Gerhard RICHTER (born in 1932)
1963 Fight for a New Art
2016 SOLD for $ 25.6M including premium
During the war Gerhard Richter is a Dresden boy. He admires the feats of the soldiers. One of them brings him back to reason : he just deserves a spanking.
Years pass. Germany is a major challenge of the Cold War. Richter leaves to the west in 1961, two months before the build of the Berlin Wall. With his friends in the Kunstakademie Düsseldorf he wants a new art that expresses their time with no legacy from the pictorial styles of the past. These students conceive the Capitalist Realism. What a program !
Richter believes that truth lays in photography because a photo catches a moment. The message is stronger if the image is poor. When copying these banalities in oil on large canvases, he maintains the grisaille or the poor color of the original view. He blurs the lines during the completion phase of his artwork in order that no detail shall disturb the overall effect.
He executes two paintings on the theme of military aviation in 1963. Bomber shows a US squadron dropping bombs during the Second World War. Düsenjäger, meaning jet fighter, displays the first military aircraft authorized in the Federal Republic with NATO support.
Düsenjäger is huge. The jet is in flight over any horizon. The blur gives an illusion of speed and the colors are ugly. The original photo was poor. The front of the aircraft is already out of the frame : it was going too fast.
The artist has often commented about his art. He does not want to be a politician or an anti-militarist. The juxtaposition of Bomber and Düsenjäger provides nevertheless a strong message. Düsenjäger is certainly necessary for the military balance. This terrifying machine demonstrates however that no political progress was made after the Second World War : in 1963 everybody waits for the international conflict that will follow the Cold War. Bomber and Düsenjäger are the Guernica of Gerhard Richter.
Düsenjäger, oil on canvas 130 x 200 cm, was sold for $ 11.2 million including premium by Christie's on 13 November 2007. It is estimated $ 25M for sale by Phillips in New York on November 16, lot 7.
Years pass. Germany is a major challenge of the Cold War. Richter leaves to the west in 1961, two months before the build of the Berlin Wall. With his friends in the Kunstakademie Düsseldorf he wants a new art that expresses their time with no legacy from the pictorial styles of the past. These students conceive the Capitalist Realism. What a program !
Richter believes that truth lays in photography because a photo catches a moment. The message is stronger if the image is poor. When copying these banalities in oil on large canvases, he maintains the grisaille or the poor color of the original view. He blurs the lines during the completion phase of his artwork in order that no detail shall disturb the overall effect.
He executes two paintings on the theme of military aviation in 1963. Bomber shows a US squadron dropping bombs during the Second World War. Düsenjäger, meaning jet fighter, displays the first military aircraft authorized in the Federal Republic with NATO support.
Düsenjäger is huge. The jet is in flight over any horizon. The blur gives an illusion of speed and the colors are ugly. The original photo was poor. The front of the aircraft is already out of the frame : it was going too fast.
The artist has often commented about his art. He does not want to be a politician or an anti-militarist. The juxtaposition of Bomber and Düsenjäger provides nevertheless a strong message. Düsenjäger is certainly necessary for the military balance. This terrifying machine demonstrates however that no political progress was made after the Second World War : in 1963 everybody waits for the international conflict that will follow the Cold War. Bomber and Düsenjäger are the Guernica of Gerhard Richter.
Düsenjäger, oil on canvas 130 x 200 cm, was sold for $ 11.2 million including premium by Christie's on 13 November 2007. It is estimated $ 25M for sale by Phillips in New York on November 16, lot 7.
1968 Richter invents the Hyperrealistic Blur
2013 SOLD 37 M$ including premium
Gerhard Richter is the true rebel of art. Some artists before him including Rauschenberg had introduced disgust as a variant of artistic impression. Richter goes much further. He debases the art to reveal its profound nature.
In 1962, he considers that a bad photo does not lie because it is too ugly to deserve retouching. It expresses real life, the reality of a fleeting moment which had probably been important for its author.
The anti-art by Richter consists to disproportionately enlarge black and white photos, blurry and often without any interest but in a great variety, by using a hyperrealistic technique already perfectly controlled.
One of his earliest works is the image of an airplane in flight, magnified as an oil on canvas up to 130 x 200 cm. Made in 1963, it was sold for $ 11.2 million including premium by Christie's on November 13, 2007.
The strength of the anti-artistic message of Richter is so great and so new that he finds customers. Domplatz Mailand, an oil on canvas 275 x 290 cm painted in 1968, was commissioned by the Milanese offices of Siemens.
The image is a masterpiece of ugliness with a particularly unpleasant blur. The original photo was lost, thankfully! This photo by an unidentified tourist may be repeated by anyone, without blurring motion, with a more relevant composition than truncating both the cathedral on the right and the buildings on the left.
With this quality and its very large size, Mailand Domplatz is the culmination of the first period of Richter. On the following year, he managed to radically shake the established tradition of landscape painting.
Domplatz Mailand is estimated $ 30M, for sale by Sotheby's in New York on May 14. It is illustrated in a very interesting blog post shared by the auction house.
I invite you to watch the video shared by Sotheby's.
POST SALE COMMENT
This large painting is a technical feat of the first style of Richter, playing altogether on the easy identification of the subject and on the difficulty of reading it. It was sold $ 37M including premium.
In 1962, he considers that a bad photo does not lie because it is too ugly to deserve retouching. It expresses real life, the reality of a fleeting moment which had probably been important for its author.
The anti-art by Richter consists to disproportionately enlarge black and white photos, blurry and often without any interest but in a great variety, by using a hyperrealistic technique already perfectly controlled.
One of his earliest works is the image of an airplane in flight, magnified as an oil on canvas up to 130 x 200 cm. Made in 1963, it was sold for $ 11.2 million including premium by Christie's on November 13, 2007.
The strength of the anti-artistic message of Richter is so great and so new that he finds customers. Domplatz Mailand, an oil on canvas 275 x 290 cm painted in 1968, was commissioned by the Milanese offices of Siemens.
The image is a masterpiece of ugliness with a particularly unpleasant blur. The original photo was lost, thankfully! This photo by an unidentified tourist may be repeated by anyone, without blurring motion, with a more relevant composition than truncating both the cathedral on the right and the buildings on the left.
With this quality and its very large size, Mailand Domplatz is the culmination of the first period of Richter. On the following year, he managed to radically shake the established tradition of landscape painting.
Domplatz Mailand is estimated $ 30M, for sale by Sotheby's in New York on May 14. It is illustrated in a very interesting blog post shared by the auction house.
I invite you to watch the video shared by Sotheby's.
POST SALE COMMENT
This large painting is a technical feat of the first style of Richter, playing altogether on the easy identification of the subject and on the difficulty of reading it. It was sold $ 37M including premium.
1982 Drama in the Ice
2017 SOLD for £ 17.7M including premium
The Arctic landscapes by Gerhard Richter are associated with turning points in his personal life. In 1972 he made a ten-day cruise to Greenland to forget his professional and conjugal embarrassments and he shot almost abstract photos on the theme of light on ice. He liked to refer to the romantic work of Caspar David Friedrich evoking the heroic exploration of the Northwest Passage in the 1820s.
The situation is different in 1981. Richter divorces from Ema, his wife since 1957, and prepares his second marriage, with Isa. Recognizing that he is closing a phase of his life, he reminds his intense experience in Greenland, with the lifeless frozen sea in a light which is splendid by its uniformity.
He painted three oil paintings on this theme.
Eis, 70 x 100 cm, opus 476 painted in 1981, shows the ice blocks drifting up to the horizon in this world where human beings have no access. It was sold for £ 4,3M including premium by Sotheby's on February 15, 2012. Eisberg im Nebel, of same size, opus 496-1 made in 1982, is a study of fog on a free sea.
On March 8 in London, Sotheby's sells the largest of the three artworks, Eisberg, 101 x 151 cm, opus 496-2 painted in 1982, lot 8 estimated £ 8M. The composition is dominated by a towering iceberg over the horizon. On the sea the mountain is imperceptibly subject to movement at this key moment when the life of the artist is changing.
I do not think that the reference to Friedrich remains relevant at the time of the 1982 paintings. The artist is then fascinated by the diversity of light and by the challenge that it creates for the painter. The series of candles (Kerzen), much more ambitious, begins immediately afterward, opus 497-1 to 497-3, 498-1 to 498-4, 499-1 to 499-4 and later extensions.
The situation is different in 1981. Richter divorces from Ema, his wife since 1957, and prepares his second marriage, with Isa. Recognizing that he is closing a phase of his life, he reminds his intense experience in Greenland, with the lifeless frozen sea in a light which is splendid by its uniformity.
He painted three oil paintings on this theme.
Eis, 70 x 100 cm, opus 476 painted in 1981, shows the ice blocks drifting up to the horizon in this world where human beings have no access. It was sold for £ 4,3M including premium by Sotheby's on February 15, 2012. Eisberg im Nebel, of same size, opus 496-1 made in 1982, is a study of fog on a free sea.
On March 8 in London, Sotheby's sells the largest of the three artworks, Eisberg, 101 x 151 cm, opus 496-2 painted in 1982, lot 8 estimated £ 8M. The composition is dominated by a towering iceberg over the horizon. On the sea the mountain is imperceptibly subject to movement at this key moment when the life of the artist is changing.
I do not think that the reference to Friedrich remains relevant at the time of the 1982 paintings. The artist is then fascinated by the diversity of light and by the challenge that it creates for the painter. The series of candles (Kerzen), much more ambitious, begins immediately afterward, opus 497-1 to 497-3, 498-1 to 498-4, 499-1 to 499-4 and later extensions.
1986 The Chromatic Chaos of Gerhard Richter
2015 SOLD for £ 30.4M including premium
In the early 1980s, Gerhard Richter begins to find his own abstract style. He gradually escapes evocation and stops from 1986 giving titles to his major works. He also wants to stand out from abstract expressionism in favor of a chaos of colors for which it will however be necessary to provide an overall logic.
On February 10 in London, Sotheby's sells Abstraktes Bild 599, oil on canvas 300 x 250 cm painted in 1986, lot 37 estimated £ 14M.
599 is an experimental work. Chaos is here replaced by a double movement of forces, horizontal and vertical. This is one of his earliest uses of the rake which is still challenged by the brush. Many remorses indicate all the care paid to the realization of this painting in a large size that brings to it the role of a demonstrator.
The artist offers 599 with a full chromatic scale structured in blocks with visible border lines between the colored areas. The clear parts display an opulent shine rarely attempted in painting and evoking Klimt.
The overall impression is a movement of vertical blaze that joins the volcanic explosions by Matta.
599 is a masterpiece by Richter in the etymological meaning of the word, as it is an artwork that opens a new process which will be prolific and will maintain abstract painting among the major arts of contemporary era.
On February 10 in London, Sotheby's sells Abstraktes Bild 599, oil on canvas 300 x 250 cm painted in 1986, lot 37 estimated £ 14M.
599 is an experimental work. Chaos is here replaced by a double movement of forces, horizontal and vertical. This is one of his earliest uses of the rake which is still challenged by the brush. Many remorses indicate all the care paid to the realization of this painting in a large size that brings to it the role of a demonstrator.
The artist offers 599 with a full chromatic scale structured in blocks with visible border lines between the colored areas. The clear parts display an opulent shine rarely attempted in painting and evoking Klimt.
The overall impression is a movement of vertical blaze that joins the volcanic explosions by Matta.
599 is a masterpiece by Richter in the etymological meaning of the word, as it is an artwork that opens a new process which will be prolific and will maintain abstract painting among the major arts of contemporary era.
1986 The Quiet Abstraction of Gerhard Richter
2016 SOLD for $ 34M including premium
Gerhard Richter conscientiously serializes his Abstraktes Bild (AB) in chronological order, in series ranging from one to ten paintings. A review of the 1986 millésime, AB 588 to AB 619, tracks the evolution of the technique and inspiration of the artist in this very important transition year which includes the first use of the squeegee.
At the beginning of 1986, Richter already goes further than other abstract artists by an extensive use of the range of colors and a great brightness. The first AB's of 1986 are often inspired by landscape views in which we try to recognize waterfalls of various shapes. Lines are separating the various areas in the image.
AB 599, 300 x 250 cm, was sold for £ 30,4M including premium by Sotheby's on February 10, 2015. The gigantic culmination of this phase is the two Claudius, AB 603 and AB 604, 311 x 406 cm each. Offered by Christie's on October 19, 2008 at the start of the crisis of the art market, AB 604 was not sold.
AB 612-4, 225 x 200 cm, titled Still, is estimated $ 20M for sale by Sotheby's in New York on November 17, lot 13.
To execute Still, the artist used jointly brushes and squeegees. The contribution of the squeegee adds a smooth veil over the impasto. The dividing lines are now disappearing.
The title is interesting. Still is of course not a movie picture. The website gerhardrichter.com provides the official English translation : Quiet. AB 615 and AB 616 are named Courbet. Nothing prevents AB 612-4 to be a tribute to another master : Clyfford Still. The large red area on the left in AB 612-4 may be an echo to Still's hells. The intermingling colors that open the new signature style of Richter remind the shredded separations between Clyfford Still's colors.
At the beginning of 1986, Richter already goes further than other abstract artists by an extensive use of the range of colors and a great brightness. The first AB's of 1986 are often inspired by landscape views in which we try to recognize waterfalls of various shapes. Lines are separating the various areas in the image.
AB 599, 300 x 250 cm, was sold for £ 30,4M including premium by Sotheby's on February 10, 2015. The gigantic culmination of this phase is the two Claudius, AB 603 and AB 604, 311 x 406 cm each. Offered by Christie's on October 19, 2008 at the start of the crisis of the art market, AB 604 was not sold.
AB 612-4, 225 x 200 cm, titled Still, is estimated $ 20M for sale by Sotheby's in New York on November 17, lot 13.
To execute Still, the artist used jointly brushes and squeegees. The contribution of the squeegee adds a smooth veil over the impasto. The dividing lines are now disappearing.
The title is interesting. Still is of course not a movie picture. The website gerhardrichter.com provides the official English translation : Quiet. AB 615 and AB 616 are named Courbet. Nothing prevents AB 612-4 to be a tribute to another master : Clyfford Still. The large red area on the left in AB 612-4 may be an echo to Still's hells. The intermingling colors that open the new signature style of Richter remind the shredded separations between Clyfford Still's colors.
1988 Around the Blue
2014 SOLD 28.7 M$ including premium
In 1988, Gerhard Richter desires to control all the artistic potential of pure abstraction. His method is to rework tirelessly the layers of paint until the achievement pleases him. By such a subconscious creation, he is a follower of Pollock. Emotion and hand make art.
He adds two key features: the staging of all colors of the spectrum and the very large size. His progressive and patient technique also enables an exceptional vibration of the color dots.
On May 14 in New York, Sotheby's sells a monumental oil on canvas, 3 x 3 m. This opus 658 is entitled Blau. Blue is predominant only in a small area in the bottom right but its dynamism overrules the artwork. Blau is estimated $ 25M.
Two years later with his squeegee, Richter explores the creation of an illusion of reality, abolishing the differentiation between figuration and abstraction. as De Kooning had done.
I invite you to play the video shared by Sotheby's.
POST SALE COMMENT
Blau was sold for $ 28.7M including premium consistently with its lower estimate.
He adds two key features: the staging of all colors of the spectrum and the very large size. His progressive and patient technique also enables an exceptional vibration of the color dots.
On May 14 in New York, Sotheby's sells a monumental oil on canvas, 3 x 3 m. This opus 658 is entitled Blau. Blue is predominant only in a small area in the bottom right but its dynamism overrules the artwork. Blau is estimated $ 25M.
Two years later with his squeegee, Richter explores the creation of an illusion of reality, abolishing the differentiation between figuration and abstraction. as De Kooning had done.
I invite you to play the video shared by Sotheby's.
POST SALE COMMENT
Blau was sold for $ 28.7M including premium consistently with its lower estimate.
1988 Expressions from London
2016 SOLD for $ 22.7M including premium
Gerhard Richter's visit to London in 1987 was very important for establishing his European reputation. Back in his studio he prepares fourteen paintings that will be exhibited at the Anthony d'Offay Gallery in March and April 1988. D'Offay is a great helper to artistic creation : in 1986 it had been to this art dealer to be behind the ultimate great series by Warhol later known as the Self portrait Fright wig.
Richter's fourteen abstract paintings occupy the exhibition room like Monet had done with his water lilies in the project of Grandes Décorations. Richter painted them with brush and squeegee using the process developed by him in 1986, obtaining a high brightness by mingling impasto and fluid layers. They also show a new mottled texture that looks vibrant.
Richter has not abandoned his idea about the lack of meaning of art and more specifically of his own painting. The parallel consideration of his series of abstract expressionist "views" with the vision offered by Monet of colors and lights through the London fog is attractive but probably erroneous.
These homogeneous images are differentiated by a title that calls a monument or a location in London. Brick Tower is part of the Tower of London. AB 643-1 Brick Tower, oil on canvas 200 x 140 cm in vertical vision, was sold for £ 14.1 million including premium by Sotheby's on July 1, 2015.
AB 653-1 St James, oil on canvas 200 x 260 cm painted in panoramic format in 1988, is estimated $ 20M for sale by Sotheby's in New York on November 17, lot 6.
Richter's fourteen abstract paintings occupy the exhibition room like Monet had done with his water lilies in the project of Grandes Décorations. Richter painted them with brush and squeegee using the process developed by him in 1986, obtaining a high brightness by mingling impasto and fluid layers. They also show a new mottled texture that looks vibrant.
Richter has not abandoned his idea about the lack of meaning of art and more specifically of his own painting. The parallel consideration of his series of abstract expressionist "views" with the vision offered by Monet of colors and lights through the London fog is attractive but probably erroneous.
These homogeneous images are differentiated by a title that calls a monument or a location in London. Brick Tower is part of the Tower of London. AB 643-1 Brick Tower, oil on canvas 200 x 140 cm in vertical vision, was sold for £ 14.1 million including premium by Sotheby's on July 1, 2015.
AB 653-1 St James, oil on canvas 200 x 260 cm painted in panoramic format in 1988, is estimated $ 20M for sale by Sotheby's in New York on November 17, lot 6.
1989 High Abstract Virtuosity
2014 SOLD 19.6 M£ including premium
The abstract art by Gerhard Richter is a process of continuous improvement that is accelerating from the mid-1980s.
Technique, colors, increasing size are not a progression towards a single masterpiece but the various elements of a total control that will allow him throughout the following decade to generate a figurative emotion through totally abstract pictures.
On February 13 in London, Christie's sells an Abstraktes Bild painted in 1989, oil on canvas 260 x 200 cm, which is a fabulous demonstration of the technical possibilities of Richter's squeegee.
By twisting the tool Richter creates repeating patterns that are neither geometric nor linear. His virtuosity is so high that each of the many bright colors plays its score without conflicting.
The overview is a shimmering texture that can be compared to the iridescence of light in a waterfall or the impressive color of a molten lava. This monumental picture is however totally abstract. The fineness of detail provides the viewer with an endless wandering of his visual exploration.
I invite you to play the video shared by Christie's.
POST SALE COMMENT
This wonderful Richter painting was sold for £ 19.6M including premium.
Technique, colors, increasing size are not a progression towards a single masterpiece but the various elements of a total control that will allow him throughout the following decade to generate a figurative emotion through totally abstract pictures.
On February 13 in London, Christie's sells an Abstraktes Bild painted in 1989, oil on canvas 260 x 200 cm, which is a fabulous demonstration of the technical possibilities of Richter's squeegee.
By twisting the tool Richter creates repeating patterns that are neither geometric nor linear. His virtuosity is so high that each of the many bright colors plays its score without conflicting.
The overview is a shimmering texture that can be compared to the iridescence of light in a waterfall or the impressive color of a molten lava. This monumental picture is however totally abstract. The fineness of detail provides the viewer with an endless wandering of his visual exploration.
I invite you to play the video shared by Christie's.
POST SALE COMMENT
This wonderful Richter painting was sold for £ 19.6M including premium.
1990 The Decade of the Squeegee
2014 SOLD 29 M$ including premium
Abstraktes Bild 712 by Gerhard Richter was sold for $ 17.5 million including premium by Sotheby's on November 13, 2012. This painting is estimated $ 22M, for sale by Christie's in New York on May 13, lot 15 of the catalog.
I reuse below my previous article with some additional technical information.
Abstraktes Bild 712 is the first work done by Gerhard Richter in 1990. He had started this series two years before, and he his now mastering his use of a wide rake to apply colors.
This squeegee used by Richter to bring the liquid paint on the canvas is a hard tool that disrupts the previous layers of paint when they become almost dry. The process is repeated until the color balance of the work meets the wish of the artist.
To begin that new decade, Richter prepares a masterpiece. This oil on canvas, 260 x 200 cm, is one of the largest. Also the nicely mingling red, yellow and blue are enhanced by a final layer of silver gray which provides a brightening effect onto the whole.
The choice of these three basic colors enables to reach almost the entire spectrum. This is an indirect tribute to the fascination with pure colors that had been expressed by Barnett Newman.
The work is completely abstract, but the uneven distribution of color densities may generate the illusion of a blister, as if this area was part of a living being. It is well known that an Abstraktes Bild by Richter has no figurative meaning. By the effect it can provide to the viewer, 712 is probably one of the closest to Rothko.
I invite you to play the audio shared by Christie's.
POST SALE COMMENT
This Richter painting was sold for $ 29M including premium, far above its 2012 price.
I reuse below my previous article with some additional technical information.
Abstraktes Bild 712 is the first work done by Gerhard Richter in 1990. He had started this series two years before, and he his now mastering his use of a wide rake to apply colors.
This squeegee used by Richter to bring the liquid paint on the canvas is a hard tool that disrupts the previous layers of paint when they become almost dry. The process is repeated until the color balance of the work meets the wish of the artist.
To begin that new decade, Richter prepares a masterpiece. This oil on canvas, 260 x 200 cm, is one of the largest. Also the nicely mingling red, yellow and blue are enhanced by a final layer of silver gray which provides a brightening effect onto the whole.
The choice of these three basic colors enables to reach almost the entire spectrum. This is an indirect tribute to the fascination with pure colors that had been expressed by Barnett Newman.
The work is completely abstract, but the uneven distribution of color densities may generate the illusion of a blister, as if this area was part of a living being. It is well known that an Abstraktes Bild by Richter has no figurative meaning. By the effect it can provide to the viewer, 712 is probably one of the closest to Rothko.
I invite you to play the audio shared by Christie's.
POST SALE COMMENT
This Richter painting was sold for $ 29M including premium, far above its 2012 price.
1994 The Sublime Cacophony of Gerhard Richter
2012 SOLD 21.3 M£ including premium
Nothing can stop the enthusiasm of collectors for large Abstraktes Bild paintings by Gerhard Richter, to the point that the artist himself has indicated his lack of understanding of this phenomenon. Let there be no mistake: his work is both abundant and of exceptional quality. Before him, Alberto Giacometti also protected his creativity by similar statements.
On October 12 in London, Sotheby's sells Abstraktes Bild 809-4, estimated £ 9M. This oil on canvas 225 x 200 cm was painted in 1994 in the period of greater maturity in the abstract art of Richter, when his technique of squeegee is fully developed. Here is the link to the catalog.
With always different and often subtle colors, the horizontal movement of the rake comes in opposition with large vertical streaks. However, the shock of colors is not actually geometric or cleverly dispositioned or allusive of forms. Richter renewed the abstract art without imitating Rothko, or Zao Wou-ki, or Still, and Pollock not either.
Richter's magic is to provide an impression of spontaneity in paintings extensively worked until reaching the emotion intended by the artist. The wording tried in the catalog of "exuberant cacophony" is not enough. For the balance of colors and shapes, I prefer saying that Richter has the absolute eye.
All of that is exciting the contemporary observers. The abstract world of Richter is the chaos of current time. Musicians like Richter as they like Basquiat. 809-4 is brought to auction by Eric Clapton.
I invite you to play the video shared by Sotheby's.
POST SALE COMMENT
This superb Abstraktes Bild deserved an exceptional result. It is done: £ 21.3 million including premium.
On October 12 in London, Sotheby's sells Abstraktes Bild 809-4, estimated £ 9M. This oil on canvas 225 x 200 cm was painted in 1994 in the period of greater maturity in the abstract art of Richter, when his technique of squeegee is fully developed. Here is the link to the catalog.
With always different and often subtle colors, the horizontal movement of the rake comes in opposition with large vertical streaks. However, the shock of colors is not actually geometric or cleverly dispositioned or allusive of forms. Richter renewed the abstract art without imitating Rothko, or Zao Wou-ki, or Still, and Pollock not either.
Richter's magic is to provide an impression of spontaneity in paintings extensively worked until reaching the emotion intended by the artist. The wording tried in the catalog of "exuberant cacophony" is not enough. For the balance of colors and shapes, I prefer saying that Richter has the absolute eye.
All of that is exciting the contemporary observers. The abstract world of Richter is the chaos of current time. Musicians like Richter as they like Basquiat. 809-4 is brought to auction by Eric Clapton.
I invite you to play the video shared by Sotheby's.
POST SALE COMMENT
This superb Abstraktes Bild deserved an exceptional result. It is done: £ 21.3 million including premium.
