1938
See also : Spain Picasso Picasso 1930s Miro Germany Germany II Belgium Magritte Self portrait II Music and dance Groups Animals Bird French cars Comics
1938 The Two Mistresses of Pablo
2015 SOLD for $ 67M including premium
After Guernica, Picasso accepts an evidence: he now has two mistresses. He loves them for opposite reasons and decides not to choose. The sweet Marie-Thérèse is the mother of Maya. Dora invites for a passionate relationship.
Of course, the two women can not get along. Pablo is amused. He executes parallel portraits and goes to mix their features in the same figure. Presented in the anonymity of the sitter, these portraits do not reveal their identity with certainty.
On May 11 in New York, Christie's sells at lot 15A Buste de femme (femme à la résille), oil on canvas 65 x 54 cm painted in Paris on January 12, 1938.
In front of a bright red background, the colors of the skin and the clothes are also strident. In her enthusiasm, Dora insinuated that when he changed his mistress Picasso changed also his style, his life, his friends and even his dog.
The exotic funny hat and the fishnet do not belong to Marie-Thérèse but Dora is not the only desire of the artist who is embarrassed by the colorist glory of his great rival Matisse. The eyes on two different levels are not only the reconstruction of perspective in the Cubist style, they also mark the duality of this figure whose face includes some lines from Marie-Thérèse.
This painting was important to Pablo who will never parted from it. The auction house did not publish an estimate.
Of course, the two women can not get along. Pablo is amused. He executes parallel portraits and goes to mix their features in the same figure. Presented in the anonymity of the sitter, these portraits do not reveal their identity with certainty.
On May 11 in New York, Christie's sells at lot 15A Buste de femme (femme à la résille), oil on canvas 65 x 54 cm painted in Paris on January 12, 1938.
In front of a bright red background, the colors of the skin and the clothes are also strident. In her enthusiasm, Dora insinuated that when he changed his mistress Picasso changed also his style, his life, his friends and even his dog.
The exotic funny hat and the fishnet do not belong to Marie-Thérèse but Dora is not the only desire of the artist who is embarrassed by the colorist glory of his great rival Matisse. The eyes on two different levels are not only the reconstruction of perspective in the Cubist style, they also mark the duality of this figure whose face includes some lines from Marie-Thérèse.
This painting was important to Pablo who will never parted from it. The auction house did not publish an estimate.
1938 The Fury of the Birds
2017 SOLD for £ 36M including premium
After the First World War, German artists like Max Beckmann, Max Ernst, George Grosz and Otto Dix brought social criticism to the level of a major art far beyond caricature. Of course the Nazi regime does not agree. Beckmann is one of the targets of Hitler's furious attacks on degenerate art.
Beckmann precipitately left Germany in 1937 and settled in Amsterdam. Like Miro at the same time in Spain, he could not manage to stay away from politics. He immediately conceived a great composition, first entitled Der Land des Wahnsinningen (the country of the insane) which would express his horror of the collectivisms.
Completed at the end of the summer of 1938, Hölle der Vögel (hell of birds) is the achievement of that project. This oil on canvas 120 x 160 cm is for sale by Christie's in London on June 27, lot 11. Three days before the press release of May 8, Financial Time announced an estimate of £ 30M.
This scene mixes the medieval and the modern to better express the permanent threat of abject persecution. Tortures are inflicted by hooded birds. In a claustrophobic atmosphere with black lines and garish colors, the victim chained on an Inquisition bed is a light spot. A bird plows his back to the blood with a large knife.
This lugubrious ceremony is presided by a harpy standing out of her broken egg with a monstrous breast. The crowd of secondary characters is made up of screaming nudes who perform the Hitler Grüss, removing any possible doubt about the interpretation of this allegory in the modern world.
The narrative abundance in that work is inspired by medieval imagery. The choice of the bird as a symbol of blind fury reminds the man-swallowing bird in Bosch's Hell.
The political violence in Hölle der Vögel may be compared to Picasso's Guernica, also conceived in 1937. Beckmann's painting, cautiously preserved in a private apartment in Paris until the end of the Second World War, would have deserved a similar notoriety.
Please watch both videos shared by Christie's, one of thempositioning the artwork within Beckmann's career and the other one in which the auction house chose to accompany it by the reading of a similarly inspired poem by W. H. Auden.
Beckmann precipitately left Germany in 1937 and settled in Amsterdam. Like Miro at the same time in Spain, he could not manage to stay away from politics. He immediately conceived a great composition, first entitled Der Land des Wahnsinningen (the country of the insane) which would express his horror of the collectivisms.
Completed at the end of the summer of 1938, Hölle der Vögel (hell of birds) is the achievement of that project. This oil on canvas 120 x 160 cm is for sale by Christie's in London on June 27, lot 11. Three days before the press release of May 8, Financial Time announced an estimate of £ 30M.
This scene mixes the medieval and the modern to better express the permanent threat of abject persecution. Tortures are inflicted by hooded birds. In a claustrophobic atmosphere with black lines and garish colors, the victim chained on an Inquisition bed is a light spot. A bird plows his back to the blood with a large knife.
This lugubrious ceremony is presided by a harpy standing out of her broken egg with a monstrous breast. The crowd of secondary characters is made up of screaming nudes who perform the Hitler Grüss, removing any possible doubt about the interpretation of this allegory in the modern world.
The narrative abundance in that work is inspired by medieval imagery. The choice of the bird as a symbol of blind fury reminds the man-swallowing bird in Bosch's Hell.
The political violence in Hölle der Vögel may be compared to Picasso's Guernica, also conceived in 1937. Beckmann's painting, cautiously preserved in a private apartment in Paris until the end of the Second World War, would have deserved a similar notoriety.
Please watch both videos shared by Christie's, one of thempositioning the artwork within Beckmann's career and the other one in which the auction house chose to accompany it by the reading of a similarly inspired poem by W. H. Auden.
1938 Self Portrait with Horn by Max Beckmann
2001 SOLD 22.5 M$ including premium by Sotheby's
The low resolution image below is shared by Wikimedia for fair use :
1938 Elusive Dora
2015 SOLD for $ 20M including premium
Picasso's affair with Marie-Thérèse began with an aesthetic instinct: his young muse was a white-skinned variant of the African idols. Dora will shake Pablo out of his bliss by her fiery temperament.
Dora Maar became in 1937 the Weeping woman. Pablo himself felt that such an assimilation was unfair but the trauma of Guernica was too strong and he needed such a feminine symbol of misfortune.
The contrast between his two mistresses disturbs Pablo. He desires Dora but the overactive young woman is a mystery. The artist invents the dual portrait in which the face is drawn in profile with both eyes and both nostrils on the same side.
In a first phase, the choice is impossible. On January 12, 1938, he paints in his new style an amazing Woman with Mantilla which is a hybrid between Marie-Thérèse and Dora. This oil on canvas 65 x 54 cm was sold for $ 67M including premium by Christie's on May 11, 2015.
Dora gets the premiere position in the heart of Pablo but without releasing her secrets. She remains elusive. On May 7, 1938, Pablo immobilizes her on a chair to make her portrait. This oil on canvas 125 x 87 cm is estimated $ 25M for sale by Sotheby's in New York on November 4, lot 24T.
It seems that this strategy was not winning since Pablo had to reuse that too static theme of the confinement by the chair for several years. The kitten that walks for Pablo's service on the upper bar fails to capture the attention of the desired muse. Dora Maar au Chat, painted in 1941, was sold for $ 95M including premium by Sotheby's on May 3, 2006.
I invite you to watch the video shared by Sotheby's to introduce the lot of the next sale.
Dora Maar became in 1937 the Weeping woman. Pablo himself felt that such an assimilation was unfair but the trauma of Guernica was too strong and he needed such a feminine symbol of misfortune.
The contrast between his two mistresses disturbs Pablo. He desires Dora but the overactive young woman is a mystery. The artist invents the dual portrait in which the face is drawn in profile with both eyes and both nostrils on the same side.
In a first phase, the choice is impossible. On January 12, 1938, he paints in his new style an amazing Woman with Mantilla which is a hybrid between Marie-Thérèse and Dora. This oil on canvas 65 x 54 cm was sold for $ 67M including premium by Christie's on May 11, 2015.
Dora gets the premiere position in the heart of Pablo but without releasing her secrets. She remains elusive. On May 7, 1938, Pablo immobilizes her on a chair to make her portrait. This oil on canvas 125 x 87 cm is estimated $ 25M for sale by Sotheby's in New York on November 4, lot 24T.
It seems that this strategy was not winning since Pablo had to reuse that too static theme of the confinement by the chair for several years. The kitten that walks for Pablo's service on the upper bar fails to capture the attention of the desired muse. Dora Maar au Chat, painted in 1941, was sold for $ 95M including premium by Sotheby's on May 3, 2006.
I invite you to watch the video shared by Sotheby's to introduce the lot of the next sale.
1938 The Home of the Eagle
2017 SOLD for £ 10.2M including premium
I recently observed that the titles of René Magritte's artworks are the result of chance. Le Domaine d'Arnheim is a sensational counter-example.
The composition shows a large snowy mountain seen from a chalet. Everything is normal except that the horizon is centered on a bird's head whose details are zoomorphic. The surprise occasioned by this discovery leads the viewer to perceive the landscape as the extended wings of an eagle. In the foreground two beautiful eggs are placed on a low wall.
The artist has thus grouped two dualities which are among the permanent themes of his surreal world : the living and the rock form an impossible pair while egg to bird is somehow a metamorphosis similar as caterpillar to butterfly. From 1932 the artist placed eggs in bird cages.
The title also has a double meaning. Arnhem in the Netherlands has as its etymological origin 'the home of the eagle' from an Old German word. The Domain of Arnheim is a short story by Edgar Allan Poe in which a man with unlimited wealth remodels the landscape to make it more beautiful than what nature alone can do. This title chosen by Magritte is also an acknowledgment of Poe as a forerunner of Surrealism.
From 1938 to 1962 Magritte built his sublime landscape ten times, always with the same title : three paintings and seven gouaches. The original version, oil on canvas 73 x 100 cm, is estimated £ 6.5M for sale by Christie's in London on February 28, lot 112. Please watch the video shared by the auction house.
The composition shows a large snowy mountain seen from a chalet. Everything is normal except that the horizon is centered on a bird's head whose details are zoomorphic. The surprise occasioned by this discovery leads the viewer to perceive the landscape as the extended wings of an eagle. In the foreground two beautiful eggs are placed on a low wall.
The artist has thus grouped two dualities which are among the permanent themes of his surreal world : the living and the rock form an impossible pair while egg to bird is somehow a metamorphosis similar as caterpillar to butterfly. From 1932 the artist placed eggs in bird cages.
The title also has a double meaning. Arnhem in the Netherlands has as its etymological origin 'the home of the eagle' from an Old German word. The Domain of Arnheim is a short story by Edgar Allan Poe in which a man with unlimited wealth remodels the landscape to make it more beautiful than what nature alone can do. This title chosen by Magritte is also an acknowledgment of Poe as a forerunner of Surrealism.
From 1938 to 1962 Magritte built his sublime landscape ten times, always with the same title : three paintings and seven gouaches. The original version, oil on canvas 73 x 100 cm, is estimated £ 6.5M for sale by Christie's in London on February 28, lot 112. Please watch the video shared by the auction house.
1938 Joan Miro and the Colors of Spain
2010 SOLD 10.3 M$ including premium
PRE SALE DISCUSSION
The art of the 1930s is marked by the anxieties of the artists facing the totalitarianism. In these columns we already discussed Kandinsky, Feininger and the pre-Guernica Picasso. I introduce now Joan Miró.
The artist is staying with Calder in a border area between surrealism and sign. Fortunately l'Air, an oil on canvas painted in 1938, 55 x 46 cm, is easy to decode.
Miro is in exile in Paris following the horrors of the Spanish civil war. His painting shows the sky, deep blue, and the bright yellow earth. These two parts of the image are populated with creatures on which an intense red is dominant.Yellow and red are the colors of Spain and Catalonia.
The creatures of the sky are free, away from the Franco-headed snake aggressively occupying the land.
This painting is estimated $ 12M, for sale by Christie's in New York on November 3.
The same auction house recorded $ 17M including premium on 6 May 2008 on a painting of the same year, 60 x 69 cm, entitled La Caresse des Etoiles, a more complex composition featuring human characters.
POST SALE COMMENT
At $ 10.3M including premium, the price is lower than the estimate. We still consider it as very good due to the small size of the work. The message was decoded, as I said. The difficulties of interpretation currently affect the value of some Surrealists.
The art of the 1930s is marked by the anxieties of the artists facing the totalitarianism. In these columns we already discussed Kandinsky, Feininger and the pre-Guernica Picasso. I introduce now Joan Miró.
The artist is staying with Calder in a border area between surrealism and sign. Fortunately l'Air, an oil on canvas painted in 1938, 55 x 46 cm, is easy to decode.
Miro is in exile in Paris following the horrors of the Spanish civil war. His painting shows the sky, deep blue, and the bright yellow earth. These two parts of the image are populated with creatures on which an intense red is dominant.Yellow and red are the colors of Spain and Catalonia.
The creatures of the sky are free, away from the Franco-headed snake aggressively occupying the land.
This painting is estimated $ 12M, for sale by Christie's in New York on November 3.
The same auction house recorded $ 17M including premium on 6 May 2008 on a painting of the same year, 60 x 69 cm, entitled La Caresse des Etoiles, a more complex composition featuring human characters.
POST SALE COMMENT
At $ 10.3M including premium, the price is lower than the estimate. We still consider it as very good due to the small size of the work. The message was decoded, as I said. The difficulties of interpretation currently affect the value of some Surrealists.
1938 The Art of Giuseppe Figoni
2013 SOLD 7.1 M$ including premium
Italian-born coachbuilder working in Boulogne-sur-Seine, Giuseppe Figoni associates in 1935 with the businessman Ovidio Falaschi. This co-operation allows Figoni to devote entirely to his art, perhaps with the support of the automotive artist Géo Ham.
At the same time, two new high-end chassis appear on the French market : the Type 135 by Delahaye and the T150 by Talbot-Lago. Each of them is also available in a short wheel base version specifically designed for competition.
The new company Figoni et Falaschi developed for these two brands a range of bodies unique in their kind known as Goutte d'eau for the teardrop shape of the interior. The Goutte d'eau is contemporary with the Bugatti Atlantic and, more generally, with the best Art Déco style of Paris.
While a production line is established for long chassis, a very small number of Goutte d'eau were assembled over the short chassis, mainly as prototypes or demonstrators. Two of these wonders are included in the sale on the theme of Art of the Automobile, by RM Auctions and Sotheby's in New York on November 21.
The earliest is a Delahaye Type 135 Compétition Court coupe made in 1936, estimated $ 3 million. Here is the link to the catalog.
The Talbot-Lago T150-CSS cabriolet is the rarest and most spectacular among the bodies made by Figoni et Falaschi. Made in 1938 on chassis number 90111 and painted in cream color, it is estimated $ 8 million. Here is the link to the catalog of RM Auctions and to the blog post by Sotheby's.
Note that the next number, 90112, was discussed earlier in this column. This T150-CSS bodied in goutte d'eau coupe by Figoni et Falaschi with a rare sunroof variant was sold for € 3.1 million including premium by RM Auctions on May 21, 2011.
POST SALE COMMENT
The estimates of these two cars had been ambitious and they were not met, but both were sold.
$ 7.1 million including premium is indeed a great result for the Talbot-Lago cabriolet. The Delahaye coupe was sold for $ 2.4 million including premium.
At the same time, two new high-end chassis appear on the French market : the Type 135 by Delahaye and the T150 by Talbot-Lago. Each of them is also available in a short wheel base version specifically designed for competition.
The new company Figoni et Falaschi developed for these two brands a range of bodies unique in their kind known as Goutte d'eau for the teardrop shape of the interior. The Goutte d'eau is contemporary with the Bugatti Atlantic and, more generally, with the best Art Déco style of Paris.
While a production line is established for long chassis, a very small number of Goutte d'eau were assembled over the short chassis, mainly as prototypes or demonstrators. Two of these wonders are included in the sale on the theme of Art of the Automobile, by RM Auctions and Sotheby's in New York on November 21.
The earliest is a Delahaye Type 135 Compétition Court coupe made in 1936, estimated $ 3 million. Here is the link to the catalog.
The Talbot-Lago T150-CSS cabriolet is the rarest and most spectacular among the bodies made by Figoni et Falaschi. Made in 1938 on chassis number 90111 and painted in cream color, it is estimated $ 8 million. Here is the link to the catalog of RM Auctions and to the blog post by Sotheby's.
Note that the next number, 90112, was discussed earlier in this column. This T150-CSS bodied in goutte d'eau coupe by Figoni et Falaschi with a rare sunroof variant was sold for € 3.1 million including premium by RM Auctions on May 21, 2011.
POST SALE COMMENT
The estimates of these two cars had been ambitious and they were not met, but both were sold.
$ 7.1 million including premium is indeed a great result for the Talbot-Lago cabriolet. The Delahaye coupe was sold for $ 2.4 million including premium.
1938 A Few Teardrops for the Road
2011 SOLD 3.1 M€ including premium
The Goutte d'eau (in English, teardrop) is the most exceptional form of bodywork in the history of the automobile, and also one of the most extravagant. The protagonists are the best French manufacturers of luxury cars in the late 1930s.
In 1935, Bugatti introduces at the Salon de l'Auto a prototype named "Aérolithe". Researches for obtaining high speed from aerodynamic features have led to a style all in curves, with a semi-spheric cockpit. The catalog model will be the Bugatti Atlantic.
Some much advanced materials made the Atlantic a technological feat. Weighing less than 1000 kg, it reached 100 kph in 10 seconds and was pushed up to 200 kph. Three specimens were built. The first of them (1936) was sold by private contract in May 2010 at Gooding and Company for an undisclosed price, but known to exceed $ 30M. It is currently the most expensive car in the world.
These developments have inspired the coachworkers Figoni et Falaschi, who fitted the teardrop on a few Talbot-Lago chassis. Less technological than the Atlantic, it weighs 1500 kg and reaches 185 kph.
The copy of Talbot-Lago T150CSS Goutte d'eau for sale on May 21 by RM Auctions in Lake Como ("Villa d'Este" sale), delivered in 1938, has the short form of the chassis, made overall in ten copies that have been described as rolling works of art. It is one of very few to be equipped with a sunroof. It is illustrated in the article shared by Sport Prestige.
Several other copies have been seen recently at auction. A long chassis offering some unique features was sold $ 4.62 million including premium by RM Auctions in Monterey on August 14, 2010. The other examples I have seen seen are in the range of 3 to 4 million $.
POST SALE COMMENT
There was no surprise. The catalog had published a lower estimate at € 3.1 million. The result is slightly below: € 2.8 million before fees, 3.1 million including premium.
In 1935, Bugatti introduces at the Salon de l'Auto a prototype named "Aérolithe". Researches for obtaining high speed from aerodynamic features have led to a style all in curves, with a semi-spheric cockpit. The catalog model will be the Bugatti Atlantic.
Some much advanced materials made the Atlantic a technological feat. Weighing less than 1000 kg, it reached 100 kph in 10 seconds and was pushed up to 200 kph. Three specimens were built. The first of them (1936) was sold by private contract in May 2010 at Gooding and Company for an undisclosed price, but known to exceed $ 30M. It is currently the most expensive car in the world.
These developments have inspired the coachworkers Figoni et Falaschi, who fitted the teardrop on a few Talbot-Lago chassis. Less technological than the Atlantic, it weighs 1500 kg and reaches 185 kph.
The copy of Talbot-Lago T150CSS Goutte d'eau for sale on May 21 by RM Auctions in Lake Como ("Villa d'Este" sale), delivered in 1938, has the short form of the chassis, made overall in ten copies that have been described as rolling works of art. It is one of very few to be equipped with a sunroof. It is illustrated in the article shared by Sport Prestige.
Several other copies have been seen recently at auction. A long chassis offering some unique features was sold $ 4.62 million including premium by RM Auctions in Monterey on August 14, 2010. The other examples I have seen seen are in the range of 3 to 4 million $.
POST SALE COMMENT
There was no surprise. The catalog had published a lower estimate at € 3.1 million. The result is slightly below: € 2.8 million before fees, 3.1 million including premium.
1938 The Perfect Superman
2011 SOLD 2.161 M$ with no applied buyer premium
Even Superman does not reach perfection. However, with a 9.0 CGC graded copy of Action Comics # 1, it has never been so close.
This 1938 edition, first issue of this magazine and the first appearance of Superman, is the most prestigious of all for collectors of comic books. Only Detective Comics # 27, first appearance of Batman, could make it a little shade.
For CGC (Comics Price Guide), 9.2 describes a volume kept flat, clean, with supple and not yellowed paper, vibrant colors, undamaged staples. 9.0 means that some qualities required for the 9.2 are not quite reached.
Since I created this group in 2008, we were lucky to follow some increases of prices of these two outstanding books. In February 2010, two specimens, both 8.0, simultaneously reached $ 1M: Detective Comics # 27 at auction in Heritage, and Action Comics # 1 on private sale by Comic Connect. The following month, Comic Connect sold $ 1.5M an Action Comics # 1 graded 8.5.
The 9.0 copy of Action Comics # 1 is auctioned on the web on November 30 by Comic Connect, an auction house operating from New York. A specialized collector cannot find better and the price is unpredictable. 15 days before the conclusion of the sale, the bidding is already at $ 1.3 million and the reserve price is met. The cover of this lot is shown on the article shared by ActuaLitté.
Seven hours before the end of the sale, the highest price ever paid for a comic book at auction is already exceeded.
Associated Press is sharing this video on YouTube.
POST SALE COMMENT
This is the first copy in the history of comic books to exceed $ 1.5 M. It was sold $ 2.161 M. The auction house does not charge the buyer.
This 1938 edition, first issue of this magazine and the first appearance of Superman, is the most prestigious of all for collectors of comic books. Only Detective Comics # 27, first appearance of Batman, could make it a little shade.
For CGC (Comics Price Guide), 9.2 describes a volume kept flat, clean, with supple and not yellowed paper, vibrant colors, undamaged staples. 9.0 means that some qualities required for the 9.2 are not quite reached.
Since I created this group in 2008, we were lucky to follow some increases of prices of these two outstanding books. In February 2010, two specimens, both 8.0, simultaneously reached $ 1M: Detective Comics # 27 at auction in Heritage, and Action Comics # 1 on private sale by Comic Connect. The following month, Comic Connect sold $ 1.5M an Action Comics # 1 graded 8.5.
The 9.0 copy of Action Comics # 1 is auctioned on the web on November 30 by Comic Connect, an auction house operating from New York. A specialized collector cannot find better and the price is unpredictable. 15 days before the conclusion of the sale, the bidding is already at $ 1.3 million and the reserve price is met. The cover of this lot is shown on the article shared by ActuaLitté.
Seven hours before the end of the sale, the highest price ever paid for a comic book at auction is already exceeded.
Associated Press is sharing this video on YouTube.
POST SALE COMMENT
This is the first copy in the history of comic books to exceed $ 1.5 M. It was sold $ 2.161 M. The auction house does not charge the buyer.
1938 A Horch that wished to look like a Mercedes
2008 SOLD 1.1 M£ including premium
PRE SALE DISCUSSION
On August 9, I wrote in a preview: "Among the cars for sale by RM Auctions in London on October 29 in association with Sotheby's, retain a Horch 853 of 1938 (£ 1.5 million)."
This German luxury cabriolet was characterized by an innovative chassis and an independent rear suspension. The same press release announces that there are only three surviving cars of this design, on a total of six for that model.
The surprise came from the second press release published on the same page on September 22 to give further details on the sale, which is a common practice of RM Auctions. Here, the estimated price of the Horch car is no more indicated, but must be requested at the auction house!
The catalog shows ten photos of the car at number 246. We see the Auto Union logo, a group to which the Horch brand belonged. It is in this catalog that I checked the argument that can push up the price beyond the initial estimate. Our Horch 853 Special Roadster looks much like the legendary Mercedes Benz 540 K Roadster, which is valued around 4 million pounds.
Against it, it has undergone restorations that are serious, but not of the highest quality.
POST SALE COMMENT
It remained far from Mercedes, but we have to remember that its condition was far from perfect. Our beautiful Horch was sold £ 1.1 million including expenses.
Note a result on a F1 car that I had not noticed before sale: a 1997 McLaren sold £ 2.5 million including expenses on an estimate of £ 1.1 million. For such a recent car, it is an excellent result.
On August 9, I wrote in a preview: "Among the cars for sale by RM Auctions in London on October 29 in association with Sotheby's, retain a Horch 853 of 1938 (£ 1.5 million)."
This German luxury cabriolet was characterized by an innovative chassis and an independent rear suspension. The same press release announces that there are only three surviving cars of this design, on a total of six for that model.
The surprise came from the second press release published on the same page on September 22 to give further details on the sale, which is a common practice of RM Auctions. Here, the estimated price of the Horch car is no more indicated, but must be requested at the auction house!
The catalog shows ten photos of the car at number 246. We see the Auto Union logo, a group to which the Horch brand belonged. It is in this catalog that I checked the argument that can push up the price beyond the initial estimate. Our Horch 853 Special Roadster looks much like the legendary Mercedes Benz 540 K Roadster, which is valued around 4 million pounds.
Against it, it has undergone restorations that are serious, but not of the highest quality.
POST SALE COMMENT
It remained far from Mercedes, but we have to remember that its condition was far from perfect. Our beautiful Horch was sold £ 1.1 million including expenses.
Note a result on a F1 car that I had not noticed before sale: a 1997 McLaren sold £ 2.5 million including expenses on an estimate of £ 1.1 million. For such a recent car, it is an excellent result.
1938 Bugatti Father and Son
2009 SOLD 1.37 M$ including premium
2013 SOLD 690 K€ including premium
PRE 2013 SALE DISCUSSION
Here is a car which was already recorded in this group. This Bugatti 57C coupe was sold for $ 1.37 million including premium by Gooding in August 2009 at Pebble Beach. It came back from America with an estimate of £ 1M for sale by Bonhams on June 29, 2012 during the Festival of speed of Goodwood.
A Bugatti 57C can not reach the prestige of the lowered version 57S, but this specimen has a unique history thatmakes it particularly desirable.
Indeed, it was specially made in 1938 by the workers of the Molsheim factory to be offered as a birthday present to Ettore Bugatti. The patron's son, Jean Bugatti, had taken a particular care to equip it with the latest improvements. It was unfortunately one of the last works of this uncommon designer who was killed in 1939 driving a 57G, at the age of 30.
It was for some years kept up to date of design changes made for Bugatti post-war models.
This car remained unsold at Goodwood. I then commented that it had perhaps been too much modified to excite the collectors, but it is indeed one of the great specificities of this specimen.
It is listed again by Bonhams for sale in Paris on 6 February 2013. Here is the link to the catalog of Goodwood. The press release of November 7 is illustrated with the same photograph.
POST SALE COMMENT
In Paris, this car with a unique history did not burn the auction. Sold € 690K including premium, it has not even reached its new conservative estimate of € 800K.
Here is a car which was already recorded in this group. This Bugatti 57C coupe was sold for $ 1.37 million including premium by Gooding in August 2009 at Pebble Beach. It came back from America with an estimate of £ 1M for sale by Bonhams on June 29, 2012 during the Festival of speed of Goodwood.
A Bugatti 57C can not reach the prestige of the lowered version 57S, but this specimen has a unique history thatmakes it particularly desirable.
Indeed, it was specially made in 1938 by the workers of the Molsheim factory to be offered as a birthday present to Ettore Bugatti. The patron's son, Jean Bugatti, had taken a particular care to equip it with the latest improvements. It was unfortunately one of the last works of this uncommon designer who was killed in 1939 driving a 57G, at the age of 30.
It was for some years kept up to date of design changes made for Bugatti post-war models.
This car remained unsold at Goodwood. I then commented that it had perhaps been too much modified to excite the collectors, but it is indeed one of the great specificities of this specimen.
It is listed again by Bonhams for sale in Paris on 6 February 2013. Here is the link to the catalog of Goodwood. The press release of November 7 is illustrated with the same photograph.
POST SALE COMMENT
In Paris, this car with a unique history did not burn the auction. Sold € 690K including premium, it has not even reached its new conservative estimate of € 800K.
