Vincent van GOGH (1853-1890)
See also : Holland Landscape Midi Children The Man Flowers Tabletop Bouquet
Chronology : 19th century 1880-1889 1890-1899
Chronology : 19th century 1880-1889 1890-1899
1882 The Peasant Women of the Sea
2018 SOLD for € 7.1M including premium
In January 1882 Vincent van Gogh left the family home to settle in The Hague. Once again he had quarreled with his parents. He is rejected by women excepted by prostitutes. He would have liked to be a missionary serving the rural working class but he was too undisciplined. He possibly already had a dementia attack.
At almost 29 it is high time for Vincent to find a job. He imagines that by becoming an artist he may realize his dream of social helping. Fortunately his younger brother Theo supports him. Theo who is an art dealer as an employee of Goupil will provide Vincent with the hardware he needs for his new vocation. Vincent begins to inform Theo of his progress in a detailed and heart felt correspondence.
Vincent admires the painters of rural scenes. He works a bit with his distant cousin Anton Mauve but gets angry very early with him. In The Hague and at the seaside in Scheveningen, Vincent has no other influences than nature and his craze for Millet.
Vincent will however become a great artist because he is very sensitive to colors. In Scheveningen he gets into the habit of painting outdoor before, during and after the squalls. The attitudes of women who mend the fishing nets resemble Millet's peasants in the fields, and these widely extended nets create a multi-hued ground. The tumultuous sky anticipates the masterpieces of the end of his life.
On June 4 in Paris, Artcurial sells Raccommodeuses de filets dans les dunes, oil on paper 42 x 63 cm painted in August 1882 and laid down on panel, lot 14 estimated beyond € 3M. Here is the link to the press release. Please watch the video shared by the auction house. The image is shared by Wikimedia.
At almost 29 it is high time for Vincent to find a job. He imagines that by becoming an artist he may realize his dream of social helping. Fortunately his younger brother Theo supports him. Theo who is an art dealer as an employee of Goupil will provide Vincent with the hardware he needs for his new vocation. Vincent begins to inform Theo of his progress in a detailed and heart felt correspondence.
Vincent admires the painters of rural scenes. He works a bit with his distant cousin Anton Mauve but gets angry very early with him. In The Hague and at the seaside in Scheveningen, Vincent has no other influences than nature and his craze for Millet.
Vincent will however become a great artist because he is very sensitive to colors. In Scheveningen he gets into the habit of painting outdoor before, during and after the squalls. The attitudes of women who mend the fishing nets resemble Millet's peasants in the fields, and these widely extended nets create a multi-hued ground. The tumultuous sky anticipates the masterpieces of the end of his life.
On June 4 in Paris, Artcurial sells Raccommodeuses de filets dans les dunes, oil on paper 42 x 63 cm painted in August 1882 and laid down on panel, lot 14 estimated beyond € 3M. Here is the link to the press release. Please watch the video shared by the auction house. The image is shared by Wikimedia.
1888 The Studio of the South
2015 SOLD for $ 66M including premium
Arrived at Arles in 1888 at the end of winter, Vincent van Goghengaged with nature in Provence, with the wonderful colors of spring from the hill of Montmajour and the hard summer sun over the works in the fields.
He moved to the maison jaune where he wanted to create a community of artists named by him L'Atelier du Midi. Paul Gauguin arrived as his first guest on 23 October.
A period of fine weather, from October 29 to November 2, allows a first outdoor session. The two artists set their easels in the Alyscamps dominated by the bright yellow of the autumn leaves.
They must come to some understanding. Two of van Gogh paintings include forms within sharp outlines that could appeal to Gauguin. Their very different conceptions of artistic creation begin however to oppose the two artists from that first trials. Gauguin is a cerebral man for whom the achievement must be consistent with the original design, van Gogh is an impulsive wishing that the spontaneous gesture contributes to the artwork.
On May 5 in New York, Sotheby's sells a view of the Alyscamps painted on November 1, 1888, oil on canvas 92 x 74 cm, lot 18. The press release of April 13 is expecting a price in excess of $ 40M.
The composition is geometric, with its perspective view of the allée of trees. The contrast between the warm colors of soil and trees and the cold blue sky make this van Gogh painting resolutely away from the flat colors of Gauguin. The expression is enhanced by the rich shades of the palette. This painting contains the elements that will generate misunderstanding and estrangement between the two great artists.
I invite you to play the video shared by Sotheby's. Its image is also shared by Wikimedia.
He moved to the maison jaune where he wanted to create a community of artists named by him L'Atelier du Midi. Paul Gauguin arrived as his first guest on 23 October.
A period of fine weather, from October 29 to November 2, allows a first outdoor session. The two artists set their easels in the Alyscamps dominated by the bright yellow of the autumn leaves.
They must come to some understanding. Two of van Gogh paintings include forms within sharp outlines that could appeal to Gauguin. Their very different conceptions of artistic creation begin however to oppose the two artists from that first trials. Gauguin is a cerebral man for whom the achievement must be consistent with the original design, van Gogh is an impulsive wishing that the spontaneous gesture contributes to the artwork.
On May 5 in New York, Sotheby's sells a view of the Alyscamps painted on November 1, 1888, oil on canvas 92 x 74 cm, lot 18. The press release of April 13 is expecting a price in excess of $ 40M.
The composition is geometric, with its perspective view of the allée of trees. The contrast between the warm colors of soil and trees and the cold blue sky make this van Gogh painting resolutely away from the flat colors of Gauguin. The expression is enhanced by the rich shades of the palette. This painting contains the elements that will generate misunderstanding and estrangement between the two great artists.
I invite you to play the video shared by Sotheby's. Its image is also shared by Wikimedia.
1888 The Neighbors to the Maison Jaune
2015 SOLD for $ 7.6M including premium
Vincent is happy when he arrives in Arles. On 1 May 1888, he rents some rooms in the Maison Jaune in order to install his studio. The themes are not lacking for this artist who aspires to become the best painter of all time.
He becomes friend with the facteur (postman) Roulin and makes portraits of all the members of the family. Vincent is happy to meet this group which he describes as very French, but not without a second thought.
He knows that he will soon need to sell paintings and the Roulin portraits can be used as demonstrators of his expertise. He can not envisage the future without the cooperation of Theo whom he floods of detailed letters in which he expresses his creative process.
On July 31, 1888, Madame Roulin gives birth to a daughter named Marcelle. Vincent welcomes this new model. On November 5 in New York, Sotheby's sells a portrait of the baby Roulin, oil on canvas 36 x 25 cm painted in December 1888, lot 17 estimated $ 3.5M.
Marcelle is healthy and not concerned by the artist, and her picture is a very interesting snapshot (probably from a preliminary drawing which is not documented). The infant is seated, dressed in white with a nice cap. The eyes are wide open but it is by touching that she begins to explore the world, playing with her fingers.
He becomes friend with the facteur (postman) Roulin and makes portraits of all the members of the family. Vincent is happy to meet this group which he describes as very French, but not without a second thought.
He knows that he will soon need to sell paintings and the Roulin portraits can be used as demonstrators of his expertise. He can not envisage the future without the cooperation of Theo whom he floods of detailed letters in which he expresses his creative process.
On July 31, 1888, Madame Roulin gives birth to a daughter named Marcelle. Vincent welcomes this new model. On November 5 in New York, Sotheby's sells a portrait of the baby Roulin, oil on canvas 36 x 25 cm painted in December 1888, lot 17 estimated $ 3.5M.
Marcelle is healthy and not concerned by the artist, and her picture is a very interesting snapshot (probably from a preliminary drawing which is not documented). The infant is seated, dressed in white with a nice cap. The eyes are wide open but it is by touching that she begins to explore the world, playing with her fingers.
#AuctionUpdate: Bidders drive the price for Van Gogh's 'Bebe Marcelle Roulin' to $7.6m #SothebysImpMod pic.twitter.com/oup23apKKP
— Sotheby's (@Sothebys) November 6, 2015
1889 The Field beyond the Window
2017 SOLD for $ 81M including premium
On May 8, 1889 Vincent van Gogh enters the asylum for insanes of Dr. Peyron in Saint-Rémy de Provence. Rightly considered as dangerous for himself, he is not allowed to walk outside but a small workshop is attributed to him. In this narrow universe Vincent interprets the works of other artists and looks beyond the window through the thick bars.
On June 18, Vincent paints La Nuit étoilée in which the stars are transformed into whirlwinds of fire. Anxious about the loss of control of his mental health, Vincent believes being appeased by the energy of his hallucination. Doctors fear another major crisis. They are right : it happens in mid-July.
Supervised by the doctors, Vincent does not paint during his crises. He takes his brushes again in the last days of August. The window of his room looks to the east. The sun rising above the wheat field is blinding and hypnotic, and also reveals the bright colors that constitute the soil. The colors are intermingled like swirls, scars and tongues of fire with an extreme violence.
This oil on canvas 50 x 65 cm is titled Laboureur dans un champ. The man, the horse and the plow in mid-distance against the light offer a new opus of the favorite theme of Vincent's career, a result of his lifelong empathy with the soil workers.
Healing through hard work that released his impulses was only an illusion but it produced unprecedented masterpieces. The next crisis comes in December.
Laboureur dans un champ will be sold as lot 28 A by Christie's in New York on November 13. Please watch the video shared by the auction house. The image below is shared by Wikimedia.
On June 18, Vincent paints La Nuit étoilée in which the stars are transformed into whirlwinds of fire. Anxious about the loss of control of his mental health, Vincent believes being appeased by the energy of his hallucination. Doctors fear another major crisis. They are right : it happens in mid-July.
Supervised by the doctors, Vincent does not paint during his crises. He takes his brushes again in the last days of August. The window of his room looks to the east. The sun rising above the wheat field is blinding and hypnotic, and also reveals the bright colors that constitute the soil. The colors are intermingled like swirls, scars and tongues of fire with an extreme violence.
This oil on canvas 50 x 65 cm is titled Laboureur dans un champ. The man, the horse and the plow in mid-distance against the light offer a new opus of the favorite theme of Vincent's career, a result of his lifelong empathy with the soil workers.
Healing through hard work that released his impulses was only an illusion but it produced unprecedented masterpieces. The next crisis comes in December.
Laboureur dans un champ will be sold as lot 28 A by Christie's in New York on November 13. Please watch the video shared by the auction house. The image below is shared by Wikimedia.
1889 Threats on Arles
2015 SOLD for $ 54M including premium
Vincent van Gogh arrived in Arles in February 1888. He decided to stay there, charmed by the beauty of the surrounding countryside. His paintings of blooming orchards are joyous.
His mental health had always been fragile. The tension in his relationship with Gauguin rushed his delirious crises requiring his internment in psychiatric hospitals. His anguished questioning about the unknown cause of his illness worsens his condition. He cannot work during his crises.
On November 5 in New York, Sotheby's sells Paysage sous un ciel mouvementé, oil on canvas 60 x 74 cm, lot 14 estimated $ 50M. This artwork was made in mid-April 1889 within a very short period of lull that allowed him again to paint outdoors. This insignificant countryside surrounding Arles cannot be located with more accuracy.
That new spring looked very different to him from that of the previous year. The flowery meadow that occupies the foreground is not welcoming although a little character is coming to pick flowers. It is well lit but not sunny. The trees are twisted off by the wind.
The clouds are processed in a thick impasto involving all shades of gray, with a great violence that anticipates the whirlpools in the starry sky of the following months. This tormented painting is already attesting the fatal drift of his genius into dementia.
His mental health had always been fragile. The tension in his relationship with Gauguin rushed his delirious crises requiring his internment in psychiatric hospitals. His anguished questioning about the unknown cause of his illness worsens his condition. He cannot work during his crises.
On November 5 in New York, Sotheby's sells Paysage sous un ciel mouvementé, oil on canvas 60 x 74 cm, lot 14 estimated $ 50M. This artwork was made in mid-April 1889 within a very short period of lull that allowed him again to paint outdoors. This insignificant countryside surrounding Arles cannot be located with more accuracy.
That new spring looked very different to him from that of the previous year. The flowery meadow that occupies the foreground is not welcoming although a little character is coming to pick flowers. It is well lit but not sunny. The trees are twisted off by the wind.
The clouds are processed in a thick impasto involving all shades of gray, with a great violence that anticipates the whirlpools in the starry sky of the following months. This tormented painting is already attesting the fatal drift of his genius into dementia.
Discover the unique connoisseurship of Evelyn and Louis Franck #VanGogh http://t.co/phe5dtq0Lp pic.twitter.com/FAiGFBbBim
— Sotheby's (@Sothebys) October 14, 20151889 The Happiness of Outdoor Painting
2018 SOLD for $ 40M including premium
In July 1889 Vincent van Gogh suffered a relapse of his crises while he was interned in the asylum at Saint-Rémy. Once again he managed to convince the doctors that working was good for his health. He was right but unfortunately temporarily only.
Laboureur dans un champ is a masterpiece of that new phase, composed from memory and from what he could see from the window. This oil on canvas 50 x 65 cm completed in September 2, 1889, was sold for $ 81M including premium by Christie's on November 13, 2017.
Vue de l'asile et de la chapelle Saint-Paul de Mausole à Saint-Rémy, oil on canvas 45 x 60 cm, was painted in mid-October. It was sold by Christie's from the deceased estate of Elizabeth Taylor on February 7, 2012 for £ 10.1M including premium over a lower estimate of £ 5M, lot 12.
I discussed it in this column at that time, commenting it as follows : This is an overview of the buildings of the asylum, in a gentle stylized realism. The swirling textures of the sky and trees open the way to the masterpieces of Auvers, and in the whole lower part of the image the tangle of colors of the field is already foreshadowing the colorists of the next century..
The importance of this view in Vincent's art has been re-evaluated. It appears now as being the only landscape in that fall that Vincent had painted outdoors throughout, under the close surveillance of an attendant.
In his signature line previously used in Laboureur, Vincent offers in this view a much quieter rendering. Feeling that he was on the way to recover, he was happy with his great control of his brushstroke and delighted with the automnal colors.
It is estimated $ 35M for sale by Christie's in New York on May 15, lot 24 A. The image is shared by Wikimedia.
Laboureur dans un champ is a masterpiece of that new phase, composed from memory and from what he could see from the window. This oil on canvas 50 x 65 cm completed in September 2, 1889, was sold for $ 81M including premium by Christie's on November 13, 2017.
Vue de l'asile et de la chapelle Saint-Paul de Mausole à Saint-Rémy, oil on canvas 45 x 60 cm, was painted in mid-October. It was sold by Christie's from the deceased estate of Elizabeth Taylor on February 7, 2012 for £ 10.1M including premium over a lower estimate of £ 5M, lot 12.
I discussed it in this column at that time, commenting it as follows : This is an overview of the buildings of the asylum, in a gentle stylized realism. The swirling textures of the sky and trees open the way to the masterpieces of Auvers, and in the whole lower part of the image the tangle of colors of the field is already foreshadowing the colorists of the next century..
The importance of this view in Vincent's art has been re-evaluated. It appears now as being the only landscape in that fall that Vincent had painted outdoors throughout, under the close surveillance of an attendant.
In his signature line previously used in Laboureur, Vincent offers in this view a much quieter rendering. Feeling that he was on the way to recover, he was happy with his great control of his brushstroke and delighted with the automnal colors.
It is estimated $ 35M for sale by Christie's in New York on May 15, lot 24 A. The image is shared by Wikimedia.
1889 The Superb Fall
2019 SOLD for $ 40M including premium
The arrival of Vincent van Gogh in Provence marks the beginning of a creative frenzy that is interrupted only by his fits of dementia. He still and ever seeks to vary his themes and styles to become the best artist in the world.
La Nuit étoilée, oil on canvas painted in June 1889 at the asylum of St-Rémy, is unprecedented in the history of art. Vincent first wanted to paint the colors of the night. In order for them to be clearly visible, he oversized the Moon and the stars which have become swirls of colors.
La Nuit étoilée is also a landscape with the village of St-Rémy and the Alpilles. It is dominated in the foreground by an isolated floating tree, disproportionate and asymmetrical. With its longevity and its evergreen leaves, the cypress is the symbol of eternal life and the tree of the graveyards.
In October 1889 nature offers a satisfaction to Vincent : that autumn is superb. The artist paints the colors of the garden. With a texture of violent lines, the brushstroke has integrated the style of the Starry Night. In the foreground two or three thin trunks twist. The only vertical reference in this unbalanced universe is the tall cypress, in the distance, with the same asymmetry as the tree of the Starry Night.
A view in St. Paul's Hospital Garden, oil on canvas 67 x 52 cm, was sold for £ 9M including premium by Christie's on June 23, 2010.
Painted in vibrant colors, Trees in the Garden of the Asylum, oil on canvas 42 x 34 cm, will be sold as lot 15A by Christie's in New York on May 13. The March 27 press release announces an estimate in the region of $ 25M.
La Nuit étoilée, oil on canvas painted in June 1889 at the asylum of St-Rémy, is unprecedented in the history of art. Vincent first wanted to paint the colors of the night. In order for them to be clearly visible, he oversized the Moon and the stars which have become swirls of colors.
La Nuit étoilée is also a landscape with the village of St-Rémy and the Alpilles. It is dominated in the foreground by an isolated floating tree, disproportionate and asymmetrical. With its longevity and its evergreen leaves, the cypress is the symbol of eternal life and the tree of the graveyards.
In October 1889 nature offers a satisfaction to Vincent : that autumn is superb. The artist paints the colors of the garden. With a texture of violent lines, the brushstroke has integrated the style of the Starry Night. In the foreground two or three thin trunks twist. The only vertical reference in this unbalanced universe is the tall cypress, in the distance, with the same asymmetry as the tree of the Starry Night.
A view in St. Paul's Hospital Garden, oil on canvas 67 x 52 cm, was sold for £ 9M including premium by Christie's on June 23, 2010.
Painted in vibrant colors, Trees in the Garden of the Asylum, oil on canvas 42 x 34 cm, will be sold as lot 15A by Christie's in New York on May 13. The March 27 press release announces an estimate in the region of $ 25M.
#AuctionUpdate Vincent van Gogh's 'Arbres dans le jardin de l'asile' from the collection of S.I. Newhouse realizes $40,000,000 https://t.co/kTl39lKfJq pic.twitter.com/IP2q8HHFV9
— Christie's (@ChristiesInc) May 13, 2019
1889 Vincent in the Fields
2017 SOLD for £ 24M including premium
The frustrated altruistic vocation of Vincent van Gogh was to become a working class pastor. His deep interest in art has no professional purpose : very early the idea of trading art disgusts him. When the young bourgeois comes into contact with the peasant world he deeply admires the almost apostolic personality of Jean-François Millet.
Vincent's path to his artistic maturity is long and includes many copies from the masters. In 1889 his mental health becomes critical. For long periods in Arles or in the asylum at Saint-Rémy he can no longer go outdoors and has no more models. This interpreter of nature must now content himself with images. He undertakes a systematic copy of the two great series of wood engravings by Millet, the Quatre Heures du Jour and the ten Travaux des Champs.
The drawings made by Vincent are very similar to Millet's originals but the works are completely re-interpreted by the balance of the colors. The deep blue of the sky and the gold of the wheat fields are skilfully highlighted by the softer colors of the clothes.
The harvester by Millet was certainly one of Vincent's favorite themes. Seen from behind, this very tall peasant is bent to mow the corn. In the Christian tradition the scythe is the instrument of death, translated more positively by Vincent as a symbol of the position of the harvest in the inexorable cycle of life.
On June 27 in London, Christie's sells Le Moissonneur (d'après Millet), oil on canvas 43 x 24 cm painted by Vincent in September 1889, lot 6 estimated £ 12,5M. The image below is shared by Wikimedia.
Vincent's path to his artistic maturity is long and includes many copies from the masters. In 1889 his mental health becomes critical. For long periods in Arles or in the asylum at Saint-Rémy he can no longer go outdoors and has no more models. This interpreter of nature must now content himself with images. He undertakes a systematic copy of the two great series of wood engravings by Millet, the Quatre Heures du Jour and the ten Travaux des Champs.
The drawings made by Vincent are very similar to Millet's originals but the works are completely re-interpreted by the balance of the colors. The deep blue of the sky and the gold of the wheat fields are skilfully highlighted by the softer colors of the clothes.
The harvester by Millet was certainly one of Vincent's favorite themes. Seen from behind, this very tall peasant is bent to mow the corn. In the Christian tradition the scythe is the instrument of death, translated more positively by Vincent as a symbol of the position of the harvest in the inexorable cycle of life.
On June 27 in London, Christie's sells Le Moissonneur (d'après Millet), oil on canvas 43 x 24 cm painted by Vincent in September 1889, lot 6 estimated £ 12,5M. The image below is shared by Wikimedia.
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1889 Asylum and Sea
2014 SOLD 17 M£ including premium
Vincent Van Gogh is interned in the asylum at Saint-Rémy from May 1889. Between crises of madness, he maintains his ambition of being better than all the other painters.
He copies in his own style the pictures that Theo sends to him. His idea is pedagogic : assembling a wide variety of subjects in order to demonstrate the possibilities of figurative art.
In October, Vincent copies L'homme est en mer of Virginie Demont-Breton. His oil on canvas 66 x 51 cm is estimated £ 6M, lot 39 in the catalog of Sotheby's in London on February 5.
Daughter of the peasant painter Jules Breton, Virginie specialized in scenes of marine life. L'homme est en mer shows a languid young woman sitting by the fire with her baby, powerless against the dangers faced by her husband.
Vincent accurately reflects the composition but is not simply a follower of Demont-Breton. The colors are gorgeous, reinforced by the lines typical of his style through which his paintings go beyond the emotional load of impressionists and pointillists.
The outside world is prohibited to the enclosed artist. The parallel between his own distress and the anguish of the woman is probably a psychological reason that guided his choice. The reference to the sea symbolizes both freedom and danger, and the sleeping baby is leading to the future.
POST SALE COMMENT
This surprising painting by Van Gogh inspired by Demont-Breton was sold for £ 17M including premium.
The image is shared by Wikimedia :
He copies in his own style the pictures that Theo sends to him. His idea is pedagogic : assembling a wide variety of subjects in order to demonstrate the possibilities of figurative art.
In October, Vincent copies L'homme est en mer of Virginie Demont-Breton. His oil on canvas 66 x 51 cm is estimated £ 6M, lot 39 in the catalog of Sotheby's in London on February 5.
Daughter of the peasant painter Jules Breton, Virginie specialized in scenes of marine life. L'homme est en mer shows a languid young woman sitting by the fire with her baby, powerless against the dangers faced by her husband.
Vincent accurately reflects the composition but is not simply a follower of Demont-Breton. The colors are gorgeous, reinforced by the lines typical of his style through which his paintings go beyond the emotional load of impressionists and pointillists.
The outside world is prohibited to the enclosed artist. The parallel between his own distress and the anguish of the woman is probably a psychological reason that guided his choice. The reference to the sea symbolizes both freedom and danger, and the sleeping baby is leading to the future.
POST SALE COMMENT
This surprising painting by Van Gogh inspired by Demont-Breton was sold for £ 17M including premium.
The image is shared by Wikimedia :
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1890 Portrait du Dr Gachet by Van Gogh
1990 SOLD 82.5 M$ before fees by Christie's
Shared by Wikimedia :
1890 Wild Flowers for Dr Gachet
2014 SOLD for $ 62M including premium
After he entered the asylum at Saint-Rémy de Provence in May 1889, the health of Vincent van Gogh did not improve. But they had to look for a solution. Auvers-sur-Oise is a pretty village frequented by artists. His visit is prepared by his brother Theo in consultation with Dr. Gachet.
In May 1890 Vincent moved into a room at the local inn in Auvers. He did not have a studio and regularly attended the home of Gachet, a friend of the Impressionists and Cézanne.
Since he is sick, Vincent is terrorized by the idea of failure and by the risk of a new crisis of dementia. With the energy of despair, he gives a new impetus to his old ambition to become the best painter of all time, the only one capable of a synthesis of all genres. Gachet has a painting by Cézanne showing a bouquet of flowers. Vincent wants to do better.
Spring brings forth the flowers into the fields. On November 4 in New York, Sotheby's sells an oil on canvas 66 x 50 cm painted by Vincent on 16 and 17 June 1890, lot 17 estimated $ 30M. Executed in the clear intention to thank Gachet for his help, this artwork shows a vase filled with daisies and poppies.
The composition is powerful and the colors are gorgeous, dominated in the center by the fiery red poppies. The groups of flowers shine like some characters within the ultimate tragedy of Vincent.
I invite you to play the video shared by Sotheby's :
In May 1890 Vincent moved into a room at the local inn in Auvers. He did not have a studio and regularly attended the home of Gachet, a friend of the Impressionists and Cézanne.
Since he is sick, Vincent is terrorized by the idea of failure and by the risk of a new crisis of dementia. With the energy of despair, he gives a new impetus to his old ambition to become the best painter of all time, the only one capable of a synthesis of all genres. Gachet has a painting by Cézanne showing a bouquet of flowers. Vincent wants to do better.
Spring brings forth the flowers into the fields. On November 4 in New York, Sotheby's sells an oil on canvas 66 x 50 cm painted by Vincent on 16 and 17 June 1890, lot 17 estimated $ 30M. Executed in the clear intention to thank Gachet for his help, this artwork shows a vase filled with daisies and poppies.
The composition is powerful and the colors are gorgeous, dominated in the center by the fiery red poppies. The groups of flowers shine like some characters within the ultimate tragedy of Vincent.
I invite you to play the video shared by Sotheby's :
