From 600 BCE to CE
409 BCE Just Before the Fall of Agrigento
2012 SOLD 2.3 MCHF before fees
About 2423 years ago (409BC in our calendar), this coinage reached its artistic zenith with a beautiful silver decadrachm. The detail of the carving is superb, so much that experts are still wondering if this coin was actually intended to circulate. However, we must also consider that even at this distant time the officials were certainly wary of fakes.
We see on one side a quadriga in full motion. More original, the other side shows a remarkably realistic flying eagle carrying a rabbit.
An almost perfect example of this decadrachm was sold $ 570K by Sotheby's on June 19, 1990, an exceptional price for that time. It comes back at auction on October 17 by Numismatica Ars Classica in Zurich, with an estimate of CHF 1.75 M. The image of the quadriga side is shared by Artdaily. Here is the link to the catalog on the specialized online platform Sixbid.
This model is extremely rare for a good reason: as early as 406BC, Akragas was destroyed by the Carthaginians. I told very recently in this group that this terrible defeat, coupled with the installation of anarchy in Athens in 404BC, would pave the way for the highly effective tyranny of Dionysius in Syracuse.
POST SALE COMMENT
The pieces which are exceptional in their category have no price limit! This coin was sold CHF 2.3 million before fees.
405-400 BCE A Sicilian Tetradrachm
2014 SOLD for CHF 2.3M before fees by NAC
2019 SOLD for CHF 1.7M before fees
Syracuse is one of the main cities of the antique Greek world. The Greek process for silver coins is transferred in that city 2,500 years ago. The highest denomination is the decadrachm. The first tetradrachms of Syracuse are illustrated on the reverse by the head of the nymph Arethusa in profile and on the obverse by a quadriga with its driver and a winged victory that brings the wreath.
Around 415 BCE the image becomes dynamic. Horses that were previously static are now featured in full gallop and the victory crowns the man rather than the horses. At the same time the prestigious models are beginning to be signed, certainly to bring a guarantee on the purity of silver. These assayers of the old times are quite numerous but the best pieces are the work of Kimon or Evainetos.
Kimon's masterpiece is a tetradrachm in high relief made between 405 and 400 BCE. Each side is known from two variants of dies and three of these dies are signed. None of these dies have been paired for another use, which confirms that this edition was for prestige.
On both sides the clarity of the graphic style is excellent. This piece is one of the very rare Sicilian coins of that period to show an effigy in full front. The brutal action of the hammer weakens the reverse. Kimon transfers Arethusa to the obverse to improve the portrait. The perfection of this model will be admired by Goethe.
The finest known specimen of Kimon's tetradrachm, perfectly centered, was sold for CHF 2.3M before fees by NAC on May 26, 2014. It will be sold on November 18 in Geneva by NGSA (Numismatica Genevensis), lot 1 here linked on the Biddr auction platform.
The Venus of Chupicuaro
2013 SOLD 2 M€ including premium
These anthropomorphic figures are mostly female with primitive rounded shapes that certainly symbolize fertility.
On March 22 in Paris, Sotheby's sells a Venus of Chupicuaro type very tall in its class, 71 cm high, made 2400 years ago in ceramic with red and beige slipware. Rather slender compared to other specimens, the woman wears on her stomach, back and face a repetitive pattern of geometric figures cleverly interwoven.
This statuette coming from the Barbier-Mueller collection is estimated € 2M. Here is the link to the catalog.
POST SALE COMMENT
This 'venus' is a splendid example of a primitive figure of fertility associated with an already subtle control of the art of fire. It was sold € 2M including premium.
The Satyr of the Black Sea
2012 SOLD 3.8 M$ including premium
2350 to 2300 years ago, this city-state was powerful. An independent dynasty coming from Thrace ruled it for nearly a century, and its gold coins are among the masterpieces of ancient coinage.
The stater with satyr has a very sharp carving. On one side this mythical character is facing, shaggy, bearded, with the nose of a drunkard and the ears of a horse. It is a beautiful and powerful ancient portrait. On the other side, a winged griffin is standing to left but turns his head toward us. A Greek letter is certainly the initial of the name of the city.
A very nice specimen of this coin is for sale on January 4 in New York by Baldwin's. It weighs 9.12 g, and its nearly circular cutout is rather well centered. Estimated $ 650K, it is the top lot in a remarkable collection of antique coins.
Pantikapaion began to decline at the time of Alexander the Great, and its last great historical event, much later, was the suicide of Mithridates.
POST SALE COMMENT
There was no doubt on the quality of this coin. It was announced for several months as the star lot of the exceptional Prospero collection. Its price, $ 3.25 million before fees, 3.8 million after calculating the buyer's premium of 17%, ranks it among the masterpieces of antique art.
The coin is illustrated in the post sale report shared by CoinWeek.
The Fang Hu of the Warring States
2020 SOLD for $ 8.3M including premium
The wording Warring States wrongly evokes anarchy. This period instead opened up China to new life styles through the development of Confucianism and Taoism. The traditional sacrificial or funeral rites persist while taking into account the observation of nature and medicine. The taotie, which expressed the mystery of the spirits, disappear from the bronze vessels.
The technological evolution of bronze becomes multidisciplinary. In very thick walls, deep grooves are filled with precious materials that bring the colors : gold, silver, copper, malachite, turquoise. Bronze handles and zoomorphic elements are added.
The baluster-shaped hu is the most common vessel at that time for the ritual use of wine. On September 23 in New York, Sotheby's sells a 35 cm high covered fang hu, lot 578 estimated $ 2.5M. Please watch the video shared by the auction house. Fang means that the bottle has a square section. It is richly decorated with gold, silver and glass.
The gold was encrusted by hammering a sheet on a pattern of protruding knobs added after casting. The glass was fitted in diamond- or half diamond- shaped plaques of nine or six beads in hollow reserves between the gold bosses. Silver volutes decorate the dark brown bronze surface inlaid with green malachite. The slightly domed cover is surmounted by four animals in the round.
The use of glass, recently introduced in China, is extremely rare. The only other example from the same period of a bronze vessel inlaid with glass is a pair of hu discovered around 1930, known from photographs of the time.
Each glass bead has the shape of an eye, in a concentric polychromy. This design, which perhaps had magical significance, was produced for a very short period of time. Examples were found in the tomb of Marquis Yi of the principality of Zeng in Hubei, dated 433 BCE.
The sale of the fang hu, which had not been seen since 1938, allows a real rediscovery by the experts of the opulence reached in the time of the Warring States by the ritual bronzes of classical form.
Eastern Zhou - The Jade Beast
2019 SOLD for HK$ 26.6M including premium
Under the Shang and Zhou, increasingly elegant plaques in polished jade can take the form of indomitable beasts : tiger, rhinoceros, dragon. Used as chest ornaments, they are a sign of the power of the wearer and accompany him into the grave. This practice continues under the Han.
Among the zoomorphic pieces, the elongated 'tiger plaque' is not uncommon. The detail of the clipping is an adaptation of the artist to the shape of the pebble, just as the parietal painters used the asperities of the walls of the caves to conceive their figuration.
On April 3 in Hong Kong, Sotheby's sells a yellow jade plaque carved in low relief on both sides, lot 3620 estimated HK $ 25M. It is 22 cm long, which is an extreme width for a pectoral use. It was made in the final period of the Eastern Zhou overlapping the Warring States period around 2,300 years ago.
The reclining animal is not identifiable : the artist has voluntarily created a hybrid with muscular forms, displaying the massive silhouette of a rhinoceros, the skin with pustules of a dragon, the large snout of a ruminant and a long horn on the forehead. The smooth areas of shoulders and hips are illustrated respectively with a bird and a dragon with similar elegant undulations. The edge of the plaque bears an inscription in two characters that has not been deciphered.
Western Han - A Jade Belt Hook
2020 SOLD for £ 2.9K including premium by Christie's
narrated post sale in 2020
The healthiness of jade is recognized and this stone is increasingly favored by the princes for cups, tankards and goblets. More than a thousand years later, porcelain has achieved a similar healthiness. It is really industrial and replaces the jade.
The use of a precious material in a belt hook is an extravagant luxury. On November 3, 2020, Christie's sold such a piece for £ 2.9M including premium, lot 7. This 9.2 x 6.4 x 1.6 cm shield-shaped accessory was chiseled from a thick monolithic slab in translucent yellowish jade with areas of russet. It is accompanied by a zitan matching stand.
The main figure is a kind of dragon. The beast is depicted twice : the head in the round which serves as a hook, plus an incised mask on the front side. This hook has a single horn that forms a loop. This unidentified animal had certainly a totemic or magical significance to its owner. The decoration also includes an openwork pattern of scrolling clouds, and a stylized long-tailed bird incised on the back side in the neck of the monster.
For this period, the dating is done by comparison with the findings in the tombs. A similar version without openwork in the same shade of jade is dated to the very beginning of the Western Han era, around 200 BCE.
42 BCE Eid Mar Aureus of Brutus
2020 SOLD for £ 3.25M including premium by Roma Numismatics
narrated post sale in 2020
Caesar has himself appointed dictator perpetuo. Suspected of liberticide, he is assassinated less than two months later, in the Ides of March 44 BCE, by a group led by Brutus and Cassius. In a first phase, the tyrannicides are approved by the Senate. On official mission in Macedonia and Thrace, Brutus issues coins bearing his effigy. The abbreviation IMP (imperator) next to his name is only meaning "general".
Octavian (who will later be Augustus) and Antony claim separately the succession of Caesar. They are reconciled in 43 after a short war and obtain the condemnation in absentia of the tyrannicides. The civil war is then transferred against Brutus and Cassius who consider themselves the ultimate defenders of freedom.
At the beginning of 42, Brutus and Cassius want to return to Rome with their armies. They prepare their coins with the booty collected by Cassius in Asia Minor. The Brutus coinage becomes revolutionary. The front side bears the effigy with a slightly improved design. The back claims the assassination of Caesar by the inscription EID MAR (for Eidibus Martiis) in large letters under three symbolic figures : the cap of freedom between the daggers of the two tyrannicidal leaders.
EID MAR was struck in gold and silver with the same dies. These coins were recalled and melted down by Octavian and Antony after the defeats and death of Brutus and Cassius in October 42 and are very rare. A silver denarius was sold for $ 550K including premium by Heritage in September 2011 and another for $ 520K including premium by Goldberg in June 2014.
Three EID MAR aureus survive, one of which was very poorly centered and pierced. The best of the three, very well centered and in near mint condition, was sold for £ 3.25M including premium by Roma Numismatics on October 29, 2020, lot 463.
BCE - The Old Poet
2018 SOLD for £ 4.2M including premium
The old man is dressed in a pallium, a drapery which is lighter than a toga and completely uncovering the naked torso. He is sitting on a cushion. This 115 cm high statue has lost one arm and both feet and the nose is broken. The right shoulder has been restored.
His attitude is stiff and the facial expression is austere. The legs are apart in a proud position that evokes the figures of Jupiter on his throne and some early imperial portraits. It was thus probably created at the beginning of Augustus' reign in the latest years BCE. At that time the pallium was the usual mantle of the Romans.
The folding of the pallium is simple, without the social emblems that we would expect from the funerary statue of an aristocrat. He displays a scroll in his hand, meaning that he is a poet.
The statue was created in two parts attached at the hips, reserving a hollow for the ashes.
This rare, life-size statue of a Roman poet dates to the early years of the Empire, and will go on view in our London galleries this weekend. Uncover more about the mysterious funerary portrait here: https://t.co/Dq7mPE0bJV #SothebysAncient pic.twitter.com/DydL8SYlgO— Sotheby's (@Sothebys) November 29, 2018
Artemis and the Stag
2007 SOLD for $ 28.6 M including premium by Sotheby's
narrated in 2020
This statue was found by chance in Rome around 1930 on a construction site near St John Lateran. It had probably decorated a private hall or garden during the transition period between the Republic and the Empire.
Some of its iconographic details are of the greatest rarity. The goddess is adolescent. The gesture of the arm shows that she has just sent away an arrow with a bow that is missing. The deer at her side is her pet, peacefully standing on its four legs. It is small, 43 cm high compared to the 92 cm of the goddess. On the other side of Artemis, there was some place for another animal, perhaps a hound.
This bronze was in permanent exhibition at the Albright-Knox Gallery in Buffalo, which deaccessioned it to refocus on modern art. It thus shares with the Guennol lioness the characteristic of having been much loved by the public for many years before its auction.
Artemis and the stag was sold for $ 28.6M including premium by Sotheby's on June 7, 2007, lot 41, a record at that time for any sculpture at auction. It was bought at that sale by Giuseppe Eskenazi, acting for a private collector who made a long time loan of it to the Metropolitan Museum of Art. The image shared by Wikimedia with attribution Ana Carina Lauriano ╰★╮ / CC BY features this group displayed at the Met.