1932
Except otherwise stated, all results include the premium.
See also : Sculpture Bust The Woman Nude Animals Picasso Marie-Thérèse Russia and Eastern Europe Brancusi Women artists O'Keeffe US painting < 1940
See also : Sculpture Bust The Woman Nude Animals Picasso Marie-Thérèse Russia and Eastern Europe Brancusi Women artists O'Keeffe US painting < 1940
1932 La Jeune Fille Sophistiquée by Brancusi
2018 SOLD for $ 71M by Christie's
Being a muse for Brancusi was not a difficult task. He had met Margit Pogany very briefly in 1910 but liked the shape of her head which inspired him until the mid-1920s.
The heads sculpted by Brancusi are not abstract. He considers that everything that overflows, mainly nose and ears, is inappropriate to express the deep reality of a portrait. He gradually reduces these growths to a surface carving up to removing them completely.
Around 1925 he made a wooden bust 55 cm high on the theme of La Jeune Fille Sophistiquée. He takes Nancy Cunard as a model, without telling her. The heiress of the Cunard shipowners, she has an eccentric life that symbolizes the roaring twenties in the Parisian literary and artistic circles. She is sexually liberated and anarchist, and her attires are inspired by Africa.
The almost abstract head is indeed a portrait. Comparing with the photos of the period, we recognize the bulging forehead and the receding chin, and the stiff neck from behind. This disturbing muse always offers in the photos an unpleasant pout that we imagine also through the rare incisions of the sculpture. The pinched bun is an evocation of her signature bunches.
Brancusi made a plaster in 1928 and a unique polished bronze in 1932. This bronze is still installed on the marble base designed by the artist, for a total height of 80 cm. It was sold for $ 71M at lot 19 A by Christie's on May 15, 2018. Please watch the video shared by the auction house.
Nancy Cunard discovered many years later that she had served as a model for this artwork. After hesitating in its interpretation as a bust or a torso, she expressed her admiration for the artist.
Grok thought :
Quote
New York Times Arts @nytimesarts May 16, 2018
A rare bronze by Constantin Brancusi topped the auction high for the artist as his polished portrait of the flamboyant shipping heiress Nancy Cunard reached $71 million at Christie's. https://nyti.ms/2rK5Nha
The heads sculpted by Brancusi are not abstract. He considers that everything that overflows, mainly nose and ears, is inappropriate to express the deep reality of a portrait. He gradually reduces these growths to a surface carving up to removing them completely.
Around 1925 he made a wooden bust 55 cm high on the theme of La Jeune Fille Sophistiquée. He takes Nancy Cunard as a model, without telling her. The heiress of the Cunard shipowners, she has an eccentric life that symbolizes the roaring twenties in the Parisian literary and artistic circles. She is sexually liberated and anarchist, and her attires are inspired by Africa.
The almost abstract head is indeed a portrait. Comparing with the photos of the period, we recognize the bulging forehead and the receding chin, and the stiff neck from behind. This disturbing muse always offers in the photos an unpleasant pout that we imagine also through the rare incisions of the sculpture. The pinched bun is an evocation of her signature bunches.
Brancusi made a plaster in 1928 and a unique polished bronze in 1932. This bronze is still installed on the marble base designed by the artist, for a total height of 80 cm. It was sold for $ 71M at lot 19 A by Christie's on May 15, 2018. Please watch the video shared by the auction house.
Nancy Cunard discovered many years later that she had served as a model for this artwork. After hesitating in its interpretation as a bust or a torso, she expressed her admiration for the artist.
Grok thought :
Quote
New York Times Arts @nytimesarts May 16, 2018
A rare bronze by Constantin Brancusi topped the auction high for the artist as his polished portrait of the flamboyant shipping heiress Nancy Cunard reached $71 million at Christie's. https://nyti.ms/2rK5Nha
- This 2018 New York Times Arts post announces the record $71 million auction sale of Constantin Brancusi's rare 1932 bronze sculpture "La Jeune Fille Sophistiquée (Portrait de Nancy Cunard)" at Christie's, surpassing the artist's prior high of $57 million.
- Brancusi, a Romanian modernist pioneer in Paris, abstracted the flamboyant heiress Nancy Cunard's features into a sleek, elongated form symbolizing her bohemian life as a writer, jazz patron, and anti-fascist activist.
- The unique cast, held in one collection for over 60 years, drew three bidders and remains Brancusi's top auction price as of 2025, underscoring sustained market interest in his innovative abstract portraits.
1932 Jimson Weed by O'Keeffe
2014 SOLD for $ 44.4M by Sotheby's
The beauty of nature was the main inspiration for Georgia O'Keeffe. Painter amidst the circle of photographers led by her husband Alfred Stieglitz, she wanted to see everything from larger landscapes to tiniest details. From 1929 she regularly visited the wonderful site of Taos.
She is not a botanist but there is no need to be a scientist for being fascinated by the datura, a wild herb that is particularly abundant in New Mexico. Its trumpet flowers appear at the cool of the evening with subtle shades of colors on a white background. A powerful hallucinogen, this plant is locally called Jimson weed and most commonly Devil's snare.
Painted in 1932, Jimson weed - white flower No.1 is a beautiful portrait of a flower. Inspired by macrophotography, it is an invitation to enter full front into the intimate secrets of a disproportionately enlarged datura. This oil on canvas is measuring 122 x 107 cm, a large format for the artist at that time.
This painting was sold for $ 44.4M from an estimate of $ 10M by Sotheby's on November 20, 2014, lot 11. It is deaccessioned by the Georgia O'Keeffe Museum in Santa Fe NM with the consent of the donor. Please watch the video shared by Sotheby's.
Grok thought :
Quote
Sotheby's @Sothebys Dec 29, 2014
#CountingDown to 2015: Georgia O’Keeffe’s iconic flower painting 'Jimson Weed/White Flower No. 1' sold for $44.4m
She is not a botanist but there is no need to be a scientist for being fascinated by the datura, a wild herb that is particularly abundant in New Mexico. Its trumpet flowers appear at the cool of the evening with subtle shades of colors on a white background. A powerful hallucinogen, this plant is locally called Jimson weed and most commonly Devil's snare.
Painted in 1932, Jimson weed - white flower No.1 is a beautiful portrait of a flower. Inspired by macrophotography, it is an invitation to enter full front into the intimate secrets of a disproportionately enlarged datura. This oil on canvas is measuring 122 x 107 cm, a large format for the artist at that time.
This painting was sold for $ 44.4M from an estimate of $ 10M by Sotheby's on November 20, 2014, lot 11. It is deaccessioned by the Georgia O'Keeffe Museum in Santa Fe NM with the consent of the donor. Please watch the video shared by Sotheby's.
Grok thought :
Quote
Sotheby's @Sothebys Dec 29, 2014
#CountingDown to 2015: Georgia O’Keeffe’s iconic flower painting 'Jimson Weed/White Flower No. 1' sold for $44.4m
- This December 2014 Sotheby's post highlights the November sale of Georgia O'Keeffe's 1932 painting 'Jimson Weed/White Flower No. 1' for $44.4 million, shattering the auction record for a female artist by over tripling the prior high of $12.7 million.
- The oil-on-canvas work, depicting a magnified jimson weed flower with symbolic undertones of sensuality and nature, exceeded its $10-15 million estimate and was consigned by the Georgia O'Keeffe Museum to fund acquisitions.
- As part of a New Year's countdown series, the post underscores Sotheby's role in elevating women in art markets, with the painting now displayed at Crystal Bridges Museum of American Art.
1932 PICASSO
1
January 24 Le Rêve
1997 SOLD for $ 48M by Christie's
Picasso is dazzled by the blonde beauty of Marie-Thérèse Walter when he meets her by chance on January 8 of a year that has not been identified with certainty. Sweet and docile, she agrees to become his muse. Picasso is married to Olga and his affair with Marie-Thérèse is illegal. Cautiously he waits before portraying his girlfriend in erotic positions.
Marie-Thérèse attains her legal majority on July 13, 1930, thus putting an end to the torment of Tantalus of her passionate lover. Olga has not yet discovered this infidelity. Remaining cautious, Picasso buys the château of Boisgeloup in the same month to install away from Paris his mistress and his second studio. In 1931 he carves many busts where he captures the roundnesses of the head and face of Marie-Thérèse.
His paintings of December 1931 dared to introduce recognizable features including the blonde hair and the rounded rosy cheeks.
In January 1932, willing to display the nude, he is more cautious and comes back to his style of the previous phase where the face cannot be identified. The first full nudes are Le Repos on January 22 and Le Sommeil on January 23.
Le Repos, oil on canvas 162 x 130 cm, was sold for $ 35M by Christie's on May 2, 2006, lot 43.
Le Rêve opens the phase of increased eroticism with a less disfigured face. This oil on canvas 130 x 97 cm painted on January 24, 1932, indeed marks the point of no return.
This dressed portrait is one of the very first where the young blonde woman is recognizable. Picasso had chosen her for the voluptuous beauty of her curves. She sleeps peacefully in an armchair, her head bent over her right shoulder. It is however a dream. Picasso uses his signature vision in multiple perspectives but teratology is rarer. Yet here Marie-Thérèse has six fingers on each hand.
For the artist, this dream is also erotic, perhaps ending a long period of frustration when he did not want to be accused of abusing a minor. This painting offers in several places a double reading, quiet and pornographic. Such a mingling is rare : later Pablo will rather tend to associate with pornography a complacently autobiographical bestiality.
Without having significant financial means, Victor and Sally Ganz had an absolute eye. In 1941 Le Rêve was the very first piece in their collection which they were to limit to five artists : Picasso, Jasper Johns, Robert Rauschenberg, Frank Stella and Eva Hesse.
On November 10, 1997, Christie's sold the Ganz collection. The two top results were Le Rêve, sold for $ 48M, and the ultimate version numbered O of Les Femmes d'Alger sold for $ 32M. The Ganzs had spent about $ 2M on the acquisition of their entire collection.
These two paintings are arguably the two most important artworks by Picasso in private hands. Les Femmes d'Alger was sold for $ 180M by Christie's on May 11, 2015.
In 2001 Steve Wynn bought Le Rêve in private sale, with the aim of making it the emblem of one of his casinos in Las Vegas. He gave up this project in 2006 because of the anti-European xenophobia which was spreading in America at the time of the war against Iraq. He had a client for an announced amount of $ 139M. While preparing this negotiation, his elbow went through the canvas, leaving in Le Rêve a tear 20 cm long.
The painting was repaired and the client, Steven A. Cohen, did not give up. He bought Le Rêve in private sale from Steve Wynn in 2013 for a price announced to the press of $ 155M.
Grok thought :
Quote
@WealthWithYou Feb 20, 2024
Le Rêve - Pablo Picasso Le Rêve (The Dream in French) is a 1932 oil painting by Picasso, then 50 years old, portraying his 24-year-old mistress Marie-Thérèse Walter. It is said to have been painted in one afternoon, on January 24, 1932 The painting was sold privately for $155
Marie-Thérèse attains her legal majority on July 13, 1930, thus putting an end to the torment of Tantalus of her passionate lover. Olga has not yet discovered this infidelity. Remaining cautious, Picasso buys the château of Boisgeloup in the same month to install away from Paris his mistress and his second studio. In 1931 he carves many busts where he captures the roundnesses of the head and face of Marie-Thérèse.
His paintings of December 1931 dared to introduce recognizable features including the blonde hair and the rounded rosy cheeks.
In January 1932, willing to display the nude, he is more cautious and comes back to his style of the previous phase where the face cannot be identified. The first full nudes are Le Repos on January 22 and Le Sommeil on January 23.
Le Repos, oil on canvas 162 x 130 cm, was sold for $ 35M by Christie's on May 2, 2006, lot 43.
Le Rêve opens the phase of increased eroticism with a less disfigured face. This oil on canvas 130 x 97 cm painted on January 24, 1932, indeed marks the point of no return.
This dressed portrait is one of the very first where the young blonde woman is recognizable. Picasso had chosen her for the voluptuous beauty of her curves. She sleeps peacefully in an armchair, her head bent over her right shoulder. It is however a dream. Picasso uses his signature vision in multiple perspectives but teratology is rarer. Yet here Marie-Thérèse has six fingers on each hand.
For the artist, this dream is also erotic, perhaps ending a long period of frustration when he did not want to be accused of abusing a minor. This painting offers in several places a double reading, quiet and pornographic. Such a mingling is rare : later Pablo will rather tend to associate with pornography a complacently autobiographical bestiality.
Without having significant financial means, Victor and Sally Ganz had an absolute eye. In 1941 Le Rêve was the very first piece in their collection which they were to limit to five artists : Picasso, Jasper Johns, Robert Rauschenberg, Frank Stella and Eva Hesse.
On November 10, 1997, Christie's sold the Ganz collection. The two top results were Le Rêve, sold for $ 48M, and the ultimate version numbered O of Les Femmes d'Alger sold for $ 32M. The Ganzs had spent about $ 2M on the acquisition of their entire collection.
These two paintings are arguably the two most important artworks by Picasso in private hands. Les Femmes d'Alger was sold for $ 180M by Christie's on May 11, 2015.
In 2001 Steve Wynn bought Le Rêve in private sale, with the aim of making it the emblem of one of his casinos in Las Vegas. He gave up this project in 2006 because of the anti-European xenophobia which was spreading in America at the time of the war against Iraq. He had a client for an announced amount of $ 139M. While preparing this negotiation, his elbow went through the canvas, leaving in Le Rêve a tear 20 cm long.
The painting was repaired and the client, Steven A. Cohen, did not give up. He bought Le Rêve in private sale from Steve Wynn in 2013 for a price announced to the press of $ 155M.
Grok thought :
Quote
@WealthWithYou Feb 20, 2024
Le Rêve - Pablo Picasso Le Rêve (The Dream in French) is a 1932 oil painting by Picasso, then 50 years old, portraying his 24-year-old mistress Marie-Thérèse Walter. It is said to have been painted in one afternoon, on January 24, 1932 The painting was sold privately for $155
- The post highlights Pablo Picasso's 1932 oil painting "Le Rêve," depicting his mistress Marie-Thérèse Walter in a surreal, dreamlike pose completed in one afternoon, which sold privately for $155 million in 2013 to casino mogul Steve Wynn.
- As the final entry in a thread ranking the most expensive paintings ever sold, it features the iconic image of Walter reclining in a red chair with distorted features, emphasizing Picasso's exploration of eroticism and the subconscious.
- While the thread touts art's wealth-building potential, peer-reviewed analyses (e.g., MDPI Journal, 2020) show average annual returns of 2-6% for modern and contemporary works, offering diversification but trailing stock market gains of 7-10% over similar periods.
2
March 8 Nu, Feuilles vertes et Buste
2010 SOLD for $ 106M by Christie's
A masterpiece of Picasso is assessed from afar. The grammar of the master, which so varied over the years, is perfectly recognizable. And yet, the observer has the impression of seeing something new.
On March 8, 1932 this young man of 50 years wants to express the strength of his love for Marie-Thérèse Walter. The result is that Nude, green leaves and bust for sale by Christie's on May 4, 2010. It was sold for $ 106M.
The young woman is glorified twice: despite the stylization typical of the Picassos of that time, the bust looks unmistakably similar as the head of the nude. The young woman sleeps peacefully, lying on her back, offered in the nude before the artist's eyes. The leaves symbolize the force of spring ... and that of the painter, for sure. The bright colors in flat areas increase the perfect legibility of the work. The painting is illustrated in the press release shared by AuctionPublicity
This lot has many qualities. It is large (162 x 130 cm). It was recorded, but was not shown to the public for half a century.
Response by Grok :
Quote
Johnny Crash @JackBearCity Jun 21
“Nude, Green Leaves and Bust” is a 1932 painting by Pablo Picasso, featuring his mistress Marie-Thérèse Walter. It sold for the first time 20 years later in 1951. Christie’s of New York sold it in 2010 for $106 million ($160 million in today’s dollars) a world record.
On March 8, 1932 this young man of 50 years wants to express the strength of his love for Marie-Thérèse Walter. The result is that Nude, green leaves and bust for sale by Christie's on May 4, 2010. It was sold for $ 106M.
The young woman is glorified twice: despite the stylization typical of the Picassos of that time, the bust looks unmistakably similar as the head of the nude. The young woman sleeps peacefully, lying on her back, offered in the nude before the artist's eyes. The leaves symbolize the force of spring ... and that of the painter, for sure. The bright colors in flat areas increase the perfect legibility of the work. The painting is illustrated in the press release shared by AuctionPublicity
This lot has many qualities. It is large (162 x 130 cm). It was recorded, but was not shown to the public for half a century.
Response by Grok :
Quote
Johnny Crash @JackBearCity Jun 21
“Nude, Green Leaves and Bust” is a 1932 painting by Pablo Picasso, featuring his mistress Marie-Thérèse Walter. It sold for the first time 20 years later in 1951. Christie’s of New York sold it in 2010 for $106 million ($160 million in today’s dollars) a world record.
- "Nude, Green Leaves and Bust," painted in 1932, captures Picasso’s complex relationship with Marie-Thérèse Walter, reflecting his shift toward surrealism and personal turmoil, as studies from the Picasso Museum suggest his art mirrored his emotional state during their affair.
- The painting’s 2010 sale for $106 million at Christie’s, adjusted to $160 million today, highlights a booming art market, with data from the Art Basel and UBS Global Art Market Report showing a 400% increase in high-value auction sales since 2000, driven by wealthy collectors.
- Despite its record price, the artwork’s history includes a narrow escape from Nazi looting during WWII, as art dealer Paul Rosenberg smuggled it to New York in 1940, a move later validated by declassified Allied records detailing the rescue of over 20,000 artworks.
3
March 9 Nu au Fauteuil Noir
1999 SOLD for $ 45M by Christie's
Picasso's erotic art reached its climax during the winter of 1932 in his Parisian studio in rue La Boëtie. His model is Marie-Thérèse whom he had not been able to exhibit previously because of her young age. The illegitimate couple did not however make an escape to Boisgeloup during this period.
This series includes about 25 oils on canvas, with the sleeping or reading woman as the main theme. In the first phase, Picasso plays with hiding sexual symbols in the image. Le Rêve is painted on January 24. Nudes make their appearance at the approach of spring in an accelerated rhythm : Nu couché avec feuilles vertes et buste on March 8, Nu au fauteuil noir on March 9, Le Miroir on March 12, Jeune femme au miroir on March 14. La Dormeuse, oil and charcoal on canvas, is inserted in that sequence on March 13.
On March 17, considering that this series was completed, Picasso invites Kahnweiler to his workshop. Two of the nude paintings are present but we do not know which ones. Kahnweiler is dazzled by the audacity of Picasso's new style, where eroticism is accentuated by the shortened curves of the body. He later wrote to Leiris that these erotic figures could have been painted by a satyr who had just killed a woman.
According to Picasso himself, the highlights of his creative quest were the nudes of March 8 and 9, both in the 162 x 130 cm format. The position of the woman is almost identical in the two pictures, with the head completely thrown back. Nu couché avec feuilles vertes et buste is the most complex composition, bringing together several symbols.
Nu au fauteuil noir offers a dramatic contrast between the pink flesh and the black seat. The only other element is a green plant that highlights the symbol of fertility. This oil on canvas was sold for $ 45M by Christie's on November 9, 1999. It is illustrated by Wikipedia on a dedicated page.
Grok thought :
Quote
Musée Picasso Paris @MuseePicasso Feb 10, 2018
Plus que quelques heures pour découvrir ce magnifique "Nu au fauteuil noir" réalisé par #Picasso en mars 1932. Fin de l'#exposition : demain soir ! #Picasso1932 #derniersjours
This series includes about 25 oils on canvas, with the sleeping or reading woman as the main theme. In the first phase, Picasso plays with hiding sexual symbols in the image. Le Rêve is painted on January 24. Nudes make their appearance at the approach of spring in an accelerated rhythm : Nu couché avec feuilles vertes et buste on March 8, Nu au fauteuil noir on March 9, Le Miroir on March 12, Jeune femme au miroir on March 14. La Dormeuse, oil and charcoal on canvas, is inserted in that sequence on March 13.
On March 17, considering that this series was completed, Picasso invites Kahnweiler to his workshop. Two of the nude paintings are present but we do not know which ones. Kahnweiler is dazzled by the audacity of Picasso's new style, where eroticism is accentuated by the shortened curves of the body. He later wrote to Leiris that these erotic figures could have been painted by a satyr who had just killed a woman.
According to Picasso himself, the highlights of his creative quest were the nudes of March 8 and 9, both in the 162 x 130 cm format. The position of the woman is almost identical in the two pictures, with the head completely thrown back. Nu couché avec feuilles vertes et buste is the most complex composition, bringing together several symbols.
Nu au fauteuil noir offers a dramatic contrast between the pink flesh and the black seat. The only other element is a green plant that highlights the symbol of fertility. This oil on canvas was sold for $ 45M by Christie's on November 9, 1999. It is illustrated by Wikipedia on a dedicated page.
Grok thought :
Quote
Musée Picasso Paris @MuseePicasso Feb 10, 2018
Plus que quelques heures pour découvrir ce magnifique "Nu au fauteuil noir" réalisé par #Picasso en mars 1932. Fin de l'#exposition : demain soir ! #Picasso1932 #derniersjours
- This 2018 post from Musée Picasso Paris promotes the final hours of its "Picasso 1932: Année érotique" exhibition, featuring the painting "Nude in a Black Armchair" (oil on canvas, March 9, 1932), which captures Picasso's surrealist exploration of eroticism and form.
- Painted amid Picasso's intense affair with muse Marie-Thérèse Walter, the work reflects 1932's "year of eroticism," yielding over 100 pieces blending sculpture and painting, as detailed in the museum's chronological display of archives and art.
- Now in a private U.S. collection, the painting's biomorphic nude and foliage motifs echo influences from Matisse and African art, marking Picasso's shift toward dreamlike surrealism before Guernica's political turn.
4
March 13 La Dormeuse
2018 SOLD for £ 42M by Phillips
The role of Marie-Thérèse is easy to perform : Pablo adores her when she sleeps. Le Rêve, famous for its innocent and sexual dual reading, is painted on January 24. This 130 x 97 cm oil on canvas was sold for $ 48M by Christie's on November 10, 1997.
In March Picasso realizes a series of sleeping nudes, from memory in Paris or from live in Boisgeloup. The Nu, Feuilles vertes et Buste painted on March 8, 162 x 130 cm, is emblematic of this series by its finish, with simple lines and pure colors that once again aim to compete with Matisse. It was sold for $ 106M by Christie's on May 4, 2010.
On March 12 Le Miroir, 130 x 97 cm, introduces a new audacity, the reflection allowing to see her body from front and from behind.
On March 13 La Dormeuse, 130 x 162 cm, is the last painting in this series. A synthesis of the images of March 8 and 12, it releases the woman from the useless accessories replaced by a simple area of blue sky. The landscape format allows the life size of this lying nude. The visual torsion of the body ensures the fullness of the desire of the artist who displays side by side the sex and the buttocks.
The Dormeuse was made in oil and charcoal, offering the spontaneity of a drawing. It keeps very visible the repentances of lines, as if the artist had actually observed the breathing of his muse in her sleep. If so, it was painted at Boisgeloup. This work of exceptional intimacy has been lovingly kept by Picasso until his death.
It was sold for £ 42M from an estimated of £ 12M by Phillips on March 8, 2018, lot 10. Please watch the video shared by the auction house.
Grok thought :
Quote
PHILLIPS @phillipsauction Mar 4, 2018
As described by curator and art historian Charles Stuckey, #PabloPicasso's 'La Dormeuse' is emblematic of an iconic period of Picasso's oeuvre that was shaped by his devotion to Marie-Thérèse: https://phll.ps/2CCF6hM
In March Picasso realizes a series of sleeping nudes, from memory in Paris or from live in Boisgeloup. The Nu, Feuilles vertes et Buste painted on March 8, 162 x 130 cm, is emblematic of this series by its finish, with simple lines and pure colors that once again aim to compete with Matisse. It was sold for $ 106M by Christie's on May 4, 2010.
On March 12 Le Miroir, 130 x 97 cm, introduces a new audacity, the reflection allowing to see her body from front and from behind.
On March 13 La Dormeuse, 130 x 162 cm, is the last painting in this series. A synthesis of the images of March 8 and 12, it releases the woman from the useless accessories replaced by a simple area of blue sky. The landscape format allows the life size of this lying nude. The visual torsion of the body ensures the fullness of the desire of the artist who displays side by side the sex and the buttocks.
The Dormeuse was made in oil and charcoal, offering the spontaneity of a drawing. It keeps very visible the repentances of lines, as if the artist had actually observed the breathing of his muse in her sleep. If so, it was painted at Boisgeloup. This work of exceptional intimacy has been lovingly kept by Picasso until his death.
It was sold for £ 42M from an estimated of £ 12M by Phillips on March 8, 2018, lot 10. Please watch the video shared by the auction house.
Grok thought :
Quote
PHILLIPS @phillipsauction Mar 4, 2018
As described by curator and art historian Charles Stuckey, #PabloPicasso's 'La Dormeuse' is emblematic of an iconic period of Picasso's oeuvre that was shaped by his devotion to Marie-Thérèse: https://phll.ps/2CCF6hM
- Phillips' 2018 post promotes Pablo Picasso's "La Dormeuse" (1932), an oil-and-charcoal canvas depicting his muse Marie-Thérèse Walter asleep, capturing a peak of lyrical creativity in his oeuvre influenced by her voluptuous form.
- Expert Charles Stuckey, in the accompanying video, analyzes the work's hybrid drawing-painting style, visible pentimenti revealing evolving forms, and nods to Matisse's linework and Ingres' odalisques, emphasizing its sensual, multi-viewpoint composition.
- Offered with £12-18 million estimate, the painting sold for £41.8 million at Phillips' London evening sale, anchoring the house's record-breaking £102.6 million total and highlighting Picasso's enduring market dominance.
5
April 2 Femme Nue Couchée
2022 SOLD for $ 68M by Sotheby's
Picasso considered as one of his masterpieces his Nu, feuilles vertes et buste executed on March 8, 1932 and its slightly shortened version from the next day, Nu au fauteuil noir. As evidenced also by Le Rêve from six weeks earlier, he aimed to share his previously forbidden sexual excitement for the reclining nude body of Marie-Thérèse.
On April 2 he tries a zoomorphic version inspired by the 1928 short documentary film La Pieuvre by Jean Painlevé. An octopus has indeed in its body and eight arms the flexibility that Pablo would desire from his female partners.
Femme nue couchée has the same overall position as the Nus from March, with the head fully thrown back. The body, neck and limbs are now represented as six pointed legs in the style of an octopus while the pair of breasts are placed like the two mesmerizing eyes of that animal.
This oil and Ripolin 130 x 162 cm makes the female body oversized compared with the March 8 nude but is still smaller than the most giant octopus. The animal is reputed for its intelligence, which is definitely not the impression that Picasso would forward with his carefree sleeping Marie-Thérèses. The surrounding is like a carpet on a beach with the sea behind, reminding the happy holidays at Dinard.
This daring picture was not included in the June-July 1932 groundbreaking solo exhibition at Georges Petit in 1932. It was first publicly illustrated in 1936.
It was sold for $ 68M by Sotheby's on May 18, 2022, lot 23. Please watch the short video shared by the auction house.
Grok thought from an earlier tweet :
Quote
Tate @Tate Apr 2, 2018
Picasso's Reclining Nude (Femme nue couchee) is dated 2 April 1932. Jean Painlevé's film The Octopus [La Pieuvre] 1928, possible inspiration for Picasso's painting, can be seen in The EY Exhibition: #Picasso1932 at Tate Modern. https://goo.gl/7MvJDp
On April 2 he tries a zoomorphic version inspired by the 1928 short documentary film La Pieuvre by Jean Painlevé. An octopus has indeed in its body and eight arms the flexibility that Pablo would desire from his female partners.
Femme nue couchée has the same overall position as the Nus from March, with the head fully thrown back. The body, neck and limbs are now represented as six pointed legs in the style of an octopus while the pair of breasts are placed like the two mesmerizing eyes of that animal.
This oil and Ripolin 130 x 162 cm makes the female body oversized compared with the March 8 nude but is still smaller than the most giant octopus. The animal is reputed for its intelligence, which is definitely not the impression that Picasso would forward with his carefree sleeping Marie-Thérèses. The surrounding is like a carpet on a beach with the sea behind, reminding the happy holidays at Dinard.
This daring picture was not included in the June-July 1932 groundbreaking solo exhibition at Georges Petit in 1932. It was first publicly illustrated in 1936.
It was sold for $ 68M by Sotheby's on May 18, 2022, lot 23. Please watch the short video shared by the auction house.
Grok thought from an earlier tweet :
Quote
Tate @Tate Apr 2, 2018
Picasso's Reclining Nude (Femme nue couchee) is dated 2 April 1932. Jean Painlevé's film The Octopus [La Pieuvre] 1928, possible inspiration for Picasso's painting, can be seen in The EY Exhibition: #Picasso1932 at Tate Modern. https://goo.gl/7MvJDp
- Tate Modern's post on April 2, 2018, marks the anniversary of Picasso's 1932 painting "Femme nue couchée," an abstract reclining nude blending human and octopus forms to evoke surreal eroticism.
- The work draws possible inspiration from Jean Painlevé's 1928 documentary film "La Pieuvre," screening in the EY Exhibition: Picasso 1932, which explored the artist's obsessive focus on mistress Marie-Thérèse Walter.
- Picasso's biomorphic style here reflects 1932's creative peak, fusing personal passion with surrealist influences, as evidenced by over 120 works in the Tate retrospective from March to September 2018
6
August 17 Femme à la Montre
2023 SOLD for $ 140M by Sotheby's
The June 15 to July 1932 solo retrospective exhibition at the Galerie Georges Petit had been a deserving effort for Pablo Picasso. It included no less than 225 works of which 18 from that year.
Back at least facing his muse, Picasso prepared a tribute painting to her. Femme à la montre, oil on canvas 130 x 97 cm, was painted on August 17.
The golden haired Marie-Thérèse is enthroned in profile. The head is complemented to full face in a contrasted effect of sun and moon. The bodice is green checked in an additional challenge to Matisse's odalisque tapestries. A single visible breast is nude. The vivid blue flat background reminds the rare lapis lazuli pigment in Renaissance painting. The forearm is posed on a table decorated à la grecque, echoing Marie-Thérèse Grecian features.
Femme à la montre had been kept by the artist until 1966 when he sold it to Beyeler after signing it with Jacqueline's red nail varnish. It was sold for $ 140M on November 8, 2023 by Sotheby's, lot 10 in the sale of the Fisher Landau collection. Please watch the video shared by the auction house.
Response by Grok :
Quote
Sotheby's @Sothebys Nov 9, 2023
#AuctionUpdate: Pablo Picasso’s masterpiece Femme à la montre (1932) realizes $139.4m—the second highest ever achieved for the artist at auction, and the most valuable work sold at auction this year. #TheFisherLandauLegacy
Back at least facing his muse, Picasso prepared a tribute painting to her. Femme à la montre, oil on canvas 130 x 97 cm, was painted on August 17.
The golden haired Marie-Thérèse is enthroned in profile. The head is complemented to full face in a contrasted effect of sun and moon. The bodice is green checked in an additional challenge to Matisse's odalisque tapestries. A single visible breast is nude. The vivid blue flat background reminds the rare lapis lazuli pigment in Renaissance painting. The forearm is posed on a table decorated à la grecque, echoing Marie-Thérèse Grecian features.
Femme à la montre had been kept by the artist until 1966 when he sold it to Beyeler after signing it with Jacqueline's red nail varnish. It was sold for $ 140M on November 8, 2023 by Sotheby's, lot 10 in the sale of the Fisher Landau collection. Please watch the video shared by the auction house.
Response by Grok :
Quote
Sotheby's @Sothebys Nov 9, 2023
#AuctionUpdate: Pablo Picasso’s masterpiece Femme à la montre (1932) realizes $139.4m—the second highest ever achieved for the artist at auction, and the most valuable work sold at auction this year. #TheFisherLandauLegacy
- The painting "Femme à la montre" (1932) by Pablo Picasso, sold for $139.4 million at Sotheby’s in 2023, reflects his peak creative period known as the "annus mirabilis," marked by a groundbreaking Paris exhibition that publicly revealed his affair with muse Marie-Thérèse Walter, boosting his controversial fame.
- This sale, part of the Emily Fisher Landau Collection, set a record as the highest-valued artwork auctioned that year, contrasting with a reported 8.8% decline in global fine-art auction sales ($4.7 billion) in the first half of 2025, suggesting a selective market resilience for iconic pieces.
- Art market data from Artnet News (2025) indicates softening demand for high-value works, as seen with a $70 million unsold Giacometti sculpture, highlighting how Picasso’s sale bucks a trend of declining interest in trophy art amid economic shifts.
7
August 31 La Lecture
2025 SOLD for $ 45.5M by Christie's
La Lecture, oil, ripolin and charcoal 92 x 73 cm executed by Picasso in Boisgeloup on August 31, 1932, was sold for $ 45.5M by Christie's on November 17, 2025, lot 4A.
Asking Grok to identify the similarities and the differences between Picasso's Le Rêve, sold by Christie's on November 10, 1997, and La Lecture, for sale by Christie's on November 17, both featuring Marie-Thérèse. Express what happened to Picasso in between and why his mood was so different.
Grok thought
Similarities
Both Le Rêve (The Dream, January 24, 1932) and La Lecture (The Reading, August 31, 1932) are oil paintings by Pablo Picasso featuring his muse and lover, Marie-Thérèse Walter, as the central subject. They belong to the same pivotal year in Picasso's career, often described as his "lovestruck period," where he produced a series of euphoric, color-rich portraits of her characterized by sweeping curves, distorted forms influenced by Cubism and Surrealism, and themes of sensuality and intimacy. Both works depict Walter in a seated pose within an intimate, domestic setting, emphasizing her youthful beauty, blonde hair, and voluptuous forms through simplified outlines and bold color contrasts. They reflect Picasso's rapturous desire for Walter, incorporating elements of eroticism and fertility, and were created during a time when she dominated his artistic output. Additionally, both paintings were executed at or inspired by his studio in Boisgeloup, France, and are part of the private collections that have fetched high values at auction--Le Rêve sold for $48.4 million in 1997, while this La Lecture is estimated around $40 million for the 2025 sale.
Differences
Composition and Pose
Le Rêve : Walter is shown asleep in a red armchair, with her head tilted back and arms crossed over her lap in a dreamlike state; the face is split in a profile view with phallic symbolism in the upper half, emphasizing subconscious desire.
La Lecture :
Walter is seated in a chair, paused in reading with an open book on her lap and a white lily nearby, appearing absorbed in quiet contemplation rather than sleep; the pose evokes classical portraits or religious archetypes like the Virgin Mary in the Annunciation.
Style and Medium
Le Rêve : oil on canvas (130 x 97 cm), with oversimplified outlines, contrasted colors resembling Fauvism, and surreal distortions; painted in a single afternoon.
La Lecture : Oil, Ripolin (enamel paint), and charcoal on canvas (92.1 x 73 cm), with layered textures; smaller scale and potentially more refined, contemplative lines.
Mood and Themes
Le Rêve : Vibrant, erotic, and primal, conveying libidinous passion, sexual desire, and joy; overt sensuality with Freudian undertones of the subconscious.
La Lecture : Serene, introspective, and contemplative, with symbols of purity (lily) and intellectual or spiritual absorption; less overtly sexual, more reflective and possibly evoking innocence or transcendence.
Historical Context
Le Rêve : Part of an early-1932 burst of feverish creativity at the height of Picasso's infatuation, before his retrospective; sold at Christie's in 1997 from the Ganz collection.
La Lecture : Created later in the year at Boisgeloup, after personal upheavals.
What Happened to Picasso in Between and Why His Mood Was So Different
Between January and August 1932, Picasso experienced significant personal and professional shifts that transformed his emotional state from euphoric infatuation to a more conflicted, reflective one. In early 1932, he was at the peak of his "lovestruck period," producing rapturous, intensely erotic works like Le Rêve amid the secrecy and excitement of his affair with the 22-year-old Marie-Thérèse Walter, while still married to Olga Khokhlova. He divided his time between Paris and his countryside studio at Boisgeloup, where he could meet Walter discreetly, fueling a burst of over 100 paintings that year.
The turning point came in June 1932 with his first major retrospective at Galeries Georges Petit in Paris, a critical and commercial success that affirmed his fame but also exposed his private life. Olga attended and recognized Walter's features in the portraits (including earlier Marie-Thérèse works), realizing the extent of the affair, which intensified marital tensions and led to their eventual separation in 1935. This public revelation shifted Picasso's existence from secretive passion to open conflict, dividing his life between urban family obligations and rural escapes with Walter.
By summer, at Boisgeloup, Picasso's mood had evolved amid these pressures—balancing the joy of time with Walter against the darkness of his crumbling marriage and the weight of celebrity. His works from this period, including the August La Lecture, reflect a move toward introspection, with symbols like the lily evoking purity or spiritual contemplation rather than raw eroticism. The initial feverish sensuality of January gave way to a more nuanced, perhaps melancholic depth, influenced by Surrealist ideas of the subconscious but tempered by real-life turmoil. This change captures the contradictions of 1932: from unbridled desire to a blend of sensuality and emerging darkness, foreshadowing later crises like Walter's near-drowning in November.
pre sale Grok thought :
Quote
AntiquesTradeGazette @ATG_Editorial Sep 5
Christie’s to offer works from the Weis collection estimated at $180m in flagship New York series in November: https://buff.ly/dBxKBr3
Asking Grok to identify the similarities and the differences between Picasso's Le Rêve, sold by Christie's on November 10, 1997, and La Lecture, for sale by Christie's on November 17, both featuring Marie-Thérèse. Express what happened to Picasso in between and why his mood was so different.
Grok thought
Similarities
Both Le Rêve (The Dream, January 24, 1932) and La Lecture (The Reading, August 31, 1932) are oil paintings by Pablo Picasso featuring his muse and lover, Marie-Thérèse Walter, as the central subject. They belong to the same pivotal year in Picasso's career, often described as his "lovestruck period," where he produced a series of euphoric, color-rich portraits of her characterized by sweeping curves, distorted forms influenced by Cubism and Surrealism, and themes of sensuality and intimacy. Both works depict Walter in a seated pose within an intimate, domestic setting, emphasizing her youthful beauty, blonde hair, and voluptuous forms through simplified outlines and bold color contrasts. They reflect Picasso's rapturous desire for Walter, incorporating elements of eroticism and fertility, and were created during a time when she dominated his artistic output. Additionally, both paintings were executed at or inspired by his studio in Boisgeloup, France, and are part of the private collections that have fetched high values at auction--Le Rêve sold for $48.4 million in 1997, while this La Lecture is estimated around $40 million for the 2025 sale.
Differences
Composition and Pose
Le Rêve : Walter is shown asleep in a red armchair, with her head tilted back and arms crossed over her lap in a dreamlike state; the face is split in a profile view with phallic symbolism in the upper half, emphasizing subconscious desire.
La Lecture :
Walter is seated in a chair, paused in reading with an open book on her lap and a white lily nearby, appearing absorbed in quiet contemplation rather than sleep; the pose evokes classical portraits or religious archetypes like the Virgin Mary in the Annunciation.
Style and Medium
Le Rêve : oil on canvas (130 x 97 cm), with oversimplified outlines, contrasted colors resembling Fauvism, and surreal distortions; painted in a single afternoon.
La Lecture : Oil, Ripolin (enamel paint), and charcoal on canvas (92.1 x 73 cm), with layered textures; smaller scale and potentially more refined, contemplative lines.
Mood and Themes
Le Rêve : Vibrant, erotic, and primal, conveying libidinous passion, sexual desire, and joy; overt sensuality with Freudian undertones of the subconscious.
La Lecture : Serene, introspective, and contemplative, with symbols of purity (lily) and intellectual or spiritual absorption; less overtly sexual, more reflective and possibly evoking innocence or transcendence.
Historical Context
Le Rêve : Part of an early-1932 burst of feverish creativity at the height of Picasso's infatuation, before his retrospective; sold at Christie's in 1997 from the Ganz collection.
La Lecture : Created later in the year at Boisgeloup, after personal upheavals.
What Happened to Picasso in Between and Why His Mood Was So Different
Between January and August 1932, Picasso experienced significant personal and professional shifts that transformed his emotional state from euphoric infatuation to a more conflicted, reflective one. In early 1932, he was at the peak of his "lovestruck period," producing rapturous, intensely erotic works like Le Rêve amid the secrecy and excitement of his affair with the 22-year-old Marie-Thérèse Walter, while still married to Olga Khokhlova. He divided his time between Paris and his countryside studio at Boisgeloup, where he could meet Walter discreetly, fueling a burst of over 100 paintings that year.
The turning point came in June 1932 with his first major retrospective at Galeries Georges Petit in Paris, a critical and commercial success that affirmed his fame but also exposed his private life. Olga attended and recognized Walter's features in the portraits (including earlier Marie-Thérèse works), realizing the extent of the affair, which intensified marital tensions and led to their eventual separation in 1935. This public revelation shifted Picasso's existence from secretive passion to open conflict, dividing his life between urban family obligations and rural escapes with Walter.
By summer, at Boisgeloup, Picasso's mood had evolved amid these pressures—balancing the joy of time with Walter against the darkness of his crumbling marriage and the weight of celebrity. His works from this period, including the August La Lecture, reflect a move toward introspection, with symbols like the lily evoking purity or spiritual contemplation rather than raw eroticism. The initial feverish sensuality of January gave way to a more nuanced, perhaps melancholic depth, influenced by Surrealist ideas of the subconscious but tempered by real-life turmoil. This change captures the contradictions of 1932: from unbridled desire to a blend of sensuality and emerging darkness, foreshadowing later crises like Walter's near-drowning in November.
pre sale Grok thought :
Quote
AntiquesTradeGazette @ATG_Editorial Sep 5
Christie’s to offer works from the Weis collection estimated at $180m in flagship New York series in November: https://buff.ly/dBxKBr3
- Christie's November 2025 New York auctions will feature over 80 works from the Weis collection, amassed by supermarket executives Robert F. and Patricia G. Ross Weis over 50 years, with a total presale estimate exceeding $180 million.
- The accompanying image depicts Pablo Picasso's 1932 "La Lecture (Marie-Thérèse)," a painting portraying his muse in a serene reading pose, valued at an undisclosed sum but central to the sale's modernist highlights alongside Rothko's abstract "No. 31 (Yellow Stripe)."
- Rarely exhibited publicly, the collection's "under-the-radar" status—reflecting the couple's private enjoyment of pieces like Braque and Mondrian—positions it as a rare opportunity, likely sparking intense competition among collectors for these unseen 20th-century icons.
8
October 30 Femme assise près d'une fenêtre
2021 SOLD for $ 103M by Christie's
Throughout the year 1932, Picasso furiously painted his beloved muse Marie-Thérèse in many attitudes. His iconography of the new goddess is huge, but all pictures display the great control of his hand for drawing the curves.
The previous year had been devoted to plaster busts. As Modigliani before him, Picasso changed in his painting the reality of the forms after observing his own statues.
Femme assise près d'une fenêtre, oil on canvas 146 x 114 cm painted on October 30 at Boisgeloup, was sold for £ 28.6M by Sotheby's on February 5, 2013. and for $ 103M by Christie's on May 13, 2021, lot 15 B. The April 6, 2021 press release announced an estimate in the region of $ 55M.
The young woman is seen in full profile, gently seated in an armchair by the window. Despite the stylized lines, her presence is felt with intensity. These sinuous lines are also framing the areas of flat colors, in the follow of Matisse and Léger. The eyebrow and the eye went down on the cheek and the face went forward like a protruding lunar mask. The shawl on the shoulder is shaped as a Nike's wing.
Response by Grok :
Quote
Nathan Francis @NathanFrancis__ May 16, 2021
The portrait of #Picasso's French lover Marie-Therese, "Femme assise près d'une fenêtre (Marie-Thérèse)", or 'Woman sitting near a window,' has sold for $103.4 million at a @Christie's auction in #New York. #Art #Painting [https://reuters.com/lifestyle/picasso-oil-painting-sells-over-100-mln-new-york-auction-2021-05-14/…]
The previous year had been devoted to plaster busts. As Modigliani before him, Picasso changed in his painting the reality of the forms after observing his own statues.
Femme assise près d'une fenêtre, oil on canvas 146 x 114 cm painted on October 30 at Boisgeloup, was sold for £ 28.6M by Sotheby's on February 5, 2013. and for $ 103M by Christie's on May 13, 2021, lot 15 B. The April 6, 2021 press release announced an estimate in the region of $ 55M.
The young woman is seen in full profile, gently seated in an armchair by the window. Despite the stylized lines, her presence is felt with intensity. These sinuous lines are also framing the areas of flat colors, in the follow of Matisse and Léger. The eyebrow and the eye went down on the cheek and the face went forward like a protruding lunar mask. The shawl on the shoulder is shaped as a Nike's wing.
Response by Grok :
Quote
Nathan Francis @NathanFrancis__ May 16, 2021
The portrait of #Picasso's French lover Marie-Therese, "Femme assise près d'une fenêtre (Marie-Thérèse)", or 'Woman sitting near a window,' has sold for $103.4 million at a @Christie's auction in #New York. #Art #Painting [https://reuters.com/lifestyle/picasso-oil-painting-sells-over-100-mln-new-york-auction-2021-05-14/…]
- The painting "Femme assise près d'une fenêtre (Marie-Thérèse)," sold for $103.4 million in 2021, reflects Picasso's 1932 peak of creativity, capturing his lover Marie-Thérèse Walter in a cubist style that blended classical idealism with bold colors, a period marked by his intense personal and artistic focus on her form.
- Marie-Thérèse, aged 17 when their relationship began in 1927 with the 45-year-old married Picasso, inspired over 50 works, including this piece, showcasing a controversial age gap and power dynamic that shaped his art, with no evidence from peer-reviewed studies suggesting this influenced her later suicide in 1977.
- The auction at Christie's highlights the art market's valuation of Picasso’s personal muse-driven works, with the sale price exceeding inflation-adjusted estimates for similar pieces, suggesting a cultural fascination with his romantic entanglements over pure artistic merit.
