1977
1977 Untitled by de KOONING
1
XXV
2016 SOLD for $ 66M including premium
Willem de Kooning was a lover of women and a heavy drinker. His artistic career is uneven, marked by breaks and restarts. The beauty of Long Island offers him a late redemption in his seventies.
De Kooning buys a piece of land near Springs in 1958, two years after Pollock's death. Pollock had his studio in the same village where he was imbued with the richly colorful nature facing the sea. It took 17 years to de Kooning to start a creativity of similar inspiration.
In 1975 the old artist is happy. His art is acclaimed. He is pleased with his young girlfriend Mimi Kilgore. His wife Elaine of whom he had never divorced comes back to him in the following year. He finally takes time to contemplate the nature through observations of very long duration ending in a sudden rush on his canvas, colors and brushes.
The bright colors that cover the entire surface of the canvas were not spontaneous at all. They are made of mixed layers varying from impasto to flowing paint. The visionary artist knows in advance which result he desires and has no doubt that he will succeed. Once finished he considers that what he achieved is impossible to repeat. And he starts again with another canvas.
All these Untitled paintings are different because they are based on other contemplations. Sometimes a figure or a tree arises beyond abstraction by a careful observation. Pollock also was upset when his art was considered abstract.
This new creativity of de Kooning reaches its highest maturity in 1977 and will be immediately followed by his inevitable relapse. Untitled XXV, oil on canvas 196 x 224 cm painted in 1977, was sold for $ 27M by Christie's in New York on 15 November 2006. It returns in the same auction room on November 15, 2016, exactly ten years later, lot 8 A. The press release of September 29 announces an estimate in the region of $ 40M.
De Kooning buys a piece of land near Springs in 1958, two years after Pollock's death. Pollock had his studio in the same village where he was imbued with the richly colorful nature facing the sea. It took 17 years to de Kooning to start a creativity of similar inspiration.
In 1975 the old artist is happy. His art is acclaimed. He is pleased with his young girlfriend Mimi Kilgore. His wife Elaine of whom he had never divorced comes back to him in the following year. He finally takes time to contemplate the nature through observations of very long duration ending in a sudden rush on his canvas, colors and brushes.
The bright colors that cover the entire surface of the canvas were not spontaneous at all. They are made of mixed layers varying from impasto to flowing paint. The visionary artist knows in advance which result he desires and has no doubt that he will succeed. Once finished he considers that what he achieved is impossible to repeat. And he starts again with another canvas.
All these Untitled paintings are different because they are based on other contemplations. Sometimes a figure or a tree arises beyond abstraction by a careful observation. Pollock also was upset when his art was considered abstract.
This new creativity of de Kooning reaches its highest maturity in 1977 and will be immediately followed by his inevitable relapse. Untitled XXV, oil on canvas 196 x 224 cm painted in 1977, was sold for $ 27M by Christie's in New York on 15 November 2006. It returns in the same auction room on November 15, 2016, exactly ten years later, lot 8 A. The press release of September 29 announces an estimate in the region of $ 40M.
2
VIII
2013 SOLD 32 M$ including premium
When Willem de Kooning takes his brushes again in 1975 for expressing his emotions through the full range of colors, observers might think that abstract art had already told everything. The explosion of bright colors by Joan Mitchell had been made fifteen years earlier.
However, De Kooning reuses his previous style of partitioned composition covering all the available surface, as boundless as a Pollock painting. The observer continuously discovers new details by varying the reading trip.
Two years later, De Kooning reaches the top of this final phase of his creativity. He lives in Long Island and he is happy.
His Untitled VIII from 1977, oil on canvas 178 x 203 cm, is estimated $ 20M, for sale by Christie's in New York on November 12.
This painting is a rare synthesis of all the research by De Kooning at the border between biomorphic and abstraction. In the foreground on the right, the structure in the form of inverted S is a woman sitting in nature. This discovery makes in turn perceive another woman and then the perspective of a landscape.
Through the doubts and changes in his career, De Kooning, away from any school, had never given up his goal to express altogether the body, the soul and the landscape. At over 70 years old, he had also become the most skilled colorist of his time.
POST SALE COMMENT
This masterpiece from the later period of the art of De Kooning was sold for $ 32 million including premium.
However, De Kooning reuses his previous style of partitioned composition covering all the available surface, as boundless as a Pollock painting. The observer continuously discovers new details by varying the reading trip.
Two years later, De Kooning reaches the top of this final phase of his creativity. He lives in Long Island and he is happy.
His Untitled VIII from 1977, oil on canvas 178 x 203 cm, is estimated $ 20M, for sale by Christie's in New York on November 12.
This painting is a rare synthesis of all the research by De Kooning at the border between biomorphic and abstraction. In the foreground on the right, the structure in the form of inverted S is a woman sitting in nature. This discovery makes in turn perceive another woman and then the perspective of a landscape.
Through the doubts and changes in his career, De Kooning, away from any school, had never given up his goal to express altogether the body, the soul and the landscape. At over 70 years old, he had also become the most skilled colorist of his time.
POST SALE COMMENT
This masterpiece from the later period of the art of De Kooning was sold for $ 32 million including premium.
3
XXII
2019 SOLD for $ 30M including premium
After many years of difficulties and doubts, Willem de Kooning suddenly recovers the joy of painting in 1975. He lives in Springs on Long Island and often goes to contemplate the ocean. His young mistress Mimi Kilgore encourages his creativity. Elaine, whom he never divorced, will soon be back to help.
For this artist in his seventies, painting is no longer a job but a reason of being. From 1975 to 1977 with a limited prolongation in 1978 and 1979, he paints his universe, as a surrealist would do except that his art is totally abstract. The works from this period are sometimes called "pastoral".
The colors blend in a total diversity. They are brought with apparent violence by industrial brushes of great length. Yet the execution is not at all spontaneous. The artist knows in advance what balance he will manage between the gray of the sea, the green of the trees and the brown of the soil. When one work is finished, the next will be another step in the expression of his world.
In this phase de Kooning's paintings gradually lose their last references to human beings and even to landscape. Before deciding whether a painting suits him, he looks at it from every angle, including by overturning it. With a different technique and other confrontations of colors, he matches the other great abstract artist of Springs, Jackson Pollock.
The most important paintings of this period are named Untitled, with the indication of the year and a serialization per year in Roman numerals. The formats are varied, but the larger ones translate at its best the contemplation of the lush nature by the artist.
The Untitled XXV of 1977 is one of the masterpieces of this series by the brightness of the colors and the interwoven complexity of the forms. This 196 x 224 cm oil on canvas was sold for $ 66M including premium by Christie's on November 15, 2016.
On November 14 in New York, Sotheby's sells the Untitled XXII from the same year, lot 13 estimated $ 25M. This oil on canvas 178 x 203 cm expresses with high energy the forces of nature by the violence of the brush strokes that constitute a sort of grid over the light background.
For this artist in his seventies, painting is no longer a job but a reason of being. From 1975 to 1977 with a limited prolongation in 1978 and 1979, he paints his universe, as a surrealist would do except that his art is totally abstract. The works from this period are sometimes called "pastoral".
The colors blend in a total diversity. They are brought with apparent violence by industrial brushes of great length. Yet the execution is not at all spontaneous. The artist knows in advance what balance he will manage between the gray of the sea, the green of the trees and the brown of the soil. When one work is finished, the next will be another step in the expression of his world.
In this phase de Kooning's paintings gradually lose their last references to human beings and even to landscape. Before deciding whether a painting suits him, he looks at it from every angle, including by overturning it. With a different technique and other confrontations of colors, he matches the other great abstract artist of Springs, Jackson Pollock.
The most important paintings of this period are named Untitled, with the indication of the year and a serialization per year in Roman numerals. The formats are varied, but the larger ones translate at its best the contemplation of the lush nature by the artist.
The Untitled XXV of 1977 is one of the masterpieces of this series by the brightness of the colors and the interwoven complexity of the forms. This 196 x 224 cm oil on canvas was sold for $ 66M including premium by Christie's on November 15, 2016.
On November 14 in New York, Sotheby's sells the Untitled XXII from the same year, lot 13 estimated $ 25M. This oil on canvas 178 x 203 cm expresses with high energy the forces of nature by the violence of the brush strokes that constitute a sort of grid over the light background.
1977 Untitled XXXIII by de Kooning
November 15, 2021 SOLD for $ 24.4M by Sotheby's
1977 The Cult of Everlasting Youth
2018 SOLD for $ 50M including premium
The life of Francis Bacon is dominated and ruined by his existential questioning, but that is why he is one of the most disturbing artists of his time.
In an early phase Francis paints horrible old popes, idols in decay. When George becomes his symbol of handsome youth, he confronts him with himself and the pope. George's death reveals a posteriori to Francis that this young man of whom he had fun had indeed an existence. There is no doubt that Francis's mourning was terrible, deep and lasting.
Despite his ego Francis cannot stop the time. From 1976 he enters a process of re-interesting in old friends including Henrietta but he does not know how to accept and endure the aging of his own body.
On May 17 in New York, Christie's sells as lot 7 B Study for Portrait, oil on canvas 198 x 148 cm painted in 1977.
Francis had then ended his mourning : George is no longer a ghost but the idol of everlasting youth, sitting in underwear from the model of a photo taken in the first phase of their affair by John Deakin. His face is recognizable.
On a lilac surface in front of the idol, a dark form appears, ended by an accumulation of blood. It cannot be George's shadow because it is not consistent with any light. It is a flat selfie figure of Francis in his body that becomes disgusting. This identification is confirmed by the waste that surrounds it, marked by letters in dry transfer, which symbolizes the fabulous rubble in the artist's studio.
In an early phase Francis paints horrible old popes, idols in decay. When George becomes his symbol of handsome youth, he confronts him with himself and the pope. George's death reveals a posteriori to Francis that this young man of whom he had fun had indeed an existence. There is no doubt that Francis's mourning was terrible, deep and lasting.
Despite his ego Francis cannot stop the time. From 1976 he enters a process of re-interesting in old friends including Henrietta but he does not know how to accept and endure the aging of his own body.
On May 17 in New York, Christie's sells as lot 7 B Study for Portrait, oil on canvas 198 x 148 cm painted in 1977.
Francis had then ended his mourning : George is no longer a ghost but the idol of everlasting youth, sitting in underwear from the model of a photo taken in the first phase of their affair by John Deakin. His face is recognizable.
On a lilac surface in front of the idol, a dark form appears, ended by an accumulation of blood. It cannot be George's shadow because it is not consistent with any light. It is a flat selfie figure of Francis in his body that becomes disgusting. This identification is confirmed by the waste that surrounds it, marked by letters in dry transfer, which symbolizes the fabulous rubble in the artist's studio.
1977 The Blond Profile
2017 SOLD for $ 24.5M including premium
Roy Lichtenstein creates a new conception of the image with his narrative themes inspired by comics, his text bubbles, his flat areas with sharp outlines and his printing dots. He explores the root nature of imagery by elevating to the rank of major art the disproportionately enlarged picture of a brushstroke or later by observing the abstract metamorphosis of a cow.
Early in his career Roy observes the freedom of composition brought by Picasso with his juxtapositions of perspectives and his effects of mirrors. Imitating a portrait of Dora Maar, Woman with Flowered Hat painted in 1963 was sold for $ 56M including premium by Christie's on May 15, 2013.
On November 16 in New York, Sotheby's sells Female Head, oil and acrylic on canvas 152 x 127 cm painted in 1977, lot 29 estimated $ 10M.
Roy interprets Picasso's signature double perspective with his naturalist style without reversing the binocular vision : the right nostril appears on the left. The face is truncated in an outline close to an oval as in an impossible mirror that does not appear. Roy does not forget the profile but processes it in a surrealist manner by the line of the blond hair on the left. This artwork thus becomes the triple head of a unique woman amalgamated in a single figure.
Early in his career Roy observes the freedom of composition brought by Picasso with his juxtapositions of perspectives and his effects of mirrors. Imitating a portrait of Dora Maar, Woman with Flowered Hat painted in 1963 was sold for $ 56M including premium by Christie's on May 15, 2013.
On November 16 in New York, Sotheby's sells Female Head, oil and acrylic on canvas 152 x 127 cm painted in 1977, lot 29 estimated $ 10M.
Roy interprets Picasso's signature double perspective with his naturalist style without reversing the binocular vision : the right nostril appears on the left. The face is truncated in an outline close to an oval as in an impossible mirror that does not appear. Roy does not forget the profile but processes it in a surrealist manner by the line of the blond hair on the left. This artwork thus becomes the triple head of a unique woman amalgamated in a single figure.
1977 Two Studies for Self Portrait by Bacon
2015 SOLD for £ 14.7M by Sotheby's
The suicide of George Dyer in 1971 is the great trauma of Francis Bacon. Francis, who had fun watching the downfall of his friend, loses the model that was used to his psychological fixation. The artist finds himself facing an implacable witness of his age: his own mirror.
His growing fame has no direct effect on his art. Francis condemns himself to continue painting, but he has no subject outside of the post mortem vision of George and the disgust of his own look.
On February 10, 2015, Sotheby's sold for £ 14.7M a double self-portrait painted in 1977 by Francis Bacon, lot 18. Each element has the same size as the images of his triptychs, 35 x 30 cm, chosen to provide a life-size face. Please watch the video shared by Sotheby's.
In this painting, Francis reaches a peak of pessimism. The deformation of the lines and the violence of the colors do not remove the likeness of these self-portraits, but the nose is from an old alcoholic. The eyes are closed, but the mouths express sadness and disgust, in the same way as the mouth of his old popes had expressed helplessness and horror.
Soon after, his self-portraits became more serene when Francis finally realized that his own aging was inevitable.
His growing fame has no direct effect on his art. Francis condemns himself to continue painting, but he has no subject outside of the post mortem vision of George and the disgust of his own look.
On February 10, 2015, Sotheby's sold for £ 14.7M a double self-portrait painted in 1977 by Francis Bacon, lot 18. Each element has the same size as the images of his triptychs, 35 x 30 cm, chosen to provide a life-size face. Please watch the video shared by Sotheby's.
In this painting, Francis reaches a peak of pessimism. The deformation of the lines and the violence of the colors do not remove the likeness of these self-portraits, but the nose is from an old alcoholic. The eyes are closed, but the mouths express sadness and disgust, in the same way as the mouth of his old popes had expressed helplessness and horror.
Soon after, his self-portraits became more serene when Francis finally realized that his own aging was inevitable.
1977 Girl with Beach Ball by Lichtenstein
2021 SOLD for $ 14M by Sotheby's
From his beginnings, Roy Lichtenstein was much inspired by the deconstruction of figures by Picasso. His series of beach scenes conceived in 1976 is a direct reference to the art of the late master.
The 1928 summertime in Dinard mingles innocence and forbidden love. Pablo manages for his wife Olga and his secret mistress Marie-Thérèse to use separate beaches. Olga was ill and did not suspect that Pablo had an affair.
The beach ball held by the raised arm of a woman is the symbol of the innocent pleasures of the beach. Two versions of the Girl with Beach Ball are painted by Roy in 1977. The blonde girl is reminiscent of Marie-Thérèse. Both paintings are colored in red dots on white for the bare skin, in hatched or flat areas around the body, and use the same unique bright yellow for hair and sand.
One of them is a mingle of Pablo's dual angle of view and of Roy's frequent theme of the mirror. The face with a double mouth is nearly a duplication of the Female head of the same year, sold by Sotheby's in 2017.
Girl with Beach Ball II, oil and acrylic on canvas 152 x 127 cm, was sold for $ 14M by Sotheby's on May 12, 2021, lot 3. The technique of drawing is similar, with also the same white dots on red for the lips as in the Female head referred above. The body viewed in half length is nude.
The 1928 summertime in Dinard mingles innocence and forbidden love. Pablo manages for his wife Olga and his secret mistress Marie-Thérèse to use separate beaches. Olga was ill and did not suspect that Pablo had an affair.
The beach ball held by the raised arm of a woman is the symbol of the innocent pleasures of the beach. Two versions of the Girl with Beach Ball are painted by Roy in 1977. The blonde girl is reminiscent of Marie-Thérèse. Both paintings are colored in red dots on white for the bare skin, in hatched or flat areas around the body, and use the same unique bright yellow for hair and sand.
One of them is a mingle of Pablo's dual angle of view and of Roy's frequent theme of the mirror. The face with a double mouth is nearly a duplication of the Female head of the same year, sold by Sotheby's in 2017.
Girl with Beach Ball II, oil and acrylic on canvas 152 x 127 cm, was sold for $ 14M by Sotheby's on May 12, 2021, lot 3. The technique of drawing is similar, with also the same white dots on red for the lips as in the Female head referred above. The body viewed in half length is nude.
1977 Untitled Diptych by Joan Mitchell
2021 SOLD for $ 12.4M by Christie's
Link to catalogue.
1977 East Hampton by de Kooning
2021 SOLD for $ 10.4M by Christie's
Link to catalogue.
1977 Muhammad Ali by Warhol
2019 SOLD for $ 10M including premium by Christie's
narrated in 2020 before the sale of a 1978 example by Christie's (see below)
In Marilyn's time, film actors and actresses crystallized the admiration and jealousy of the general public. In 1977 the art collector Richard Weisman manages to convince Andy Warhol that times have changed. Viewers now enjoy the live broadcasts of sporting events, and the era of sports marketing has already begun.
Richard selects ten champions who dominate their sport. He will visit them with Andy and their team. Andy takes the photos with his Polaroid. Back in his 'Factory', he has the canvases painted in acrylic by his collaborators, himself adding expressive scratches in the still wet paint, and at the end of the process they do the silkscreen printing.
The Athletes series, completed in 1979, is made up of ten portraits of champions in a standardized 40 x 40 inches (102 x 102 cm) format. 8 series are realized. The images are multicolored, with variations from one series to another. This grouping of ten elements to constitute a series was also standardized by Andy for his editions of prints since 1967.
These encounters between two worlds that were ignoring each other bring some surprises. O.J. Simpson has a five-day beard, Jack Nicklaus is upset against Andy's incompetence in sports. The meeting with Muhammad Ali begins with an interminable preamble during which it seems impossible to stop the champion from speaking.
A set of ten paintings was sold by Christie's for $ 5.7M including premium on May 11, 2011. Two other sets have later been sold from the deceased estate of Weisman, also by Christie's. One of them was separated in New York on November 13 and 14, 2019 and the other one in London on February 12, 2020.
Comparing these groups provides additional information : the first Weisman set included Vitas Gerulaitis, while the other two sets display the ice hockey player Rod Gilbert. Weisman certainly wanted such a substitution to avoid tennis, already illustrated by Chris Evert, to be represented twice.
Muhammad Ali was the only one to control that his portrait matched well the image of himself that he wanted to leave, just as fearless in his activism as in his sport. He is the only one of the eleven whose sport is not symbolized by an artifact : his bare fists are brandished towards the artist.
In 2019, the portrait of Muhammad Ali was sold for $ 10M including premium over a lower estimate of $ 4M, lot 5 B. The piece for sale in 2020 was completed in 1978. It was sold for £ 5M over a lower estimate of £ 3M, lot 8. Behind the boxing champion, the greatest is Pelé, fetching $ 860K including premium in 2019 and £ 580K including premium in 2020.
Richard selects ten champions who dominate their sport. He will visit them with Andy and their team. Andy takes the photos with his Polaroid. Back in his 'Factory', he has the canvases painted in acrylic by his collaborators, himself adding expressive scratches in the still wet paint, and at the end of the process they do the silkscreen printing.
The Athletes series, completed in 1979, is made up of ten portraits of champions in a standardized 40 x 40 inches (102 x 102 cm) format. 8 series are realized. The images are multicolored, with variations from one series to another. This grouping of ten elements to constitute a series was also standardized by Andy for his editions of prints since 1967.
These encounters between two worlds that were ignoring each other bring some surprises. O.J. Simpson has a five-day beard, Jack Nicklaus is upset against Andy's incompetence in sports. The meeting with Muhammad Ali begins with an interminable preamble during which it seems impossible to stop the champion from speaking.
A set of ten paintings was sold by Christie's for $ 5.7M including premium on May 11, 2011. Two other sets have later been sold from the deceased estate of Weisman, also by Christie's. One of them was separated in New York on November 13 and 14, 2019 and the other one in London on February 12, 2020.
Comparing these groups provides additional information : the first Weisman set included Vitas Gerulaitis, while the other two sets display the ice hockey player Rod Gilbert. Weisman certainly wanted such a substitution to avoid tennis, already illustrated by Chris Evert, to be represented twice.
Muhammad Ali was the only one to control that his portrait matched well the image of himself that he wanted to leave, just as fearless in his activism as in his sport. He is the only one of the eleven whose sport is not symbolized by an artifact : his bare fists are brandished towards the artist.
In 2019, the portrait of Muhammad Ali was sold for $ 10M including premium over a lower estimate of $ 4M, lot 5 B. The piece for sale in 2020 was completed in 1978. It was sold for £ 5M over a lower estimate of £ 3M, lot 8. Behind the boxing champion, the greatest is Pelé, fetching $ 860K including premium in 2019 and £ 580K including premium in 2020.
1977-1980 Twenty One Lies of a Young Woman
2014 SOLD for $ 6.8M including premium
Photography and cinema are lies. Cindy Sherman began her series of Untitled Film Stills in 1977, aged 23. She is not an actress and her photos are not linked to any movie. However, she is directly inspired by European cinema: Hitchcock, Bardot, Loren.
Her only theme is herself in ever changing situations that are not related to her real life. After the first group of views, she changes her face, her hair, her age. On each image, she is alone. The gaze is more or less in complicity with the voyeur. When she closes the series in 1980, she had achieved a remarkable overview of the life of any modern young woman.
The edition of the Untitled Film Stills is in black and white 25 x 20 cm with a maximum of ten prints per view. Twenty one photos from a collection are for sale in one lot at Christie's in New York on November 12, lot 13 estimated $ 6M. Curiously, this lot includes only views from those printed in ten copies, raising hopes that rarest photos will appear in other sales.
This group ranges from number 2 to 83, providing an excellent demonstration of the variety in the series: private interiors of 1977, New York, holidays, as well as funny or tragic images such as with the diving mask or the swollen eye. View 48 shows the hitchhiker of which another copy was sold for $ 1,56M including premium at Christie's on November 12, 2013.
Nobody can better comment on the creative work of Cindy Sherman than the artist herself. I invite you to play the video shared by Christie's.
Her only theme is herself in ever changing situations that are not related to her real life. After the first group of views, she changes her face, her hair, her age. On each image, she is alone. The gaze is more or less in complicity with the voyeur. When she closes the series in 1980, she had achieved a remarkable overview of the life of any modern young woman.
The edition of the Untitled Film Stills is in black and white 25 x 20 cm with a maximum of ten prints per view. Twenty one photos from a collection are for sale in one lot at Christie's in New York on November 12, lot 13 estimated $ 6M. Curiously, this lot includes only views from those printed in ten copies, raising hopes that rarest photos will appear in other sales.
This group ranges from number 2 to 83, providing an excellent demonstration of the variety in the series: private interiors of 1977, New York, holidays, as well as funny or tragic images such as with the diving mask or the swollen eye. View 48 shows the hitchhiker of which another copy was sold for $ 1,56M including premium at Christie's on November 12, 2013.
Nobody can better comment on the creative work of Cindy Sherman than the artist herself. I invite you to play the video shared by Christie's.
1977 No Title for De Kooning's Art
2009 SOLD 6.1 M$ including premium
PRE SALE DISCUSSION
The work of Willem de Kooning is typical of the twentieth century, of which he was one of the most outstanding artists. After the Second World War, he waves continuously between figuration (often vulgar characters, and also landscapes) and abstraction. The subject of the artwork is mostly a pretext for big colorful strokes by which the artist expresses his emotions.
In the early 1970s, he devotes himself to sculpture. When he takes his brushes again in 1975, his fiery colors and materials are the best achievement of abstract expressionism. There is no need for words to describe the art in his series of Untitled, which include thirty numbers in two years.
These paintings are well received on the art market. Thus Untitled XXV, 196 x 224 cm, particularly bright, has been sold $ 24.2 million hammer price at Christie's on November 15, 2006.
Untitled XV, 1977, is estimated $ 5 million in the sale at Sotheby's in New York on November 11. Its size is not indicated in the press release, but it is likely that it is a conservative estimate due to the current difficulties of the art market.
In the same sale and from the same collection, a bronze of 1974 titled Large Torso is estimated $ 4 million.
POST SALE COMMENT
Amidst the exceptional results of this sale, the two works of De Kooning have obtained satisfactory prices, without exaggeration when comparing with the estimates.
The untitled painting was sold $ 6.1 million and the Large Torso sculpture $ 5.7 million, both figures including premium.
The work of Willem de Kooning is typical of the twentieth century, of which he was one of the most outstanding artists. After the Second World War, he waves continuously between figuration (often vulgar characters, and also landscapes) and abstraction. The subject of the artwork is mostly a pretext for big colorful strokes by which the artist expresses his emotions.
In the early 1970s, he devotes himself to sculpture. When he takes his brushes again in 1975, his fiery colors and materials are the best achievement of abstract expressionism. There is no need for words to describe the art in his series of Untitled, which include thirty numbers in two years.
These paintings are well received on the art market. Thus Untitled XXV, 196 x 224 cm, particularly bright, has been sold $ 24.2 million hammer price at Christie's on November 15, 2006.
Untitled XV, 1977, is estimated $ 5 million in the sale at Sotheby's in New York on November 11. Its size is not indicated in the press release, but it is likely that it is a conservative estimate due to the current difficulties of the art market.
In the same sale and from the same collection, a bronze of 1974 titled Large Torso is estimated $ 4 million.
POST SALE COMMENT
Amidst the exceptional results of this sale, the two works of De Kooning have obtained satisfactory prices, without exaggeration when comparing with the estimates.
The untitled painting was sold $ 6.1 million and the Large Torso sculpture $ 5.7 million, both figures including premium.
