1976
Except otherwise stated, all results include the premium.
See also : Bacon Later Bacons Head triptych De Kooning Still Guston Later Warhols Femme debout Li Keran The Man Animals Bird
See also : Bacon Later Bacons Head triptych De Kooning Still Guston Later Warhols Femme debout Li Keran The Man Animals Bird
1976 BACON
1
Triptych
2008 SOLD for $ 86M by Sotheby's
In 1976 Francis Bacon prepares an exhibition of new works at the Galerie Claude Bernard in Paris. The highlight is a triptych in oil and pastel on canvas, 198 x 148 cm for each element. It was sold for $ 86M by Sotheby's on May 14, 2008, lot 33.
This triptych brings together a synthesis of Francis' career, as Picasso had done twenty years earlier with his series of Les Femmes d'Alger.
Five years after the suicide of George Dyer, Francis confirms that the major inspirations of his art and of his life are suffering, guilt and punishment. The main figure in the central panel is a headless Prometheus tortured by the eagle, in a composition similar to 'Painting 1946'. Other symbols on this panel include the Furies disguised as pelicans and a chalice dripping with blood.
In the 1930s and 1940s, the young artist was gradually destroying his own work. This phase of creative dissatisfaction ended after the revelation to him of the two most tragic characters in the Greek theater, Prometheus and Orestes by Aeschylus.
The very first work he considered completed, Three Studies for Figures at the Base of a Crucifixion, in 1944, a triptych of elements 94 x 74 cm, is an interpretation of the mourners inspired by the Furies of Orestes. 'Painting 1946', 198 x 132 cm, was commented by Bacon : he had started painting a figure of a monkey, the alter ego of mankind, when the punishing eagle arrived in his subconscious.
The triptychs of 198 x 148 cm panels are the format chosen by Bacon in his later career for works he could consider as his masterpieces.
This triptych brings together a synthesis of Francis' career, as Picasso had done twenty years earlier with his series of Les Femmes d'Alger.
Five years after the suicide of George Dyer, Francis confirms that the major inspirations of his art and of his life are suffering, guilt and punishment. The main figure in the central panel is a headless Prometheus tortured by the eagle, in a composition similar to 'Painting 1946'. Other symbols on this panel include the Furies disguised as pelicans and a chalice dripping with blood.
In the 1930s and 1940s, the young artist was gradually destroying his own work. This phase of creative dissatisfaction ended after the revelation to him of the two most tragic characters in the Greek theater, Prometheus and Orestes by Aeschylus.
The very first work he considered completed, Three Studies for Figures at the Base of a Crucifixion, in 1944, a triptych of elements 94 x 74 cm, is an interpretation of the mourners inspired by the Furies of Orestes. 'Painting 1946', 198 x 132 cm, was commented by Bacon : he had started painting a figure of a monkey, the alter ego of mankind, when the punishing eagle arrived in his subconscious.
The triptychs of 198 x 148 cm panels are the format chosen by Bacon in his later career for works he could consider as his masterpieces.
2
Figure in Movement
2023 SOLD for $ 52M by Christie's
Art is artificial as far as it is not an interpretation of death. The despairs of Picasso after the suicide of Casagemas and of Bacon after the suicide of Dyer are similar. Both have questioned the meaning of life through the use of their most private creativity.
George died in 1971 in the hotel room at the time of the great Parisian consecration of Francis, the opening of the exhibition at the Grand Palais. In the five following years Francis will use all the resources of his art to break free from his suffering and guilt. His art was the only possible support to meet the dead man, again and again, and to confront his own mortality.
A painting made in 1975 includes many elements of the artistic language of Francis. Two naked wrestlers mingle their bodies in a suspended showcase. They lost their individuality and have only one head that is altogether a portrait of George and a self-portrait by Francis.
Their struggle is a sporting event. George was a strong man who reminded to Francis the male muscular figures by Michelangelo. Their dynamic movement with the dual head on the floor of the cage is inspired by the gymnasts photographed by Muybridge. Francis himself revealed these sources of his inspiration.
Their life is ridiculously staged, as for Barnum. In the right side of the composition, the observer is an old headed dwarf perched on a bar stool.
Francis presents this artwork to the young Michael Peppiatt who is already his confidant and will soon be his biographer. Voyeurism now hinders the intimate message of the artist who gets the painting back to cut it in two parts before returning to Peppiatt the left side released from the dwarf. Titled Two figures, this oil on canvas now in the format unusual for the artist of 198 x 70 cm was sold for £ 5.5M by Christie's in London on February 11, lot 25.
Peppiatt knew Bacon since 1963 and understood the difficulties in the relationship of Francis and George. He had kept Two figures so far and is a sensational witness to the genesis of this artwork which he explains in the attached video. Do not miss also in the catalog page of the sale (lot 25 linked above) the transcript of his interview with Francis Outred of Christie's.
In 1976, the painting titled Figure in Movement is paradoxically featuring the young body immobilized on the red platform by a nude wrestler with a fist raised. The head is turned in pain to rest on the floor. Who is the torturer ? Is he Francis's remorse or an allegory of death ? The title is derived by Francis from The Human Figure in Motion, a photo sequence of nude wrestlers by Muybridge that anticipated the invention of motion pictures.
George and his fellow are staged amidst signature elements of Francis. They are displayed on a red colored bullfighting ring within a threadlike cube in the existentialist style borrowed from Giacometti. A fury is watching from behind the cube, representing Francis's impossibility to escape his fate. A mirror reveals George's nude buttocks in a surrealist way opposed to the logical transfer of the image. The carpet is a newspaper made of Letraset letters meaning that Francis's muse is escaping the present day.
This oil on canvas 200 x 147 cm was sold for $ 52M by Christie's on November 9, 2023, lot 12 B.
George died in 1971 in the hotel room at the time of the great Parisian consecration of Francis, the opening of the exhibition at the Grand Palais. In the five following years Francis will use all the resources of his art to break free from his suffering and guilt. His art was the only possible support to meet the dead man, again and again, and to confront his own mortality.
A painting made in 1975 includes many elements of the artistic language of Francis. Two naked wrestlers mingle their bodies in a suspended showcase. They lost their individuality and have only one head that is altogether a portrait of George and a self-portrait by Francis.
Their struggle is a sporting event. George was a strong man who reminded to Francis the male muscular figures by Michelangelo. Their dynamic movement with the dual head on the floor of the cage is inspired by the gymnasts photographed by Muybridge. Francis himself revealed these sources of his inspiration.
Their life is ridiculously staged, as for Barnum. In the right side of the composition, the observer is an old headed dwarf perched on a bar stool.
Francis presents this artwork to the young Michael Peppiatt who is already his confidant and will soon be his biographer. Voyeurism now hinders the intimate message of the artist who gets the painting back to cut it in two parts before returning to Peppiatt the left side released from the dwarf. Titled Two figures, this oil on canvas now in the format unusual for the artist of 198 x 70 cm was sold for £ 5.5M by Christie's in London on February 11, lot 25.
Peppiatt knew Bacon since 1963 and understood the difficulties in the relationship of Francis and George. He had kept Two figures so far and is a sensational witness to the genesis of this artwork which he explains in the attached video. Do not miss also in the catalog page of the sale (lot 25 linked above) the transcript of his interview with Francis Outred of Christie's.
In 1976, the painting titled Figure in Movement is paradoxically featuring the young body immobilized on the red platform by a nude wrestler with a fist raised. The head is turned in pain to rest on the floor. Who is the torturer ? Is he Francis's remorse or an allegory of death ? The title is derived by Francis from The Human Figure in Motion, a photo sequence of nude wrestlers by Muybridge that anticipated the invention of motion pictures.
George and his fellow are staged amidst signature elements of Francis. They are displayed on a red colored bullfighting ring within a threadlike cube in the existentialist style borrowed from Giacometti. A fury is watching from behind the cube, representing Francis's impossibility to escape his fate. A mirror reveals George's nude buttocks in a surrealist way opposed to the logical transfer of the image. The carpet is a newspaper made of Letraset letters meaning that Francis's muse is escaping the present day.
This oil on canvas 200 x 147 cm was sold for $ 52M by Christie's on November 9, 2023, lot 12 B.
3
Figure Writing reflected in Mirror
2012 SOLD for $ 45M by Sotheby's
Francis Bacon was traumatized by the suicide of George Dyer, in 1971. For seven years, his relationship with this brute looking man had been ambiguous. Beyond homosexuality, Bacon was amused to see the former crook falling into alcoholism.
A time comes for every sensitive man when death of younger people creates anxieties about his own destiny. In 1976, Bacon was still haunted by the memory of Dyer. It was one of the most original and most creative periods of his artistic career.
The triptych is a way to recreate the tridimensional figure by offering different views of the same subject, and it was always a favorite mode of expression for Bacon.
The other way to achieve the same result is the juxtaposition in the artwork of the character and of his image through the mirror. The writing figure, oil on canvas 198 x 147 cm, is a single work that is in many ways comparable to the famous triptych.
This naked man sitting on a simple bar stool is George, featured by his muscular back. He is lending on a shelf and he writes. Incredible: George is writing. But let's say instead that Francis would have been keen if George had endeavoured to write. George died before Francis could fully understand him, and the mirror is also a symbol of death.
This painting was sold for $ 45M from a lower estimate of $ 30M by Sotheby's on May 9, 2012, lot 19.
A time comes for every sensitive man when death of younger people creates anxieties about his own destiny. In 1976, Bacon was still haunted by the memory of Dyer. It was one of the most original and most creative periods of his artistic career.
The triptych is a way to recreate the tridimensional figure by offering different views of the same subject, and it was always a favorite mode of expression for Bacon.
The other way to achieve the same result is the juxtaposition in the artwork of the character and of his image through the mirror. The writing figure, oil on canvas 198 x 147 cm, is a single work that is in many ways comparable to the famous triptych.
This naked man sitting on a simple bar stool is George, featured by his muscular back. He is lending on a shelf and he writes. Incredible: George is writing. But let's say instead that Francis would have been keen if George had endeavoured to write. George died before Francis could fully understand him, and the mirror is also a symbol of death.
This painting was sold for $ 45M from a lower estimate of $ 30M by Sotheby's on May 9, 2012, lot 19.
4
Three Studies for Self Portrait
2008 SOLD for $ 28M by Christie's
Francis Bacon emphasizes the triptych. In the life size head portrait format, these oils on canvas, designated as Studies by the artist, have a unique individual dimension, 35 x 30 cm.
Made in 1974, the face of Bacon in triptych sold for $ 25.3M by Christie's on May 11, 2011, lot 36, has a revealing feature : he cannot look at himself because his eyes are shut.
A Study for Self Portrait with vague eyes painted in 1975 in the same format was sold for £ 17.3M by Christie's on June 30, 2008, lot 29.
A triptych with half closed eyes painted by Bacon in 1976 was sold for $ 28M by Christie's on May 13, 2008, lot 10.
In a kinetic sequence from the right to the left panel, a medical lens floats in front of the left cheek. The right eye looks much damaged like after a brawl.
Made in 1974, the face of Bacon in triptych sold for $ 25.3M by Christie's on May 11, 2011, lot 36, has a revealing feature : he cannot look at himself because his eyes are shut.
A Study for Self Portrait with vague eyes painted in 1975 in the same format was sold for £ 17.3M by Christie's on June 30, 2008, lot 29.
A triptych with half closed eyes painted by Bacon in 1976 was sold for $ 28M by Christie's on May 13, 2008, lot 10.
In a kinetic sequence from the right to the left panel, a medical lens floats in front of the left cheek. The right eye looks much damaged like after a brawl.
1976 Untitled XXI by de Kooning
2015 SOLD for $ 25M by Sotheby's
East Hampton is the closest land's end to New York City, facing from the eastern side of Long Island the vastness and violence of the ocean. The big city is not conducive to the communion of an artist with nature. Adroitly pushed by Lee Krasner, Jackson Pollock established their workshop in a barn near the village.
The countryside is flat like in Holland, but the nature explodes in rich colors. Around Leo and Ileana Castelli who also settled in East Hampton, the artists of abstract expressionism and of action painting come to imbibe themselves within the purity of that place.
Willem de Kooning visits the Castelli in East Hampton in 1951 and moves his studio and home in the village in the early 1960s. His early intention of making abstract landscapes is ephemeral. Returning to the representation of human nature, he devotes his art primarily to sculpture in 1969.
The series of Untitled paintings of 1975-1977 is a turning point in De Kooning's art. The artist was happy and intensely enjoying the nature. The shining colors that he dispositioned on the whole surface of his large paintings express such deep feelings. His painting is a landscape without drawing.
On November 4, 2015, Sotheby's sold for $ 25M the Untitled XXI of 1976, oil on canvas 203 x 178 cm, lot 15T. The artist added thinning oils to the paint for displaying sculptural effects on the canvas. Please watch the video shared by the auction house.
The passion of action painting liberates to the viewer's imagination the waves breaking on the rocks, the color of gorse in blossom on the dune and a woman standing in a long dress who observes all this beauty. Alfred Taubman enjoyed this specific opus.
Some smaller paintings of similar technique are titled East Hampton, revealing the inspiration of the whole. East Hampton VI, oil on canvas 77 x 91 cm painted in 1977, was sold for $ 10.4M by Christie's on May 13, 2021, lot 3 B.
The countryside is flat like in Holland, but the nature explodes in rich colors. Around Leo and Ileana Castelli who also settled in East Hampton, the artists of abstract expressionism and of action painting come to imbibe themselves within the purity of that place.
Willem de Kooning visits the Castelli in East Hampton in 1951 and moves his studio and home in the village in the early 1960s. His early intention of making abstract landscapes is ephemeral. Returning to the representation of human nature, he devotes his art primarily to sculpture in 1969.
The series of Untitled paintings of 1975-1977 is a turning point in De Kooning's art. The artist was happy and intensely enjoying the nature. The shining colors that he dispositioned on the whole surface of his large paintings express such deep feelings. His painting is a landscape without drawing.
On November 4, 2015, Sotheby's sold for $ 25M the Untitled XXI of 1976, oil on canvas 203 x 178 cm, lot 15T. The artist added thinning oils to the paint for displaying sculptural effects on the canvas. Please watch the video shared by the auction house.
The passion of action painting liberates to the viewer's imagination the waves breaking on the rocks, the color of gorse in blossom on the dune and a woman standing in a long dress who observes all this beauty. Alfred Taubman enjoyed this specific opus.
Some smaller paintings of similar technique are titled East Hampton, revealing the inspiration of the whole. East Hampton VI, oil on canvas 77 x 91 cm painted in 1977, was sold for $ 10.4M by Christie's on May 13, 2021, lot 3 B.
1976 GUSTON
Intro
After a three years hiatus in his artistic career, Philip Guston left forever in 1968 the abstract expressionism for displaying his anguished view of the brutal modern world. He left New York City at the same time.
A world that did not eradicate the Ku Klux Klan is full of many threats including the horrible wars of the 20th century accompanied by dictatorships and unrest. He paints cartoonish forms in a reduced palette of bright colors.
Ominous Land, painted in 1972, gathers three of Guston's recurring symbols in fleshy pink, mauve, red and orange. The radiant sun cannot be joyous when it falls on a devastation, symbolized by an entanglement of human legs and shoe soles. This stack is observed by a typical hood of the Klan. The title is significant. This oil on canvas 183 x 206 cm was sold for $ 9.5M by Sotheby's on November 18, 2021, lot 105.
After that political phase, Guston turns his frustrated fury onto his own self. An artist is an abject hopeless creature that desperately paints, eats and smokes, and that's it. His symbols now include a square canvas painted in a fleshy monochrome pink with the only figure of a mystic eye of God in a bushy brow. The canvas is fitted on a metal box of same size closed by a row of nails.
A painting titled The Canvas features that weird one eyed object leaning onto his signature brick wall with nothing else to counter the closed nightmare. This oil on canvas 170 x 200 cm painted in 1973 was sold for for £ 3.1M by Sotheby's on October 12, 2023, lot 114.
A world that did not eradicate the Ku Klux Klan is full of many threats including the horrible wars of the 20th century accompanied by dictatorships and unrest. He paints cartoonish forms in a reduced palette of bright colors.
Ominous Land, painted in 1972, gathers three of Guston's recurring symbols in fleshy pink, mauve, red and orange. The radiant sun cannot be joyous when it falls on a devastation, symbolized by an entanglement of human legs and shoe soles. This stack is observed by a typical hood of the Klan. The title is significant. This oil on canvas 183 x 206 cm was sold for $ 9.5M by Sotheby's on November 18, 2021, lot 105.
After that political phase, Guston turns his frustrated fury onto his own self. An artist is an abject hopeless creature that desperately paints, eats and smokes, and that's it. His symbols now include a square canvas painted in a fleshy monochrome pink with the only figure of a mystic eye of God in a bushy brow. The canvas is fitted on a metal box of same size closed by a row of nails.
A painting titled The Canvas features that weird one eyed object leaning onto his signature brick wall with nothing else to counter the closed nightmare. This oil on canvas 170 x 200 cm painted in 1973 was sold for for £ 3.1M by Sotheby's on October 12, 2023, lot 114.
1
masterpiece
Monument
Tate Gallery
Monument, painted in 1976 by Philip Guston, displays an architecture made of a stack of bare legs and overturned shoes viewed from the sole. The legs are perpendicularly bent at the knee and all other parts of corpses are missing.
The whole is reminding bones in an ossuary. Guston, who was a son of Russian Jews and had a social sensitivity, had such a lasting nightmare as a reminiscence of the concentration camps.
In 1976 these legs and shoes are also included beside other nightmarish elements. Strong Light, oil on canvas 204 x 175 cm, was sold for $ 24.4M by Sotheby's on November 15, 2021, lot 8.
In 1978 with Steppes, their unlimited and dense row beside a bleak wall is another reminder of the camps. By homophony with steps, Steppes is altogether referring to a place for Soviet camps, to the horror scene of the Potemkin and to the normal use of legs and shoes.
Steppes, oil on canvas 173 x 223 cm, was sold for $ 6.7M by Christie's on May 16, 2024, lot 43 B
The whole is reminding bones in an ossuary. Guston, who was a son of Russian Jews and had a social sensitivity, had such a lasting nightmare as a reminiscence of the concentration camps.
In 1976 these legs and shoes are also included beside other nightmarish elements. Strong Light, oil on canvas 204 x 175 cm, was sold for $ 24.4M by Sotheby's on November 15, 2021, lot 8.
In 1978 with Steppes, their unlimited and dense row beside a bleak wall is another reminder of the camps. By homophony with steps, Steppes is altogether referring to a place for Soviet camps, to the horror scene of the Potemkin and to the normal use of legs and shoes.
Steppes, oil on canvas 173 x 223 cm, was sold for $ 6.7M by Christie's on May 16, 2024, lot 43 B
2
Strong Light
2021 SOLD for $ 24.4M by Sotheby's
In his later career, an embittered Philip Guston was displaying his anguished view of the modern world.
A world that did not eradicate the Ku Klux Klan is full of many threats including the horrible wars of the 20th century accompanied by dictatorships and unrest. He paints cartoonish forms in a reduced palette of bright colors. The scenery may be lit by day by a full sun or by night by a huge bare electric bulb.
Strong light, painted in 1976, has the radiant bulb and the black background. Three elongated tightly knit human legs probably from dead humans mingle with five shoe soles on a carpet posed on a parqueted wood. This simplified composition does not include other symbols of the continuous social revolt of the artist.
This oil on canvas 204 x 175 cm was sold for $ 24.4M from a lower estimate of $ 8M by Sotheby's on November 15, 2021, lot 8.
Chair, oil on canvas 173 x 205 cm painted in 1976, also gathers several symbols of the nightmare of the artist. It was sold for $ 9.6M by Christie's on May 11, 2023, lot 22A.
A tangle of bare hairy legs raised from the ground is representing the doomed mankind. All are bent at the knee with no foot visible, either cut off off or hidden behind an accumulation of overturned nailed soles. A sole is laid on a chair viewed from profile.
The window is walled with bricks, obstructing the access to the world. The ring to pull the window is an oversized pendulum which expresses the inexorable run of time. Its rope is a reminder of the suicide of the artist's father half a century earlier
The rich surface in soft rose and pale gray of the wall of that bleak room may be a reminiscence from the abstract period of the artist two decades earlier.
A world that did not eradicate the Ku Klux Klan is full of many threats including the horrible wars of the 20th century accompanied by dictatorships and unrest. He paints cartoonish forms in a reduced palette of bright colors. The scenery may be lit by day by a full sun or by night by a huge bare electric bulb.
Strong light, painted in 1976, has the radiant bulb and the black background. Three elongated tightly knit human legs probably from dead humans mingle with five shoe soles on a carpet posed on a parqueted wood. This simplified composition does not include other symbols of the continuous social revolt of the artist.
This oil on canvas 204 x 175 cm was sold for $ 24.4M from a lower estimate of $ 8M by Sotheby's on November 15, 2021, lot 8.
Chair, oil on canvas 173 x 205 cm painted in 1976, also gathers several symbols of the nightmare of the artist. It was sold for $ 9.6M by Christie's on May 11, 2023, lot 22A.
A tangle of bare hairy legs raised from the ground is representing the doomed mankind. All are bent at the knee with no foot visible, either cut off off or hidden behind an accumulation of overturned nailed soles. A sole is laid on a chair viewed from profile.
The window is walled with bricks, obstructing the access to the world. The ring to pull the window is an oversized pendulum which expresses the inexorable run of time. Its rope is a reminder of the suicide of the artist's father half a century earlier
The rich surface in soft rose and pale gray of the wall of that bleak room may be a reminiscence from the abstract period of the artist two decades earlier.
1976 Skull by Warhol
2022 SOLD for $ 24M by Christie's
Obsessed with death, Warhol managed to modernize in his signature technique the old theme of the vanities.
In 1976 he went to be busy with a skull found by him in a flea market in Paris, complete with two full rows of teeth. His photographer assistant endeavored to obtain the most dramatic effect, with the jaws open in an appealing laugh and the piece posed on the floor.
A large size painting 183 x 203 cm in acrylic and silkscreen ink on canvas was sold for $ 24M by Christie's on May 12, 2022, lot 24C. This psychedelic example displays a highly disturbing bright blue color of the skull and a weird butter yellow shadow.
In the same technique, a pink skull on a sky blue floor on canvas 38 x 48 cm was sold for £ 700K by Phillips on June 27, 2013, lot 13.
A chromolithography 40 x 34 cm edited in 125 copies was gathering the same image in three rows of two columns in various colors.
These images may have influenced the skull paintings made by Basquiat in 1982, the year when he first met Warhol. The series of jawless skulls by Richter was executed in 1983.
In 1976 he went to be busy with a skull found by him in a flea market in Paris, complete with two full rows of teeth. His photographer assistant endeavored to obtain the most dramatic effect, with the jaws open in an appealing laugh and the piece posed on the floor.
A large size painting 183 x 203 cm in acrylic and silkscreen ink on canvas was sold for $ 24M by Christie's on May 12, 2022, lot 24C. This psychedelic example displays a highly disturbing bright blue color of the skull and a weird butter yellow shadow.
In the same technique, a pink skull on a sky blue floor on canvas 38 x 48 cm was sold for £ 700K by Phillips on June 27, 2013, lot 13.
A chromolithography 40 x 34 cm edited in 125 copies was gathering the same image in three rows of two columns in various colors.
These images may have influenced the skull paintings made by Basquiat in 1982, the year when he first met Warhol. The series of jawless skulls by Richter was executed in 1983.
1976 PH-1044 by Still
2011 SOLD for $ 19.7M by Sotheby's
PH-1044, oil on canvas 237 x 210 cm painted in 1976, represented the final years of Clyfford Still among the four lots consigned to Sotheby's on November 9, 2011 for financing the development of the Denver museum. It was sold for $ 19.7M, lot 13. The availability on the market of a Still painting from his most secret period is extremely rare.
It was later sold by Christie's for $ 17.5M, on May 13, 2014, lot 35.
This opus contributes to the ultimate quest by Still to thr sublime, viewed as a whole new world for which there are no words.
It was later sold by Christie's for $ 17.5M, on May 13, 2014, lot 35.
This opus contributes to the ultimate quest by Still to thr sublime, viewed as a whole new world for which there are no words.
1976 Jinggang Mountain by Li Keran
2019 SOLD for RMB 138M by China Guardian
The Jinggang mountain, located in Mao's native Hunan, is a high place of Maoism as the birthplace of the Chinese Red Army and the cradle of the Chinese revolution.
Dated 1976, the year of Mao's death, Jinggang Mountain by Li Keran is politically correct. Its tiny animation is not assured by a philosopher and his followers but by a schoolmaster and his pupils under the protection of the red flag on the border of the foreground hill.
This hanging scroll on paper 177 x 127 cm is slightly colored in the grand tradition of classical landscapes. It was sold for RMB 138M by China Guardian on November 20, 2019, lot 930.
Another copy, 180 x 130 cm, also painted in 1976, was sold for RMB 127M by China Guardian on May 17, 2015, lot 716. It is extremely similar as the example narrated above, with the same groups of Maoist students. An example of difference is in the shape of some pine trees.
Dated 1976, the year of Mao's death, Jinggang Mountain by Li Keran is politically correct. Its tiny animation is not assured by a philosopher and his followers but by a schoolmaster and his pupils under the protection of the red flag on the border of the foreground hill.
This hanging scroll on paper 177 x 127 cm is slightly colored in the grand tradition of classical landscapes. It was sold for RMB 138M by China Guardian on November 20, 2019, lot 930.
Another copy, 180 x 130 cm, also painted in 1976, was sold for RMB 127M by China Guardian on May 17, 2015, lot 716. It is extremely similar as the example narrated above, with the same groups of Maoist students. An example of difference is in the shape of some pine trees.
1976 Femme de Venise by Giacometti (posthumous)
2022 SOLD for $ 17.6M by Sotheby's
In 1956 retrospective exhibitions of Giacometti's work are planned in Venice and Bern. He reacts like a real great artist. His past is not essential but the long march of a creative process that is not finished. He decides to do something new.
He chooses the figure of the nude woman standing still, feet together. He will show that this model allows a subtle variation in the expression of feelings. He will not do it as portraits but as his interpretation of the ideal woman. The most important is the texture that brings realism to non-proportioned bodies.
A posthumous Femme de Venise II cast by Susse in 1976, 122 cm high, was sold for 17.6M from a lower estimate of $ 8M by Sotheby's on May 17, 2022, lot 26. This piece numbered 0/6 had certainly been made for the use of Alberto's widow Annette who was its first owner. II is the second highest Femme of the group of nine.
He chooses the figure of the nude woman standing still, feet together. He will show that this model allows a subtle variation in the expression of feelings. He will not do it as portraits but as his interpretation of the ideal woman. The most important is the texture that brings realism to non-proportioned bodies.
A posthumous Femme de Venise II cast by Susse in 1976, 122 cm high, was sold for 17.6M from a lower estimate of $ 8M by Sotheby's on May 17, 2022, lot 26. This piece numbered 0/6 had certainly been made for the use of Alberto's widow Annette who was its first owner. II is the second highest Femme of the group of nine.
