Ancient Painting
See also : Top 10 Painting Renaissance Christianity Madonna and Child The Man Groups Nude Music and dance Cats Italy Italy II Italian painting 1300-1700 Old Dutch masters Flemish art Ancient Germany Germany II
Chronology : 15th Century 1480-1499 16th Century 1500-1519 1520-1539 1540-1569 17th Century 1600-1609 1610-1619 1620-1629 1640-1659 1660-1679
Chronology : 15th Century 1480-1499 16th Century 1500-1519 1520-1539 1540-1569 17th Century 1600-1609 1610-1619 1620-1629 1640-1659 1660-1679
1492 Descent to the Limbo by Mantegna
2003 SOLD 28 M$ including premium by Sotheby's
Shared by Wikimedia
mid 1490s Virgin and Child at the Time of Savonarola
2013 SOLD 13 M$ including premium
On January 30 in New York, Christie's sells a small tondo by Fra Bartolommeo, on the subject of Virgin and Child. Still remaining in its original frame, this oil on panel is estimated $ 10M. It is a recent discovery.
The likely date proposed by the auction house, the mid-1490s, is the era of the iconoclastic dictatorship of Savonarola, the preacher of repentance.
The relationship between art and Christianity were already an intense concern in Florence at the end of the glorious principate of Lorenzo de' Medici. The dying Lorenzo had doubts about the merits of his work, and chose (but unsuccessfully) Savonarola as his last confessor.
Savonarola, whose memory of his bonfires horrifies the art lovers of today, was chasing the vanities. Botticelli's mythological works have sunk therein. But he did not reject art when it glorified the Christian virtues.
Baccio della Porta, born in 1472, is a young artist whose skills are already recognized. Becoming an avid follower of Savonarola, he directs his art in accordance with the theocratic vision of his guru of whom he will also execute a very famous portrait.
It was only in 1500, when Baccio became the Dominican friar Fra Bartolomeo (or Fra Bartolommeo), that he will abandon his activity as an artist for a long period, before brilliantly resuming his brushes at the time of Raphael.
The tondo for sale is a very charming example of Christian art. The naked child rises to the mother's neck for a kiss. Empathy is intense between mother and child. The tondo format, as circular as a halo, contributes to the perfection of this nicely composed image.
POST SALE COMMENT
Deserved result for this very attractive painting by Fra Bartolommeo: $ 13M including premium.
Size of the tondo : 65 cm diameter.
The likely date proposed by the auction house, the mid-1490s, is the era of the iconoclastic dictatorship of Savonarola, the preacher of repentance.
The relationship between art and Christianity were already an intense concern in Florence at the end of the glorious principate of Lorenzo de' Medici. The dying Lorenzo had doubts about the merits of his work, and chose (but unsuccessfully) Savonarola as his last confessor.
Savonarola, whose memory of his bonfires horrifies the art lovers of today, was chasing the vanities. Botticelli's mythological works have sunk therein. But he did not reject art when it glorified the Christian virtues.
Baccio della Porta, born in 1472, is a young artist whose skills are already recognized. Becoming an avid follower of Savonarola, he directs his art in accordance with the theocratic vision of his guru of whom he will also execute a very famous portrait.
It was only in 1500, when Baccio became the Dominican friar Fra Bartolomeo (or Fra Bartolommeo), that he will abandon his activity as an artist for a long period, before brilliantly resuming his brushes at the time of Raphael.
The tondo for sale is a very charming example of Christian art. The naked child rises to the mother's neck for a kiss. Empathy is intense between mother and child. The tondo format, as circular as a halo, contributes to the perfection of this nicely composed image.
POST SALE COMMENT
Deserved result for this very attractive painting by Fra Bartolommeo: $ 13M including premium.
Size of the tondo : 65 cm diameter.
1500 Between Last Supper and Mona Lisa
2017 SOLD for $ 450M including premium
The Salvator Mundi painted by Leonardo was known in workshop's copies but the original was considered lost. The meticulous inspection made by the experts with modern techniques has just brought one of these paintings to the rank of original with undeniable arguments.
The picture shows Christ holding the orb of the world in his left hand and blessing with the raised fingers of his right hand. The mystical message without the divine attribute of the halo competes with the holy shrouds recognized as authentic at his time while adding attitude and gesture. The orb that prophesies the rescue of the world is a reflective crystal ball through which the viewer perceives the palm of the hand.
This painting had belonged to King Charles I of England. It was probably hanging in the private apartments of Queen Henriette who was born in the French royal family. Its previous whereabouts are unknown. A possible hypothesis is a French royal order during the Italian wars. King Louis XII was so impressed by the Last Supper that he wanted to take the wall to France.
The analyzes provided a lot of information on the realization and history of this painting. The perfection of the expression is concentrated in the lips and the gaze, anticipating the Mona Lisa. The mouth was drawn by the technique of pierced drawing used by other great masters of that time including Raphael and Andrea del Sarto. One of the eyes was softened by a spread of color pushed by the wrist of the artist.
Leonardo cared little for the supporting materials. The conservation woes of the Last Supper are famous. The original panel of Salvator Mundi was early split because of a knot in the wood. The accident caused awkward repainting on the face. Anonymous owners then extended these repaints to the point that only peripheral regions including the hands were still visible in their original quality.
All of that has been conscientiously repaired. Fortunately the sfumato remained in very good condition under the disagreeable layers that were removed. This signature Leonardo technique makes it possible to compare the Salvator Mundi with the Mona Lisa which is the culmination of his art. The perfectionist preparation of his paintings could last several years. A date around 1500 is plausible for the Salvator Mundi.
Christ the savior of the world by Leonardo, oil on panel 66 x 46 cm, will be sold by Christie's in New York on November 15, lot 9 B. Please watch the video shared by the auction house.
The picture shows Christ holding the orb of the world in his left hand and blessing with the raised fingers of his right hand. The mystical message without the divine attribute of the halo competes with the holy shrouds recognized as authentic at his time while adding attitude and gesture. The orb that prophesies the rescue of the world is a reflective crystal ball through which the viewer perceives the palm of the hand.
This painting had belonged to King Charles I of England. It was probably hanging in the private apartments of Queen Henriette who was born in the French royal family. Its previous whereabouts are unknown. A possible hypothesis is a French royal order during the Italian wars. King Louis XII was so impressed by the Last Supper that he wanted to take the wall to France.
The analyzes provided a lot of information on the realization and history of this painting. The perfection of the expression is concentrated in the lips and the gaze, anticipating the Mona Lisa. The mouth was drawn by the technique of pierced drawing used by other great masters of that time including Raphael and Andrea del Sarto. One of the eyes was softened by a spread of color pushed by the wrist of the artist.
Leonardo cared little for the supporting materials. The conservation woes of the Last Supper are famous. The original panel of Salvator Mundi was early split because of a knot in the wood. The accident caused awkward repainting on the face. Anonymous owners then extended these repaints to the point that only peripheral regions including the hands were still visible in their original quality.
All of that has been conscientiously repaired. Fortunately the sfumato remained in very good condition under the disagreeable layers that were removed. This signature Leonardo technique makes it possible to compare the Salvator Mundi with the Mona Lisa which is the culmination of his art. The perfectionist preparation of his paintings could last several years. A date around 1500 is plausible for the Salvator Mundi.
Christ the savior of the world by Leonardo, oil on panel 66 x 46 cm, will be sold by Christie's in New York on November 15, lot 9 B. Please watch the video shared by the auction house.
Last Leonardo da Vinci Painting in Private Hands at Auction #salvatormundi @ChristiesInc https://t.co/Ea9TjrgW3O pic.twitter.com/NJBHcu5lu9
— ARTFIX daily (@ARTFIXdaily) October 10, 2017
later 1520s The Ordeal of the Lion
2015 SOLD for £ 9.3M including premium
Lucas Cranach the Elder enjoyed all topics related to morality, not without humor. On July 8 in London, Sotheby's sells a Bocca della Verita painted at the end of the 1520s. This oil on panel in large size, 111 x 100 cm, is estimated £ 6M, lot 8.
The artist transposes a medieval ordeal with characters in clothes of his time. The mouth of truth is a lie detecting test to convict or release the adulteress. Included in the legends of Tristan and Iseult and Merlin, this story was previously used by illustrators including Altdorfer and Lucas van Leyden.
Each character has a role. The woman puts a hand in the mouth of the lion raised on a pedestal to be at her level. She is held at the waist by her supposed lover disguised as a fool. Two men wait to establish the minutes of justice.
The alleged cuckolded husband is on the far right of the picture, opposite to the lion. He is accompanied by two lovely ladies who are his witnesses. At his side, a last character sends a wink of complicity towards the viewer of the painting.
This is not a comic book and the verdict of the lion is not known. The lack of fear in the attitude of the woman tells that she wants to win the ordeal. The scene becomes a funny symbol of feminine cunning.
I invite you to watch the video shared by Sotheby's :
The artist transposes a medieval ordeal with characters in clothes of his time. The mouth of truth is a lie detecting test to convict or release the adulteress. Included in the legends of Tristan and Iseult and Merlin, this story was previously used by illustrators including Altdorfer and Lucas van Leyden.
Each character has a role. The woman puts a hand in the mouth of the lion raised on a pedestal to be at her level. She is held at the waist by her supposed lover disguised as a fool. Two men wait to establish the minutes of justice.
The alleged cuckolded husband is on the far right of the picture, opposite to the lion. He is accompanied by two lovely ladies who are his witnesses. At his side, a last character sends a wink of complicity towards the viewer of the painting.
This is not a comic book and the verdict of the lion is not known. The lack of fear in the attitude of the woman tells that she wants to win the ordeal. The scene becomes a funny symbol of feminine cunning.
I invite you to watch the video shared by Sotheby's :
1528-1530 Portrait of a Halberdier by Pontormo
1989 SOLD 35 M$ including premium by Christie's
Shared by Wikimedia :
1560 Quiet Mysticism of Titian
2011 SOLD 16.9 M$ including premium
In the later Renaissance, it is difficult to imagine a more complete painter than Titian. His great mythological or religious scenes offer the full range of psychological expression from violence to peace.
At the end of his life, his creativity is much alive, but he has nothing more to prove to increase his fame. Painter of sensuality and characters, he became the painter of the passions.
Circa 1560, he painted A Sacra Conversazione, also known as the Mystical Marriage of St. Catherine. We really catch the intelligence being transferred between the Child Jesus, held by his mother, and Catherine of Alexandria. The Child is active and friendly, Catherine is serious and focused, the Madonna encourages the movement of Jesus. St Luke, standing, is carefully watching.
This large painting on canvas, 128 x 170 cm, is estimated $ 15M, for sale at Sotheby's in New York on January 27. It is illustrated on the press release shared by Artdaily.
There is no doubt about the importance of this work. Already in the 1620s, it had the honor to draw the attention of Van Dyck, who made a sketch of it in a notebook now preserved at the British Museum.
POST SALE COMMENT
As expected, this beautiful Titian dominated the week of ancient art sales in New York. Sold $ 16.9 million including premium, it does not, however, exceed its estimate.
I invite you to play the video shared on the web by Sotheby's. The image is shared by Wikimedia.
At the end of his life, his creativity is much alive, but he has nothing more to prove to increase his fame. Painter of sensuality and characters, he became the painter of the passions.
Circa 1560, he painted A Sacra Conversazione, also known as the Mystical Marriage of St. Catherine. We really catch the intelligence being transferred between the Child Jesus, held by his mother, and Catherine of Alexandria. The Child is active and friendly, Catherine is serious and focused, the Madonna encourages the movement of Jesus. St Luke, standing, is carefully watching.
This large painting on canvas, 128 x 170 cm, is estimated $ 15M, for sale at Sotheby's in New York on January 27. It is illustrated on the press release shared by Artdaily.
There is no doubt about the importance of this work. Already in the 1620s, it had the honor to draw the attention of Van Dyck, who made a sketch of it in a notebook now preserved at the British Museum.
POST SALE COMMENT
As expected, this beautiful Titian dominated the week of ancient art sales in New York. Sold $ 16.9 million including premium, it does not, however, exceed its estimate.
I invite you to play the video shared on the web by Sotheby's. The image is shared by Wikimedia.
1600 A Prayer of Saint Dominic
2013 SOLD 9.2 M£ including premium
El Greco lived at the time of the Counter-Reformation, when Catholic authorities were attempting to redefine the role of the image for encouraging piety.
Mannerism is disputed because the elongated body is uneasy to understand. El Greco does not choose between Mannerism and the Baroque which is the new apology of motion. The originality of his art is to be a strong and unique synthesis of the two trends.
On July 3 in London, Sotheby's sells an image of Saint Dominic by El Greco, estimated £ 3M. It is a rare theme, although the saint was Spanish. The founder of the Order of Preachers is a teacher whose hagiography is not miraculous.
Dominic prays with the habit of his order. His tall elongated body is moving towards a crucifix that he had positioned on a rock. His contemplation is internal as his eyes are almost closed.
The scene is located outdoor probably to glorify a hermit life then considered as deviant for a Dominican. The sky is ready for storm, contrasting with the quiet attitude of the saint.
This oil on canvas, made circa 1600 from an earlier model, is small, 75 x 58 cm, indicating that it was intended for private devotion. Coming from the Rau collection, it is sold for the benefit of UNICEF. Here is the link to the catalog.
POST SALE COMMENT
The works of El Greco in such a quality are exceptional on the art market. St. Dominic was sold for £ 9.2 million including premium.
The sale also included a large Christ on the Cross by the same artist, sold for £ 3.4 million including premium.
Mannerism is disputed because the elongated body is uneasy to understand. El Greco does not choose between Mannerism and the Baroque which is the new apology of motion. The originality of his art is to be a strong and unique synthesis of the two trends.
On July 3 in London, Sotheby's sells an image of Saint Dominic by El Greco, estimated £ 3M. It is a rare theme, although the saint was Spanish. The founder of the Order of Preachers is a teacher whose hagiography is not miraculous.
Dominic prays with the habit of his order. His tall elongated body is moving towards a crucifix that he had positioned on a rock. His contemplation is internal as his eyes are almost closed.
The scene is located outdoor probably to glorify a hermit life then considered as deviant for a Dominican. The sky is ready for storm, contrasting with the quiet attitude of the saint.
This oil on canvas, made circa 1600 from an earlier model, is small, 75 x 58 cm, indicating that it was intended for private devotion. Coming from the Rau collection, it is sold for the benefit of UNICEF. Here is the link to the catalog.
POST SALE COMMENT
The works of El Greco in such a quality are exceptional on the art market. St. Dominic was sold for £ 9.2 million including premium.
The sale also included a large Christ on the Cross by the same artist, sold for £ 3.4 million including premium.
1609-1612 Massacre of the Innocents by Rubens
2002 SOLD 49.5 M£ including premium by Sotheby's
Shared by Wikimedia :
1612-1614 Rubens inspired by Titian
2010 SOLD 9 M£ including premium
On July 6 in London, Christie's is selling the portrait of a commander by Rubens, estimated 8 million pounds. The character is not named, and he can be considered as allegorical. He wears a heavy armor, a model that is more reminiscent of the late Renaissance in the previous century.
Represented in three quarter length, the man embodies the power of an officer who goes into battle. He pays little attention to two young pages busy adjusting his equipment. The press release with an illustration of this painting is shared by AuctionPublicity.
This oil on panel, 123 x 98 cm, made around 1612 to 1614, looks like a Titian by the quality of its composition and also the liveliness of its animation.
Rubens had visited Italy between 1600 and 1608 to study the great masters, and had fallen under the spell of the work of his Venetian predecessor. He could not ignore the room of the Caesars in the Palace in Mantua, where were gathered twelve portraits by Titian of men in armor. Another military allegory of Rubens, seeming close to this Titian series that disappeared in a fire in 1734, was sold £ 4.4 million including premium by Sotheby's on July 10, 2002.
The image is shared on Wikimedia.
Represented in three quarter length, the man embodies the power of an officer who goes into battle. He pays little attention to two young pages busy adjusting his equipment. The press release with an illustration of this painting is shared by AuctionPublicity.
This oil on panel, 123 x 98 cm, made around 1612 to 1614, looks like a Titian by the quality of its composition and also the liveliness of its animation.
Rubens had visited Italy between 1600 and 1608 to study the great masters, and had fallen under the spell of the work of his Venetian predecessor. He could not ignore the room of the Caesars in the Palace in Mantua, where were gathered twelve portraits by Titian of men in armor. Another military allegory of Rubens, seeming close to this Titian series that disappeared in a fire in 1734, was sold £ 4.4 million including premium by Sotheby's on July 10, 2002.
The image is shared on Wikimedia.
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1614 Rubens in front of Sodom
2016 SOLD for £ 45M including premium
Peter Paul Rubens was able to achieve the dream of the greatest artists : assimilating the art of his predecessors and going further. He came back from Italy in 1608 and settled in Antwerp, the city of his childhood. Peace has returned and the time is conducive to art. Aristocratic and religious commissions flow.
In Italy, Rubens had admired Titian. In the north, he sees the increasingly risqué themes by Goltzius and Wtewael. Taboos fall : Bible and mythology offer erotic stories through moral excuses.
On July 7 in London, Christie's sells as lot 12 Lot and his daughters, oil on canvas 190 x 225 cm painted by Rubens circa 1614. This painting is a rediscovery : it had not been seen since a failed attempt of sale in 1904 and 1905 and its re-inspection pushes it among the masterpieces of the artist.
Rubens offers here a three character scene of high psychological complexity. In 1608, François de Sales judged that the story of Lot was not an incest but a forgivable sin. Lot is a nice old drunkard, like Noah.
In his great compositions from this phase of his career, Rubens wisely mixes nude and clothing. Although the bare flesh is the main target of the work, such a mingled attire brings presence and actuality to his antique theme. Samson and Delilah, the Massacre of the Innocents and the Drunken Silenus are other famous examples.
The abundant flesh is processed in an impasto that allows subtle variations of light and texture and promotes the sensual effect despite the advanced age of the man. Lot and his daughters remained in excellent condition in which only an aging varnish may be slightly blamed.
The artist had carefully read the Genesis : the two women were not made pregnant in the same day and only one is naked, ready but also worrying for the act. Her sister is closer to the father, with the charming smile of a woman who is achieving her conspiracy. The attitude and indeed the splendidly haggard gaze of the man express his full intoxication that encourages the nude girl to pour the wine once again. The Silenus will reuse similar characters in 1616.
Please watch the video shared by Christie's:
In Italy, Rubens had admired Titian. In the north, he sees the increasingly risqué themes by Goltzius and Wtewael. Taboos fall : Bible and mythology offer erotic stories through moral excuses.
On July 7 in London, Christie's sells as lot 12 Lot and his daughters, oil on canvas 190 x 225 cm painted by Rubens circa 1614. This painting is a rediscovery : it had not been seen since a failed attempt of sale in 1904 and 1905 and its re-inspection pushes it among the masterpieces of the artist.
Rubens offers here a three character scene of high psychological complexity. In 1608, François de Sales judged that the story of Lot was not an incest but a forgivable sin. Lot is a nice old drunkard, like Noah.
In his great compositions from this phase of his career, Rubens wisely mixes nude and clothing. Although the bare flesh is the main target of the work, such a mingled attire brings presence and actuality to his antique theme. Samson and Delilah, the Massacre of the Innocents and the Drunken Silenus are other famous examples.
The abundant flesh is processed in an impasto that allows subtle variations of light and texture and promotes the sensual effect despite the advanced age of the man. Lot and his daughters remained in excellent condition in which only an aging varnish may be slightly blamed.
The artist had carefully read the Genesis : the two women were not made pregnant in the same day and only one is naked, ready but also worrying for the act. Her sister is closer to the father, with the charming smile of a woman who is achieving her conspiracy. The attitude and indeed the splendidly haggard gaze of the man express his full intoxication that encourages the nude girl to pour the wine once again. The Silenus will reuse similar characters in 1616.
Please watch the video shared by Christie's:
1621 Mystical Loves in Genova
2016 SOLD for $ 30.5M including premium
Born in Pisa, Orazio Gentileschi begins his career in Rome. He does not follow the anti-mannerism of the Carracci nor the tenebrism of Caravaggio. His art is nevertheless modern for his time with beautiful contrasts and a pleasant naturalism.
In 1621, he is invited by the wealthy Genovese merchant Giovanni Antonio Sauli, son of a former Doge of that city, to work in his palazzo as a painter and as an artistic adviser. Gentileschi executes three monumental paintings on the theme of mystical love, an excuse for displaying sensual nudes.
Sublimating the religions, the artist chooses his stories in the Old Testament, Christian parables and Greek myths. Lot's daughters symbolize the expectation, Danae the annunciation and Magdalene the repentance. Success is immediate and in the practice of his time the artist himself will paint a few copies.
The three original paintings of the Palazzo Sauli have long remained in the descendance of the patron. Danae, oil on canvas 161 x 227 cm, is estimated $ 25M for sale by Sotheby's in New York on January 28, lot 41.
The princess lies on her unmade bed. She is nude excepted a veil of chastity. Cupid opens the curtains to let going the lightning of Jupiter in the form of a shower of golden coins and ribbons. The gesture of the young woman is peaceful and welcoming, with her arm raised in the same oblique direction as the movement of the fertilizing god disguised as gold.
Gentileschi had been too often described as a Caravaggian but his Danae is a masterpiece of late profane mannerism. I invite you to watch the video shared by Sotheby's where the monumental nature of the artwork is highlighted. The image is shared by Wikimedia.
In 1621, he is invited by the wealthy Genovese merchant Giovanni Antonio Sauli, son of a former Doge of that city, to work in his palazzo as a painter and as an artistic adviser. Gentileschi executes three monumental paintings on the theme of mystical love, an excuse for displaying sensual nudes.
Sublimating the religions, the artist chooses his stories in the Old Testament, Christian parables and Greek myths. Lot's daughters symbolize the expectation, Danae the annunciation and Magdalene the repentance. Success is immediate and in the practice of his time the artist himself will paint a few copies.
The three original paintings of the Palazzo Sauli have long remained in the descendance of the patron. Danae, oil on canvas 161 x 227 cm, is estimated $ 25M for sale by Sotheby's in New York on January 28, lot 41.
The princess lies on her unmade bed. She is nude excepted a veil of chastity. Cupid opens the curtains to let going the lightning of Jupiter in the form of a shower of golden coins and ribbons. The gesture of the young woman is peaceful and welcoming, with her arm raised in the same oblique direction as the movement of the fertilizing god disguised as gold.
Gentileschi had been too often described as a Caravaggian but his Danae is a masterpiece of late profane mannerism. I invite you to watch the video shared by Sotheby's where the monumental nature of the artwork is highlighted. The image is shared by Wikimedia.
1627-1629 St John the Evangelist by Domenichino
2009 SOLD 9.2 M£ including premium
Domenico Zampieri, better known as Domenichino, was born in Bologna in 1581. In that city he was naturally a student and collaborator of the Carracci. Like them, he reacts against mannerism with a simple style and sharp colors. His themes show no originality, but his careful work makes him one of the best artists of his time.
Painter of religious subjects, he was especially a fresco artist, and so was accustomed to very large sizes. The St John the Evangelist I am discussing today is 2.5 x 2 meters, a monumental dimension for an ancient canvas.
The saint in a red dress is in an attitude of a preacher or a teacher, confirmed as such by the two inevitable symbolic putti wearing open books.
This painting was regarded in the eighteenth century as a masterpiece of one of the greatest masters, but fashions change and Domenichino ceased to be so flattered. The scarcity of old works of this size on the market justifies the estimate that Christie's now let filtering before issuing their official release: £ 10 million in London on December 8. This amount is probably the high estimate.
It has the advantage of being fresh on the market, as it belonged to the same family for one hundred years.
ADDENDUM
Two clarifications were provided in the press release:
The probable date of the artwork falls between 1627 and 1629.
The lower estimate is 7 M£.
POST SALE COMMENT
This painting was one of three major lots in the sale of ancient art by Christie's in London. It was sold £ 9.2 million including premium.
Painter of religious subjects, he was especially a fresco artist, and so was accustomed to very large sizes. The St John the Evangelist I am discussing today is 2.5 x 2 meters, a monumental dimension for an ancient canvas.
The saint in a red dress is in an attitude of a preacher or a teacher, confirmed as such by the two inevitable symbolic putti wearing open books.
This painting was regarded in the eighteenth century as a masterpiece of one of the greatest masters, but fashions change and Domenichino ceased to be so flattered. The scarcity of old works of this size on the market justifies the estimate that Christie's now let filtering before issuing their official release: £ 10 million in London on December 8. This amount is probably the high estimate.
It has the advantage of being fresh on the market, as it belonged to the same family for one hundred years.
ADDENDUM
Two clarifications were provided in the press release:
The probable date of the artwork falls between 1627 and 1629.
The lower estimate is 7 M£.
POST SALE COMMENT
This painting was one of three major lots in the sale of ancient art by Christie's in London. It was sold £ 9.2 million including premium.
1658 Rembrandt and Experts
2009 SOLD 20.2 M£ including premium
This morning in London, Christie's has invited the press to unveil a painting by Rembrandt that will be sold on December 8. This is sensible: the market for ancient art has a reputation of being little affected by the financial crisis.
It is a half-length portrait of a man, painted in 1658. It had not been seen publicly since 1970 and has not participated in the major exhibition made by the Rijksmuseum in Amsterdam in 2006 to celebrate the 400 th anniversary of the birth of the artist. It is estimated £ 18 million.
Rembrandt is the best studied artist in the world. Under the name of Rembrandt Research Project, a multidisciplinary team has been working since 1968 to authenticate or refute all the works that could be attributed to the master. This team, which was renewed several times, includes art historians and scientists.
Among the scientific methods used, we first think of the X-ray, of course. Do not neglect the dendrochronology, which allows to date the felling of the oak trees whose panels were used by the master. Historians, meanwhile, compared the artworks together by considering a consistency of style in order to separate the works of the master from those of his employees.
This work sponsored by the University of Amsterdam is extremely important. Thanks to these pioneers the ancient art has become the most exciting area of artistic expertise.
ADDENDUM
Small precision now that the official press release from Christie's is available on the web: the artwork for sale is on canvas, 107 x 87 cm.
My comments on dendrochronology do not apply to this work.
POST SALE COMMENT
The release by Christie's on Twitter expresses the essential: Rembrandt sells for £ 20.2M : the world auction record for a Rembrandt and the 4th highest price for an old master painting at auction.
The quoted price includes the premium.
I would add that this Rembrandt was important but not to the point of being described as historic. It is therefore quite understandable that it has not exceeded its estimate.
The image is shared by Wikimedia.
It is a half-length portrait of a man, painted in 1658. It had not been seen publicly since 1970 and has not participated in the major exhibition made by the Rijksmuseum in Amsterdam in 2006 to celebrate the 400 th anniversary of the birth of the artist. It is estimated £ 18 million.
Rembrandt is the best studied artist in the world. Under the name of Rembrandt Research Project, a multidisciplinary team has been working since 1968 to authenticate or refute all the works that could be attributed to the master. This team, which was renewed several times, includes art historians and scientists.
Among the scientific methods used, we first think of the X-ray, of course. Do not neglect the dendrochronology, which allows to date the felling of the oak trees whose panels were used by the master. Historians, meanwhile, compared the artworks together by considering a consistency of style in order to separate the works of the master from those of his employees.
This work sponsored by the University of Amsterdam is extremely important. Thanks to these pioneers the ancient art has become the most exciting area of artistic expertise.
ADDENDUM
Small precision now that the official press release from Christie's is available on the web: the artwork for sale is on canvas, 107 x 87 cm.
My comments on dendrochronology do not apply to this work.
POST SALE COMMENT
The release by Christie's on Twitter expresses the essential: Rembrandt sells for £ 20.2M : the world auction record for a Rembrandt and the 4th highest price for an old master painting at auction.
The quoted price includes the premium.
I would add that this Rembrandt was important but not to the point of being described as historic. It is therefore quite understandable that it has not exceeded its estimate.
The image is shared by Wikimedia.
1661 Saint James the Greater by Rembrandt
2007 SOLD for $ 26M including premium by Sotheby's
1670 Woman seated at the Virginals by Vermeer
2004 SOLD 16.2 M£ including premium by Sotheby's
Shared on Wikimedia :
