18th century Meissen
Except otherwise stated, all results include the premium.
See also : Terracotta to porcelain Old clocks
See also : Terracotta to porcelain Old clocks
Intro
Augustus the Strong united in a personal capacity the positions of Saxon Elector and Polish King, respectively as Friedrich Augustus I and Augustus II.
His ambition was as excessive as his physical strength. Megalomaniac and tempted by absolutism, he was inspired by Versailles to beautify his capital Dresden. He wanted that the furnishings and celebrations of his network of palaces exceed Versailles in luxury and changed his mistresses as frequently as the Roi Soleil had done.
Augustus sheltered in Dresden the young alchemist Böttger who had acquired the reputation of knowing to transmute metals into gold. This is not possible and the Elector was upset. Also trying to create gemstones from clay, he applied very high temperatures to kaolin-based pastes. He thus created ca 1708 for the first time in Europe a hard porcelain comparable to the Chinese porcelain.
Augustus immediately understood the interest of this invention for his own prestige. In 1709 he authorizes the establishment of the Meissen factory, near Dresden, where a kaolin mine was operated. Production starts in the following year and the first painted pieces are made in 1713. He also collected ceramics from all sources in order to demonstrate the superiority of his new Saxon porcelain.
His ambition was as excessive as his physical strength. Megalomaniac and tempted by absolutism, he was inspired by Versailles to beautify his capital Dresden. He wanted that the furnishings and celebrations of his network of palaces exceed Versailles in luxury and changed his mistresses as frequently as the Roi Soleil had done.
Augustus sheltered in Dresden the young alchemist Böttger who had acquired the reputation of knowing to transmute metals into gold. This is not possible and the Elector was upset. Also trying to create gemstones from clay, he applied very high temperatures to kaolin-based pastes. He thus created ca 1708 for the first time in Europe a hard porcelain comparable to the Chinese porcelain.
Augustus immediately understood the interest of this invention for his own prestige. In 1709 he authorizes the establishment of the Meissen factory, near Dresden, where a kaolin mine was operated. Production starts in the following year and the first painted pieces are made in 1713. He also collected ceramics from all sources in order to demonstrate the superiority of his new Saxon porcelain.
1725 Pair of Beakers
2021 SOLD for $ 1.23M by Sotheby's
A pair of 27 cm high Gu shaped beaker vases made in Meissen ca 1725 for 'Augustus Rex' had been acquired separately by Oppenheimer. It was sold after restitution to his heirs for $ 1.23M by Sotheby's on September 14, 2021, lot 49.
They are decorated with colored chinoiseries in cartouches on an underglaze blue background.
A pair 35 cm high in the same shape with simpler chinoiseries in the cartouches, dated ca 1725-1730, was sold by Sotheby's for $ 870K in the same sale as above, lot 50.
Both lots are illustrated in the tweet below.
In the same sale, lot 47, sold for $ 810K, was a single beaker vase 23 cm high in a simpler form, dated ca 1727-1730. It is painted of colored chinoiseries over a sky blue tinted background, and applied with two large white meandering vines.
Again in the same sale, lot 24, sold for $ 1.1M, was a 15 cm high stem goblet made ca 1725, also decorated with chinoiseries, whose shape and 'famille verte' process appear as directly competing against the Qing porcelains.
They are decorated with colored chinoiseries in cartouches on an underglaze blue background.
A pair 35 cm high in the same shape with simpler chinoiseries in the cartouches, dated ca 1725-1730, was sold by Sotheby's for $ 870K in the same sale as above, lot 50.
Both lots are illustrated in the tweet below.
In the same sale, lot 47, sold for $ 810K, was a single beaker vase 23 cm high in a simpler form, dated ca 1727-1730. It is painted of colored chinoiseries over a sky blue tinted background, and applied with two large white meandering vines.
Again in the same sale, lot 24, sold for $ 1.1M, was a 15 cm high stem goblet made ca 1725, also decorated with chinoiseries, whose shape and 'famille verte' process appear as directly competing against the Qing porcelains.
#AuctionUpdate Two pairs of extremely rare 'Meissen Augustus Rex Underglaze Blue-Ground Beaker Vases' each achieve $1.2 million and $867,000, many multiples of their $120,000 and $100,000 high estimates #SothebysDecArts pic.twitter.com/7yvAW7yw1X
— Sotheby's (@Sothebys) September 14, 2021
1727 Mantel Clock
2021 SOLD for $ 1.6M by Sotheby's
On September 14, 2021, Sotheby's sold a clock in Meissen porcelain for $ 1.6M from an estimate beyond $ 200K, lot 64.
This piece 44 cm high is made on a sculptural porcelain mantel fitted with a dial signed ca 1700 by a Parisian clockmaker and gilt bronze mounted in the mid 18th century. It is dated 1727 and inscribed Meissen in underglaze blue on the finial.
Its finial is a group of Minerva, the goddess of the arts, with her rival Arachne soon to be turned into a spider as narrated by Ovid. Chinoiseries in cartouches in front and side panels are a reference to the newly expected rivalry of Saxon against Chinese porcelains.
The pierced mantel body and the feet are decorated with scrolls and pilasters plus several figures including a kneeling supplicant in the round. The reverse is painted with blossoms emerging from a rock. The bright colors include turquoise, iron red, purple, green, gilt and black.
This set of exuberant figures had been designed in the lifetime of Johann Christian Kirchner, probably by his younger brother Johann Gottlieb, and modeled by Fritzsche. It was certainly produced for the new Japanisches Palais of Augustus the Strong in Dresden. 26 clock cases are known from that period.
This piece 44 cm high is made on a sculptural porcelain mantel fitted with a dial signed ca 1700 by a Parisian clockmaker and gilt bronze mounted in the mid 18th century. It is dated 1727 and inscribed Meissen in underglaze blue on the finial.
Its finial is a group of Minerva, the goddess of the arts, with her rival Arachne soon to be turned into a spider as narrated by Ovid. Chinoiseries in cartouches in front and side panels are a reference to the newly expected rivalry of Saxon against Chinese porcelains.
The pierced mantel body and the feet are decorated with scrolls and pilasters plus several figures including a kneeling supplicant in the round. The reverse is painted with blossoms emerging from a rock. The bright colors include turquoise, iron red, purple, green, gilt and black.
This set of exuberant figures had been designed in the lifetime of Johann Christian Kirchner, probably by his younger brother Johann Gottlieb, and modeled by Fritzsche. It was certainly produced for the new Japanisches Palais of Augustus the Strong in Dresden. 26 clock cases are known from that period.
#AuctionUpdate This 'Highly Important Documentary and Dated Meissen Mantel Clock Case' from 1727 brings $1.6 million. It is one of only five clocks of this model that appear to have survived by the early 20th century, two of which are in museum collections. #SothebysDecArts pic.twitter.com/6z2TSfZ0fU
— Sotheby's (@Sothebys) September 14, 2021
Die Versteigerung der Sammlung Oppenheimer übertraf alle Erwartungen um ein Vielfaches. #porzellan #meissen #sammlung
— Barnebys.de (@Barnebysde) September 21, 2021
1731 Tea and Coffee Service
2021 SOLD for $ 1.35M by Sotheby's
A tea and coffee service made in Meissen was sold for $ 1.35M by Sotheby's on September 14, 2021, lot 94. It is cased in a factory leathered presentation box.
It is made of a coffee pot, a teapot, an ovoid tea canister, an oval sugar box, a circular waste bowl and six tea bowls and saucers. They are still equipped with their covers as applicable. The coffee pot is 22 cm high and the sugar box is dated 1731.
All pieces are decorated with the coat of arms of the Venetian Morosini family and some of them with chinoiseries.
It is made of a coffee pot, a teapot, an ovoid tea canister, an oval sugar box, a circular waste bowl and six tea bowls and saucers. They are still equipped with their covers as applicable. The coffee pot is 22 cm high and the sugar box is dated 1731.
All pieces are decorated with the coat of arms of the Venetian Morosini family and some of them with chinoiseries.
#AuctionUpdate This rare 'Meissen armorial tea and coffee service' made for the noble Morosini family of Venice achieves $1.4 million, outshining its $180,000 high estimate. #SothebysDecArts pic.twitter.com/8PPZai6CIo
— Sotheby's (@Sothebys) September 14, 2021
Menagerie
Intro
The originality of Meissen lies in the realization of real sculptures in the round, in the opposite to the Chinese porcelain that has a utilitarian purpose and a geometrical shape.
Animal metaphors are in the fashion. Augustus commissions a porcelain menagerie in which the smaller animals would be life-size, the birds often in groups of four or eight. Entire rooms will have to be devoted to their exhibition in his Japanisches Palais in Dresden. Meissen artists begin to prepare hundreds of subjects.
The menagerie of porcelains prepared for Augustus is the most spectacular achievement of the early Meissen. It is part of a larger project of Porzellanschloss centered on a porcelain throne, conceived in 1728. The Elector was maintaining in the taste of his time a menagerie of live animals that served as models for the Meissen artists. His active and enthusiastic participation in the biggest animal tossing contests nevertheless disqualifies him as a friend of the beasts.
The modeller Johann Gottlieb Kirchner produced original clay statues of birds and other small animals in life size. He was assisted from June 1731 by Johann Joachim Kändler.
This new technique is particularly difficult for large figures. Glaze cannot be applied by dipping. The final heating at 1400 °C creates shrinkages and cracks. The enamel coloring poorly adheres to that porcelain and was removed a few decades later while most of the pieces were still at the factory.
Animal metaphors are in the fashion. Augustus commissions a porcelain menagerie in which the smaller animals would be life-size, the birds often in groups of four or eight. Entire rooms will have to be devoted to their exhibition in his Japanisches Palais in Dresden. Meissen artists begin to prepare hundreds of subjects.
The menagerie of porcelains prepared for Augustus is the most spectacular achievement of the early Meissen. It is part of a larger project of Porzellanschloss centered on a porcelain throne, conceived in 1728. The Elector was maintaining in the taste of his time a menagerie of live animals that served as models for the Meissen artists. His active and enthusiastic participation in the biggest animal tossing contests nevertheless disqualifies him as a friend of the beasts.
The modeller Johann Gottlieb Kirchner produced original clay statues of birds and other small animals in life size. He was assisted from June 1731 by Johann Joachim Kändler.
This new technique is particularly difficult for large figures. Glaze cannot be applied by dipping. The final heating at 1400 °C creates shrinkages and cracks. The enamel coloring poorly adheres to that porcelain and was removed a few decades later while most of the pieces were still at the factory.
1
1732 Pair of Herons
2005 SOLD for € 5.6M by Christie's
A pair of figures featuring a heron in white Meissen porcelain, respectively 62 and 75 cm high, was sold for € 5.6M from a lower estimate of € 2.5M by Christie's on June 22, 2005, lot 119. This pair remained in the Saxon Royal family until the 1850s and resurfaced after 150 years.
One of the birds is catching a frog in its beak on the rocky ground. Its companion has a raised head. The background is a stump surrounded by reeds. They match the models 51 and 52 in the nomenclature of the Meissen menagerie.
A record in the Meissen archives for 1732 attributes the herons to Kändler. They are indeed in his typical style, based on a lively observation of nature.
One of the birds is catching a frog in its beak on the rocky ground. Its companion has a raised head. The background is a stump surrounded by reeds. They match the models 51 and 52 in the nomenclature of the Meissen menagerie.
A record in the Meissen archives for 1732 attributes the herons to Kändler. They are indeed in his typical style, based on a lively observation of nature.
2
1732 Lion and Lioness
2006 SOLD for £ 2.8M by Christie's
Famous for his colossal strength and his virility, Augustus admired the lion, king of the animals.
A pair of 50 cm high and 80 cm wide sculptures featuring recumbent lion and lioness was sold for £ 2.8M by Christie's on December 18, 2006, lot 51. They were directly coming from a branch of the Royal House of Saxony.
Designed in 1732, they are in white Meissen porcelain, with some examples of the inevitable firing faults of that process.
The model is attributed to Kirchner, probably from engravings. The near human gaze is typical from that artist.
A pair of 50 cm high and 80 cm wide sculptures featuring recumbent lion and lioness was sold for £ 2.8M by Christie's on December 18, 2006, lot 51. They were directly coming from a branch of the Royal House of Saxony.
Designed in 1732, they are in white Meissen porcelain, with some examples of the inevitable firing faults of that process.
The model is attributed to Kirchner, probably from engravings. The near human gaze is typical from that artist.
3
1732 Fox
2002 SOLD for £ 1.05M by Christie's
The 46 cm high lif size seated fox holding a hen in it jaw was sold for £ 1.05M from a lower estimate of £ 400K by Christie's on June 14, 2002, lot 350.
4
1732 Bustard
2016 SOLD for £ 840K by Christie's
The bustard, 84 cm high standing against a stump, is one of the largest birds in the porcelain menagerie of Augustus the Strong. It is very elegant with its folded neck to preen the back. The model designed in 1732 is attributed to Kirchner.
It was executed in six porcelain units of which only one remains in private hands. This piece was sold for £ 840K by Christie's on July 7, 2016, lot 305.
It was executed in six porcelain units of which only one remains in private hands. This piece was sold for £ 840K by Christie's on July 7, 2016, lot 305.
Consultez le catalogue The Exceptional Sale 2016 : vente du 7 juillet à Londres https://t.co/04BKR0aueb pic.twitter.com/LDdGpKfqHb
— Christie's Paris (@christiesparis) July 5, 2016
5
1733 Turkey
2002 SOLD for £ 830K by Christie's
The 53 cm high turkey cock modeled ca 1733 by Kändler was sold for £ 830K from a lower estimate of £ 300K by Christie's on June 14, 2002, lot 351.
Other items by Kändler include a seated monkey taking a snuff from a box, sold for £ 820K by Sotheby's on May 1, 2013, lot 78.
Other items by Kändler include a seated monkey taking a snuff from a box, sold for £ 820K by Sotheby's on May 1, 2013, lot 78.
6
1733 Sitting Lioness
2011 SOLD for € 1.08M by Lempertz
Made in January 1733, a 74 cm high seated lioness from a model by Kirchner, it was initially kept at the factory, probably due to the death of Augustus on February 1 of that year.
Coming now from a private collection, this unpublished specimen was sold for € 1.08M from a lower estimate of € 800K by Lempertz on November 17, 2011.
Coming now from a private collection, this unpublished specimen was sold for € 1.08M from a lower estimate of € 800K by Lempertz on November 17, 2011.
1755 Royal Snuff Box
2011 SOLD for £ 860K by Bonhams
Augustus dies in 1733 before the population of the porcelain menagerie is sufficient to perform a group exhibition that will never be realized. His successors continued to protect Meissen, whose commercial edition of small pieces in brilliant colors became the specialty.
The stabilization of techniques and colors and the diversification of themes was the work of Johann Joachim Kändler who devoted to it the last forty years of his life. A pair of swans in Meissen porcelain from a model by Kändler around 1747 or 1748, was sold by Sotheby's on October 2, 2008 for € 660K, lot 18. They were presented on Louis XV gilt bronze rocaille bases.
A Royal snuff box from Meissen with the AR monogram was sold for £ 860K by Bonhams on July 5, 2011, lot 16. This piece 8.2 cm long and 4 cm high is gold mounted with a floral pattern. It was made ca 1755 for the elector Augustus III, also king of Poland.
It is finely painted with views of cities. The cover is a view of Dresden across the Elbe after a 1748 engraving by Bellotto. The other external walls feature Royal castles and the inside cover has a view of Warsaw. The inside walls are painted in purple.
The stabilization of techniques and colors and the diversification of themes was the work of Johann Joachim Kändler who devoted to it the last forty years of his life. A pair of swans in Meissen porcelain from a model by Kändler around 1747 or 1748, was sold by Sotheby's on October 2, 2008 for € 660K, lot 18. They were presented on Louis XV gilt bronze rocaille bases.
A Royal snuff box from Meissen with the AR monogram was sold for £ 860K by Bonhams on July 5, 2011, lot 16. This piece 8.2 cm long and 4 cm high is gold mounted with a floral pattern. It was made ca 1755 for the elector Augustus III, also king of Poland.
It is finely painted with views of cities. The cover is a view of Dresden across the Elbe after a 1748 engraving by Bellotto. The other external walls feature Royal castles and the inside cover has a view of Warsaw. The inside walls are painted in purple.
