1984 (page in construction)
1984 Three Studies for a Portrait of John Edwards by Bacon
2014 SOLD for $ 81M by Christie's
Francis Bacon enjoyed confrontations. Having become famous, he despised the deference of his interlocutors. In 1974 in Soho, he was aggressed by the bartender John Edwards who criticized his selfishness after a missed visit to his London pub. John was right. Francis returns to his studio and begins to paint his first portrait of John Edwards.
John was handicapped by a severe dyslexia which had ruined his education. He could barely read and write but his behavior was direct and sociable. Francis will say of John that he was the only true friend he ever had. The age difference was 40 years. John will be the sole heir of Francis and keeper of his estate.
Such a trust was new to the old artist. John became his photographer. This strong boy could also be his bodyguard. On happy days, he had the privilege of entering the workshop while Francis was painting. He was the only witness to the lifelong drama of the artist who constantly seemed to be fighting with his canvas.
Francis painted more than twenty portraits of John. Their friendship changed his style. No more caricatured faces and deliquescent bodies.
A large size triptych portrait of John painted in 1984, 198 x 148 cm for each element, was sold for $ 81M by Christie's on May 13, 2014. Please watch the video shared by the auction house.
John is gently seated on a stool and normally dressed. He is recognizable by his prominent jaw which the artist reinforced with a white line in the two side views. The face is made expressive by his usual range of colors, from flesh to crimson. The sitter is enclosed in Bacon's signature threadlike cage which was a tribute to Giacometti. The large empty room with the concave wall is the arena in which the artist exhibits his model.
The originality of this artwork in Bacon's corpus is that the face is realistic, peaceful and confident. Francis stated that John's triptych is one of his most successful works. It certainly means that his empathy with the disabled model was complete.
John was handicapped by a severe dyslexia which had ruined his education. He could barely read and write but his behavior was direct and sociable. Francis will say of John that he was the only true friend he ever had. The age difference was 40 years. John will be the sole heir of Francis and keeper of his estate.
Such a trust was new to the old artist. John became his photographer. This strong boy could also be his bodyguard. On happy days, he had the privilege of entering the workshop while Francis was painting. He was the only witness to the lifelong drama of the artist who constantly seemed to be fighting with his canvas.
Francis painted more than twenty portraits of John. Their friendship changed his style. No more caricatured faces and deliquescent bodies.
A large size triptych portrait of John painted in 1984, 198 x 148 cm for each element, was sold for $ 81M by Christie's on May 13, 2014. Please watch the video shared by the auction house.
John is gently seated on a stool and normally dressed. He is recognizable by his prominent jaw which the artist reinforced with a white line in the two side views. The face is made expressive by his usual range of colors, from flesh to crimson. The sitter is enclosed in Bacon's signature threadlike cage which was a tribute to Giacometti. The large empty room with the concave wall is the arena in which the artist exhibits his model.
The originality of this artwork in Bacon's corpus is that the face is realistic, peaceful and confident. Francis stated that John's triptych is one of his most successful works. It certainly means that his empathy with the disabled model was complete.
BASQUIAT
1
1983-1984 Untitled (Soap)
2021 SOLD for $ 13.2M by Christie's
Link to catalogue.
may also be included in 1983.
may also be included in 1983.
2
1984 Flexible
2018 SOLD for $ 45M by Phillips
In March 1983 Larry Gagosian exhibited artworks by Jean-Michel Basquiat in his West Hollywood gallery. A few months later the artist tries the Californian adventure and installs his studio in Venice. He thus temporarily escapes New York where he felt the difficulty of transforming his skill into a lasting fame. Basquiat mingles little with the surrounding worldly life : he came to Los Angeles for working.
One night in the yard of his studio, Jean-Michel meets a tramp. The palisade was therefore useless. It would be more useful as a support for his paintings. He disassembles it and reuses the slats until that source is depleted. It is a simple and clever way to give his work an additional feature of street art. Later in New York he will purchase boards to continue this new practice while including tags therein.
On May 17, 2018, Phillips sold as lot 5 for $ 45M from a lower estimate of $ 20M Flexible, acrylic and oilstick 259 x 191 cm painted in Venice in 1984 on horizontally stacked wood. The low resolution image is shared by WikiArt "for fair use" under the copyright of Jean-Michel Basquiat.
The larger-than-life African-American character with transparent skin is an alter ego of Jean-Michel. The left forearm is disproportionately lengthened to reach the right hand, forming a flexible frame above the head. The very straight head is proud, expressing the desire for glory of the artist.
Flexible is the masterpiece of this transition phase. A photograph of 1986 shows the artist sitting on a decorated cube with the towering Flexible on the back wall of the workshop. This painting had been preserved in his estate by his sisters.
One night in the yard of his studio, Jean-Michel meets a tramp. The palisade was therefore useless. It would be more useful as a support for his paintings. He disassembles it and reuses the slats until that source is depleted. It is a simple and clever way to give his work an additional feature of street art. Later in New York he will purchase boards to continue this new practice while including tags therein.
On May 17, 2018, Phillips sold as lot 5 for $ 45M from a lower estimate of $ 20M Flexible, acrylic and oilstick 259 x 191 cm painted in Venice in 1984 on horizontally stacked wood. The low resolution image is shared by WikiArt "for fair use" under the copyright of Jean-Michel Basquiat.
The larger-than-life African-American character with transparent skin is an alter ego of Jean-Michel. The left forearm is disproportionately lengthened to reach the right hand, forming a flexible frame above the head. The very straight head is proud, expressing the desire for glory of the artist.
Flexible is the masterpiece of this transition phase. A photograph of 1986 shows the artist sitting on a decorated cube with the towering Flexible on the back wall of the workshop. This painting had been preserved in his estate by his sisters.
3
1984 Pyro
2019 SOLD FOR £ 9.9M INCLUDING PREMIUM
On October 3 in London, Sotheby's sells as lot 10 Pyro, a 219 x 173 cm painting by Jean-Michel Basquiat. Please watch the video shared by the auction house.
This work has all the qualities of execution of the masterpieces of 1981 and 1982. Made in acrylic, silkscreen ink and oil stick on canvas, it is a blazing mingling of red, yellow, purple and green all around and inside the central character. Yet Pyro is dated 1984.
1984 is the first difficult year for Basquiat. At the beginning of the year, he is in Los Angeles for his brief second stay under the patronage of Gagosian. He escapes for trying to set up his studio in an isolated ranch in Hawaii and returns to New York City in March. At the end of the year his friends are worried about his growing dependence on drugs.
Basquiat always seeks to understand and express his exacerbated relationship to the world. The title Pyro must be correlated with the fury of the central character who does not control his own explosion.
Pyro includes symbols of New York City like the Empire State Building in a choice position at the top right of the image. The pagoda tower is a symbol of the cosmopolitan diversity of the big city. The hopes and threats of technology include the space shuttle and graffiti evoking the polonium industry.
The work is dated but not located. Considering its exhibition history which begins in the following year, it was probably not made before Jean-Michel came back to New York.
This work has all the qualities of execution of the masterpieces of 1981 and 1982. Made in acrylic, silkscreen ink and oil stick on canvas, it is a blazing mingling of red, yellow, purple and green all around and inside the central character. Yet Pyro is dated 1984.
1984 is the first difficult year for Basquiat. At the beginning of the year, he is in Los Angeles for his brief second stay under the patronage of Gagosian. He escapes for trying to set up his studio in an isolated ranch in Hawaii and returns to New York City in March. At the end of the year his friends are worried about his growing dependence on drugs.
Basquiat always seeks to understand and express his exacerbated relationship to the world. The title Pyro must be correlated with the fury of the central character who does not control his own explosion.
Pyro includes symbols of New York City like the Empire State Building in a choice position at the top right of the image. The pagoda tower is a symbol of the cosmopolitan diversity of the big city. The hopes and threats of technology include the space shuttle and graffiti evoking the polonium industry.
The work is dated but not located. Considering its exhibition history which begins in the following year, it was probably not made before Jean-Michel came back to New York.
4
1984 His Glue Sniffing Valet
2022 SOLD for $ 7.3M by Christie's
Link to lot 17A.
1984 Ocean Park by Diebenkorn
2018 SOLD for $ 24M by Christie's
From 1967 to 1985, the series of paintings titled Ocean Park is the interpretation by Richard Diebenkorn of the atmosphere and colors of Santa Monica. Seeking the dazzling light as de Staël had done, he goes further by sublimating the landscape in abstract compositions.
During these two decades the emotions of the artist were changing. He interrupts Ocean Park in 1980 after opus 125. He feels the need for a greater realization of his vision on large canvases and composes opus 126 to 140 in 1984 and 1985.
Most of the paintings of this ultimate Ocean Park series leave a significant place to the colors of the shore. The starting opus of the new style, # 126, is an abstract landscape in many colors with a structured geometry. It was sold on May 17, 2018 by Christie's for $ 24M from a lower estimate of $ 16M, lot 26 B.
This oil on canvas 236 x 206 cm painted in 1984 displays the shimmering sun-filled colors of a Californian mid-day without shadows. Although the lowest stripe reflects the saturated blue of the sea, it is not a landscape. The two pairs of oblique lines have different vanishing points. A subtle reference to a reality is however provided by a small transparent triangle filled by the blue sky and small white clouds near the top of the image. The sun is a very elongated rectangle close to the upper edge.
During these two decades the emotions of the artist were changing. He interrupts Ocean Park in 1980 after opus 125. He feels the need for a greater realization of his vision on large canvases and composes opus 126 to 140 in 1984 and 1985.
Most of the paintings of this ultimate Ocean Park series leave a significant place to the colors of the shore. The starting opus of the new style, # 126, is an abstract landscape in many colors with a structured geometry. It was sold on May 17, 2018 by Christie's for $ 24M from a lower estimate of $ 16M, lot 26 B.
This oil on canvas 236 x 206 cm painted in 1984 displays the shimmering sun-filled colors of a Californian mid-day without shadows. Although the lowest stripe reflects the saturated blue of the sea, it is not a landscape. The two pairs of oblique lines have different vanishing points. A subtle reference to a reality is however provided by a small transparent triangle filled by the blue sky and small white clouds near the top of the image. The sun is a very elongated rectangle close to the upper edge.
1983-1984 The First Five Elements
2020 SOLD for HK$ 114M including premium
Chu Teh-Chun arrived in Paris in 1955. Far from denying his origin, he wanted to draw inspiration from Western painting to modernize the Chinese art. He decided to use abstract art.
The Cultural Revolution had broken the ties between China and its diaspora. Liberalization terminates Chu's cultural isolation : he meets in Paris his former professor Lin Fengmian in 1979 and his old friend Wu Guanzhong in 1982. In 1983 Chu Teh-Chun and Zao Wou-Ki make separately a trip to China. Zao meets Zhang Daqian.
The trend is towards monumental paintings, which can take the form of polyptychs. The 2.80 x 10 m triptych painted in 1985 by Zao was sold for HK $ 510M including premium by Sotheby's on September 30, 2018.
On July 8 in Hong Kong, Sotheby's sells as lot 1014 a pentaptych 162 x 650 cm of oils on canvas by Chu Teh-Chun. It is dated 1983-1984, the period of reinvigoration of the Chinese culture of the artist. His most important works are the result of a development which can last several months, even several years. He does not have the creative impetuosity of Zao and enjoys working while listening to Beethoven's Hymn to Joy. Please watch the video shared by Sotheby's.
The title, Les Eléments confédérés, explains this division into five parts which is unique in the art of Chu. The five elements that constitute nature according to Chinese conception, wood, earth, water, metal and fire, are basically distinct, but there is nothing to attribute one of them to a specific panel. They create an undifferentiated harmony together, like yin and yang in a diptych. Green and blue, traditional colors of landscapes in Chinese art, are dominant.
One of the five elements is facetious : water, which can turn into falling snow and whiten the landscapes. In December 1985 the train in which Chu crosses the Swiss Alps is caught in a snowstorm. The artist will translate into his art this additional complexity of the world, which is not limited to a mere confrontation of the five elements. Vertige neigeux, diptych 2 x 4 m dated 1990-1999, was sold for HK $ 92M including premium by Christie's on November 26, 2016.
The Cultural Revolution had broken the ties between China and its diaspora. Liberalization terminates Chu's cultural isolation : he meets in Paris his former professor Lin Fengmian in 1979 and his old friend Wu Guanzhong in 1982. In 1983 Chu Teh-Chun and Zao Wou-Ki make separately a trip to China. Zao meets Zhang Daqian.
The trend is towards monumental paintings, which can take the form of polyptychs. The 2.80 x 10 m triptych painted in 1985 by Zao was sold for HK $ 510M including premium by Sotheby's on September 30, 2018.
On July 8 in Hong Kong, Sotheby's sells as lot 1014 a pentaptych 162 x 650 cm of oils on canvas by Chu Teh-Chun. It is dated 1983-1984, the period of reinvigoration of the Chinese culture of the artist. His most important works are the result of a development which can last several months, even several years. He does not have the creative impetuosity of Zao and enjoys working while listening to Beethoven's Hymn to Joy. Please watch the video shared by Sotheby's.
The title, Les Eléments confédérés, explains this division into five parts which is unique in the art of Chu. The five elements that constitute nature according to Chinese conception, wood, earth, water, metal and fire, are basically distinct, but there is nothing to attribute one of them to a specific panel. They create an undifferentiated harmony together, like yin and yang in a diptych. Green and blue, traditional colors of landscapes in Chinese art, are dominant.
One of the five elements is facetious : water, which can turn into falling snow and whiten the landscapes. In December 1985 the train in which Chu crosses the Swiss Alps is caught in a snowstorm. The artist will translate into his art this additional complexity of the world, which is not limited to a mere confrontation of the five elements. Vertige neigeux, diptych 2 x 4 m dated 1990-1999, was sold for HK $ 92M including premium by Christie's on November 26, 2016.
1983-1984 Number Two by Brice Marden
2019 SOLD for $ 11M including premium by Sotheby's
Link to catalogue.
1984 SELF PORTRAIT ON THE TERRACE BY HOCKNEY
2021 WITHDRAWN
2022 SOLD FOR £ 4.9M BY PHILLIPS
Artists endeavor to display their own view of the world. David Hockney undoubtedly enjoys life, despite some disillusionment in his affairs. He provides with some delicacy a deep visibility on his feelings.
On May 12, 2021 in New York, Sotheby's sells Self Portrait on the Terrace, lot 117 estimated $ 8M. Withdrawn.
This view of a terrace over a Californian swimming pool includes a self portrait drawn in an evanescent line that may remind Miro's Constellations. He is at the balcony turning his back to the pool with some melancholy in his double Janus-like face. The reason of that mood is explained by a pink image on the other edge of the picture which features his sleeping nude former boyfriend.
With its monumental size, this oil on canvas in two parts 213 x 305 cm overall evokes David's home in Los Angeles. Seven months after its creation in 1984, it was acquired by Mr and Mrs Pynoos who hanged it in their living room in Beverly Hills and never departed of it.
Picasso used to compare a painting with a pretty girl who must live her free life. Indeed the fate of this Self Portrait in the Pynoos collection remarkably meets that purpose.
These philanthropists enjoyed to meet the artists and to acquire the artworks at the moment of their creation. The thread of their collection was their love for colors and they managed a successful visit by David to the then aging Willem and Elaine de Kooning. David had been instrumental in the choice of pictures for the Pynoos walls. The self portrait brought them a permanent intimate ghostly presence of their friend.
2022 Sale :
Phillips, London, March 3, 2022
Self portrait on the terrace by Hockney (lot 19 sold for £ 4.9M)
On May 12, 2021 in New York, Sotheby's sells Self Portrait on the Terrace, lot 117 estimated $ 8M. Withdrawn.
This view of a terrace over a Californian swimming pool includes a self portrait drawn in an evanescent line that may remind Miro's Constellations. He is at the balcony turning his back to the pool with some melancholy in his double Janus-like face. The reason of that mood is explained by a pink image on the other edge of the picture which features his sleeping nude former boyfriend.
With its monumental size, this oil on canvas in two parts 213 x 305 cm overall evokes David's home in Los Angeles. Seven months after its creation in 1984, it was acquired by Mr and Mrs Pynoos who hanged it in their living room in Beverly Hills and never departed of it.
Picasso used to compare a painting with a pretty girl who must live her free life. Indeed the fate of this Self Portrait in the Pynoos collection remarkably meets that purpose.
These philanthropists enjoyed to meet the artists and to acquire the artworks at the moment of their creation. The thread of their collection was their love for colors and they managed a successful visit by David to the then aging Willem and Elaine de Kooning. David had been instrumental in the choice of pictures for the Pynoos walls. The self portrait brought them a permanent intimate ghostly presence of their friend.
2022 Sale :
Phillips, London, March 3, 2022
Self portrait on the terrace by Hockney (lot 19 sold for £ 4.9M)
1984 Agnes Martin
2018 SOLD for $ 5.7M by Christie's
Untitled # 7, acrylic and graphite on canvas 183 x 183 cm painted in 1984 by Agnes Martin, was sold for $ 5.7M by Christie's on May 17, 2018, lot 49 B.
