Ancient French Painting
See also : 18th century painting Louis XIV to XVI Revolution and Empire Louis XVIII to 2nd Empire Man and woman Music and dance Children Paris Orientalism Horse Cats
Chronology : 1640-1659 18th Century 1700-1719 1750-1759 1760-1769 1770-1779 1810-1819 1820-1829 1830-1839 1840-1849 1860-1869
The Divine Boy
2018 SOLD for € 3.6M including premium
It shows the young Christ in his age of awareness, kneeling in front of the symbols of the Passion. He is dressed in a wide white tunic, symbol of purity. The evening light is mystical.
This previously unknown image adds a new theme to the Christian iconography. The engraver Wierix who died in 1619 had published the image of a young adult saint in the same attitude. No image of Christ at that age in that role was known up to now. A little later Murillo will be one of the very few artists to consider the pre-adolescence of Christ but in less mystical attitudes. We also knew a newborn Christ sleeping on the cross.
The role of Christ is played on this Le Nain painting by a young boy of about twelve or thirteen with a beautiful childish face, fair skin and blond hair. This very recognizable healthy child appears at various ages in works by Le Nain, as an angel and then as a young peasant.
The small size of this painting indicates that it was made for a private devotional use. It is difficult to appreciate why no similar example is known, especially since it is well matching the new trends of the Counter-Reformation considering that the life of Christ must be analyzed as a whole. On this point the presentiment of sad Madonnas by Botticelli is a precedent.
Le Nain has treated here the age of wisdom when Christ understands and accepts his destiny for the first time. The same passage is important for the kings of France who are assisted by a regency until the age of 13 years. From 1643 to 1651 King Louis XIV is a minor. Once the king has begun his personal reign, it is possible that the boy Christ had a decreasing appeal to the customers of the only survivor of the Le Nain brothers.
This painting of l'Enfant Jésus méditant sur les instruments de la Passion is estimated € 1M to be sold by Rouillac at the annual Garden Party auction at Château d'Artigny on June 10, lot 60. Higher expectations had been announced in March before this work was classified as French Trésor National.
I invite you to read the essay prepared by Rouillac which contains many convincing illustrations to demonstrate the importance of the artwork.
Découverte : Commissaires-priseurs dénicheurs de trésors dans les caves et les greniers de France, les @RouillacSas ont mis la main sur la toile "Le Christ enfant méditant sur la Croix" des frères Le Nain ! Vente prévue le 10 juin au château d’Artigny.— Quotidien de l'Art (@Quotidiendelart) March 16, 2018
Courtesy: Rouillac pic.twitter.com/iZ8bjj03vf
1650 Sunrise on a Roman Seaport
2013 SOLD 5 M£ including premium
On December 3 in London, Christie's sells an oil on canvas 101 x 135 cm, estimated £ 3M, recently rediscovered after having remained out of sight for more than a century.
This painting was done in 1650 on order of a cardinal. The artist honors a local saint: during the reign of the pious emperor Theodosius, a woman named Paula left Rome to live the hermit adventure under the direction of Jerome who is indeed the only recorder of her hagiography.
From the perspective of Christian iconography this action is not spectacular, but the sunrise on a fancy Mediterranean seaport is sumptuous. Much later, Turner complacently recognized the considerable influence of Lorrain on his own vision.
The antique columns that close the left edge of the picture anticipate by more than half a century the fashion of the Roman capricci and the tall ships are worthy of a van de Velde.
POST SALE COMMENT
The quality and rarity of this painting led it to £ 5M including premium.
1718-1719 Christie's discovered a Watteau, what a surprise !
2008 SOLD 12.3 M£ including premium
A little more than one month ago, Christie's had announced in a press release the reappearance of a painting of Watteau presumedly destroyed for two centuries. The press had seized this information, rightly. Let us not forget it, but it is necessary to wait two more months for the sale, which will be done in London on July 8.
Entitled "la Surprise", this painting was known through a copy, and the owner was unaware of being in possession of an original. If as it is probable Christie's manages to sell it, the pockets of this happy British countryman will then have filled from at least 3 M£.
Of small size, it is an outdoor scene, elegant and dynamic, with feverish movement, with images typified according to the so specific technique of Watteau: the player of guitar, the couple of lovers, the puppy.
A masterpiece? Yes. One of the great biddings of the year? Probably not. The painting, whose exact dimensions are not revealed in the official statement, appears to be not larger than a paper sheet.
POST SALE COMMENT
The price obtained is also a surprise: £ 12.3 million charge included.
This painting had been announced well in advance by Christie's as one of the highlights of the season. It had the advantage of never being viewed before on the market and disadvantage of being small: 36x28 cm.
The market has thus confirmed the view of Christie's that this painting is a masterpiece of Watteau, and that Watteau is a major painter in the history of art. There is no doubt that we will not soon see a similar one reappear in a sale. A masterpiece that can be considered as single on the market has no price, but I think nobody could reasonably predict that it would be so high.
1757 Vernet came back to Avignon
2013 SOLD 5.4 M£ including premium
The port is seen as a very elongated panorama with great care given to the truth of the details. The foreground is animated by characters in their local daily activities, adding the study of manners to the topographic realism.
Vernet does not crush the view in a narrow format and leaves a large place to sky, treated with abundant clouds in a beautiful sunset light. Only Francesco Guardi in his best period has reached such a balance between topographic realism and artistic imagination.
In 1757, Vernet gets permission from the marquis to spend a few months in his hometown of Avignon where he executes an ancient commission for a local dignitary.
Completed in 1757 as a 99 x 183 cm oil on canvas, the view of Avignon from the right bank of the Rhône is smaller than the royal paintings but has otherwise identical characteristics, with a similar topographic detail. Of course, private works made by Vernet during the period of the Ports of France are very rare.
The Avignon view is estimated £ 3M, for sale by Sotheby's in London on July 3.
POST SALE COMMENT
This painting dates from the best period of Vernet. It deserved £ 5.4 million including premium.
The image is shared on Wikimedia:
1769 Fragonard out of his Time
2013 SOLD 17 M£ including premium
Fragonard made a small series of oils on canvas known under the generic title of Portraits de fantaisie. Only one of these artworks is dated : 1769, the year of his marriage. It is not by chance.
Close to the aristocracy, Fragonard endeavours at that time to demonstrate that he may revolutionize the art of portrait. These paintings are comparable to the tronies made by Rembrandt. The likeness to the sitter is not the most important.
The movement of shoulders and head brings energy and even violence. Strong colors evoke passion. Fancy costumes "à l'Espagnole" provide a theatrical dimension that also positions the work out of its time.
Influenced by Chardin, Fragonard understood the importance of color. This series of fantasy portraits is an essential link in the history of art between Rembrandt and Manet. He will be the great-granduncle of Berthe Morisot.
Few models have been identified with certainty. Brilliant intellectual, François-Henri d' Harcourt enjoyed his portrait to the point that his family kept it until 1971.
This oil on canvas 81 x 65 cm was then purchased at auction by Dr. Rau. Coming now from this prestigious collection, it is for sale to the benefit of UNICEF by Bonhams in London on December 5.
POST SALE COMMENT
This painting has some exceptional qualities reinforced by the fact that it was one of the top masterpieces of the Rau collection and was sold for the benefit of UNICEF. It was sold for £ 17M including premium.
I invite you to play the video shared by Bonhams on YouTube. The image is shared by Wikimedia.
1776 An English Commission for Vernet
2011 SOLD 7 M$ including premium
When he returned to France, King Louis XV commissioned him a series of monumental paintings showing life in the ports of France. He worked to it during ten years, from 1753 to 1762, and realized fourteen large size paintings, 263 x 165 cm.
The compositions are similar to those of his contemporary of Venice, Francesco Guardi. The ports are realistic and recognizable. In the foreground, on the waterfront, a crowd of small figures brings the atmosphere of the time.
The English aristocrats were lovers of art and tourism. In 1774, one of them ordered to the artist a pair of paintings of a similar size as those of the royal commission. One of them is estimated $ 1.5 million, for sale at Sotheby's in New York on January 27.
Dated 1776, it shows a quiet sea shore at sunset. Small characters are unloading some merchandise from a tall ship that can be seen offshore. Buildings on the left are certainly part of a port facility. It is not located and is probably a work of imagination, as many of the unofficial paintings by Vernet.
Vernet's art is a realistic witnessing of his time, much interesting and also unexpected as it comes between the mythological imagination of le Lorrain (Claude Gellée) and the sentimental excesses of the Romantics.
POST SALE COMMENT
It is a very good day for the lovers of marine views by Vernet.
As I understood it, the painting described in my article could be compared to the most famous masterpieces of Vernet. It was sold $ 7M including premium.
A marine of smaller dimensions, 57 x 74 cm, was sold for $ 2.4 million including premium.
1812 Boulevard du Crime
2010 SOLD 4.56 M$ including premium
While the Palais-Royal is the place to go to fashion, Boulevard du Crime becomes the active center of entertainment and amusements. Its real name was Boulevard du Temple, but the Parisians had given it that nickname as a fun for the horrors that the theaters offered to good people.
At Christie's on January 27 in New York, Boilly observes a large crowd engaged in various activities in front of the entry of Café Turc, boulevard du Temple, in 1812. The costumes can not mistake on the time. This slice of Parisian life is an oil on canvas, 73 x 91 cm, estimated $ 3 million.
Typical of its time, the Café Turc was both a place of tasting ice creams and exotic drinks, and a garden. Paris enjoyed during the next decades an intense development of dancing gardens, cafés concerts, theme parks and restaurants.
POST SALE COMMENT
This lively Parisian scene has been regarded by purchasers as one of the masterpieces of Boilly. It was sold 4.56 million $ including premium.
Here the image of the star lot of this evening, shared a few days before the sale by Art Market Monitor.
1818 Portrait of the DeDreux Children by Géricault
2009 SOLD 9 M€ including premium by Christie's
1820 Portrait of Ramel de Nogaret by David
2008 SOLD for $ 7.2M including premium by Christie's
1833-1834 Choc de Cavaliers Arabes by Delacroix
1998 SOLD for FF 46.5M before fees by Piasa
1845 Corot above the Fireplace
2018 SOLD for $ 9M including premium
Nobody is really convinced by the art of Corot until the young Baudelaire, in 1845, observes that the simplicity of his landscapes is not naive but is instead a supreme harmony. As a result Corot's art is forever unclassifiable, between classicism and modernism. Despite his pleasure in open-air painting, he cannot be considered as a forerunner of the Impressionnistes, in the opposite of Boudin and Courbet slightly later.
Throughout his life Corot has a lot of friends. He supplies paintings to a magistrate of Mantes whom he met from 1840 and decorates in his own hand the walls of the bathroom with Italian views.
Corot had visited Venice in 1828 and 1834. For the same friend he painted in 1845 an enlarged version in the format 48 x 82 cm of a view of the quay of the Schiavoni towards Santa Maria della Salute.
In 1957 this painting caught the attention of David Rockefeller. It is not a Canaletto : the animation is poor. It is not a Guardi : the sky is too blue. It is neither a Turner nor a Monet : the line is too sharp to offer an atmosphere. Despite the confusing perspective on the Piazzetta, it is not a wide-angle photo. The erroneous shadows of earlier versions of this image have fortunately been rectified.
This bright painting has two other qualities : it exudes a great serenity and its width is in harmony with the fireplace of the library in the country house at Hudson Pines. It superseded at this place a Jas de Bouffan by Cézanne of which Rockefeller was tired and was to remain there until his death. It is estimated $ 5M for sale by Christie's in New York on May 8, lot 4.
1862 The Darings of Courbet
2015 SOLD for $ 15.3M including premium
He is provocative. Taking the format of an epic painting on a large size, 315 x 668 cm, L'Enterrement à Ornans makes a scandal in 1850. Proudhon is delighted.
The second empire, decreed in 1852, marks the return in France of a prudish censorship that sends its policemen against a pornography now facilitated by photography. For the artists opponent to the regime of Napoléon III, the nude becomes a challenge.
The deliberate ugliness enters the theme of the nude in 1853 with Les Baigneuses by Courbet. Even Ingres, yet close to the government, is interested in this new approach. His Bain Turc, on which he worked for ten years, is an unprecedented erotic accumulation that takes Orientalism as an excuse to avoid reprisals.
On November 9 in New York, Christie's sells a Femme nue couchée, oil on canvas 75 x 97 cm painted by Courbet in 1862, lot 10A estimated $ 15M.
The woman viewed in full length is reclining on a bed, her head turned in a rest position, looking like some replica of the Venus of Urbino but without the discreet hand. Her offering attitude and the half undone stocking reveal that a sexual activity was just completed. The provocation of the picture is increased by a surrounding in romanticist style with a curtain and a landscape.
Such women by Courbet represent a milestone in modern French painting. On one hand, new private customers invite Courbet to even more daring pictures. On the other hand, Manet does not hesitate to confront the scandal with Le Déjeuner sur l'herbe and Olympia.
1862 Portrait of the Artist as an Old Tiger
2018 SOLD for $ 9.9M including premium
The artist appreciates that passion is not a human exclusivity and he loves the powerful savagery of tigers and lions. A great admirer of Rubens, he is inspired by the whirlwind of his hunting scenes.
An artist needs real models, although Dürer's rhinoceros is a wonderful exception. Géricault is passionate about horses and Raden Saleh remembers big game hunting. For his tigers and lions, Delacroix looks at his pet cat and at stuffed animals in the Museum d'Histoire Naturelle. Fortunately the menagerie of the Jardin des Plantes hosts a tiger from 1847.
In 1862 the artist feels old and tired. The tiger remained his emblem and his friends flatter him by comparing his behavior with the anthropocentric emotions attributed to this animal. Delacroix imagines confrontations with reptiles. Facing the threat of the snake, the big cat no longer knows how he can still win.
On May 8 in New York, Christie's sells Tigre jouant avec une tortue, oil on canvas 45 x 62 cm painted in 1862, lot 3 estimated $ 5M.
As ever the animal behavior is fanciful. A fully grown tiger no longer plays because game is used by cubs to train in hunting. This one with a paw on the tortoise is stopping as if he waited some advice. The tortoise disturbed and threatened by the predator omitted to close its shell.
François de Ricqlès, President of Christie’s France, explains how this exceptional Romantic work that ‘marks the beginning of modernity’ also speaks to the Rockefeller family’s long and mutually admiring relationship with France. Check it out here: https://t.co/8QpCJrNHVH pic.twitter.com/alUUMid0bs— Christie's (@ChristiesInc) March 25, 2018