Eastern Europe
See also : Chagall Sculpture Bust and mask The Woman Children Man and woman Self portrait Self portrait II
Chronology : 1910-1919 1912 1914 1917 1920-1929 1926 1927 1928 1930-1939 1932 1939 1956
Chronology : 1910-1919 1912 1914 1917 1920-1929 1926 1927 1928 1930-1939 1932 1939 1956
1910 (<1913) The Ovoid Muse
2017 SOLD for $ 57M including premium
The art of Brancusi is too fundamental, too seminal and too personal to be associated with any artistic movement. Very gifted in his hands since his childhood, this son of poor Carpathian peasants arrived in Paris on foot in 1904. The period is exceptional : the artistic Parisian bubbling opens the way to his creativity.
He learns with Rodin that the human figure can be reduced to a single element. A head lying on a ground symbolizes the serenity. He appreciates from Gauguin that Oceanic tribal art can influence the modern universal art through its extreme simplification of forms. The skilled bearded strongman chooses the direct cut contrary to the practice of his time. He will influence Modigliani.
Brancusi began in 1907 to conceive his series of masterpieces. In Le Baiser he is the first artist who suggests a development of Cubism in sculpture.
In 1909 he creates the prototype of La Muse endormie in white marble. The lying head is an egg in which the facial features and the hair are only lightly incised. The nape of the neck is used as a support. Despite the stylization it is unquestionably a portrait of his model the baronne Frachon. The artist succeeded in the impossible synthesis between geometry and portraiture.
In 1910 Brancusi produces three plasters and six bronzes from his first Muse endormie. The bronzes are cast by Valsuani but the patina different in each of the bronzes is executed by the artist himself with a painstaking care.
On May 15 in New York, Christie's sells one of the six bronzes, 27 cm long, lot 32 A estimated $ 20M. This specimen has an exceptional matte and warm patina enhanced in places with gold leaf which is perfectly suited to the illusion of serenity desired by the artist. Please watch the video shared by Christie's.
He learns with Rodin that the human figure can be reduced to a single element. A head lying on a ground symbolizes the serenity. He appreciates from Gauguin that Oceanic tribal art can influence the modern universal art through its extreme simplification of forms. The skilled bearded strongman chooses the direct cut contrary to the practice of his time. He will influence Modigliani.
Brancusi began in 1907 to conceive his series of masterpieces. In Le Baiser he is the first artist who suggests a development of Cubism in sculpture.
In 1909 he creates the prototype of La Muse endormie in white marble. The lying head is an egg in which the facial features and the hair are only lightly incised. The nape of the neck is used as a support. Despite the stylization it is unquestionably a portrait of his model the baronne Frachon. The artist succeeded in the impossible synthesis between geometry and portraiture.
In 1910 Brancusi produces three plasters and six bronzes from his first Muse endormie. The bronzes are cast by Valsuani but the patina different in each of the bronzes is executed by the artist himself with a painstaking care.
On May 15 in New York, Christie's sells one of the six bronzes, 27 cm long, lot 32 A estimated $ 20M. This specimen has an exceptional matte and warm patina enhanced in places with gold leaf which is perfectly suited to the illusion of serenity desired by the artist. Please watch the video shared by Christie's.
1912 A Plaster Portrait by Brancusi
2012 SOLD 12.4 M$ including premium
From the very beginnings of Cubist painting, Brancusi feels that a simplification of forms is also possible in sculpture without abandoning the figurative art.
Portraiting the women made him busy for several years. The facial features become slightly marked through more simple growths or deformations. Within this period, the heads of his two main models, Baroness Frachon and Miss Pogany, remain recognizable.
On November 7 in New York, Christie's sells a plaster of the Baroness, entitled Une Muse, made in 1912, 46 cm high. This sculpture is shown in the press release shared by Artdaily.
At this time, the artist develops two opposite representations of his muse-baroness. Asleep, she has lost her neck and her personality also fades. Awakened, as in the example coming for sale, the effect is more psychological and the simplification is still far from abstraction. The gaze is empty, but the mouth invites to communication.
The estimate of $ 10M is high for a plaster, even by Brancusi. Note, however, the outstanding history of this piece which contributed to the reputation of the artist the following year in an exhibition at the Armory Show in New York.
I invite you to play the video shared by Christie's.
POST SALE COMMENT
The very good price of this plaster, $ 12.4 million including premium is related to its exceptional positioning in the development of Brancusi's creativity.
Portraiting the women made him busy for several years. The facial features become slightly marked through more simple growths or deformations. Within this period, the heads of his two main models, Baroness Frachon and Miss Pogany, remain recognizable.
On November 7 in New York, Christie's sells a plaster of the Baroness, entitled Une Muse, made in 1912, 46 cm high. This sculpture is shown in the press release shared by Artdaily.
At this time, the artist develops two opposite representations of his muse-baroness. Asleep, she has lost her neck and her personality also fades. Awakened, as in the example coming for sale, the effect is more psychological and the simplification is still far from abstraction. The gaze is empty, but the mouth invites to communication.
The estimate of $ 10M is high for a plaster, even by Brancusi. Note, however, the outstanding history of this piece which contributed to the reputation of the artist the following year in an exhibition at the Armory Show in New York.
I invite you to play the video shared by Christie's.
POST SALE COMMENT
The very good price of this plaster, $ 12.4 million including premium is related to its exceptional positioning in the development of Brancusi's creativity.
1914-1917 Brancusi from Cubism to Abstraction
2009 SOLD 29 M€ including premium
A visit to the archives of Christie's, caused by a forthcoming sale in Paris, allows us to appreciate the evolution of the work of Constantin Brancusi, this artist reputed to have invented the modern sculpture.
The Cubist painting was developed in 1907 by Picasso in search of a representation of depth that would no longer use the perspective. At the same time, 1907-1908, the Kiss by Brancusi destructures also the forms. Two stylized head, face to face, form a cube. A simple plaster of this seminal work has been sold $ 3.6 million including expenses by Christie's in 2005.
In 1913, the shape of the Danaid is summarized by a perfect ovoid head on which two arcs draw the eyebrows and the nose. We are halfway between the figurative and the abstraction. Figurative is still dominating due to the bun and neck applied to the head egg. A small bronze 28 cm high was sold $ 18 million including expenses by Christie's in 2002.
The Brancusi from the Saint-Laurent collection, that Christie's and Pierre Bergé will sell in Paris from 23 to 25 February, is entitled Portrait de Madame LR. This wooden statue of 1.20 meter high has the global look of an African statuette. In focus, it is a geometrical construction where the figurative has almost disappeared. This work was done between 1914 and 1917. It is estimated 15 million €.
Then, the lines get longer and become pure forms. The Bird in Space of 1922-1923 is not a bird, excepted for the title of the work and the inspiration of the artist. In marble, one of those statues of 85 cm high, mounted on a stone base, has reached $ 27 million including expenses at Christie's in 2005. As Malevich, as Mondrian, Brancusi was able to free his art from any emotional aspect, to only retain shape and texture.
In 1920-1925, the work entitled Mademoiselle Pogany resumed some characteristics of the Danaid. Christie's sold a bronze $ 7 million in 1997.
POST SALE COMMENT
The Brancusi of the Saint-Laurent collection was a masterpiece, it was obvious. It was sold € 29 million including premium.
The Cubist painting was developed in 1907 by Picasso in search of a representation of depth that would no longer use the perspective. At the same time, 1907-1908, the Kiss by Brancusi destructures also the forms. Two stylized head, face to face, form a cube. A simple plaster of this seminal work has been sold $ 3.6 million including expenses by Christie's in 2005.
In 1913, the shape of the Danaid is summarized by a perfect ovoid head on which two arcs draw the eyebrows and the nose. We are halfway between the figurative and the abstraction. Figurative is still dominating due to the bun and neck applied to the head egg. A small bronze 28 cm high was sold $ 18 million including expenses by Christie's in 2002.
The Brancusi from the Saint-Laurent collection, that Christie's and Pierre Bergé will sell in Paris from 23 to 25 February, is entitled Portrait de Madame LR. This wooden statue of 1.20 meter high has the global look of an African statuette. In focus, it is a geometrical construction where the figurative has almost disappeared. This work was done between 1914 and 1917. It is estimated 15 million €.
Then, the lines get longer and become pure forms. The Bird in Space of 1922-1923 is not a bird, excepted for the title of the work and the inspiration of the artist. In marble, one of those statues of 85 cm high, mounted on a stone base, has reached $ 27 million including expenses at Christie's in 2005. As Malevich, as Mondrian, Brancusi was able to free his art from any emotional aspect, to only retain shape and texture.
In 1920-1925, the work entitled Mademoiselle Pogany resumed some characteristics of the Danaid. Christie's sold a bronze $ 7 million in 1997.
POST SALE COMMENT
The Brancusi of the Saint-Laurent collection was a masterpiece, it was obvious. It was sold € 29 million including premium.
1917 Brancusi at the Genesis of Art
2011 SOLD 14.9 M$ including premium
Brancusi, like many others, seeks the meaning and origin of world and life. In 1913, inspired by African art, he makes a wooden sculpture titled "le premier pas" (the first step). A baby makes his debut in the active life by trying to walk.
It is amusing to note that the great creative act of the metaphysical work of Brancusi is destructive. He breaks his wooden statue, keeping only the head. This new piece is ovoid, which is the perfect shape to symbolize the creation. Neither hair nor ears, nor neck.
With just the outline of an eye, of the nose and of the mouth, the egg becomes the head of a wailing baby, slightly larger than life, 26 cm long. It is entitled "le premier cri" and edited in 1917.
The copy for sale at Christie's in New York on November 1 is a polished bronze, with a high reflective effect. For such an outstanding work, the estimate, $ 8M, is conservative.
I invite you to play the video shared by Christie's.
POST SALE COMMENT
This bronze of a seminal sculpture by Brancusi was of course more outstanding than its estimate. It was sold $ 14.9 million including premium.
It is amusing to note that the great creative act of the metaphysical work of Brancusi is destructive. He breaks his wooden statue, keeping only the head. This new piece is ovoid, which is the perfect shape to symbolize the creation. Neither hair nor ears, nor neck.
With just the outline of an eye, of the nose and of the mouth, the egg becomes the head of a wailing baby, slightly larger than life, 26 cm long. It is entitled "le premier cri" and edited in 1917.
The copy for sale at Christie's in New York on November 1 is a polished bronze, with a high reflective effect. For such an outstanding work, the estimate, $ 8M, is conservative.
I invite you to play the video shared by Christie's.
POST SALE COMMENT
This bronze of a seminal sculpture by Brancusi was of course more outstanding than its estimate. It was sold $ 14.9 million including premium.
1923 The Scream of the Carcass
2015 SOLD for $ 28M including premium
Despite his difficult and secretive behavior, Chaïm Soutine was not isolated in the Parisian art world. He had been a drinking companion of Modigliani and interested Zborowski. He decomposed the landscapes to better express the violence of colors, to the detriment not only of perspective but also of balance.
Visiting Paris in 1923, Barnes was overwhelmed by the highly original expressive approach of the young painter, but Soutine never reacts like everyone else. After this unexpected success, he moved his studio and rushed to La Villette to buy a beef carcass.
The series of images of carcasses, beef and afterwards other animals, is not a victory of the artist against hunger. He was indeed already threatened by his stomach ulcer that will kill him twenty years later.
The haunting red of blood and meat is the exacerbation of a child's nightmare. Soutine had been shocked by the contrast between the tragedy of the dead animal and the satisfaction of the butcher to offer a choice piece. His carcasses defy the balancing traditions of still life painting in a logical continuation of his compositions of landscapes.
Meat rots on its hook, offering new colors to the artist and alerting the neighbors who called the police but failed to halt this remarkable creative impulse. An oil on canvas 81 x 60 cm showing a beef carcass in close up view is estimated $ 20M for sale byChristie's in New York on May 11, lot 30A.
Visiting Paris in 1923, Barnes was overwhelmed by the highly original expressive approach of the young painter, but Soutine never reacts like everyone else. After this unexpected success, he moved his studio and rushed to La Villette to buy a beef carcass.
The series of images of carcasses, beef and afterwards other animals, is not a victory of the artist against hunger. He was indeed already threatened by his stomach ulcer that will kill him twenty years later.
The haunting red of blood and meat is the exacerbation of a child's nightmare. Soutine had been shocked by the contrast between the tragedy of the dead animal and the satisfaction of the butcher to offer a choice piece. His carcasses defy the balancing traditions of still life painting in a logical continuation of his compositions of landscapes.
Meat rots on its hook, offering new colors to the artist and alerting the neighbors who called the police but failed to halt this remarkable creative impulse. An oil on canvas 81 x 60 cm showing a beef carcass in close up view is estimated $ 20M for sale byChristie's in New York on May 11, lot 30A.
This beef painting is selling for the cost of about 400,000 rib-eyes http://t.co/Zcs8LR5a2C pic.twitter.com/MW7KxVGDEh
— Bon Appetit Magazine (@bonappetit) May 6, 20151926 Chagall shares the Circus
2013 SOLD 13 M$ including premium
Marc Chagall only listens to his fancy, and gives the impression of ignoring the harsh constraints of his time. He cannot be attached to any school. He is a rare example of a hypersensitive and empathetic artist who shares his wonderful feelings. The closest example in the history of modern art is perhaps the "Douanier" Rousseau.
But nothing is easy. Chagall had its first success in Paris, but he was blocked in Russia by the revolution. When he is back in Paris in 1923 many things have changed. His friends have not forgotten his poetic processing of colors. In addition, the Surrealists consider him as one of their precursors, a pioneer in dream art.
Events had dispersed the oil paintings and gouaches of Chagall. To maintain his reputation, he remade by memory his most significant pre-war works. He was strongly encouraged by Vollard with whom he developed some series of prints.
On May 8 in New York, Christie's sells Les Trois Acrobates. Painted in 1926, this oil on canvas 116 x 88 cm is the new version of a lost painting.
The can-can dancing girl plays the lead, ready to twirl, and looking at us with a friendly smile. Farther, the two men are waiting their turn, peacefully. The colors are cheerful and the details include pleasant surprises such as the continuity of motifs between suit and stocking or the funny ghost animal installed on the shoulder of a man.
This painting is not surreal, it is simply a masterpiece of wonderful and candid art. It is estimated $ 6M.
I invite you to play the video shared by Christie's.
POST SALE COMMENT
The freshness and humor of the theme pushed this painting up to $ 13M including premium. This was the nicest result of the sales of current week in New York.
But nothing is easy. Chagall had its first success in Paris, but he was blocked in Russia by the revolution. When he is back in Paris in 1923 many things have changed. His friends have not forgotten his poetic processing of colors. In addition, the Surrealists consider him as one of their precursors, a pioneer in dream art.
Events had dispersed the oil paintings and gouaches of Chagall. To maintain his reputation, he remade by memory his most significant pre-war works. He was strongly encouraged by Vollard with whom he developed some series of prints.
On May 8 in New York, Christie's sells Les Trois Acrobates. Painted in 1926, this oil on canvas 116 x 88 cm is the new version of a lost painting.
The can-can dancing girl plays the lead, ready to twirl, and looking at us with a friendly smile. Farther, the two men are waiting their turn, peacefully. The colors are cheerful and the details include pleasant surprises such as the continuity of motifs between suit and stocking or the funny ghost animal installed on the shoulder of a man.
This painting is not surreal, it is simply a masterpiece of wonderful and candid art. It is estimated $ 6M.
I invite you to play the video shared by Christie's.
POST SALE COMMENT
The freshness and humor of the theme pushed this painting up to $ 13M including premium. This was the nicest result of the sales of current week in New York.
1927 The Glory of the Pastry Cook
2013 SOLD 18 M$ including premium
The portrait of apprentice pastry cooks is a recurring theme for Soutine. These boys engaged in a job that they have not chosen are a mirror of the difficulties of his own life. These young people are already ugly and sad. Their uniform reveals their lower class profession for the service of the rich.
One of the first versions astonishes Paul Guillaume and Dr. Barnes, ensuring the lasting fame of the artist, a fame of which he so rarely profited because of his ever dissatisfied nature.
On May 8 in New York, Christie's sells the sixth and final portrait of pastry cooks, painted circa 1927. This oil on canvas, 76 x 70 cm, is extraordinary for its emotional intensity and technical quality.
The malaise of the boy is visible from his sickly eye, pouting mouth and clumsy hands clutching the hips.
The artwork is at the intersection of Modigliani's ideal compositions, Picasso's pauperism in the blue period and Monet's chromatic subtlety within the white, and of course the nervousness of the brushwork is proper to Soutine. This masterpiece is estimated $ 16M.
I invite you to play the video shared by Christie's.
POST SALE COMMENT
This engaging work is probably one of the best paintings by Soutine available on the art market. It was sold $ 18M including premium.
One of the first versions astonishes Paul Guillaume and Dr. Barnes, ensuring the lasting fame of the artist, a fame of which he so rarely profited because of his ever dissatisfied nature.
On May 8 in New York, Christie's sells the sixth and final portrait of pastry cooks, painted circa 1927. This oil on canvas, 76 x 70 cm, is extraordinary for its emotional intensity and technical quality.
The malaise of the boy is visible from his sickly eye, pouting mouth and clumsy hands clutching the hips.
The artwork is at the intersection of Modigliani's ideal compositions, Picasso's pauperism in the blue period and Monet's chromatic subtlety within the white, and of course the nervousness of the brushwork is proper to Soutine. This masterpiece is estimated $ 16M.
I invite you to play the video shared by Christie's.
POST SALE COMMENT
This engaging work is probably one of the best paintings by Soutine available on the art market. It was sold $ 18M including premium.
1928 Wonderful Love
2017 SOLD for $ 28.5M including premium
Marc and Bella are charming in their total empathy for one another. On November 14 in New York, Sotheby's sells Les Amoureux, oil on canvas 117 x 90 cm painted in 1928 by Chagall, lot 8 estimated $ 12M.
The theme of lovers portraying his own couple is recurrent in the art of Chagall but this work is especially touching by the attitudes, the realism of the very recognizable faces and some discretion of the surrealist attributes.
In their beatitude the lovers are floating. The young man with closed eyes is resting his head between the cheek and the shoulder of the woman. She gently welcomes this enthusiastic impulse but her eyes wide open indicate the lucidity with which she guides in real life this innocent husband.
Paris is their nest. In that same year Marc painted Les Mariés de la Tour Eiffel where their dear little Ida is disguised as a floating angel to present the bouquet. This oil on canvas 90 x 117 cm was sold for £ 7M including premium by Christie's on February 2, 2016.
Let's go back to our Amoureux. Marc does not miss to express his gratitude to his host country. The tricolor dress of Bella ends with a blue in which is transposed the sky centered by a dazzling sun. In this sky a tiny bird comes to offer its auspices to the embraced couple. Leaves and flowers bring their frame to this ethereal scene.
Please watch the video shared by Sotheby's in which the love of Marc and Bella is commented by one of their granddaughters.
The theme of lovers portraying his own couple is recurrent in the art of Chagall but this work is especially touching by the attitudes, the realism of the very recognizable faces and some discretion of the surrealist attributes.
In their beatitude the lovers are floating. The young man with closed eyes is resting his head between the cheek and the shoulder of the woman. She gently welcomes this enthusiastic impulse but her eyes wide open indicate the lucidity with which she guides in real life this innocent husband.
Paris is their nest. In that same year Marc painted Les Mariés de la Tour Eiffel where their dear little Ida is disguised as a floating angel to present the bouquet. This oil on canvas 90 x 117 cm was sold for £ 7M including premium by Christie's on February 2, 2016.
Let's go back to our Amoureux. Marc does not miss to express his gratitude to his host country. The tricolor dress of Bella ends with a blue in which is transposed the sky centered by a dazzling sun. In this sky a tiny bird comes to offer its auspices to the embraced couple. Leaves and flowers bring their frame to this ethereal scene.
Please watch the video shared by Sotheby's in which the love of Marc and Bella is commented by one of their granddaughters.
1932 The Faceless Head
2018 SOLD for $ 71M including premium
Being a muse for Brancusi was not a difficult task. He had met Margit Pogany very briefly in 1910 but liked the shape of her head which inspired him until the mid-1920s.
The heads sculpted by Brancusi are not abstract. He considers that everything that overflows, mainly nose and ears, is inappropriate to express the deep reality of a portrait. He gradually reduces these growths to a surface carving up to removing them completely.
Around 1925 he made a wooden bust 55 cm high on the theme of La Jeune Fille Sophistiquée. He takes Nancy Cunard as a model, without telling her. The heiress of the Cunard shipowners, she has an eccentric life that symbolizes the roaring twenties in the Parisian literary and artistic circles. She is sexually liberated and anarchist, and her attires are inspired by Africa.
The almost abstract head is indeed a portrait. Comparing with the photos of the period, we recognize the bulging forehead and the receding chin, and the stiff neck from behind. This disturbing muse always offers in the photos an unpleasant pout that we imagine also through the rare incisions of the sculpture. The pinched bun is an evocation of her signature bunches.
Brancusi made a plaster in 1928 and a unique polished bronze in 1932. This bronze is still installed on the marble base designed by the artist, for a total height of 80 cm. It will be sold at lot 19 A by Christie's in New York on May 15. Please watch the videoshared by the auction house.
Nancy Cunard discovered many years later that she had served as a model for this artwork. After hesitating in its interpretation as a bust or a torso, she expressed her admiration for the artist.
The heads sculpted by Brancusi are not abstract. He considers that everything that overflows, mainly nose and ears, is inappropriate to express the deep reality of a portrait. He gradually reduces these growths to a surface carving up to removing them completely.
Around 1925 he made a wooden bust 55 cm high on the theme of La Jeune Fille Sophistiquée. He takes Nancy Cunard as a model, without telling her. The heiress of the Cunard shipowners, she has an eccentric life that symbolizes the roaring twenties in the Parisian literary and artistic circles. She is sexually liberated and anarchist, and her attires are inspired by Africa.
The almost abstract head is indeed a portrait. Comparing with the photos of the period, we recognize the bulging forehead and the receding chin, and the stiff neck from behind. This disturbing muse always offers in the photos an unpleasant pout that we imagine also through the rare incisions of the sculpture. The pinched bun is an evocation of her signature bunches.
Brancusi made a plaster in 1928 and a unique polished bronze in 1932. This bronze is still installed on the marble base designed by the artist, for a total height of 80 cm. It will be sold at lot 19 A by Christie's in New York on May 15. Please watch the videoshared by the auction house.
Nancy Cunard discovered many years later that she had served as a model for this artwork. After hesitating in its interpretation as a bust or a torso, she expressed her admiration for the artist.
1939 Three Candles against the War
2017 SOLD for $ 14.6M including premium
At the end of the 1930s the Nazis made themselves increasingly involved in French affairs. As early as 1937 they criticized the poetic art of the Belorussian immigrant Marc Chagall with his continuous evocations of Judaism and his characters floating in the air.
In 1939 Marc and Bella are worried but do not yet perceive that the Nazis will manage to physically eradicate the French Jews. They remember Vitebsk where they married in 1916 and express their roots with their skills : Bella by her stories in Yiddish and Mark by his painting.
On May 15 in New York, Christie's sells Les Trois Cierges, oil on canvas 130 x 97 cm painted in 1939, lot 6 A estimated $ 8M.
As ever with Marc's surrealist style, the scenes are juxtaposed in various scales according to their importance conceived by the artist.
On the right side the levitating newlyweds are back to the happy time of Vitebsk. On the left, three tall candles are lit, marking the hope of the small family circle formed by Marc, Bella and their daughter Ida : the torments of the moment will be annihilated by melting in the wax. Secondary animation on the smaller scale includes flying angels, musicians and a view of the village.
In 1940 the persecution reached the whole French territory. Marc and Bella left France hurriedly. A few months later Ida and her husband joined them in the United States : in their crossing of the Atlantic that was made extremely dangerous by the war, they succeeded in transporting a large crate of artworks painted by Marc, including Les Trois Cierges which were thus saved from an inescapable destruction.
In the following year Les Trois Cierges is a major piece in the exhibition devoted to Chagall's art by Pierre Matisse in New York, one of the most important initiatives within this transitional period in which the Americans discover the European and Russian modern art.
In 1939 Marc and Bella are worried but do not yet perceive that the Nazis will manage to physically eradicate the French Jews. They remember Vitebsk where they married in 1916 and express their roots with their skills : Bella by her stories in Yiddish and Mark by his painting.
On May 15 in New York, Christie's sells Les Trois Cierges, oil on canvas 130 x 97 cm painted in 1939, lot 6 A estimated $ 8M.
As ever with Marc's surrealist style, the scenes are juxtaposed in various scales according to their importance conceived by the artist.
On the right side the levitating newlyweds are back to the happy time of Vitebsk. On the left, three tall candles are lit, marking the hope of the small family circle formed by Marc, Bella and their daughter Ida : the torments of the moment will be annihilated by melting in the wax. Secondary animation on the smaller scale includes flying angels, musicians and a view of the village.
In 1940 the persecution reached the whole French territory. Marc and Bella left France hurriedly. A few months later Ida and her husband joined them in the United States : in their crossing of the Atlantic that was made extremely dangerous by the war, they succeeded in transporting a large crate of artworks painted by Marc, including Les Trois Cierges which were thus saved from an inescapable destruction.
In the following year Les Trois Cierges is a major piece in the exhibition devoted to Chagall's art by Pierre Matisse in New York, one of the most important initiatives within this transitional period in which the Americans discover the European and Russian modern art.
