
    • Italian Cars
    • Mercedes-Benz
    • Porsche
    • British Cars >
      • Aston Martin
      • Jaguar
      • McLaren
    • Bugatti
    • French Cars
    • Duesenberg
    • Ford and Shelby
    • Cars - 2nd page
  • Motorcycles
  • Jewels
    • White Diamond
    • Pink Diamond
    • Blue Diamond
    • African Diamonds
    • Jewels - 2nd page
    • Cartier
  • Silverware
  • Coin
    • Gold Coins
    • Silver Coins
    • Antique Coins
    • Coins 1000-1775
    • Coins 1776-92
    • Coins 1793-99
    • Coins 1800-49
    • Coins 1850-69
    • Coins 1870-99
    • 20th century Coins
    • British Coins
    • Dollars and Eagles
    • Japanese Coins
    • Chinese Coins
  • Paper Currency
  • Medal and Decoration
    • Nobel Medals
  • Time Pieces
    • Clocks >
      • Old Clocks
    • Mechanical Craft ca 1800 >
      • Jaquet-Droz and Followers
    • Modern Watches
    • New Watches
    • Patek Philippe >
      • Development of Patek Philippe
      • Patek Philippe 1945-1980
    • Rolex
    • Watches 2nd page
    • English Time Pieces
    • French Time Pieces
  • Glass and Crystal
    • Glass before 1900
    • Glass 1900-10
  • From Terracotta to Porcelain
    • Ceramic before 1760
  • Textiles
  • Garment
  • Fashion
  • Books
    • Incunabula
    • Books 1501-1700
    • Fine Books 1700-1850
  • Literature
    • Literature in English
    • Literature in French
  • Poems and Lyrics
  • Autograph
  • Manuscript
  • Religious Texts
  • Political Writing
  • Comic Books
  • Comic Art
  • Travel
  • Space
  • Maps
  • Cars in Movies
  • Movies
  • Music
  • Musical Instrument
    • Violin
    • Guitar
    • Musical Instrument 2nd page
  • Pop Music
    • The Beatles
  • Poster
  • Sport
    • Sport Equipment
    • Sport Document
    • Sport Rewards and Medals
    • T206 Wagner
    • Sport Images before 1940
    • Sport Cards 1940-70
    • Modern Sport Cards
    • Baseball >
      • Babe Ruth
      • Baseball Bat
      • Baseball Uniform
    • Basketball
    • Ice Hockey
    • Sport 2nd page
    • Olympic Games
  • Origins of Sports
  • Historical Arms
    • Blade and Armour
    • Colt 1836-62
    • Later Colts
    • Winchester
    • Firearms - 2nd page
  • Toys and Carousels
    • Doll
  • Games
  • Stamps
    • World Stamps
    • US Stamps
    • Inverted Jenny
  • Inventions
  • Instrument and Equipment
  • Sciences
    • Ancient Science
    • Sciences 1600-1800
    • Sciences from 1800
    • Astronomy
    • Physics
    • Medicine
    • Natural History
  • Whisky
  • Wine
  • Past Sales

Claude MONET (1840-1926)

See also : Top 10  Painting  France  Vétheuil to Giverny  Pond by Monet  Landscape  Cities   Flowers
Chronology : 19th Century  1870-1879  1890-1899  1890  1900-1909  1905    1910-1919  1914  1919

1873 Railway Bridge at Argenteuil by Monet
2008 SOLD for $ 41.5M including premium by Christie's
narrated in 2020

Claude Monet moved with his family to Argenteuil in December 1871. The Seine is broad at that place, and the small town is renowned for its leisure activities. The two bridges, one for the road and the other for the rail, had been destroyed during the Franco-Prussian War and will soon be rebuilt.

Monet is one of the very first artists to take an interest in the railway as a symbol of modern life. The train comfortably carries the boaters, and its smoke enlivens the landscape. Until his series of views of the Gare Saint-Lazare in 1877, the artist expresses his enthusiasm for this new industry.

Le Pont du chemin de fer à Argenteuil is an oil on canvas 60 x 98 cm painted in 1873. The bridge mounted on four pairs of pillars goes through the image over its entire length. Two trains are crossing one another, one of them being mostly noticeable by the smoke of its locomotive in the blue summer sky. Two small sailboats pass under the bridge, and two men on the quay look peacefully at the river.

The bridge is the main theme of the picture thanks to the absence of details on the two banks. It is the only view in which Monet uses this specific bridge as a symbol of modernism. In the following year his paintings on the same site are to study the variation of light.

Le Pont du chemin de fer à Argenteuil was sold for $ 41.5M including premium by Christie's on May 6, 2008, lot 21. The image is shared by Wikimedia.

Renoir put his easel at the same place, probably side by side with his friend. Compared to the clarity of Monet's drawing, this sketch by Renoir is too tormented and not spacious enough. One year before the first impressionist exhibition, Monet appears here as a master of the expression of modern life in a classic style.

Claude Monet - Le pont de chemin der fer à Argenteuil
Monet before 1878
Decade 1870-1879

1881 Alice in Vétheuil
2014 SOLD for $ 34M including premium

Claude Monet developed in Argenteuil his new style of painting that became the most typical impressionism : drawing no longer exists, replaced by spots and textures while fully respecting perspective and proportions. 

He leaves Argenteuil in 1878 due to financial difficulties and settles in a village further down the Seine, at Vétheuil, with his beloved wife Camille and a couple of friends, Ernest and Alice Hoschedé. The untimely death of Camille the following year rushes Alice into the arms of the artist. 

In 1881, Monet paints Alice in the garden of Vétheuil. He remembers the time when the white dress of Camille was expressing purity. Alice is quietly sewing in a rich surrounding of foliage. The sunlight filtering through a large tree provides a continuity in texture between the green and the woman in light blue. 

This oil on canvas 81 x 65 cm is estimated $ 25M, for sale bySotheby's in New York on November 4, lot 29. 

That year marks the peak and the end of the first impressionist period of Monet. He is watched by scandal when he can no longer hide his affair with Alice, a married woman. In the following year, his long lonesome trip in Normandy makes him wish to express the variations of light in the landscape at various times of the day. 

Claude married Alice in 1892, after the death of Hoschedé.

​1890 Between Harvest and Snow
​2019 SOLD for $ 110M including premium

The series of Meules painted by Monet after the 1890 harvest was not premeditated. The haystacks are installed in the fields as temporary semaphores that break the monotonous surface devoid of its plants.

Monet loves this theme that is typical of country life without the need to add humans or birds. He begins with five landscapes in which two haystacks are distant from each other.

According to the sequence established by Wildenstein, the next sub-series is composed of two oil paintings on canvas 73 x 93 cm executed during the autumn of 1890. The alignment of two haystacks leads to the tall trees on the horizon, against the light in the last rays of sunset. For the first time the rest of the image is minimized. The predominance of the expression of colors over theme and form opens the way to modern art.

The second of these pictures, W1273, goes even further by managing to avoid the shadows of the two stacks. All that remains is the light that plays with the contours of stacks and trees and reveals the shimmering colors of the field. It was dated 1891 by the artist, certainly by reference to the year of the first public exhibition of the series, in the gallery of Durand-Ruel.

W1273 will be sold by Sotheby's in New York on May 14, lot 8. The March 15 press release announces an estimate in excess of $ 55M. Please watch the video shared by the auction house.

The deep nature of a landscape can no longer be expressed by a single snapshot. In this series which ends in January 1891 and totals 25 paintings, Monet has captured 25 moments of light of a wide variety : morning, evening, full sun, snow, mist. In the last pictures the color also comes to sublimate the perspective with the reduction of the theme to a single haystack. Also taken at sunset, W1290 was sold for $ 81M including premium by Christie's on November 16, 2016.

An enduring symbol of Impressionism from Claude Monet's iconic Haystacks series will lead an important private collection of 8 Impressionist works on offer in #SothebysImpMod Evening Sale on 14 May in #NYC. Learn more: https://t.co/B4xVl8QWFA pic.twitter.com/SMDorfOowE

— Sotheby's (@Sothebys) March 15, 2019
Top 10
Painting
Landscape
France
From Vétheuil to Giverny
19th Century
Decade 1890-1899
1890

​1891 A Stack in Winter
​2016 SOLD for $ 81M including premium

Claude Monet was not a theorist. He progressed by releasing his emotion. The Impression soleil levant painted in 1872 fades within the fog the real features of the view. This painting is a burst of intuition and is described in the history of art as the cornerstone of Impressionnisme. However it took nearly two decades for the artist to jump to a still more decisive step, with the Meules.

He had been very active throughout that period. His paintings of the Gare St Lazare in 1877 constituted a series that displayed the variations in color depending on the intensity of sunlight and on the thickness of smoke from the trains. His solitary travel in Normandy in 1882 for comforting after the death of Camille is very important : Monet demonstrates to himself that lighting is better than topography for expressing a mood.

When comes the end of summer 1890 Monet is ready for a new experience. The vegetation will disappear with winter. As for every year the grain stacks will remain alone in the middle of the fields until the wheat threshing of the spring. They will be the perfect support for Monet to perform his observations of colors through all weather conditions and at all moments of time. This series totaled 25 paintings.

Three of them have been specifically grouped as a ultimate achievement of the Meules in the catalogue raisonné prepared by Daniel Wildenstein. Only one stack is visible in front of a retracted landscape. It is truncated either from top or from one side. The color emotion is not challenged by that figurative feature reduced to nothing more than a bulky triangle. In 1896, in front of one of these paintings, Kandinsky was dazzled.

Another Meule from that group of three, oil on canvas 73 x 92 cm painted in 1891, reference Wildenstein 1290, was sold for $ 12M including premium by Sotheby's on 11 May 1999. It is now for sale by Christie's in New York on November 16, lot 9 B. The targeted price was disclosed at around $ 45M by the specialized press.

Please watch the video shared by Christie's. The image below is shared by Wikimedia.
1290 Grainstack in the Sunlight, 1891, Oil on Canvas, Private Collection

1902 February in London
2015 SOLD for $ 40.5M including premium

During a brief stay in London in 1899 for family reasons, Claude Monet observed the Thames. He came back for painting on the late winter of the following year. His idea was to show the time of day as he had done for the poplars and for Rouen cathedral.

Through his window at the Savoy Hotel, Claude watches Waterloo and Charing Cross bridges in the pink fog of the morning. On one of the first evenings he sees the sunset above the neo-Gothic buildings of the Houses of Parliament and the river. Like Constable, he will be an extraordinary interpreter of the English sky.

The best view is from the garden of St. Thomas's Hospital. The artist is already famous. He easily gets the authorization to work every day in this place. Every afternoon at 4:00, he leaves the hotel to retrieve or resettle his easels at the hospital.

The light changes at every moment with the clouds pushed by the wind and the instability of the fog. As for the poplars in 1892, Claude works on several paintings in parallel, finding and catching evening after evening the same tiny ephemeral details of the sunset light. His control is total and even his method for applying his brush varies depending on the desired effect.

This project is the most amazing in the history of painting. By considering the three motifs altogether (the two bridges and the Parliament), Claude maintains a hundred paintings during this 1900 stay. He leaves London before spring when the sun is now higher and the light has changed. He returns with his paintings in the following year but snow and cold prevent a new progress.

Claude finishes his paintings at Giverny and scrupulously notes the year of completion beside his signature. He considers the whole as inseparable until the 1904 exhibition by Durand-Ruel that gets a considerable success, anticipating his famous uncompromising attitude before the first exhibition of his Water Lilies series.

The subgroup of the Parliament from St. Thomas's consists of 19 oil paintings in a unique format 81 x 93 cm. One of them is estimated $ 35M for sale by Christie's in New York on May 11, lot 24A.

Dated 1902, this painting is one of the first that was completed by the artist, perhaps because the very expressive sky is particularly exciting. Despite the clouds, the sun plays behind the high tower and the same pink shades apply to the edges of the clouds and to the reflections in the river.

The image is shared by Wikimedia:
Monet Houses of Parliament, Sunset
Cities

1905 Water Landscapes
2015 SOLD for $ 54M including premium

In 1904 Claude Monet is seduced by his own work, not as an artist but as a gardener. Water lilies are now invading his pond at Giverny. Their floating leaves constitute a perfectly flat surface which is unique as an artistic theme and the exquisite colors of the flowers meet the Art Nouveau sensitivity of the time.

The artist begins a synthesis of this new theme with his concern from the previous twenty years for the changing colors and reflections under various time and weather. He had the good fortune to catch in his own garden the most subtle theme of modern painting.

The paintings of the first year of the Nymphéas series are very rare on the art market. One of them, 81 x 100 cm, was sold for £ 18.5 million including premium by Sotheby's on 19 June 2007. In this close-up view, the edge of the pond is already off the field, also providing an impression of infinity that anticipates Mondrian.

In 1905, the water lilies are more sparse to offer a better role to reflections that became recognizable although the trees are still out of field. The plants form a floating cohort simulating a nice horizontal movement.

A view in clear weather under a gentle sun, oil on canvas 90 x 100 cm, was sold for $ 44M including premium by Christie's on November 7, 2012.

On May 5 in New York, Sotheby's sells an oil on canvas 81 x 100 cm, lot 30 estimated $ 30M. Also dated 1905, it shows the blocks at the water surface in an atmosphere of early or late hour providing a superb harmony of deep blues and greens.

AuctionUpdate: Sotheby's Chairmen George Wachter and Patti Wong battle for Monet’s ‘Nymphéas,' selling for $54m pic.twitter.com/4mlTAOvKY9

— Sotheby's (@Sothebys) May 6, 2015
Decade 1900-1909
1905

1905 Monet overwhelmed by his Nymphéas
2012 SOLD 44 M$ including premium

Continuously in search of the harmony of colors and lights, Monet could not ignore the water lilies. When he installed some of them in his pool at Giverny, it was for the pleasure of gardening. The infinite variety of shapes and reflections pushed Monet to make the Nymphéas his favorite subject.

Constable had been the painter of the wind. Monet was the artist of the water surface. After the development of Impressionism, the Nymphéas series is the second revolution brought about by Monet in art history.

In June 19, 2007, Sotheby's sold £ 18.5 million including premium an oil on canvas, 81 x 100 cm. Dated 1904, it demonstrates the first systematic experiments on this subject: the horizon disappears to let the water remaining alone in space. The green reflections are almost abstract, already.

The oil on canvas, 90 x 100 cm, for sale by Christie's in New York on November 7, is dated in the following year, 1905. The water lilies have a botanical accuracy, the more readable reflections are a better tribute to the pleasure of the garden. It is estimated $ 30M, and illustrated in the release shared by Artdaily.

Durand-Ruel was the first to understand and support the transformation of the art of Monet. In 1909, he assembled in an exhibition 48 Nymphéas by Monet, including the painting now for sale at Christie's. Through this unique theme, careful observers could detect the infinite variety of the artistic creation.

POST SALE COMMENT

By its date and quality, this painting is one of the most outstanding from the Nympheas series: $ 44M including premium.

1906 Monet and the Passion of Water
2014 SOLD 32 M£ including premium

Unsold at Christie's in 2010 with an excessive estimate, a beautiful painting of Nymphéas by Monet is now more reasonably estimated £ 20M, for sale by Sotheby's in London on June 23, lot 17.

Here is how I announced in 2010 this masterpiece that was previously sold in 2000 :


Claude Monet is the painter of the elusive. His studies of light variations have transformed the Western art. He should not be regarded as a leader, but rather as a great creator.

And the Durand-Ruel gallery was a great instigator of talent. In 1905, Monet is 65 years old, already. He departed from the excitement of the life in Paris to enjoy his garden at Giverny. An exhibition project for Durand-Ruel made his passion. The exhibition took place in 1909, and Monet found there the theme that monopolized his art until the end of his life: the water lilies in his garden.

This series of "Nymphéas" mark the total success of an impossible challenge: to show in painting the transparency of water. The flowers are seen obliquely, with perspective, lighting and reflections being different each time. They are widely spaced, and between them is coming the incredible illusion: the observer sees the surface of the water. They are not abstract, far away, but the lack of horizon has certainly influenced the non-figurative art. 

On May 8th 2000, Christie's sold for $ 20.9 million including premium an oil on canvas, 90 x 100 cm. This painting has all the qualities. Made in 1906, it was one of the highlights of the exhibition of 1909. The light is established by very subtle pastel shades, and the reflections are superb.

POST SALE COMMENT

This painting is one of the masterpieces from Monet's early Nymphéas. It was sold for £ 32 million including premium.

I invite you to play the video shared by Sotheby's :

​1914-1917 The New Water Lilies
​2018 SOLD for $ 85M including premium

Monet visits the booth of the horticulturist Latour-Marliac at the Paris Universal Exhibition in 1889. A specialist in bamboos and other aquatic plants, Latour-Marliac is a skilled hybridizer. He was the first in Western Europe to create colored nenuphars by crossbreeding the usual white flowered plants with wild species.

Based in Giverny since 1883 the artist wants to create a water garden. In 1894 he purchases from Latour-Marliac plants from 32 different species including a yellow Nymphaea created in 1888 and a pink Nymphaea created in 1892. His interest in these hybrids is not immediate but his curiosity increases.

These new water lilies will become the stars of his garden. Monet paints his first Nymphéas in 1895, displaying the plants on the water in close-up with a botanical accuracy on canvases less than 1 m wide.

The artist is delighted by his garden. In 1904 the nymphéa pond becomes one of his favorite themes. The water lilies float in a cohort, bringing in conjunction with the reflections a vision of the surface of the water. In the same year he buys four other hybrids to Latour-Marliac

1914 is a terrible year. His son Jean dies in February, less than three years after Alice. International relations are desperate. Fortunately his friend Georges Clemenceau pushes him back to work by suggesting the project of the Grandes Décorations.

This new phase includes a major modification in Monet's art, the use of large formats of canvas. He looks more closely at the details of the flowers in his garden. A group of giant iris at water's edge 200 x 100 cm was sold for £ 10.8M including premium by Christie's on June 23, 2015.

On May 8 in New York, Christie's sells as lot 10 Nymphéas en fleur, oil on canvas 140 x 180 cm painted in his signature style of 1914-1917. The large size enables here a synthesis of the two visions of the artist. Nine big flowers in five groups have retrieved the details of the earliest series while the leaves and reflections are positioning the surface of the water on the whole of this image with no horizon.

#AuctionUpdate Claude Monet’s ‘Nymphéas en fleur’ achieves $84,687,500, a new #WorldAuctionRecord for the artist!https://t.co/G5xBg3xpbT pic.twitter.com/LD6tGMAVvX

— Christie's (@ChristiesInc) May 9, 2018

#LiveLikeARockefeller: ‘The closer you get to the canvas, the more you feel like you’re inside it. The rest of the world vanishes,’ says Rebecca Wei, our President of Christie’s Asia, of the Rockefellers’ ‘Nymphéas en fleur’ by Claude #Monet.https://t.co/mT8EnKHNAN pic.twitter.com/LrOsMEJU7F

— Christie's (@ChristiesInc) April 24, 2018
Flowers
Pond by Monet
Decade 1910-1919
1914

1919 Bassins aux Nymphéas by Monet
2008 SOLD for £ 41M including premium by Christie's
narrated in 2020

Monet had interrupted his series of Bassins aux Nymphéas in 1908. In 1914 he restarts this theme on larger formats while observing its decorative effect. He redesigns his workshop in the following year to paint entirely indoors his largest canvases, around 2 x 2 m, which he devotes to enlargements of small details.

This decorative ambition led him in 1917 to test panoramic formats, around 130 x 200 cm, the largest dimension for which he is able to paint outdoors using a system of ropes and weights. He multiplies the sketches with, according to his signature habit, the greatest variety of colors expressing the different lights of the day.

Under the influence of Clémenceau, the project becomes a patriotic symbol, titled Les Grandes Décorations, which he completes in 1926.

From the start of the preparation phase, Monet attached the greatest importance to the coherence of the whole. Nevertheless in 1919 he paints for the trade four finished works with an especially high quality, which he sells in November of the same year to Bernheim-Jeune.

One of these paintings is in the Metropolitan Museum. Another one was sold by Christie's on November 11, 1992 for $ 12M including premium, a good result for that period of recession in the art market. The third was cut in half before 1944. The left side is in the Tel Aviv Museum. The right side was sold for $ 27M including premium by Christie's on May 12, 2016.

The fourth painting, oil on canvas 100 x 200 cm, was sold by Christie's on June 24, 2008 for £ 41M including premium worth at that date $ 80M, lot 16. The groups of leaves form a frame around the reflections of the trees in the blue water. The image is shared by Wikimedia.

Picture
1919
Powered by Create your own unique website with customizable templates.