Years 1 to 1000
See also : Roman Empire Ancient sculpture Jade Bust Horse Chinese art Archaic China India Buddhism Early Buddhist sculpture Coin Gold coins Antique coins Musical instrument Musical instrument II
Germanicus for Lord Elgin
2012 SOLD 8.1 M$ including premium
Portraits of Roman emperors and of their immediate family display an admirable realism. Their role is to promote the image of the man to better enforce the respect to him.
Augustus established a new autocratic regime, thus raising the Emperor's succession as a critical issue. He adopted Tiberius as his successor and then forced Tiberius to adopt Germanicus, in the year 749 of Rome, 2016 years ago.
These two potential successive heirs hated one another. Germanicus was young and beautiful. He was also one of the best generals in the history of Rome, and not interested in politics. When dying at the age of 34, he announced being certain that he had been poisoned.
Some years later, in 790 of Rome, the very unpopular Tiberius also dies, and his successor is the son of Germanicus : Caligula.
The popularity of the father is a good excuse to promote the son, whose criminal fantasies are not yet predictable. Marble portraits of Germanicus are then reissued from a model made at the time of his glory.
One of these marbles, 52 cm high, was purchased in Rome in 1799 of our calendar for the collection of Lord Elgin. This purchase was regular, unlike the removals of the Parthenon marbles made at the same time by the same Lord abusing his position as ambassador to Constantinople.
This portrait is impressive and in very good condition. The aquiline nose has an almost photographic accuracy, and very long sideburns and somehow rebellious curls attest the fashion of Julio-Claudian hairstyles.
It is estimated $ 3M, for sale by Sotheby's in New York on December 6. Here is the link to the catalog.
POST SALE COMMENT
The catalog was convincing about the exceptional quality of this marble bust. Its price, $ 8.1 million including premium, far above the higher estimate, is well deserved.
Augustus established a new autocratic regime, thus raising the Emperor's succession as a critical issue. He adopted Tiberius as his successor and then forced Tiberius to adopt Germanicus, in the year 749 of Rome, 2016 years ago.
These two potential successive heirs hated one another. Germanicus was young and beautiful. He was also one of the best generals in the history of Rome, and not interested in politics. When dying at the age of 34, he announced being certain that he had been poisoned.
Some years later, in 790 of Rome, the very unpopular Tiberius also dies, and his successor is the son of Germanicus : Caligula.
The popularity of the father is a good excuse to promote the son, whose criminal fantasies are not yet predictable. Marble portraits of Germanicus are then reissued from a model made at the time of his glory.
One of these marbles, 52 cm high, was purchased in Rome in 1799 of our calendar for the collection of Lord Elgin. This purchase was regular, unlike the removals of the Parthenon marbles made at the same time by the same Lord abusing his position as ambassador to Constantinople.
This portrait is impressive and in very good condition. The aquiline nose has an almost photographic accuracy, and very long sideburns and somehow rebellious curls attest the fashion of Julio-Claudian hairstyles.
It is estimated $ 3M, for sale by Sotheby's in New York on December 6. Here is the link to the catalog.
POST SALE COMMENT
The catalog was convincing about the exceptional quality of this marble bust. Its price, $ 8.1 million including premium, far above the higher estimate, is well deserved.
133-138 The Bust of Antinous
2010 SOLD for $ 24M including premium by Sotheby's
narrated in 2020
With Trajan, the Roman Empire reached its greatest territorial extension. By consolidating the fragile borders, Hadrian extended the pax romana for half a century. There was no chronicler during his reign but his journeys have been reasonably retraced.
Around the Mediterranean sea, Hadrian shows himself passionately Philhellene, which is politically clever since it is necessary to avoid the eternal rivalries between the Greek cities. He was in Athens in 129 CE and in Egypt in 130.
A Bithynian about 20 years old, whose physical beauty matched the canon of Dionysus, was part of the emperor's suite. His biography contains no verifiable element : in fact he was more useful dead than alive. His drowning in the Nile reminds the epic legend of Osiris. His name was Antinous. The emperor deified him by imperial decree and multiplied the posthumous honors.
The emperor is powerful and the courtiers are numerous. The iconography of Antinous-Dionysus-Osiris takes on an unprecedented scale, which will cease to be useful after Hadrian's death in 138 CE.
A larger than life marble bust, 84 cm high including the base, was discovered in the 19th century in Banias, on the Golan Heights. It was inscribed in Greek by the dedicatee, belonging to a Roman patrician family : "from M. Lucius Flaccus to the god Antinous". Such a signature is unique in the iconography of Antinous.
In 133 and 134 Hadrian led a very deadly war in the Judaea raised by Bar Kokhba. Banias, romanized as Caesarea Philippi, had a long pagan tradition which justified an ostensible support to the emperor.
The bust is incomplete : the arms are missing, a shoulder is detached and the nose is broken. Despite this condition, it was sold for $ 24M including premium by Sotheby's on December 7, 2010 over a lower estimate of $ 2M, lot 9.
Around the Mediterranean sea, Hadrian shows himself passionately Philhellene, which is politically clever since it is necessary to avoid the eternal rivalries between the Greek cities. He was in Athens in 129 CE and in Egypt in 130.
A Bithynian about 20 years old, whose physical beauty matched the canon of Dionysus, was part of the emperor's suite. His biography contains no verifiable element : in fact he was more useful dead than alive. His drowning in the Nile reminds the epic legend of Osiris. His name was Antinous. The emperor deified him by imperial decree and multiplied the posthumous honors.
The emperor is powerful and the courtiers are numerous. The iconography of Antinous-Dionysus-Osiris takes on an unprecedented scale, which will cease to be useful after Hadrian's death in 138 CE.
A larger than life marble bust, 84 cm high including the base, was discovered in the 19th century in Banias, on the Golan Heights. It was inscribed in Greek by the dedicatee, belonging to a Roman patrician family : "from M. Lucius Flaccus to the god Antinous". Such a signature is unique in the iconography of Antinous.
In 133 and 134 Hadrian led a very deadly war in the Judaea raised by Bar Kokhba. Banias, romanized as Caesarea Philippi, had a long pagan tradition which justified an ostensible support to the emperor.
The bust is incomplete : the arms are missing, a shoulder is detached and the nose is broken. Despite this condition, it was sold for $ 24M including premium by Sotheby's on December 7, 2010 over a lower estimate of $ 2M, lot 9.
193 The Auction of the Roman Empire
2019 SOLD for $ 4.8M including premium
On April 29 in New York, Christie's sells a Roman marble bust 71 cm high in superb condition keeping some original surface polish, lot 191 estimated $ 1.2M.
This figure is the oversized portrait of a man in his mature age with an abundant beard and curly hair, in the fashion of the transition period between the Antonines and the Severans. He is a soldier, wearing a cuirass over his tunic.
The comparison with the coins identifies Didius Julianus, recognizable by the bump on the bridge of his nose and his protruding upper lip. This man was emperor for 9 weeks in 946 Ab urbe condita corresponding to 193 CE before being murdered or executed. He was hated during his reign as explained below and this bust cannot be posthumous.
The emperor Pertinax had just been assassinated by the Praetorian guard for attempting to reorganize the finances after the catastrophic reign of Commodus. The guards were awaiting retribution from any new emperor. Pertinax's father-in-law, Sulpicianus, promised to each man a bonus worth eight years of wages. Arriving at that time to try his luck, Didius Julianus gives way to the pressure of the guards and promises even more than his rival.
This way of taking power is considered by the armies as a shameful auction of the Roman Empire. It immediately triggers the civil war that will be won by Septimius Severus.
Raised by the mother of Marcus Aurelius, Julianus had hitherto made a successful career. The story of his short reign was told by Cassius Dio who worked for the Severans. It is certainly not objective.
This figure is the oversized portrait of a man in his mature age with an abundant beard and curly hair, in the fashion of the transition period between the Antonines and the Severans. He is a soldier, wearing a cuirass over his tunic.
The comparison with the coins identifies Didius Julianus, recognizable by the bump on the bridge of his nose and his protruding upper lip. This man was emperor for 9 weeks in 946 Ab urbe condita corresponding to 193 CE before being murdered or executed. He was hated during his reign as explained below and this bust cannot be posthumous.
The emperor Pertinax had just been assassinated by the Praetorian guard for attempting to reorganize the finances after the catastrophic reign of Commodus. The guards were awaiting retribution from any new emperor. Pertinax's father-in-law, Sulpicianus, promised to each man a bonus worth eight years of wages. Arriving at that time to try his luck, Didius Julianus gives way to the pressure of the guards and promises even more than his rival.
This way of taking power is considered by the armies as a shameful auction of the Roman Empire. It immediately triggers the civil war that will be won by Septimius Severus.
Raised by the mother of Marcus Aurelius, Julianus had hitherto made a successful career. The story of his short reign was told by Cassius Dio who worked for the Severans. It is certainly not objective.
#AuctionUpdate 'A Roman Marble Portrait Bust Of Emperor Didius Julianus' achieved $4,815,000 against a high estimate of $1,800,000 today in our Antiquities sale in #NewYork https://t.co/2EbXzYPxRM pic.twitter.com/N3ghOYDLs2
— Christie's (@ChristiesInc) April 29, 2019
Eastern Han - Nephrite Bear
2011 SOLD 8 M$ including premium by Elite Decorative
Link to catalogue on LiveAuctioneers.
Gandhara Schist Triad
2020 SOLD for $ 6.6M including premium by Christie's
Link to catalogue.
#AuctionUpdate Sold to applause after competitive bidding, a rare and magnificent gray Schist Relief Triad of Buddha Shakyamuni with Bodhisattvas realized $6,630,000 -- more than 8x over its high estimate. https://t.co/ui1Ion9dcd pic.twitter.com/nxEKQeqVPI
— Christie's (@ChristiesInc) September 23, 2020
526 Buddhist Triad of the Northern Wei
2017 SOLD for $ 5.8M including premium by Christie's
narrated in 2020
The Northern Wei were of foreign origin. In power in northern China since 386 CE, they had led a very long process of sinicization. After being persecuted by that dynasty, Buddhism was recognized as a state religion during the reign of Emperor Xuanwu.
Xuanwu's death in 515 CE opens a long period of civil wars in which the dominant personality is his widow the Empress Dowager Hu. Even more zealous than Xuanwu, Hu had gigantic Buddhist shrines built around the capital Luoyang. These temples are populated with countless altar figures in gilded bronze or in stone, for which an unprecedented perfection is requested. Many of them bear the date of their consecration.
Buddha is the main character, often flanked by two smaller bodhisattvas. The group in the round is positioned in front of a mandorla centered with a radiant halo. The stone carving technique is inspired by the Gandhara schists but the figurative details are different with a great care paid to the amplitude of the long robes.
A remarkably preserved 61 cm high marble triad was sold for $ 5.8M including premium by Christie's on March 15, 2017 from a lower estimate of $ 600K, lot 529 in the auction of the Fujita Museum collection.
This piece is dated to the second year of Xiaochang, the fourth era of the child emperor Xiaoming, corresponding to 526 CE. The three characters have half-closed eyes and a soothing smile. Buddha has one hand raised and the other lowered, in the blessing gesture of abhayamudra and varadamudra. In front of each of the bodhisattvas is a seated roaring lion. The top of the mandorla is missing.
Xuanwu's death in 515 CE opens a long period of civil wars in which the dominant personality is his widow the Empress Dowager Hu. Even more zealous than Xuanwu, Hu had gigantic Buddhist shrines built around the capital Luoyang. These temples are populated with countless altar figures in gilded bronze or in stone, for which an unprecedented perfection is requested. Many of them bear the date of their consecration.
Buddha is the main character, often flanked by two smaller bodhisattvas. The group in the round is positioned in front of a mandorla centered with a radiant halo. The stone carving technique is inspired by the Gandhara schists but the figurative details are different with a great care paid to the amplitude of the long robes.
A remarkably preserved 61 cm high marble triad was sold for $ 5.8M including premium by Christie's on March 15, 2017 from a lower estimate of $ 600K, lot 529 in the auction of the Fujita Museum collection.
This piece is dated to the second year of Xiaochang, the fourth era of the child emperor Xiaoming, corresponding to 526 CE. The three characters have half-closed eyes and a soothing smile. Buddha has one hand raised and the other lowered, in the blessing gesture of abhayamudra and varadamudra. In front of each of the bodhisattvas is a seated roaring lion. The top of the mandorla is missing.
#WorldAuctionRecord : la vente de la collection du musée #Fujita a totalisé 263 millions de dollars chez #Christies à New-York le 15 mars pic.twitter.com/D7QYaOzkcP
— Christie's Paris (@christiesparis) March 17, 2017
724 The Dinar from Arabia
2019 SOLD for £ 3.7M including premium
The Umayyad dynasty was reigning in Damascus. The fifth caliph, Abd al-Malik, creates the Islamic coinage, replacing the images with kufi scriptures in praise of God. The coins also cease to identify the reigning caliph. The first gold dinar in this new style is dated 77 AH.
Taking advantage of the conquests, the caliphs exploit distant mines including Ifriqiya in Tunisia from 100 to 122 AH and al-Andalus. Around 100 AH the caliph Umar buys a mine in Hijaz, between Medina and Mecca, on a land bequeathed to the father of the previous owners by the Prophet himself.
The dies are made in Damascus. Some very rare prestige editions make a reference to the origin of the gold. Most of the coins were nevertheless striken in Damascus but the practice of traveling mints is not excluded because the necessary tools were not bulky.
The use of the Gold of the Commander of the Believers is indicated on a series of dinars in 91 and 92 AH. The dinar of 105 AH adds to this inscription a Hijaz origin. It is impossible to know if the gold of these two series comes from the same mine.
In 105 AH corresponding to 724 CE, the caliph Yazid dies after a long illness. The presence in Arabia of his brother and successor Hisham is attested in that year. Although it is impossible to conclude which of the two caliphs commissioned the gold dinar, a prestigious operation of the new caliph co-ordinated with a pilgrimage to Mecca is likely.
By its inscription, this beautiful dinar from Hijaz weighing 4.27 g is the most valuable of the Islamic Umayyad coins. One of them in Extremely Fine condition was sold for £ 3.7M including premium by Morton and Eden on April 4, 2011 over a lower estimate of £ 300K.
Another uncirculated example of this dinar was sold for £ 793K including premium by Baldwin's on December 6, 2012, lot 120. It had previously passed at the same auction house on April 25, 2012, lot 17 with a lower estimate of £ 1.5M. I discussed it in this column before these sales. It is now estimated £ 1.4M for sale by Morton and Eden in London on October 24, lot 11 here linked on the NumisBids bidding platform.
Taking advantage of the conquests, the caliphs exploit distant mines including Ifriqiya in Tunisia from 100 to 122 AH and al-Andalus. Around 100 AH the caliph Umar buys a mine in Hijaz, between Medina and Mecca, on a land bequeathed to the father of the previous owners by the Prophet himself.
The dies are made in Damascus. Some very rare prestige editions make a reference to the origin of the gold. Most of the coins were nevertheless striken in Damascus but the practice of traveling mints is not excluded because the necessary tools were not bulky.
The use of the Gold of the Commander of the Believers is indicated on a series of dinars in 91 and 92 AH. The dinar of 105 AH adds to this inscription a Hijaz origin. It is impossible to know if the gold of these two series comes from the same mine.
In 105 AH corresponding to 724 CE, the caliph Yazid dies after a long illness. The presence in Arabia of his brother and successor Hisham is attested in that year. Although it is impossible to conclude which of the two caliphs commissioned the gold dinar, a prestigious operation of the new caliph co-ordinated with a pilgrimage to Mecca is likely.
By its inscription, this beautiful dinar from Hijaz weighing 4.27 g is the most valuable of the Islamic Umayyad coins. One of them in Extremely Fine condition was sold for £ 3.7M including premium by Morton and Eden on April 4, 2011 over a lower estimate of £ 300K.
Another uncirculated example of this dinar was sold for £ 793K including premium by Baldwin's on December 6, 2012, lot 120. It had previously passed at the same auction house on April 25, 2012, lot 17 with a lower estimate of £ 1.5M. I discussed it in this column before these sales. It is now estimated £ 1.4M for sale by Morton and Eden in London on October 24, lot 11 here linked on the NumisBids bidding platform.
Morton and Eden are delighted to announce the sale of the extremely rare Umayyad dinar Ma'din Amir al-Mu'minin bi'l-Hijaz 105h, sold today for £3.720.000 (with premium), matching the record we set in 2011 for a similar coin. pic.twitter.com/dkN2oBdES2
— Morton & Eden Ltd (@MortonandEden) October 24, 2019
724 The Gold of the Commander of the Faithful
2011 SOLD 3.7 M£ including premium
One hundred years after the Hegira, the Muslim world is led by the Caliph of the Umayyad dynasty, whose capital is in Damascus. The sale in London on April 4 of two superb gold dinars from that time is an exceptional event in its category. The auction is organized by Morton and Eden in the premises of Sotheby's.
These coins are illustrated on both sides by an Arabic text, indicating in particular that they come from the mine of the Commander of the Faithful. They are dated 92 and 105 AH (711 and 724 of our calendar).
The latest coin certifies that it was made from a mine in Hejaz. Such a mine had been purchased a few years previously by one of the first Caliphs. The absence of coins of this origin between 92 and 105 could correlate such issues with pilgrimages to Mecca led by the Caliph himself.
Both are in very fine condition. They are estimated respectively at £ 250K and 300K.
POST SALE COMMENT
I had announced an event exceptional in its category. It was true.
The most prestigious of the two coins, dated 105AH (724AD), was sold £ 3.1 million before fees, 3.7 million including premium.
The photo of this exceptional dinar is shared by CoinWeek.
The other coin (92AH, 711AD) also far exceeded its estimate. It was sold £ 540K before fees, 648K including premium.
These coins are illustrated on both sides by an Arabic text, indicating in particular that they come from the mine of the Commander of the Faithful. They are dated 92 and 105 AH (711 and 724 of our calendar).
The latest coin certifies that it was made from a mine in Hejaz. Such a mine had been purchased a few years previously by one of the first Caliphs. The absence of coins of this origin between 92 and 105 could correlate such issues with pilgrimages to Mecca led by the Caliph himself.
Both are in very fine condition. They are estimated respectively at £ 250K and 300K.
POST SALE COMMENT
I had announced an event exceptional in its category. It was true.
The most prestigious of the two coins, dated 105AH (724AD), was sold £ 3.1 million before fees, 3.7 million including premium.
The photo of this exceptional dinar is shared by CoinWeek.
The other coin (92AH, 711AD) also far exceeded its estimate. It was sold £ 540K before fees, 648K including premium.
Tang - Horse by Han Gan
2017 SOLD for $ 17M including premium by Christie's
narrated in 2020
Silk painting in ink and colors already existed under the Han, before the invention of paper. As early as 550 CE, an art critic defines six principles to be considered for appreciating a figurative work. The first principle is not derogable : the artist must transfer his energy into his art. It is also the basis of calligraphic art.
The Tang are great protectors of the arts. Narrative paintings feature groups in complex situations, with picturesque detail. The Taizong emperor also inaugurates the Tang's passion for the horse, that indispensable auxiliary of the warrior. He commissions the portraits of his favorite horses to Yan Liben.
The Tang imperial horses are the subject of a selection, integrating the best foreign breeds. The peak is reached during the reign of Xuanzong. His stable is reputed to house 40,000 horses, some of which are specially trained to dance in front of the emperor. Polo, hunting and jousting are practiced with passion. The main horse painter is Chen Hong.
Around 750 CE the self-taught artist Han Gan is noted for his artistic talents and invited to collaborate with Chen Hong. Han Gan abandons stylization for realism. The portrait of a horse, sometimes with a rider or a groom, becomes his exclusive theme. Each animal is observed individually.
On March 15, 2017, Christie's sold at lot 509 for $ 17M including premium the image of a horse by Han Gan, 32 x 38 cm, very readable but heavily cracked. The animal with an elegant two-tone hair walks with a dignified slowness. The colophon of the Qianlong emperor includes no less than twelve imperial seal marks and the artwork is listed in the catalogue of his collection, the Shiqu Baoji.
Xuanzong's long reign is culturally splendid and politically catastrophic. The emperor had abandoned management to devote himself to pleasures. He was deposited in 756 CE after a short civil war. This date is probably the terminus ante quem for an original painting by Han Gan.
The Tang are great protectors of the arts. Narrative paintings feature groups in complex situations, with picturesque detail. The Taizong emperor also inaugurates the Tang's passion for the horse, that indispensable auxiliary of the warrior. He commissions the portraits of his favorite horses to Yan Liben.
The Tang imperial horses are the subject of a selection, integrating the best foreign breeds. The peak is reached during the reign of Xuanzong. His stable is reputed to house 40,000 horses, some of which are specially trained to dance in front of the emperor. Polo, hunting and jousting are practiced with passion. The main horse painter is Chen Hong.
Around 750 CE the self-taught artist Han Gan is noted for his artistic talents and invited to collaborate with Chen Hong. Han Gan abandons stylization for realism. The portrait of a horse, sometimes with a rider or a groom, becomes his exclusive theme. Each animal is observed individually.
On March 15, 2017, Christie's sold at lot 509 for $ 17M including premium the image of a horse by Han Gan, 32 x 38 cm, very readable but heavily cracked. The animal with an elegant two-tone hair walks with a dignified slowness. The colophon of the Qianlong emperor includes no less than twelve imperial seal marks and the artwork is listed in the catalogue of his collection, the Shiqu Baoji.
Xuanzong's long reign is culturally splendid and politically catastrophic. The emperor had abandoned management to devote himself to pleasures. He was deposited in 756 CE after a short civil war. This date is probably the terminus ante quem for an original painting by Han Gan.
756 Gods, Sages and Emperors
2011 SOLD 115 M RMB yuan by China Guardian
narrated post sale
The qin is the traditional Chinese plucked string instrument. The antique variants are now designated as guqin.
The guqin is the first of the four treasures of the scholar, ahead of Chinese go, calligraphy and ink painting. It was known since ancient times and the Chinese tradition likes to assign it with a pre-dynastic origin. Confucius is quoted among the sages who improved the instrument.
The classical seven-string guqin provides a music of great subtlety facilitated by the dots of harmony distributed on the surface. The wooden back is also an invitation to the inscription of poems.
The Imperial guqins are of great rarity. One of them named Da Sheng Yi Yin (reminiscent of the great sage) was sold for RMB yuan 115 million by China Guardian in 2011.
It was produced for or by the Emperor Suzong of the Tang. Lacquered in black and brown, it wears a poem and a seal and its harmonics match the months of the Chinese calendar. Its date is corresponding to 756 in our own calendar. Both sides are illustrated in an article shared by China Daily.
In December 2010, Poly sold for RMB yuan 137 million including premium (US $ 20.7 million in the conversion rate of that time) an imperial Song guqin made for the Emperor Huizong in 1120 of our calendar.
The guqin is the first of the four treasures of the scholar, ahead of Chinese go, calligraphy and ink painting. It was known since ancient times and the Chinese tradition likes to assign it with a pre-dynastic origin. Confucius is quoted among the sages who improved the instrument.
The classical seven-string guqin provides a music of great subtlety facilitated by the dots of harmony distributed on the surface. The wooden back is also an invitation to the inscription of poems.
The Imperial guqins are of great rarity. One of them named Da Sheng Yi Yin (reminiscent of the great sage) was sold for RMB yuan 115 million by China Guardian in 2011.
It was produced for or by the Emperor Suzong of the Tang. Lacquered in black and brown, it wears a poem and a seal and its harmonics match the months of the Chinese calendar. Its date is corresponding to 756 in our own calendar. Both sides are illustrated in an article shared by China Daily.
In December 2010, Poly sold for RMB yuan 137 million including premium (US $ 20.7 million in the conversion rate of that time) an imperial Song guqin made for the Emperor Huizong in 1120 of our calendar.
Tang - Ten Virtues on the Face of Buddha
2013 SOLD 40.4 MHK$ including premium
In China, the art of lacquer early enabled a polychrome figuration. It came in competition with later sculpture techniques such as bronze and ceramics.
To embody the ten virtues on the face of Buddha, a new technique identified as "dry lacquer" was developed in the Tang period. The goal was to obtain a perfect carving on a piece sufficiently light to be easily moved during the processions.
A mandrel of wood is plated with clay before being covered with the layers of lacquer-imbued hemp wherein the carving is performed. The artist has all the necessary comfort to improve his work until the desired effect is achieved. Then, wood and clay are removed.
The dry lacquer made in Tang period is extremely rare. Of course, many of these fragile pieces made to be handled have been broken over the centuries. They are so rare that we may assume that the Buddha figures using this technique were performed by a single workshop, perhaps unrelated to the imperial court.
A serene Buddha head is estimated HK $ 20M, for sale by Sotheby's in Hong Kong on October 8. The larger than life size, 46 cm high, is accentuating the majestic look. Its symbolic expression of the perfection of virtues through facial features is a masterpiece of the art of portraiture.
Here is the link to the catalog.
POST SALE COMMENT
The unusual technique and the beauty of the face of Buddha pushed this piece up to HK $ 40.4 million including premium.
To embody the ten virtues on the face of Buddha, a new technique identified as "dry lacquer" was developed in the Tang period. The goal was to obtain a perfect carving on a piece sufficiently light to be easily moved during the processions.
A mandrel of wood is plated with clay before being covered with the layers of lacquer-imbued hemp wherein the carving is performed. The artist has all the necessary comfort to improve his work until the desired effect is achieved. Then, wood and clay are removed.
The dry lacquer made in Tang period is extremely rare. Of course, many of these fragile pieces made to be handled have been broken over the centuries. They are so rare that we may assume that the Buddha figures using this technique were performed by a single workshop, perhaps unrelated to the imperial court.
A serene Buddha head is estimated HK $ 20M, for sale by Sotheby's in Hong Kong on October 8. The larger than life size, 46 cm high, is accentuating the majestic look. Its symbolic expression of the perfection of virtues through facial features is a masterpiece of the art of portraiture.
Here is the link to the catalog.
POST SALE COMMENT
The unusual technique and the beauty of the face of Buddha pushed this piece up to HK $ 40.4 million including premium.
early Song - The Partners of Amitabha
2019 SOLD for HK$ 45M including premium
Amitabha is the Buddha of supreme bliss, the guarantor of a perfect world. He is unattainable by humans. Intercession is performed by bodhisattvas. Antique Buddhist sculptures often show a triad centered by Amitabha with Avalokiteshvara on his left side and Mahasthamaprapta on his right side. They are sometimes surrounded by celestial angels.
The two bodhisattvas appear as identically dressed twins. They nevertheless have separate roles. Avalokiteshvara brings the infinite compassion and Mahasthamaprapta the power of wisdom. The main difference is the ornamentation of the frontal crown, a figure of Amitabha for Avalokiteshvara and the urn of wisdom for Mahasthamaprapta. In China they are respectively named Guanyin and Dashizhi.
Carved in the early Tang dynasty, a pair of limestone bodhisattvas 67 cm high was separated by Christie's on September 13, 2018, fetching $ 3.25M and $ 2M including premium.
Buddhism is persecuted in China from the reign of the Wuzong emperor of the Tang dynasty. The period of the five short-lived dynasties that follow each other from 907 to 960 CE after the fall of the Tang remains for Buddhism a period of weakness before its renewal under the Song. The altar figures are now made of wood, cheaper than bronze or stone. Polychromy is still applied.
On May 29 in Hong Kong, Christie's sells a pair of wooden bodhisattvas, lot 2713 estimated HK $ 40M. They are standing in an identical attitude in mirror inversion, for flanking an Amitabha that has disappeared. They are 145 cm high without including their modern stands. Traces of pigments have been preserved. Please watch the video where the sequences alternate with a monumental Qing Buddha.
Some details including the fishnet pattern of the necklace are typical of the early Song. A departure from the Buddhist canon during the dark period has lengthened the legs and slightly reduced heads and necks.
The two bodhisattvas appear as identically dressed twins. They nevertheless have separate roles. Avalokiteshvara brings the infinite compassion and Mahasthamaprapta the power of wisdom. The main difference is the ornamentation of the frontal crown, a figure of Amitabha for Avalokiteshvara and the urn of wisdom for Mahasthamaprapta. In China they are respectively named Guanyin and Dashizhi.
Carved in the early Tang dynasty, a pair of limestone bodhisattvas 67 cm high was separated by Christie's on September 13, 2018, fetching $ 3.25M and $ 2M including premium.
Buddhism is persecuted in China from the reign of the Wuzong emperor of the Tang dynasty. The period of the five short-lived dynasties that follow each other from 907 to 960 CE after the fall of the Tang remains for Buddhism a period of weakness before its renewal under the Song. The altar figures are now made of wood, cheaper than bronze or stone. Polychromy is still applied.
On May 29 in Hong Kong, Christie's sells a pair of wooden bodhisattvas, lot 2713 estimated HK $ 40M. They are standing in an identical attitude in mirror inversion, for flanking an Amitabha that has disappeared. They are 145 cm high without including their modern stands. Traces of pigments have been preserved. Please watch the video where the sequences alternate with a monumental Qing Buddha.
Some details including the fishnet pattern of the necklace are typical of the early Song. A departure from the Buddhist canon during the dark period has lengthened the legs and slightly reduced heads and necks.
