1963 Elvis and Liz by Warhol
Except otherwise stated, all results include the premium.
See also : Warhol Celebrities by Warhol
Chronology : 1960-1969 1963 1965
See also : Warhol Celebrities by Warhol
Chronology : 1960-1969 1963 1965
1963 Elvis
1
Triple
2014 SOLD for $ 82M by Christie's
There is indeed a place for contemporary art in Los Angeles. In 1957 Walter Hopps founds the Ferus Gallery. Ferus is a word that sounds good and is easily spelled, like Kodak had been for Eastman. In New York around Castelli, Pop Art becomes the wonder of the time. Irving Blum joins Ferus and ensures from 1958 the link with the east coast.
In 1962 Blum exhibits at Ferus the complete series of 32 Campbell's Soup Cans by Andy Warhol. The introduction of mechanized techniques into a creative process is incongruous and even scandalous. The promises of sale are so low that Blum buys the full set. It has not been disjointed and is currently at the MoMA.
Blum perseveres. In 1963 Ferus again dedicates an exhibition to Warhol's series. The new theme is provided by the cinema, the specialty of Los Angeles : Warhol exhibits Elvis. There is no better candidate than the King of Rock and Roll to simulate the trepidation of the new generation.
In this exhibition all the images of Elvis Presley originate from a single 1960 newspaper clipping promoting a film titled Flaming Star. Featured as a cowboy, Elvis is standing full front, the gun in his right hand. This image is now identified as the Elvis - Ferus Type.
Andy made all these impressions on a silver paint which stages the screen of a movie theater. He prepares them as a single roll 2.08 m high. The images are irregularly spaced and sometimes overlapping. The artist sends the uncut roll to Ferus with the frames, with no other instruction than to make a tight arrangement of all this set, thus evoking the film strip or the movement. He is too busy to participate in the mounting and does not accept Blum's invitation.
22 Ferus Type paintings have survived, with single, double or multiple figures. On November 12, 2014, Christie's sold for $ 82M the Triple Elvis (Ferus Type), 208 x 173 cm, lot 9.
Such a multiple picture provides an illusion of motion. Although the original image is unique, its layout reminds Marey, Muybridge and the Nu descendant un escalier by Duchamp. The three overlapping figures are of equal density but the momentum is provided by their uneven interval.
This piece and the Four Marlons of the same sale came from a German collection assembled for decorating a casino.
In 1962 Blum exhibits at Ferus the complete series of 32 Campbell's Soup Cans by Andy Warhol. The introduction of mechanized techniques into a creative process is incongruous and even scandalous. The promises of sale are so low that Blum buys the full set. It has not been disjointed and is currently at the MoMA.
Blum perseveres. In 1963 Ferus again dedicates an exhibition to Warhol's series. The new theme is provided by the cinema, the specialty of Los Angeles : Warhol exhibits Elvis. There is no better candidate than the King of Rock and Roll to simulate the trepidation of the new generation.
In this exhibition all the images of Elvis Presley originate from a single 1960 newspaper clipping promoting a film titled Flaming Star. Featured as a cowboy, Elvis is standing full front, the gun in his right hand. This image is now identified as the Elvis - Ferus Type.
Andy made all these impressions on a silver paint which stages the screen of a movie theater. He prepares them as a single roll 2.08 m high. The images are irregularly spaced and sometimes overlapping. The artist sends the uncut roll to Ferus with the frames, with no other instruction than to make a tight arrangement of all this set, thus evoking the film strip or the movement. He is too busy to participate in the mounting and does not accept Blum's invitation.
22 Ferus Type paintings have survived, with single, double or multiple figures. On November 12, 2014, Christie's sold for $ 82M the Triple Elvis (Ferus Type), 208 x 173 cm, lot 9.
Such a multiple picture provides an illusion of motion. Although the original image is unique, its layout reminds Marey, Muybridge and the Nu descendant un escalier by Duchamp. The three overlapping figures are of equal density but the momentum is provided by their uneven interval.
This piece and the Four Marlons of the same sale came from a German collection assembled for decorating a casino.
2
Double
2019 SOLD for $ 53M by Christie's
A Double Elvis in a normally contrasted overlapping, 208 x 122 cm, was sold for $ 53M by Christie's on May 15, 2019, lot 23 B.
3
2 Times
2021 SOLD for $ 37M by Sotheby's
An Elvis 2 Times 207 x 180 cm in silkscreen ink and paint was sold for $ 37M by Sotheby's on May 12, 2021, lot 4. The silver paint of the background provides a high reflectivity. Please watch the video shared by Sotheby's.
The catalogue includes a photo in period featuring the actress Jean Seberg, aged 25, nicely playing a terror in front of two double Elvis's in Warhol's studio, including the piece narrated above.
The catalogue includes a photo in period featuring the actress Jean Seberg, aged 25, nicely playing a terror in front of two double Elvis's in Warhol's studio, including the piece narrated above.
4
Double
2012 SOLD for $ 37M by Sotheby's
Another Double Elvis 208 x 122 cm deliberately displays an extreme difference of contrast between the two overlapping printings which creates an illusion of flicker.
It was sold by Sotheby's on May 9, 2012 for $ 37M and by Christie's on May 17, 2018, lot 9 B, also for $ 37M.
It was sold by Sotheby's on May 9, 2012 for $ 37M and by Christie's on May 17, 2018, lot 9 B, also for $ 37M.
5
Single
2022 SOLD for $ 21.6M by Sotheby's
A single life size Elvis, silkscreen ink and silver paint on canvas 210 x 118 cm, was sold for $ 21.6M from a lower estimate of $ 15M by Sotheby's on May 19, 2022, lot 108.
Silver Liz
1
2022 SOLD for JPY 2.54 billion (worth US$ 21M) by Shinwa
Andy Warhol has built much of his initial fame with a single image of Marilyn and a single image of Liz, taken from magazines. Both are linking death with celebrity, as Marilyn had died and Liz's health
They however did not have the same role in the development of his business.
The first Marilyns from 1962 are experimental. Andy's idea is to mix the techniques of acrylic and silkscreen. He makes his hand in a variety of processes, dimensions and positioning of the image that is sometimes already multiplied in juxtaposition on a single canvas.
The Liz selected during the summer of 1963 opens the use of paint for a multiple reproduction with fixed dimension, here 40 x 40 inches, 102 x 102 cm in acrylic, in silkscreen ink and spray enamel on canvas. Such a set of multiple single paintings of the same design instead of positioning many images on one canvas maintains the illusion of wall advertising by exhibiting side by side the similar elements of the group. Afterwards each artwork were to be sold separately.
She is first seen on a background of silver painting, referring to the movie screens. A first pass of screen printing provides a mark for the colors: pink skin, red mouth, turquoise eye shadows. A second screen printing brings the deep black lines and hair. Silver is also a symbol of consumerism. In 1963 Warhol sported silver hair and renamed his studio the Silver Factory, papered throughout in silver.
Ten Silver Liz were exhibited beside the Silver Elvis series in September-October 1963, and additional copies were executed. This Liz series is known as the Ferus type. One of them was sold for $ 16.3M by Christie's on November 8, 2011, lot 51.
A Silver Liz (Ferus Type) was sold for JPY 2.3 billion before fees by Shinwa on March 30, 2022, lot 356. The result including premium reported by Artprice is worth JPY 2.54 billion.
They however did not have the same role in the development of his business.
The first Marilyns from 1962 are experimental. Andy's idea is to mix the techniques of acrylic and silkscreen. He makes his hand in a variety of processes, dimensions and positioning of the image that is sometimes already multiplied in juxtaposition on a single canvas.
The Liz selected during the summer of 1963 opens the use of paint for a multiple reproduction with fixed dimension, here 40 x 40 inches, 102 x 102 cm in acrylic, in silkscreen ink and spray enamel on canvas. Such a set of multiple single paintings of the same design instead of positioning many images on one canvas maintains the illusion of wall advertising by exhibiting side by side the similar elements of the group. Afterwards each artwork were to be sold separately.
She is first seen on a background of silver painting, referring to the movie screens. A first pass of screen printing provides a mark for the colors: pink skin, red mouth, turquoise eye shadows. A second screen printing brings the deep black lines and hair. Silver is also a symbol of consumerism. In 1963 Warhol sported silver hair and renamed his studio the Silver Factory, papered throughout in silver.
Ten Silver Liz were exhibited beside the Silver Elvis series in September-October 1963, and additional copies were executed. This Liz series is known as the Ferus type. One of them was sold for $ 16.3M by Christie's on November 8, 2011, lot 51.
A Silver Liz (Ferus Type) was sold for JPY 2.3 billion before fees by Shinwa on March 30, 2022, lot 356. The result including premium reported by Artprice is worth JPY 2.54 billion.
2
1963-1965 Diptych
2015 SOLD for $ 28M by Christie's
The Silver Liz diptych was sold by Sotheby's for $ 18.3M on May 11, 2010, and by Christie's for $ 28M on May 11, 2015, lot 19A.
This specimen has a specific history. It was included in the exhibition of ten Silver Liz 101 x 101 cm at the Ferus Gallery in Los Angeles in September-October 1963. When he prepared another exhibition to be held in Philadelphia in 1965, Andy recuperated this specific copy and flanked it on its left with a blank canvas of same size and same silver shade.
In this new configuration which has never been disassembled, the Silver Liz diptych remained a tribute to Liz while also imitating the wide screens of the movie theaters.
This specimen has a specific history. It was included in the exhibition of ten Silver Liz 101 x 101 cm at the Ferus Gallery in Los Angeles in September-October 1963. When he prepared another exhibition to be held in Philadelphia in 1965, Andy recuperated this specific copy and flanked it on its left with a blank canvas of same size and same silver shade.
In this new configuration which has never been disassembled, the Silver Liz diptych remained a tribute to Liz while also imitating the wide screens of the movie theaters.
1963 Early Colored Liz
1
# 3 Green
2014 SOLD for $ 31.5M by Sotheby's
In November 1963, Andy is preparing an exhibition of 101 x 101 cm Liz's which will be similar as the Silver Liz excepted the background color. The paintings used in this exhibition are numbered from 1 to 6. Seven additional specimens were not numbered. The series is identified as the Early Colored Liz.
The Early Colored Liz number 3 with green background was sold for $ 31.5M on November 11, 2014 by Sotheby's, lot 27.
In the following year, Andy uses his Liz in printed editions, again with backgrounds from various colors.
The Early Colored Liz number 3 with green background was sold for $ 31.5M on November 11, 2014 by Sotheby's, lot 27.
In the following year, Andy uses his Liz in printed editions, again with backgrounds from various colors.
2
# 5 Turquoise
2011 SOLD for $ 27M by Phillips de Pury
Liz Taylor died on March 23, 2011. The next day Phillips de Pury announced in a press release that her portrait by Warhol will be included in their contemporary art auction on May 12, 2011. Of course the negotiations with the seller had taken place before the death of the actress, but the media effect was very strong. It was sold for $ 27M.
This number 5 is the turquoise example from the group of six prepared for an exhibition at the end of 1963.
Unfortunately for her, Liz was sickly. Warhol used an expressionist technique for paying tribute to his idol. The violet contour of the eyes up to the eyebrows, the too dark red lips accentuate the appearance of pale face. The turquoise background of this serial number 5 has a chilling effect.
This number 5 is the turquoise example from the group of six prepared for an exhibition at the end of 1963.
Unfortunately for her, Liz was sickly. Warhol used an expressionist technique for paying tribute to his idol. The violet contour of the eyes up to the eyebrows, the too dark red lips accentuate the appearance of pale face. The turquoise background of this serial number 5 has a chilling effect.
3
Turquoise
2007 SOLD for $ 23.6M by Christie's
The whole group of the 1963 Early Colored Liz is made of of thirteen units 101 x 101 cm.
A painting with the turquoise background was sold for $ 23.6M by Christie's on November 13, 2007, lot 29.
The Early Colored Liz number 1 in a bright yellow background was sold for $ 20.3M on November 13, 2013 by Sotheby's.
From the same series of thirteen, a Liz with a cerulean blue background was sold for $ 19.3M by Christie's on May 15, 2019, lot 8 B. It is misdated 62 on the overlap.
A Liz on dark red background was sold for $ 12.6M by Sotheby's on May 10, 2005.
A painting with the turquoise background was sold for $ 23.6M by Christie's on November 13, 2007, lot 29.
The Early Colored Liz number 1 in a bright yellow background was sold for $ 20.3M on November 13, 2013 by Sotheby's.
From the same series of thirteen, a Liz with a cerulean blue background was sold for $ 19.3M by Christie's on May 15, 2019, lot 8 B. It is misdated 62 on the overlap.
A Liz on dark red background was sold for $ 12.6M by Sotheby's on May 10, 2005.
