1979
See also : Self portrait II Modern India Gaitonde 20th century furniture Chairs and seats Cars 1970s 1980s Porsche Photo Photos 1970s 1980s Photos by women /
1979 The Twilight of the Painter
2017 SOLD for $ 12.6M including premium
Philip Guston had been one of the best painters of the abstract expressionism, displaying explosions of colors from the center of his canvases. Painted in 1958, To Fellini was sold for $ 26M including premium by Christie's on May 15, 2013.
Guston is however tormented by the question of the role of art. When he moves to Woodstock NY in 1967 he completely changes his approach to the detriment of his own career.
He no longer understands what is the purpose of juxtaposing bright colors. He will now show ordinary objects of his time in a drawing imitating cartoons with poor or lugubrious colors.
On May 17 in New York, Christie's sells Painter at night, oil on canvas 172 x 203 cm painted in 1979, lot 11 B estimated $ 8M. This artwork bearing symbols from his whole life appears as his artistic testament. Did this chain smoker feel that his health was threatened ? He died in the next year of a heart attack.
The unshaved artist with dirty hair turns his back on the viewer. In his dignity as a creator, he is not embarrassed to look like a tramp. He holds his brush and looks at the smoke of his cigarette. The scene is barely lit by a small lamp that symbolized the suicide of his father in his teenager's drawings. Framed in a television it is only a picture in the picture : once again art did not express a reality.
Misunderstood in his later career during his lifetime, Guston has become the forerunner of a movement which does not yet have a name seeking to express the existentialist difficulty and the brutality of current life.
Guston is however tormented by the question of the role of art. When he moves to Woodstock NY in 1967 he completely changes his approach to the detriment of his own career.
He no longer understands what is the purpose of juxtaposing bright colors. He will now show ordinary objects of his time in a drawing imitating cartoons with poor or lugubrious colors.
On May 17 in New York, Christie's sells Painter at night, oil on canvas 172 x 203 cm painted in 1979, lot 11 B estimated $ 8M. This artwork bearing symbols from his whole life appears as his artistic testament. Did this chain smoker feel that his health was threatened ? He died in the next year of a heart attack.
The unshaved artist with dirty hair turns his back on the viewer. In his dignity as a creator, he is not embarrassed to look like a tramp. He holds his brush and looks at the smoke of his cigarette. The scene is barely lit by a small lamp that symbolized the suicide of his father in his teenager's drawings. Framed in a television it is only a picture in the picture : once again art did not express a reality.
Misunderstood in his later career during his lifetime, Guston has become the forerunner of a movement which does not yet have a name seeking to express the existentialist difficulty and the brutality of current life.
1979 The Writing of the Universe
2018 SOLD for HK$ 70M including premium
Zao Wou-Ki appreciates in the 1970s that the universe is not limited to the fight of his inner passion. To continue to encompass everything from creation to unlimited expansion, he revisits the black inks of the Song and creates many wash paintings on paper.
Towards the end of the decade he enters a new phase by transposing his observations on ancient art to the oil on canvas. The shades of the wash subtly fill the light areas that bring the peace and the void that he had always psychologically missed. He chooses for the rest of his image vibrant colors in brushstrokes of great sharpness that he builds like a speedy writing.
The overall effect of 8.11.79 is a mountain range well centered between sky and lake. This painting 90 x 117 cm is small for this artist at that time. It was sold by Christie's on November 25, 2017 for HK $ 50M including premium over a lower estimate of HK $ 12M.
On May 27 in Hong Kong, Phillips sells as lot 5 a 250 x 260 cm oil on canvas painted in 1979, titled 4.1.79.
Composed in three parts like the other example above, this painting which looks from far away like a wash is an almost monochrome abstract mountain in a swirling surrounding of white mist. The closer inspection reveals the brightly colored lines and stains intermingled in the central part that brings to the whole its natural illusion.
Please watch the video shared by Phillips
Towards the end of the decade he enters a new phase by transposing his observations on ancient art to the oil on canvas. The shades of the wash subtly fill the light areas that bring the peace and the void that he had always psychologically missed. He chooses for the rest of his image vibrant colors in brushstrokes of great sharpness that he builds like a speedy writing.
The overall effect of 8.11.79 is a mountain range well centered between sky and lake. This painting 90 x 117 cm is small for this artist at that time. It was sold by Christie's on November 25, 2017 for HK $ 50M including premium over a lower estimate of HK $ 12M.
On May 27 in Hong Kong, Phillips sells as lot 5 a 250 x 260 cm oil on canvas painted in 1979, titled 4.1.79.
Composed in three parts like the other example above, this painting which looks from far away like a wash is an almost monochrome abstract mountain in a swirling surrounding of white mist. The closer inspection reveals the brightly colored lines and stains intermingled in the central part that brings to the whole its natural illusion.
Please watch the video shared by Phillips
1979 Moutons de Pierre by Lalanne
2011 SOLD for $ 7.5M including premium by Christie's
narrated in 2020
François-Xavier Lalanne conceives in 1965 his first flock of 24 sheep, entitled Pour Polyphème. They are made up of two life-size models. The sheep with a proudly raised head is a bench with a hat holder and the headless sheep is an ottoman. The artist's goal was to exhibit an innovative, utilitarian and monumental work.
Throughout his career, Lalanne reissues his sheep. The first series, coated with real wool, are called the Moutons de Laine. Here are some results for this variant :
A pair dated 1969 was sold for € 1.57M including premium by Sotheby's on November 21, 2017, lot 38.
A flock made in 1968-1969 of five sheep and nine ottomans was sold for € 1.75M including premium by Christie's on December 4, 2012, lot 22.
A complete herd of seven white sheep, one black sheep and sixteen ottomans, whose provenance history begins in 1976, was sold for $ 5.7M including premium by Christie's on November 14, 2012, lot 43.
Success gives rise to new variants : the ram, the ewe, the lamb. The Mouton de Pierre appears in 1979 for use in the garden. It is in epoxy concrete and bronze, without wheels and without wool. It is first edited in 250 numbered units, later in small series of replicas.
A homogeneous group of ten Moutons de Pierre from the first edition was sold for $ 7.5M including premium by Christie's on December 17, 2011, lot 303, from a lower estimate of $ 600K.
Throughout his career, Lalanne reissues his sheep. The first series, coated with real wool, are called the Moutons de Laine. Here are some results for this variant :
A pair dated 1969 was sold for € 1.57M including premium by Sotheby's on November 21, 2017, lot 38.
A flock made in 1968-1969 of five sheep and nine ottomans was sold for € 1.75M including premium by Christie's on December 4, 2012, lot 22.
A complete herd of seven white sheep, one black sheep and sixteen ottomans, whose provenance history begins in 1976, was sold for $ 5.7M including premium by Christie's on November 14, 2012, lot 43.
Success gives rise to new variants : the ram, the ewe, the lamb. The Mouton de Pierre appears in 1979 for use in the garden. It is in epoxy concrete and bronze, without wheels and without wool. It is first edited in 250 numbered units, later in small series of replicas.
A homogeneous group of ten Moutons de Pierre from the first edition was sold for $ 7.5M including premium by Christie's on December 17, 2011, lot 303, from a lower estimate of $ 600K.
1979 The Abstract Emotion of Richard Diebenkorn
2009 SOLD 6.5 M$ including premium
PRE SALE DISCUSSION
Much influenced by the work of Matisse, Richard Diebenkorn waved throughout his career between figuration and abstraction. Faithful to the Western United States, he was an active member of the Bay Area Figurative Movement, which again showed the landscape beyond abstraction. Starting from 1967, in the series of paintings Ocean Park, the beauty of California remains the main driver of his work, but the figure disappears again.
The creation of a painting by Diebenkorn was a long process during which the artist structured and restructured the image, with increasingly tenuous variations, until he considered that the effect matched the emotion he wanted to express.
Unlike other paintings of this series which are nearly monochromatic, Ocean Park 117, painted in 1979, is enhanced with bright colors, blue and yellow. Areas of flat colors, more and more narrow as we look towards the top of the canvas, can be a landscape or a river or a pool, or just the atmosphere of California.
At Christie's on May 13 in New York, this painting of average size for the artist, 114 x 114 cm, is estimated $ 4 million.
POST SALE COMMENT
Interesting and colorful, this painting has far exceeded the lower price that Christie's expected. It sold $ 6.5 million including premium. It can be considered as one of the most important examples of the Ocean Park series.
Much influenced by the work of Matisse, Richard Diebenkorn waved throughout his career between figuration and abstraction. Faithful to the Western United States, he was an active member of the Bay Area Figurative Movement, which again showed the landscape beyond abstraction. Starting from 1967, in the series of paintings Ocean Park, the beauty of California remains the main driver of his work, but the figure disappears again.
The creation of a painting by Diebenkorn was a long process during which the artist structured and restructured the image, with increasingly tenuous variations, until he considered that the effect matched the emotion he wanted to express.
Unlike other paintings of this series which are nearly monochromatic, Ocean Park 117, painted in 1979, is enhanced with bright colors, blue and yellow. Areas of flat colors, more and more narrow as we look towards the top of the canvas, can be a landscape or a river or a pool, or just the atmosphere of California.
At Christie's on May 13 in New York, this painting of average size for the artist, 114 x 114 cm, is estimated $ 4 million.
POST SALE COMMENT
Interesting and colorful, this painting has far exceeded the lower price that Christie's expected. It sold $ 6.5 million including premium. It can be considered as one of the most important examples of the Ocean Park series.
1979 Paul Newman in the Rain
2016 SOLD for $ 4.8M including premium
In 1979, the 24 Hours of Le Mans are dominated by cars built by Porsche, driven under the banner of private teams. 19 of the 55 starting cars are Porsche, spreading between the models 934, 935 and 936. The brand occupies the first 4 final positions.
This achievement rewards the effort made by Porsche to meet the complicated rules of the FIA requiring that competition cars of Groups 1 to 5 are based on production models with a minimum quantity. The Porsche 934 matches the Group 4 (special grand touring), the 935 is for Group 5 (sports) and the 936 for Group 6 (prototype). Each year brings further variations to these models.
In heavy rain, Le Mans 1979 is not spectacular in a sporting point of view. Prototypes gradually disappear from race lead after the first hours. The final winner is a Porsche 935 improved by Kremer Racing.
Fortunately, Paul Newman draws the crowd. The actor aged 54 participates for the first time at Le Mans. The Porsche 935 Type 77A driven by Stommelen, Newman and Barbour finishes in the second position.
This is a feat for Newman but also for that new car in its competition debut. Until 1987, it will be extensively raced. It went first overall at the 24 Hours of Daytona in 1981 and at the 12 Hours of Sebring in 1983.
This Porsche 935 with a prestigious history is estimated $ 4.5M for sale by Gooding in Pebble Beach on August 20, lot 060. Here is the link to the press release (shared with other Porsche vehicles).
Please watch the video shared by Gooding.
This achievement rewards the effort made by Porsche to meet the complicated rules of the FIA requiring that competition cars of Groups 1 to 5 are based on production models with a minimum quantity. The Porsche 934 matches the Group 4 (special grand touring), the 935 is for Group 5 (sports) and the 936 for Group 6 (prototype). Each year brings further variations to these models.
In heavy rain, Le Mans 1979 is not spectacular in a sporting point of view. Prototypes gradually disappear from race lead after the first hours. The final winner is a Porsche 935 improved by Kremer Racing.
Fortunately, Paul Newman draws the crowd. The actor aged 54 participates for the first time at Le Mans. The Porsche 935 Type 77A driven by Stommelen, Newman and Barbour finishes in the second position.
This is a feat for Newman but also for that new car in its competition debut. Until 1987, it will be extensively raced. It went first overall at the 24 Hours of Daytona in 1981 and at the 12 Hours of Sebring in 1983.
This Porsche 935 with a prestigious history is estimated $ 4.5M for sale by Gooding in Pebble Beach on August 20, lot 060. Here is the link to the press release (shared with other Porsche vehicles).
Please watch the video shared by Gooding.
1979 The Abstract Zen of VS Gaitonde
2013 SOLD for INR 23.7 crores (worth US $ 3.8M) including premium
VS Gaitonde was a quiet man. Art is a process to communicate to the world the images created in his inner self bathed within the principles of Buddhist Zen.
The oil on canvas is his preferred technique, but the use he makes of it is complex. In the following of abstract expressionism, he creates illusions of shapes and textures by varying the application of layers of paint on the surface of the canvas.
Perfectionist, he does not leave his work until he is absolutely satisfied with the result, which requires a long approach to perfection. His art is rare.
In the 1960s, the subconscious of Gaitonde generates imaginary landscapes too close to abstraction for inviting to an identification. A good example made in 1969 was previously discussed in this column. This painting 152 x 101 cm was sold for $ 960K including premium by Christie's on September 12, 2012.
On December 19 in Mumbai, Christie's sells an oil on canvas 153 x 102 cm, estimated INR 65M. Here is the link to the catalog.
Dated 1979, this painting marks an abandonment of the illusion of landscape in favor of a sort of calligraphy that will become sharper, and therefore less mesmerizing, in his later career. The choice of color is somptuous between gold and brown.
Gaitonde liked to live in seclusion. His art is not sufficiently recognized internationally. However, he expresses the relationship of man and ground as Pollock did, he translates the subtlety of his inner self like Zao Wou-ki, he captures the emotion of the viewer like Rothko and his technique anticipates the squeegee of Richter.
POST SALE COMMENT
This sumptuous abstract painting by Gaitonde is also a key work in the development of his art. It was sold for Rs 23.7 crore including premium, equivalent to U.S. $ 3.8 M.
The oil on canvas is his preferred technique, but the use he makes of it is complex. In the following of abstract expressionism, he creates illusions of shapes and textures by varying the application of layers of paint on the surface of the canvas.
Perfectionist, he does not leave his work until he is absolutely satisfied with the result, which requires a long approach to perfection. His art is rare.
In the 1960s, the subconscious of Gaitonde generates imaginary landscapes too close to abstraction for inviting to an identification. A good example made in 1969 was previously discussed in this column. This painting 152 x 101 cm was sold for $ 960K including premium by Christie's on September 12, 2012.
On December 19 in Mumbai, Christie's sells an oil on canvas 153 x 102 cm, estimated INR 65M. Here is the link to the catalog.
Dated 1979, this painting marks an abandonment of the illusion of landscape in favor of a sort of calligraphy that will become sharper, and therefore less mesmerizing, in his later career. The choice of color is somptuous between gold and brown.
Gaitonde liked to live in seclusion. His art is not sufficiently recognized internationally. However, he expresses the relationship of man and ground as Pollock did, he translates the subtlety of his inner self like Zao Wou-ki, he captures the emotion of the viewer like Rothko and his technique anticipates the squeegee of Richter.
POST SALE COMMENT
This sumptuous abstract painting by Gaitonde is also a key work in the development of his art. It was sold for Rs 23.7 crore including premium, equivalent to U.S. $ 3.8 M.
1979 The Waves of Bridget Riley
2019 SOLD for £ 2.83M including premium
The vision is not reduced to a mere geometry. Color shocks generate the perception of complementary colors that have not been painted by the artist. Tight patterns of lines bring illusions of three-dimensional deformations and even of movement. Op Art is a non-figurative continuation of pointillism.
Bridget Riley paints endless forms. She began in black and white. In 1967 she made several color experiments. Chant 2, 231 x 231 cm, is an alternation of vertical stripes red-blue-red and blue-red blue without variations in width and spacing. The magic operates : the viewer believes to see also a yellow-orange that does not exist. Chant 2 was sold for £ 2.9M including premium by Christie's on February 13, 2014.
Following her Cataract series of 1967, another phase begins in 1974 when the artist explores more systematically wavy lines that can come closer or further away from each other but never overlap. If the pattern is completely identical over the entire surface, the viewer perceives regular swellings and this illusion generates in turn an instability. Painted in three colors, red, blue and green, Gala, 160 x 160 cm, was sold for £ 740K including premium by Sotheby's on February 5, 2009.
At the end of the 1970s with her series Song of Orpheus and Orphean Elegy, Riley increases the number of colors in her undulating patterns.
On October 1 in London, Christie's sells Orphean Elegy 7, acrylic on canvas 140 x 130 cm painted in 1979 in pink, orange, yellow, violet and green, lot 10 estimated £ 1.5M. Another opus from the same series in turquoise, blue, orange, pink and green was sold for £ 450K including premium by Christie's on June 20, 2007.
These optical illusions result from a painstaking preparation. Orpheus Study 14, pencil and gouache 97 x 61 cm made in 1978, was sold for £ 94K including premium by Christie's on November 22, 2017.
Bridget Riley paints endless forms. She began in black and white. In 1967 she made several color experiments. Chant 2, 231 x 231 cm, is an alternation of vertical stripes red-blue-red and blue-red blue without variations in width and spacing. The magic operates : the viewer believes to see also a yellow-orange that does not exist. Chant 2 was sold for £ 2.9M including premium by Christie's on February 13, 2014.
Following her Cataract series of 1967, another phase begins in 1974 when the artist explores more systematically wavy lines that can come closer or further away from each other but never overlap. If the pattern is completely identical over the entire surface, the viewer perceives regular swellings and this illusion generates in turn an instability. Painted in three colors, red, blue and green, Gala, 160 x 160 cm, was sold for £ 740K including premium by Sotheby's on February 5, 2009.
At the end of the 1970s with her series Song of Orpheus and Orphean Elegy, Riley increases the number of colors in her undulating patterns.
On October 1 in London, Christie's sells Orphean Elegy 7, acrylic on canvas 140 x 130 cm painted in 1979 in pink, orange, yellow, violet and green, lot 10 estimated £ 1.5M. Another opus from the same series in turquoise, blue, orange, pink and green was sold for £ 450K including premium by Christie's on June 20, 2007.
These optical illusions result from a painstaking preparation. Orpheus Study 14, pencil and gouache 97 x 61 cm made in 1978, was sold for £ 94K including premium by Christie's on November 22, 2017.
1979 Woman on the Road
2015 SOLD for $ 2.96M including premium
The series Untitled Film Stills by Cindy Sherman offers the game of the young woman, director and sole subject of this set in a full range of attitudes. The picture numbered 48, however, is different.
The photo nicknamed The hitchhiker by her author was taken in 1979 during a holiday in Arizona. It impresses in its mystery. The woman is alone on a road in the countryside. Who is she? Why is she at this place? Where would she like to go?
She has turned for watching the empty horizon with her trunk behind her for a long time. Her long skirt and flat shoes are outdated. The black and white increases the drama, like in Hitchcock: is her hair blond or white?
Under the thick clouds, shadows invade the valley of an unidentified river. If it is dawn, there is hope. If it is twilight, what can happen to this solitary woman? Cindy understands the role of the subconscious in her creative act. Inspired by cinema, she knows that she reconstructs the tragic fate of fragile women who are watched, followed and threatened.
# 48 was edited in 1979 in 10 copies in format 20 x 25 cm. The number 5/10 was sold for $ 1,56M including premium by Christie's on November 12, 2013. The number 2/10 was a highlight within the lot of 21 Untitled Film Stills that sold for $ 6.8 million including premium on 12 November 2014, also at Christie's.
In the same year, 1979, it was also edited in 3 large format copies 76 x 102 cm (30 x 40 inches). The number 1/3 is estimated $ 2.5M for sale by Christie's in New York on May 13, lot 64B.
The photo nicknamed The hitchhiker by her author was taken in 1979 during a holiday in Arizona. It impresses in its mystery. The woman is alone on a road in the countryside. Who is she? Why is she at this place? Where would she like to go?
She has turned for watching the empty horizon with her trunk behind her for a long time. Her long skirt and flat shoes are outdated. The black and white increases the drama, like in Hitchcock: is her hair blond or white?
Under the thick clouds, shadows invade the valley of an unidentified river. If it is dawn, there is hope. If it is twilight, what can happen to this solitary woman? Cindy understands the role of the subconscious in her creative act. Inspired by cinema, she knows that she reconstructs the tragic fate of fragile women who are watched, followed and threatened.
# 48 was edited in 1979 in 10 copies in format 20 x 25 cm. The number 5/10 was sold for $ 1,56M including premium by Christie's on November 12, 2013. The number 2/10 was a highlight within the lot of 21 Untitled Film Stills that sold for $ 6.8 million including premium on 12 November 2014, also at Christie's.
In the same year, 1979, it was also edited in 3 large format copies 76 x 102 cm (30 x 40 inches). The number 1/3 is estimated $ 2.5M for sale by Christie's in New York on May 13, lot 64B.
1979-2004 Troupeau de Moutons, group of 10, by Lalanne
2020 SOLD for $ 2.9M including premium by Christie's
Link to catalogue.
1979 Dovima with Elephants by Avedon
2020 SOLD for $ 1.8M including premium by Christie's
narrated in 2018 before the sale of another print by Sotheby's (see below)
The public has always been passionate about fashion. The evolution of techniques facilitates the dissemination of information by the specialized magazines. Harper's Bazaar and Vogue were the leaders in this market sector in the 1930s when it became necessary to replace drawings with photographs.
After the war the phenomenon is accentuated. A couture designer will have no success if he does not seduce the editors of the magazines. In 1947 Carmel Snow, editor-in-chief of Harper's Bazaar, assures the glory of Christian Dior by expressing her enthusiasm with exuberance. It was she and no one else who triggered the instant success of this fashion that she named the New Look.
Carmel Snow comes twice a year in Paris to visit the couturiers before the launch of the collections. In 1955 Richard Avedon feels that he has a role to play. He obtains the mission of the photographic coverage of Carmel Snow's report for the fall-winter collection.
This new trend just created a new job, the supermodel, as Lisa Fonssagrives who will marry Irving Penn. The girls are beautiful but static and the photographers pay full attention to the garment.
Richard Avedon offers a more dynamic vision. To show Dior's evening dresses, he designs a staging with Dovima, one of the most popular supermodels of the period. At that moment Carol Reed is shooting a movie at the Cirque d'Hiver under the large glass canopy that allows the same brightness as outside. Avedon places Dovima in the middle of a row of elephants.
The September 1955 edition of Harper's Bazaar includes fifteen photos from Avedon's Parisian report. Dovima with her elephants appears once in a white dress and once in a black dress, both by Dior.
The black dress, more precisely a white satin drape in a black velvet girdle, is a conception by Yves Saint-Laurent in his very first participation for Dior. Dovima's theatrical attitude stretching an arm towards each beast created a masterpiece of fashion photography.
In 1962 Avedon prepares two 124 x 100 cm prints for an exhibition at the Smithsonian, all the more rare in such size that the original use had been exclusively for the magazine. One of them mounted on masonite passed at Sotheby's on November 9, 2018, lot 57.
Editions and large prints were made later after retouching the negative. A 217 x 167 cm print prepared in 1978 for a retrospective exhibition at the Metropolitan Museum of Art was sold for € 840K including premium by Christie's on November 20, 2010.
A 1979 print 203 x 161 cm from an edition of 10 was sold for $ 1.8M including premium by Christie's on July 10, 2020, lot 81.
After the war the phenomenon is accentuated. A couture designer will have no success if he does not seduce the editors of the magazines. In 1947 Carmel Snow, editor-in-chief of Harper's Bazaar, assures the glory of Christian Dior by expressing her enthusiasm with exuberance. It was she and no one else who triggered the instant success of this fashion that she named the New Look.
Carmel Snow comes twice a year in Paris to visit the couturiers before the launch of the collections. In 1955 Richard Avedon feels that he has a role to play. He obtains the mission of the photographic coverage of Carmel Snow's report for the fall-winter collection.
This new trend just created a new job, the supermodel, as Lisa Fonssagrives who will marry Irving Penn. The girls are beautiful but static and the photographers pay full attention to the garment.
Richard Avedon offers a more dynamic vision. To show Dior's evening dresses, he designs a staging with Dovima, one of the most popular supermodels of the period. At that moment Carol Reed is shooting a movie at the Cirque d'Hiver under the large glass canopy that allows the same brightness as outside. Avedon places Dovima in the middle of a row of elephants.
The September 1955 edition of Harper's Bazaar includes fifteen photos from Avedon's Parisian report. Dovima with her elephants appears once in a white dress and once in a black dress, both by Dior.
The black dress, more precisely a white satin drape in a black velvet girdle, is a conception by Yves Saint-Laurent in his very first participation for Dior. Dovima's theatrical attitude stretching an arm towards each beast created a masterpiece of fashion photography.
In 1962 Avedon prepares two 124 x 100 cm prints for an exhibition at the Smithsonian, all the more rare in such size that the original use had been exclusively for the magazine. One of them mounted on masonite passed at Sotheby's on November 9, 2018, lot 57.
Editions and large prints were made later after retouching the negative. A 217 x 167 cm print prepared in 1978 for a retrospective exhibition at the Metropolitan Museum of Art was sold for € 840K including premium by Christie's on November 20, 2010.
A 1979 print 203 x 161 cm from an edition of 10 was sold for $ 1.8M including premium by Christie's on July 10, 2020, lot 81.
1979 The Secret Meadow of Brett Whiteley
2019 SOLD for A$ 1.84M including premium
Brett and Wendy Whiteley want a life of passion. Wendy abandons her own artistic ambition to second her husband. Brett believes that an artist can influence the world. After the total failure of a monumental work in mixed techniques against the war in Vietnam, the rest of his career marks his need to define his relationship with the world, exacerbated by his addiction to alcohol and drugs.
The art of Brett Whiteley is of a great variety. Wendy's body is the treasure of the closed universe of his studio in Sydney. The immensity of the sea symbolizes the magnitude of his ambition but is also a pretext to simulate the pathological passion of Gauguin in Oceania. The heron flying against the wind is autobiographical.
In 1979 Brett painted a series of two oil on canvas showing The Paddock at two different times of the day with bright colors inspired by Matisse. In Australia paddock is synonymous with grazing.
This landscape seen from above is limitless, with no perspective and no logical path. It was located in the inland 180 km from Sydney but the inconsistency of the shadows reveals that it comes mainly from the imagination of the artist.
The Paddock - Early Morning was sold for A$ 650K including premium by Deutscher-Menzies in September 2004. The Paddock - Late Afternoon was sold for A$ 1.56M including premium by Menzies on June 23, 2011. This 202 x 152 cm painting passed at Menzies on August 10, 2017, lot 40. It was sold for A$ 1.84M including premium by Menzies on March 28, 2019, also lot 40.
Brett and Wendy divorced in 1989 but Wendy retrieved after the death of Brett the moral authority on his art. In 1992 she created a landscaped garden in Lavender Bay which she named Wendy's Secret Garden, conceived as a giant piece of art for which she learned horticulture. Considered retroactively, the Paddocks of 1979 were not a delirium but an achievable desire.
The art of Brett Whiteley is of a great variety. Wendy's body is the treasure of the closed universe of his studio in Sydney. The immensity of the sea symbolizes the magnitude of his ambition but is also a pretext to simulate the pathological passion of Gauguin in Oceania. The heron flying against the wind is autobiographical.
In 1979 Brett painted a series of two oil on canvas showing The Paddock at two different times of the day with bright colors inspired by Matisse. In Australia paddock is synonymous with grazing.
This landscape seen from above is limitless, with no perspective and no logical path. It was located in the inland 180 km from Sydney but the inconsistency of the shadows reveals that it comes mainly from the imagination of the artist.
The Paddock - Early Morning was sold for A$ 650K including premium by Deutscher-Menzies in September 2004. The Paddock - Late Afternoon was sold for A$ 1.56M including premium by Menzies on June 23, 2011. This 202 x 152 cm painting passed at Menzies on August 10, 2017, lot 40. It was sold for A$ 1.84M including premium by Menzies on March 28, 2019, also lot 40.
Brett and Wendy divorced in 1989 but Wendy retrieved after the death of Brett the moral authority on his art. In 1992 she created a landscaped garden in Lavender Bay which she named Wendy's Secret Garden, conceived as a giant piece of art for which she learned horticulture. Considered retroactively, the Paddocks of 1979 were not a delirium but an achievable desire.
