1927
See also : Spain II Miro Eastern Europe Far West Women artists Cars 1920s Mercedes-Benz Patek Philippe Development of Patek Philippe Switzerland < 1940
1927 The Blue Period of Joan Miro
2012 SOLD 23.5 M£ including premium
Miro was the most abstract of the surrealists and the most surreal of the abstract. His use of geometric shapes is as hermetic as the artistic grammar of Kandinsky. The title of the work invites the viewer to a certain vision that is never the only possible interpretation.
Painted in 1927, Peinture (étoile bleue), is typical and can rightly be considered as an outstanding work of the artist. It is for sale by Sotheby's in London on June 19. Here is the link to the catalog.
Never a visible star was blue, but the universe of Miro is completely dreamlike. The artwork, an oil on canvas 115 x 89 cm, is actually azure dark blue, anticipating over thirty years Klein's IKB.
The vertical format invites to gravity, but the opposite occurs. The forms that sail in this space are completely free and far between, like galaxies in the sky, preceding by 70 years the shelters for aliens by Cai Guo-Qiang.
Forgotten for 40 years in the estate of a great collector, Peinture (étoile bleue) got a nice media success when it reappeared in Paris. It was sold € 11.6 million including premium by Aguttes on December 21, 2007. Certainly this is a masterpiece by Miro, but its new estimate, £ 15M, is ambitious.
I invite you to play the video shared on the web by Sotheby's.
POST SALE COMMENT
In 2007, the Parisian observers rightly considered Peinture (étoile bleue) as a masterpiece of Miro. The result, quoted above, was then the highest price recorded for the artist at auction.
And in 2012, Sotheby's has largely won their challenge: £ 23.5 million including premium.
This artist always original and often difficult enters the short list of the most outstanding painters of the twentieth century.
Painted in 1927, Peinture (étoile bleue), is typical and can rightly be considered as an outstanding work of the artist. It is for sale by Sotheby's in London on June 19. Here is the link to the catalog.
Never a visible star was blue, but the universe of Miro is completely dreamlike. The artwork, an oil on canvas 115 x 89 cm, is actually azure dark blue, anticipating over thirty years Klein's IKB.
The vertical format invites to gravity, but the opposite occurs. The forms that sail in this space are completely free and far between, like galaxies in the sky, preceding by 70 years the shelters for aliens by Cai Guo-Qiang.
Forgotten for 40 years in the estate of a great collector, Peinture (étoile bleue) got a nice media success when it reappeared in Paris. It was sold € 11.6 million including premium by Aguttes on December 21, 2007. Certainly this is a masterpiece by Miro, but its new estimate, £ 15M, is ambitious.
I invite you to play the video shared on the web by Sotheby's.
POST SALE COMMENT
In 2007, the Parisian observers rightly considered Peinture (étoile bleue) as a masterpiece of Miro. The result, quoted above, was then the highest price recorded for the artist at auction.
And in 2012, Sotheby's has largely won their challenge: £ 23.5 million including premium.
This artist always original and often difficult enters the short list of the most outstanding painters of the twentieth century.
1927 The Dream Woman of Joan Miro
2020 SOLD for £ 22.3M including premium
When Breton is preparing the Manifeste du Surréalisme in 1924, this movement is mainly literary. It is Miro who will make the link between art and poetry, with his cycle of dream paintings. The exuberant titles give way to a minimalist description : "Peinture", sometimes followed by a subtitle.
This phase culminates in 1927 with the blue period. The background is an opaque sky blue, azul in Spanish. This too saturated but very bright color had traditionally discouraged artists but could evoke a spirituality. It will inspire Klein's transcendental IKB.
The artist's graphic technique is unprecedented. The image approaches a very schematic reality, by the spots of vivid colors that dot its surface. The dream is a very narrow black line which complements the previous forms and often contradicts them. He will reuse this opposition with high virtuosity in his war series of the Constellations.
This graphic duality is present in Peinture (Etoile bleue), which derives its subtitle from a cobalt blue star. The figuration is a tiny tightrope walker in a spinning movement. This oil on canvas 115 x 89 cm was sold for £ 23.5M including premium by Sotheby's on June 19, 2012.
On July 28 in London, Sotheby's sells Peinture (Femme au chapeau rouge), oil on canvas 130 x 97 cm, lot 17 estimated £ 20M. This work attests to the influence of Miro on Calder who managed to acquire it in 1966. Please watch the video shared by the auction house.
Invited by the subtitle, the observer quickly finds the spot that represents the hat. The image of the woman is gradually created from top to bottom, with the golden neckline, the black corset and the large white apron that flies in the wind. The black line could have underlined the torso if it did not protrude above the hat. In the lower part of the image, it forms a sort of crinoline on the left of the apron.
This phase culminates in 1927 with the blue period. The background is an opaque sky blue, azul in Spanish. This too saturated but very bright color had traditionally discouraged artists but could evoke a spirituality. It will inspire Klein's transcendental IKB.
The artist's graphic technique is unprecedented. The image approaches a very schematic reality, by the spots of vivid colors that dot its surface. The dream is a very narrow black line which complements the previous forms and often contradicts them. He will reuse this opposition with high virtuosity in his war series of the Constellations.
This graphic duality is present in Peinture (Etoile bleue), which derives its subtitle from a cobalt blue star. The figuration is a tiny tightrope walker in a spinning movement. This oil on canvas 115 x 89 cm was sold for £ 23.5M including premium by Sotheby's on June 19, 2012.
On July 28 in London, Sotheby's sells Peinture (Femme au chapeau rouge), oil on canvas 130 x 97 cm, lot 17 estimated £ 20M. This work attests to the influence of Miro on Calder who managed to acquire it in 1966. Please watch the video shared by the auction house.
Invited by the subtitle, the observer quickly finds the spot that represents the hat. The image of the woman is gradually created from top to bottom, with the golden neckline, the black corset and the large white apron that flies in the wind. The black line could have underlined the torso if it did not protrude above the hat. In the lower part of the image, it forms a sort of crinoline on the left of the apron.
1927 The Neo-Plasticism of Mondrian
2014 SOLD 15.2 M£ including premium
In the early years of abstract art, Piet Mondrian had pushed cubism to its limits by excluding color and by limiting the form to strictly horizontal and vertical lines that interrupt to define rectangles of varying proportions.
Around 1922 pure colors fill some rectangles. Executed on a gray background, the composition with blue, red, yellow and black from the Saint-Laurent collection, oil on canvas 80 x 50 cm, was sold for € 21.5 million including premium by Christie's on 23 February 2009.
The inevitable edge of the canvas disrupts the will of the artist to reach infinity. He seeks a solution by a diamond position of the canvas.
In 1926, Mondrian develops and publishes his neo-plasticist theory. The black lines are more sparse. The rectangles of pure colors are limited to two or three, but their presence near the edge, already in place in 1922, now takes the major role by creating the illusion that they are the starting point of an unlimited area. Therefore the overall size of the canvas is not significant. It again becomes rectangular.
On June 23 in London, Sotheby's sells an oil on canvas 66 x 50 cm painted in 1927, lot 14 estimated £ 13M. The rectangles are grey excepted one red which is stuck between two horizontal lines and the very small blue escaping to infinity from the bottom left.
White background responds better than gray to Mondrian's quest for purity. Painted in the same year, a small composition with three colors 38 x 35 cm was sold for £ 9.3 million including premium by Sotheby's on June 19, 2013.
I invite you to play the video shared by Sotheby's.
POST SALE COMMENT
This abstract painting from one of the best periods of Mondrian was sold for £ 15.2 million including premium.
Around 1922 pure colors fill some rectangles. Executed on a gray background, the composition with blue, red, yellow and black from the Saint-Laurent collection, oil on canvas 80 x 50 cm, was sold for € 21.5 million including premium by Christie's on 23 February 2009.
The inevitable edge of the canvas disrupts the will of the artist to reach infinity. He seeks a solution by a diamond position of the canvas.
In 1926, Mondrian develops and publishes his neo-plasticist theory. The black lines are more sparse. The rectangles of pure colors are limited to two or three, but their presence near the edge, already in place in 1922, now takes the major role by creating the illusion that they are the starting point of an unlimited area. Therefore the overall size of the canvas is not significant. It again becomes rectangular.
On June 23 in London, Sotheby's sells an oil on canvas 66 x 50 cm painted in 1927, lot 14 estimated £ 13M. The rectangles are grey excepted one red which is stuck between two horizontal lines and the very small blue escaping to infinity from the bottom left.
White background responds better than gray to Mondrian's quest for purity. Painted in the same year, a small composition with three colors 38 x 35 cm was sold for £ 9.3 million including premium by Sotheby's on June 19, 2013.
I invite you to play the video shared by Sotheby's.
POST SALE COMMENT
This abstract painting from one of the best periods of Mondrian was sold for £ 15.2 million including premium.
1927 The Glory of the Pastry Cook
2013 SOLD 18 M$ including premium
The portrait of apprentice pastry cooks is a recurring theme for Soutine. These boys engaged in a job that they have not chosen are a mirror of the difficulties of his own life. These young people are already ugly and sad. Their uniform reveals their lower class profession for the service of the rich.
One of the first versions astonishes Paul Guillaume and Dr. Barnes, ensuring the lasting fame of the artist, a fame of which he so rarely profited because of his ever dissatisfied nature.
On May 8 in New York, Christie's sells the sixth and final portrait of pastry cooks, painted circa 1927. This oil on canvas, 76 x 70 cm, is extraordinary for its emotional intensity and technical quality.
The malaise of the boy is visible from his sickly eye, pouting mouth and clumsy hands clutching the hips.
The artwork is at the intersection of Modigliani's ideal compositions, Picasso's pauperism in the blue period and Monet's chromatic subtlety within the white, and of course the nervousness of the brushwork is proper to Soutine. This masterpiece is estimated $ 16M.
I invite you to play the video shared by Christie's.
POST SALE COMMENT
This engaging work is probably one of the best paintings by Soutine available on the art market. It was sold $ 18M including premium.
One of the first versions astonishes Paul Guillaume and Dr. Barnes, ensuring the lasting fame of the artist, a fame of which he so rarely profited because of his ever dissatisfied nature.
On May 8 in New York, Christie's sells the sixth and final portrait of pastry cooks, painted circa 1927. This oil on canvas, 76 x 70 cm, is extraordinary for its emotional intensity and technical quality.
The malaise of the boy is visible from his sickly eye, pouting mouth and clumsy hands clutching the hips.
The artwork is at the intersection of Modigliani's ideal compositions, Picasso's pauperism in the blue period and Monet's chromatic subtlety within the white, and of course the nervousness of the brushwork is proper to Soutine. This masterpiece is estimated $ 16M.
I invite you to play the video shared by Christie's.
POST SALE COMMENT
This engaging work is probably one of the best paintings by Soutine available on the art market. It was sold $ 18M including premium.
1927 The Sofa of the Roaring Twenties
2019 SOLD for $ 13.4M including premium
Tamara de Lempicka appreciated that success is the result of personal initiative. She began her career as a portrait artist in Paris, including a worldly escapade in Milan in 1925, while making clear statements on her bisexual desires. Some freedom brought by Hollywood made this kind of attitude already possible.
Her husband's name is Tadeusz Lempicki. Some of Tamara's early paintings are signed T. de Lempitzki, probably to mark her manly tendencies. She looks for the most beautiful women and invites them to pose on her couch, naked or dressed.
Tamara meets Rafaëla at the Bois de Boulogne. She will tell later that she had seen how passers-by stared at the young woman. Rafaëla is pretty and chubby, with her hair styled in the fashion of Louise Brooks. Her portraits by Tamara are carnal, in the signature neat lines of the artist, revealing a love empathy between the two women.
Le Rêve, oil on canvas 81 x 59 cm painted in 1927, is also titled Rafaëla sur fond vert. The shirtless model sits with her arms crossed over her chest and her head resting on the back of the sofa. Like the best nudes of Modigliani, she waits peacefully for the artist's instructions. It was sold for $ 8.5M including premium by Sotheby's on November 2, 2011.
On November 12 in New York, Sotheby's sells La Tunique rose, oil on canvas 73 x 116 cm painted in the same year, lot 43 estimated $ 6M. Reclining on the same green sofa, Rafaëla wears a little dress no more covering than a night suit. The expression is nice, with a contrast between the shadow on the eyes and the light on the red mouth.
Her husband's name is Tadeusz Lempicki. Some of Tamara's early paintings are signed T. de Lempitzki, probably to mark her manly tendencies. She looks for the most beautiful women and invites them to pose on her couch, naked or dressed.
Tamara meets Rafaëla at the Bois de Boulogne. She will tell later that she had seen how passers-by stared at the young woman. Rafaëla is pretty and chubby, with her hair styled in the fashion of Louise Brooks. Her portraits by Tamara are carnal, in the signature neat lines of the artist, revealing a love empathy between the two women.
Le Rêve, oil on canvas 81 x 59 cm painted in 1927, is also titled Rafaëla sur fond vert. The shirtless model sits with her arms crossed over her chest and her head resting on the back of the sofa. Like the best nudes of Modigliani, she waits peacefully for the artist's instructions. It was sold for $ 8.5M including premium by Sotheby's on November 2, 2011.
On November 12 in New York, Sotheby's sells La Tunique rose, oil on canvas 73 x 116 cm painted in the same year, lot 43 estimated $ 6M. Reclining on the same green sofa, Rafaëla wears a little dress no more covering than a night suit. The expression is nice, with a contrast between the shadow on the eyes and the light on the red mouth.
1927 The Sublime Austerity of Piet Mondrian
2013 SOLD 9.3 M£ including premium
PRE SALE DISCUSSION
Without desiring it, Piet Mondrian is a distant successor to the Iconoclasts. This mystic finds inspiration in theosophy.The artist can express the mystery of the world by abandoning completely the figuration.
Unlike Miro, Mondrian does not invite the viewer to interpret. He seeks his own way, which is as unresolved and endless as that of Kafka's surveyor.
Malevich had understood that the quintessence of art is pure white. Mondrian adds strictly horizontal and vertical thick black lines. Their meetings can generate an interrupt, but the strictly orthogonal angles attract no fantasy.
The world is not made up of black and white but of colors. The three basic pure colors are enough to announce all its diversity. Red, yellow and blue each one fills a dedicated area bounded by black lines.
Here comes finally the diversity. Mondrian is not a geometer and his progress is empirical. His quest to the sublimeleads him to vary the position and size of the colored areas from one artwork to another.
A small oil on canvas, 38 x 35 cm, painted in 1927 is estimated £ 4.5 million, for sale by Sotheby's in London on June 19.
Of same size, yellow and red are on the left of the same vertical. The violent and haunting red escapes by two sides, top and left. The lower line prevents the yellow to reach the bottom edge but allows the intrusion of the long blue stripe. Twenty years before Pollock, the impressions offered in Mondrian's art have already no limitations.
POST SALE COMMENT
The estimate was too shy for this typical painting of the most famous Mondrian style. It was sold for £ 9.3 million including premium.
Without desiring it, Piet Mondrian is a distant successor to the Iconoclasts. This mystic finds inspiration in theosophy.The artist can express the mystery of the world by abandoning completely the figuration.
Unlike Miro, Mondrian does not invite the viewer to interpret. He seeks his own way, which is as unresolved and endless as that of Kafka's surveyor.
Malevich had understood that the quintessence of art is pure white. Mondrian adds strictly horizontal and vertical thick black lines. Their meetings can generate an interrupt, but the strictly orthogonal angles attract no fantasy.
The world is not made up of black and white but of colors. The three basic pure colors are enough to announce all its diversity. Red, yellow and blue each one fills a dedicated area bounded by black lines.
Here comes finally the diversity. Mondrian is not a geometer and his progress is empirical. His quest to the sublimeleads him to vary the position and size of the colored areas from one artwork to another.
A small oil on canvas, 38 x 35 cm, painted in 1927 is estimated £ 4.5 million, for sale by Sotheby's in London on June 19.
Of same size, yellow and red are on the left of the same vertical. The violent and haunting red escapes by two sides, top and left. The lower line prevents the yellow to reach the bottom edge but allows the intrusion of the long blue stripe. Twenty years before Pollock, the impressions offered in Mondrian's art have already no limitations.
POST SALE COMMENT
The estimate was too shy for this typical painting of the most famous Mondrian style. It was sold for £ 9.3 million including premium.
1927 The Lady of the Weeds
2015 SOLD for $ 9M including premium
It was not enough for Georgia O'Keeffe to be Stieglitz's wife and model. She finds a small paradise in the grasslands around Lake George in upstate New York. Nature knows how to create perfect shapes much better than an artist can do. She watches the flowering of the weeds.
Georgia expresses the beauty of white flowers in a variety of viewpoints that reveal their sublime geometries in the process of their outbreak.
A painting of petunias executed in 1926 still marks an aesthetic reference to photography by showing side by side a pale pink flower and a dark purple flower that is somehow its negative. This oil on canvas 76 x 91 cm was sold for $ 4.1 million including premium by Sotheby's on May 19, 2010.
Georgia's favorite flower is the calla lily, whose name means beautiful in its etymology. She is sometimes nicknamed the Lady of the Lily by her friends.
An oil on canvas 81 x 43 cm painted in 1927 is starring a calla lily with its white petals opening on a yellow pistil. It is estimated $ 8M for sale by Sotheby's in New York on May 20, lot 14. Georgia particularly enjoyed that artwork which she kept in her personal collection.
She discovers Taos two years later. A datura painted in very large size in 1934, 122 x 107 cm, was sold for $ 44.4M including premium by Sotheby's on November 20, 2014.
Georgia expresses the beauty of white flowers in a variety of viewpoints that reveal their sublime geometries in the process of their outbreak.
A painting of petunias executed in 1926 still marks an aesthetic reference to photography by showing side by side a pale pink flower and a dark purple flower that is somehow its negative. This oil on canvas 76 x 91 cm was sold for $ 4.1 million including premium by Sotheby's on May 19, 2010.
Georgia's favorite flower is the calla lily, whose name means beautiful in its etymology. She is sometimes nicknamed the Lady of the Lily by her friends.
An oil on canvas 81 x 43 cm painted in 1927 is starring a calla lily with its white petals opening on a yellow pistil. It is estimated $ 8M for sale by Sotheby's in New York on May 20, lot 14. Georgia particularly enjoyed that artwork which she kept in her personal collection.
She discovers Taos two years later. A datura painted in very large size in 1934, 122 x 107 cm, was sold for $ 44.4M including premium by Sotheby's on November 20, 2014.
1927 Lempicka undresses the Modern Woman
2011 SOLD 8.5 M$ including premium
With her skill for doing the portraits of her contemporaries, Tamara de Lempicka can however not be attached to any school of painting, and even better she probably inspired Picasso.
The oil on canvas, 81 x 59 cm, for sale on November 2 by Sotheby's in New York, provides (with the assistance of the catalog) the keys of the art of Lempicka.
A young woman naked to the waist is comfortably nestled in a green sofa. The gaze is strong and straight. She looks confident like a nude of Modigliani, and her arms resting on the chest are a charming gesture, not a protection.
Lempicka was 29 when she painted this work in 1927. She loved women, and was able to establish communication with her model.
The 1920s have witnessed the dramatic expansion of the films. The image of the ideal woman interested, or perhaps obsessed, Lempicka. Her characters with sharp lines and with hairstyles typical of her time are the mirror views of the emerging Greta Garbo and Louise Brooks.
This painting is estimated $ 5M.
I invite you to play the video shared on the web by Sotheby's.
POST SALE COMMENT
This beautiful nude by Lempicka is also a symbol of the "Roaring Twenties" in Paris. It deserves its very good price: $ 8.5 million including premium.
The oil on canvas, 81 x 59 cm, for sale on November 2 by Sotheby's in New York, provides (with the assistance of the catalog) the keys of the art of Lempicka.
A young woman naked to the waist is comfortably nestled in a green sofa. The gaze is strong and straight. She looks confident like a nude of Modigliani, and her arms resting on the chest are a charming gesture, not a protection.
Lempicka was 29 when she painted this work in 1927. She loved women, and was able to establish communication with her model.
The 1920s have witnessed the dramatic expansion of the films. The image of the ideal woman interested, or perhaps obsessed, Lempicka. Her characters with sharp lines and with hairstyles typical of her time are the mirror views of the emerging Greta Garbo and Louise Brooks.
This painting is estimated $ 5M.
I invite you to play the video shared on the web by Sotheby's.
POST SALE COMMENT
This beautiful nude by Lempicka is also a symbol of the "Roaring Twenties" in Paris. It deserves its very good price: $ 8.5 million including premium.
1927 Mercedes-Benz S 26/180
2011 SOLD for $ 5M including premium by Gooding
1927 Zottelstedt by Feininger
2020 SOLD for £ 3.7M including premium by Sotheby's
1927 Patek Philippe 130 in Stainless Steel
2015 SOLD for CHF 4.6M including premium by Phillips
1927 Cage, forêt et soleil noir by Max Ernst
2021 SOLD for £ 3.1M including premium by Christie's
Link to catalogue.
1927 Gentle Indians of NC Wyeth
2020 SOLD for $ 3.5M including premium
N.C. Wyeth is an illustrator of popular books and magazines. He works primarily but not exclusively for Scribner's. He interprets for the readers the rural life, the adventures of pirates, the Wild West. His images are enthusiastic.
He traveled the West in 1904 and 1906. For Wyeth, Indians are calm and sympathetic. They live with ingenuity in these immaculate conditions of which Frederic Remington had just seen the inexorable disappearance.
In 1908 Wyeth declared that painting and illustration are two different arts that cannot be mixed. He was probably concerned that his growing reputation as an illustrator would hurt his clients' demands for larger format paintings.
Indian Love Call, oil on canvas 117 x 176 cm in arched format painted in 1927, is typical of Wyeth's romanticism. The young Indian in his birch wood canoe plays the flute to attract a young woman who listens in the distance, in front of her tipi.
This work had been privately commissioned by an employee of a publishing house. Kept in the family, it surfaced unrecorded 80 years later. It was sold for $ 1.83M including premium by Sotheby's on November 28, 2007, lot 39, and is estimated $ 2M for sale by Christie's in New York on October 28, lot 15.
He traveled the West in 1904 and 1906. For Wyeth, Indians are calm and sympathetic. They live with ingenuity in these immaculate conditions of which Frederic Remington had just seen the inexorable disappearance.
In 1908 Wyeth declared that painting and illustration are two different arts that cannot be mixed. He was probably concerned that his growing reputation as an illustrator would hurt his clients' demands for larger format paintings.
Indian Love Call, oil on canvas 117 x 176 cm in arched format painted in 1927, is typical of Wyeth's romanticism. The young Indian in his birch wood canoe plays the flute to attract a young woman who listens in the distance, in front of her tipi.
This work had been privately commissioned by an employee of a publishing house. Kept in the family, it surfaced unrecorded 80 years later. It was sold for $ 1.83M including premium by Sotheby's on November 28, 2007, lot 39, and is estimated $ 2M for sale by Christie's in New York on October 28, lot 15.
#AuctionUpdate Newell Convers Wyeth, 'Indian Love Call' achieved $3,510,000. One of Wyeth's favorite motifs in his Native American paintings was the solitary Indian in a reflective mood, as shown in this mural alongside the tranquility of the landscape. https://t.co/FlaKVSgIBM pic.twitter.com/ezUhP0xRMM
— Christie's (@ChristiesInc) October 28, 2020
1927 La Chemise Rose by Lempicka
2009 SOLD for $ 3.2M including premium by Christie's
Link to catalogue (not illustrated)
1927 Max Ernst and the Disasters of War
2011 SOLD 2.5 M€ including premium
PRE SALE DISCUSSION
Max Ernst was disgusted by the First World War. In 1927, his hybrid forms, neither men, nor trees, nor rocks, are nightmares reminiscent of the still fresh horrors. The technique of frottage (rubbing pencil) generates a blur exalting interpretation.
Like Goya, he had a biting irony. Like Goya, his art was militant.
Entitled La Carmagnole, an oil on canvas 73 x 93 cm is an infernal dance. The title is remarkably chosen by reference to the revolutionary dance that symbolizes so well the illusory hopes and the brutality of the men of 1789.
This painting is for sale on December 8 by Sotheby's in Paris. The estimate, € 1.5 million, may seem too low. Here is the link to the catalog.
In the same style, on the same year, Ernst also painted the Horde, considered as one of his masterpieces. This altogether bestial scene displays standing brutes along with victims on the ground with wide holes in the head, like a terrible link between Goya and Guernica.
POST SALE COMMENT
This outstanding and disturbing painting was worth better than its estimate. It was sold € 2.5 million including premium.
Max Ernst was disgusted by the First World War. In 1927, his hybrid forms, neither men, nor trees, nor rocks, are nightmares reminiscent of the still fresh horrors. The technique of frottage (rubbing pencil) generates a blur exalting interpretation.
Like Goya, he had a biting irony. Like Goya, his art was militant.
Entitled La Carmagnole, an oil on canvas 73 x 93 cm is an infernal dance. The title is remarkably chosen by reference to the revolutionary dance that symbolizes so well the illusory hopes and the brutality of the men of 1789.
This painting is for sale on December 8 by Sotheby's in Paris. The estimate, € 1.5 million, may seem too low. Here is the link to the catalog.
In the same style, on the same year, Ernst also painted the Horde, considered as one of his masterpieces. This altogether bestial scene displays standing brutes along with victims on the ground with wide holes in the head, like a terrible link between Goya and Guernica.
POST SALE COMMENT
This outstanding and disturbing painting was worth better than its estimate. It was sold € 2.5 million including premium.
