1938
Except otherwise stated, all results include the premium.
See also : Picasso Picasso 1930s Miro Germany Germany II Magritte Self portrait II Animals Bird Cars II Cars 1930s Cars 1938-39 Alfa Romeo French cars
See also : Picasso Picasso 1930s Miro Germany Germany II Magritte Self portrait II Animals Bird Cars II Cars 1930s Cars 1938-39 Alfa Romeo French cars
1938 PICASSO
1
January 12 Femme à la Résille
2015 SOLD for $ 67M by Christie's
After Guernica, Picasso accepts an evidence : he now has two mistresses. He loves them for opposite reasons and decides not to choose. The sweet Marie-Thérèse is the mother of Maya. Dora invites for a passionate affair.
Of course, the two women can not get along. Pablo is amused. He executes parallel portraits and goes to mix their features in the same figure. Presented in the anonymity of the sitter, these portraits do not reveal their identity with certainty.
On May 11, 2015, Christie's sold for $ 67M at lot 15A Buste de femme (femme à la résille), oil on canvas 65 x 54 cm painted in Paris on January 12, 1938.
In front of a bright red background, the colors of the skin and the clothes are also strident. In her enthusiasm, Dora insinuated that when he changed his mistress Picasso changed also his style, his life, his friends and even his dog.
The exotic funny hat and the fishnet do not belong to Marie-Thérèse but Dora is not the only desire of the artist who is embarrassed by the colorist glory of his great rival Matisse. The eyes on two different levels are not only the reconstruction of perspective in the Cubist style, they also mark the duality of this figure whose face includes some lines from Marie-Thérèse.
This painting was important to Pablo who will never parted from it.
Of course, the two women can not get along. Pablo is amused. He executes parallel portraits and goes to mix their features in the same figure. Presented in the anonymity of the sitter, these portraits do not reveal their identity with certainty.
On May 11, 2015, Christie's sold for $ 67M at lot 15A Buste de femme (femme à la résille), oil on canvas 65 x 54 cm painted in Paris on January 12, 1938.
In front of a bright red background, the colors of the skin and the clothes are also strident. In her enthusiasm, Dora insinuated that when he changed his mistress Picasso changed also his style, his life, his friends and even his dog.
The exotic funny hat and the fishnet do not belong to Marie-Thérèse but Dora is not the only desire of the artist who is embarrassed by the colorist glory of his great rival Matisse. The eyes on two different levels are not only the reconstruction of perspective in the Cubist style, they also mark the duality of this figure whose face includes some lines from Marie-Thérèse.
This painting was important to Pablo who will never parted from it.
January 14 Femme au Béret Rouge-Orange by Picasso
2021 for sale by Sotheby's on October 23
The duality of Picasso's mistresses in the post-Guernica period looks like a contest between the gentle Marie-Thérèse and the exuberant Dora. By mingling them in a single portrait, the artist is once again in quest of the ideal woman who would overcome both of them.
Some elements are readable by the viewer. Dora has a big hat and a dark hair and the blonde Marie-Thérèse has a beret. Picasso enjoys to blur such an identification by adding hidden symbols, in a surrealist mood, including in his choice of bold colors. This phase is highly experimental. The artist works for himself and keeps many of these pictures.
Femme au béret rouge-orange, a small size oil and ripolin on canvas 46 x 38 cm, was painted on January 14, 1938, two days after the dual Femme à la résille. On this new opus, the figure of Marie-Thérèse is obvious and no trace of Dora is appearing. Nevertheless the flamboyant color of the beret looks like a golden crown. Marie-Thérèse is the queen of that specific day. Dora will soon win the duel.
This opus went to Marina from Picasso's deceased estate. Coming now from the MGM art collection, it is estimated $ 20M for sale by Sotheby's in Las Vegas on October 23, 2021, lot 11.
Some elements are readable by the viewer. Dora has a big hat and a dark hair and the blonde Marie-Thérèse has a beret. Picasso enjoys to blur such an identification by adding hidden symbols, in a surrealist mood, including in his choice of bold colors. This phase is highly experimental. The artist works for himself and keeps many of these pictures.
Femme au béret rouge-orange, a small size oil and ripolin on canvas 46 x 38 cm, was painted on January 14, 1938, two days after the dual Femme à la résille. On this new opus, the figure of Marie-Thérèse is obvious and no trace of Dora is appearing. Nevertheless the flamboyant color of the beret looks like a golden crown. Marie-Thérèse is the queen of that specific day. Dora will soon win the duel.
This opus went to Marina from Picasso's deceased estate. Coming now from the MGM art collection, it is estimated $ 20M for sale by Sotheby's in Las Vegas on October 23, 2021, lot 11.
2
May - Femme assise sur une Chaise
2015 SOLD for $ 20M by Sotheby's
Picasso's affair with Marie-Thérèse began with an aesthetic instinct : his young muse was a white-skinned variant of the African idols. Dora will shake Pablo out of his bliss by her fiery temperament.
Dora Maar became in 1937 the Weeping woman. Pablo himself felt that such an assimilation was unfair but the trauma of Guernica was too strong and he needed such a feminine symbol of misfortune.
The contrast between his two mistresses disturbs Pablo. He desires Dora but the overactive young woman is a mystery. The artist invents the dual portrait in which the face is drawn in profile with both eyes and both nostrils on the same side.
Dora manages to get the prime position in the heart of Pablo but without releasing her secrets. She remains elusive. On May 7, 1938, Pablo immobilizes her on a chair to make her portrait. This oil on canvas 125 x 87 cm was sold for $ 20M by Sotheby's on November 4, 2015, lot 24T. Please watch the video shared by the auction house.
Pablo reused the static theme of the locking by the chair for several years, including Dora Maar au Chat in 1941.
Dora Maar became in 1937 the Weeping woman. Pablo himself felt that such an assimilation was unfair but the trauma of Guernica was too strong and he needed such a feminine symbol of misfortune.
The contrast between his two mistresses disturbs Pablo. He desires Dora but the overactive young woman is a mystery. The artist invents the dual portrait in which the face is drawn in profile with both eyes and both nostrils on the same side.
Dora manages to get the prime position in the heart of Pablo but without releasing her secrets. She remains elusive. On May 7, 1938, Pablo immobilizes her on a chair to make her portrait. This oil on canvas 125 x 87 cm was sold for $ 20M by Sotheby's on November 4, 2015, lot 24T. Please watch the video shared by the auction house.
Pablo reused the static theme of the locking by the chair for several years, including Dora Maar au Chat in 1941.
3
December - Femme assise dans un jardin
1999 SOLD for $ 49.5M by Sotheby's
In 1935 Picasso was obsessed with his illusion of incarnation in the Minotaur. The sweet Marie-Thérèse, who gives birth to Maya, cannot help him in this satisfaction. He meets Dora Maar at that time.
Everything opposes the blonde and the brunette. Dora is a photographer and an artist. She is exuberant in the colors of her hats, brooches and nails, and her lipstick is too intense. As early as 1936 Picasso paints her in the nude, handed over to the Minotaur.
In 1937 Dora participates in the preparation of Guernica by Pablo and becomes his mistress. La Femme qui pleure is Dora's incorporation into the drama of Spain. From 1938 Pablo develops a new iconography of his goddess by placing her on a large armchair that looks like a throne.
On November 10, 1999, Sotheby's sold for $ 49.5M Femme assise dans un jardin, which is a portrait of Dora.
This 130 x 97 cm oil on canvas is an explosion of bright colors. Pablo painted it in a single day, December 10, 1938. The garden is a naive drawing of stylized branches. The war is temporarily forgotten.
Femme assise dans un jardin is illustrated in 2006 in an article shared by Artnet, alongside Dora Maar au chat which had just been sold by Sotheby's.
The resemblance is striking between these two works of same dimensions. The composition is similar. Dora Maar au chat, painted in 1941, is a war painting. The joyous freedom of the garden is replaced by a mere wall. This lockdown is compensated by a forced smile and the black cat, the only additional symbol that supersedes the garden, is an evil intrusion.
Everything opposes the blonde and the brunette. Dora is a photographer and an artist. She is exuberant in the colors of her hats, brooches and nails, and her lipstick is too intense. As early as 1936 Picasso paints her in the nude, handed over to the Minotaur.
In 1937 Dora participates in the preparation of Guernica by Pablo and becomes his mistress. La Femme qui pleure is Dora's incorporation into the drama of Spain. From 1938 Pablo develops a new iconography of his goddess by placing her on a large armchair that looks like a throne.
On November 10, 1999, Sotheby's sold for $ 49.5M Femme assise dans un jardin, which is a portrait of Dora.
This 130 x 97 cm oil on canvas is an explosion of bright colors. Pablo painted it in a single day, December 10, 1938. The garden is a naive drawing of stylized branches. The war is temporarily forgotten.
Femme assise dans un jardin is illustrated in 2006 in an article shared by Artnet, alongside Dora Maar au chat which had just been sold by Sotheby's.
The resemblance is striking between these two works of same dimensions. The composition is similar. Dora Maar au chat, painted in 1941, is a war painting. The joyous freedom of the garden is replaced by a mere wall. This lockdown is compensated by a forced smile and the black cat, the only additional symbol that supersedes the garden, is an evil intrusion.
1938 BECKMANN
1
Hölle der Vögel
2017 SOLD for £ 36M by Christie's
After the First World War, German artists like Max Beckmann, Max Ernst, George Grosz and Otto Dix brought social criticism to the level of a major art far beyond caricature. Of course the Nazi regime does not agree. Beckmann is one of the targets of Hitler's furious attacks on degenerate art.
Beckmann precipitately left Germany in 1937 and settled in Amsterdam. Like Miro at the same time in Spain, he could not manage to stay away from politics. He immediately conceived a great composition, first entitled Der Land des Wahnsinningen (the country of the insane) which would express his horror of the collectivisms.
Completed at the end of the summer of 1938, Hölle der Vögel (hell of birds) is the achievement of that project. This oil on canvas 120 x 160 cm was sold for £ 36M by Christie's on June 27, 2017, lot 11.
This scene mixes the medieval and the modern to better express the permanent threat of abject persecution. Tortures are inflicted by hooded birds. In a claustrophobic atmosphere with black lines and garish colors, the victim chained on an Inquisition bed is a light spot. A bird plows his back to the blood with a large knife.
This lugubrious ceremony is presided by a harpy standing out of her broken egg with a monstrous breast. The crowd of secondary characters is made up of screaming nudes who perform the Hitler Grüss, removing any possible doubt about the interpretation of this allegory in the modern world.
The narrative abundance in that work is inspired by medieval imagery. The choice of the bird as a symbol of blind fury reminds the man-swallowing bird in Bosch's Hell.
The political violence in Hölle der Vögel may be compared to Picasso's Guernica, also conceived in 1937. Beckmann's painting, cautiously preserved in a private apartment in Paris until the end of the Second World War, would have deserved a similar notoriety.
Please watch both videos shared by Christie's, one of them positioning the artwork within Beckmann's career and the other one in which the auction house chose to accompany it by the reading of a similarly inspired poem by W. H. Auden.
Beckmann precipitately left Germany in 1937 and settled in Amsterdam. Like Miro at the same time in Spain, he could not manage to stay away from politics. He immediately conceived a great composition, first entitled Der Land des Wahnsinningen (the country of the insane) which would express his horror of the collectivisms.
Completed at the end of the summer of 1938, Hölle der Vögel (hell of birds) is the achievement of that project. This oil on canvas 120 x 160 cm was sold for £ 36M by Christie's on June 27, 2017, lot 11.
This scene mixes the medieval and the modern to better express the permanent threat of abject persecution. Tortures are inflicted by hooded birds. In a claustrophobic atmosphere with black lines and garish colors, the victim chained on an Inquisition bed is a light spot. A bird plows his back to the blood with a large knife.
This lugubrious ceremony is presided by a harpy standing out of her broken egg with a monstrous breast. The crowd of secondary characters is made up of screaming nudes who perform the Hitler Grüss, removing any possible doubt about the interpretation of this allegory in the modern world.
The narrative abundance in that work is inspired by medieval imagery. The choice of the bird as a symbol of blind fury reminds the man-swallowing bird in Bosch's Hell.
The political violence in Hölle der Vögel may be compared to Picasso's Guernica, also conceived in 1937. Beckmann's painting, cautiously preserved in a private apartment in Paris until the end of the Second World War, would have deserved a similar notoriety.
Please watch both videos shared by Christie's, one of them positioning the artwork within Beckmann's career and the other one in which the auction house chose to accompany it by the reading of a similarly inspired poem by W. H. Auden.
2
Self Portrait with Horn by Max Beckmann
2001 SOLD for $ 22.5M by Sotheby's
Max Beckmann does not accept that his art is described as degenerate by Hitler. Painted in 1936, his self-portrait with a crystal ball is a poignant message : he would like to react but does not have the solution. He is only 52 but he certainly appreciates that his premature aging and his surly attitude will not help him. The shadow over the eyes does not encourage dialogue. This oil on canvas 110 x 65 cm was sold for $ 16.8M by Sotheby's on May 3, 2005.
In 1937 it is much worse. The Nazis confiscate 500 of his works from museums and include several in the Degenerate Art Exhibition in Munich. Threatened with imprisonment and castration, Beckmann flees Germany and settles in his sister-in-law's home in Amsterdam.
His works mark then a desire for revenge, now with a scathing criticism of the Nazi regime. On May 10, 2001, Sotheby's sold for $ 22.5M a Self-portrait with horn, oil on canvas 110 x 100 cm painted in 1938.
The instrument is not played but brandished at the height of the closed mouth like a helpless challenge. The sullen mouth expresses anxiety and once again the eyes are in the shade. The striped jacket resembles the uniform of a convict or a Harlequin.
In 1937 it is much worse. The Nazis confiscate 500 of his works from museums and include several in the Degenerate Art Exhibition in Munich. Threatened with imprisonment and castration, Beckmann flees Germany and settles in his sister-in-law's home in Amsterdam.
His works mark then a desire for revenge, now with a scathing criticism of the Nazi regime. On May 10, 2001, Sotheby's sold for $ 22.5M a Self-portrait with horn, oil on canvas 110 x 100 cm painted in 1938.
The instrument is not played but brandished at the height of the closed mouth like a helpless challenge. The sullen mouth expresses anxiety and once again the eyes are in the shade. The striped jacket resembles the uniform of a convict or a Harlequin.
1938 Alfa Romeo 8C 2900 B
2019 SOLD for € 16.7M by Artcurial
At the time of totalitarianism, motor racing became a major showcase of high-tech know-how. To compete with the Silver Arrows, Alfa Romeo develops a stiffened chassis and an independent suspension with which it equips the Tipo C for the grand prix and the 6C 2300 B for grand touring. Introduced in 1935 the 8C 2900 A targets the endurance racing.
In Milan also, Carrozzeria Touring patented its Superleggera technology : after advanced aerodynamic studies, this company offers all-metal bodies, a novelty at that time.
In 1937 Touring designs two bodies for the new 8C 2900 B : a spider for the short chassis and a berlinetta for the long chassis. The closed cockpit allows a body made entirely of aluminum unlike the spider which requires reinforcements in steel. For this reason the spider is heavier than the coupe. It will also be built for the long chassis.
The total population of 8C 2900 B Touring berlinettas is five units. The second, built in 1938, is titled 1939, the date of its registration in the United Kingdom. It was used sparingly except for a brief period in the 1950s and was carefully maintained by its successive owners without ever being disassembled.
Remaining since 1976 in a single collection, it was sold for € 16.7M by Artcurial on February 8, 2019, lot 20. Please watch the video shared by the auction house.
Two other 8C 2900 B berlinettas were awarded the highly prestigious Best Of Show of Pebble Beach's Concours d'Elegance, in 2008 and 2018 respectively.
In Milan also, Carrozzeria Touring patented its Superleggera technology : after advanced aerodynamic studies, this company offers all-metal bodies, a novelty at that time.
In 1937 Touring designs two bodies for the new 8C 2900 B : a spider for the short chassis and a berlinetta for the long chassis. The closed cockpit allows a body made entirely of aluminum unlike the spider which requires reinforcements in steel. For this reason the spider is heavier than the coupe. It will also be built for the long chassis.
The total population of 8C 2900 B Touring berlinettas is five units. The second, built in 1938, is titled 1939, the date of its registration in the United Kingdom. It was used sparingly except for a brief period in the 1950s and was carefully maintained by its successive owners without ever being disassembled.
Remaining since 1976 in a single collection, it was sold for € 16.7M by Artcurial on February 8, 2019, lot 20. Please watch the video shared by the auction house.
Two other 8C 2900 B berlinettas were awarded the highly prestigious Best Of Show of Pebble Beach's Concours d'Elegance, in 2008 and 2018 respectively.
1938 MIRO
1
La Caresse des Etoiles
2008 SOLD for $ 17M by Christie's
Joan Miro is a poet of graphic art. He would have liked his bright colors to express hopes in front of the social difficulties of Spain, but a poet cannot be a warrior. In October 1936, three months after the outbreak of the civil war, he goes into exile in Paris.
In 1937, Miro's political commitment becomes visible. In the pavilion of the Spanish Republic at the Exposition Universelle in Paris, he paints El Segador, a set of panels of 5.5 m total height. The reaper is a symbol of Catalan nationalism. He screams his desperation, not far from the horse of Guernica.
La Caresse des Etoiles, oil on canvas 60 x 69 cm painted in July 1938, is one of these forcedly optimistic pictures as evidenced by the title which gathers two pleasures. As often with Miro, a closer inspection reveals a more tragic message.
A family of four highly stylized characters are watching the sky in a starred night. The character on the foreground displays the same symbols as El Segador, supplying a political signature to the artwork. His open mouth is screaming some revolutionary statement. The woman has a cat's head while the head of the central child is the sun.
It was probably painted in Varengeville, the village in Normandy where Miro spent the summer, and where he will execute his masterpiece series of Constellations two years later.
This significant painting was hidden by Pierre Loeb during the Nazi occupation and acquired from him at the Liberation by an agent of the US information services while stationing in Paris. Coming in his deceased estate and then unknown to Dupin, it was sold by Christie's for $ 11.8M from a lower estimate of $ 6M on November 3, 2004, lot 11. It was sold again by Christie's for $ 17M on May 6, 2008, lot 33.
In 1937, Miro's political commitment becomes visible. In the pavilion of the Spanish Republic at the Exposition Universelle in Paris, he paints El Segador, a set of panels of 5.5 m total height. The reaper is a symbol of Catalan nationalism. He screams his desperation, not far from the horse of Guernica.
La Caresse des Etoiles, oil on canvas 60 x 69 cm painted in July 1938, is one of these forcedly optimistic pictures as evidenced by the title which gathers two pleasures. As often with Miro, a closer inspection reveals a more tragic message.
A family of four highly stylized characters are watching the sky in a starred night. The character on the foreground displays the same symbols as El Segador, supplying a political signature to the artwork. His open mouth is screaming some revolutionary statement. The woman has a cat's head while the head of the central child is the sun.
It was probably painted in Varengeville, the village in Normandy where Miro spent the summer, and where he will execute his masterpiece series of Constellations two years later.
This significant painting was hidden by Pierre Loeb during the Nazi occupation and acquired from him at the Liberation by an agent of the US information services while stationing in Paris. Coming in his deceased estate and then unknown to Dupin, it was sold by Christie's for $ 11.8M from a lower estimate of $ 6M on November 3, 2004, lot 11. It was sold again by Christie's for $ 17M on May 6, 2008, lot 33.
2
L'Air
2019 SOLD for £ 12M by Sotheby's
L'Air is an oil on canvas painted by Miro in 1938. Its small size, 55 x 46 cm, is probably correlated with the difficulties of working in exile in an exiguous studio.
The composition is divided into two registers. The lower part is red and gold, the colors of the Catalan flag, slightly different from the red and yellow of Spain. The golden landscape is inhabited by an ugly red snake with a simplified effigy of Franco that approaches a biomorphic creature to swallow or despoil it.
The horizon is composed of three volcanoes, two of which have open craters. They project in the night blue sky other biomorphic emanations that float freely therein. In this Air of hope, a human face smiles, hardly visible in the eye of a sort of giant chimera.
L'Air was sold for $ 10.3M by Christie's on November 3, 2010, lot 25. and for £ 12M by Sotheby's on June 19, 2019, lot 16. Please watch the video shared by Sotheby's.
The composition is divided into two registers. The lower part is red and gold, the colors of the Catalan flag, slightly different from the red and yellow of Spain. The golden landscape is inhabited by an ugly red snake with a simplified effigy of Franco that approaches a biomorphic creature to swallow or despoil it.
The horizon is composed of three volcanoes, two of which have open craters. They project in the night blue sky other biomorphic emanations that float freely therein. In this Air of hope, a human face smiles, hardly visible in the eye of a sort of giant chimera.
L'Air was sold for $ 10.3M by Christie's on November 3, 2010, lot 25. and for £ 12M by Sotheby's on June 19, 2019, lot 16. Please watch the video shared by Sotheby's.
1938 Le Domaine d'Arnhem by Magritte
2017 SOLD for £ 10.2M by Christie's
The titles of René Magritte's artworks are mostly the result of chance. Le Domaine d'Arnheim is a counter-example.
The composition shows a large snowy mountain seen from a chalet. Everything is normal except that the horizon is centered on a bird's head whose details are zoomorphic. The surprise occasioned by this discovery leads the viewer to perceive the landscape as the extended wings of an eagle. In the foreground two beautiful eggs are placed on a low wall.
The artist has thus grouped two dualities which are among the permanent themes of his surreal world : the living and the rock form an impossible pair while egg to bird is somehow a metamorphosis similar as caterpillar to butterfly. From 1932 the artist placed eggs in bird cages.
The title also has a double meaning. Arnhem in the Netherlands has as its etymological origin 'the home of the eagle' from an Old German word. The Domain of Arnheim is a short story by Edgar Allan Poe in which a man with unlimited wealth remodels the landscape to make it more beautiful than what nature alone can do. This title chosen by Magritte is also an acknowledgment of Poe as a forerunner of Surrealism.
From 1938 to 1962 Magritte built his sublime landscape ten times, always with the same title : three paintings and seven gouaches. The original version, oil on canvas 73 x 100 cm, was sold for £ 10.2M from a lower estimate of £ 6.5M by Christie's on February 28, 2017, lot 112. Please watch the video shared by the auction house.
The composition shows a large snowy mountain seen from a chalet. Everything is normal except that the horizon is centered on a bird's head whose details are zoomorphic. The surprise occasioned by this discovery leads the viewer to perceive the landscape as the extended wings of an eagle. In the foreground two beautiful eggs are placed on a low wall.
The artist has thus grouped two dualities which are among the permanent themes of his surreal world : the living and the rock form an impossible pair while egg to bird is somehow a metamorphosis similar as caterpillar to butterfly. From 1932 the artist placed eggs in bird cages.
The title also has a double meaning. Arnhem in the Netherlands has as its etymological origin 'the home of the eagle' from an Old German word. The Domain of Arnheim is a short story by Edgar Allan Poe in which a man with unlimited wealth remodels the landscape to make it more beautiful than what nature alone can do. This title chosen by Magritte is also an acknowledgment of Poe as a forerunner of Surrealism.
From 1938 to 1962 Magritte built his sublime landscape ten times, always with the same title : three paintings and seven gouaches. The original version, oil on canvas 73 x 100 cm, was sold for £ 10.2M from a lower estimate of £ 6.5M by Christie's on February 28, 2017, lot 112. Please watch the video shared by the auction house.
1938 Talbot-Lago T150-C SS Cabriolet
2013 SOLD for $ 7.15M by RM Auctions
An Italian-born coachbuilder working in Boulogne-sur-Seine, Giuseppe Figoni associates in 1935 with the businessman Ovidio Falaschi. This co-operation allows Figoni to devote entirely to his art, perhaps with some support from the automotive artist Géo Ham.
In 1935 also, Bugatti introduces at the Salon de l'Auto a prototype named "Aérolithe". The quest for obtaining high speed from aerodynamic features have led to a style all in curves, with a semi-spheric cockpit. The catalogued model will be the Bugatti Atlantic, made in three units in 1936.
At the same time, two new high-end chassis appear on the French market : the Type 135 by Delahaye and the T150 by the newly incorporated Talbot-Lago. Each of them is also available in a short wheel base version specifically designed for competition.
In the Talbot reference T150-C SS , the last three letters refer to the Super Sport Competition short chassis. The model embeds a 4 liter 6 cylinder engine.
Figoni et Falaschi developed for these two types a range of bodies unique in their kind known as Goutte d'eau for the teardrop shape of the inner contour. This rolling work of art is indeed contemporary with the culmination of the Parisian Art Déco style.
The open body Talbot-Lago T150-C SS teardrop cabriolet is the rarest and most spectacular coachwork made by Figoni et Falaschi. Made in 1938 and painted in cream color, one of them was sold for $ 7.15M on November 21, 2013 by RM Auctions, lot 122
In 1935 also, Bugatti introduces at the Salon de l'Auto a prototype named "Aérolithe". The quest for obtaining high speed from aerodynamic features have led to a style all in curves, with a semi-spheric cockpit. The catalogued model will be the Bugatti Atlantic, made in three units in 1936.
At the same time, two new high-end chassis appear on the French market : the Type 135 by Delahaye and the T150 by the newly incorporated Talbot-Lago. Each of them is also available in a short wheel base version specifically designed for competition.
In the Talbot reference T150-C SS , the last three letters refer to the Super Sport Competition short chassis. The model embeds a 4 liter 6 cylinder engine.
Figoni et Falaschi developed for these two types a range of bodies unique in their kind known as Goutte d'eau for the teardrop shape of the inner contour. This rolling work of art is indeed contemporary with the culmination of the Parisian Art Déco style.
The open body Talbot-Lago T150-C SS teardrop cabriolet is the rarest and most spectacular coachwork made by Figoni et Falaschi. Made in 1938 and painted in cream color, one of them was sold for $ 7.15M on November 21, 2013 by RM Auctions, lot 122
