Decade 1850-1859
See also : Orientalism 1830-1900 Russia 1700-1900 Germany Germany II US painting < 1940 Coins 1850-69 Baseball Sport document Origins of sports Stamps World stamps Central and South Americas
1851 Washington crossing the Delaware by Leutze
2022 SOLD for $ 45M by Christie's
On Christmas night, 1776 the surprise crossing of the half frozen Delaware river by General Washington changed the course of the Revolutionary War hampered by a previous series of defeats.
That epic moment was painted by the German-born Emanuel Leutze in the wake of the 1848 European events.
The tall General is straight standing at the bow with a foot on the edge, looking ahead with a stiff determination. The US flag in its 1777 Stars and Stripes version is floating in the wind behind the hero. The boat is populated by various officers and troops including a rowing Black man, a Scot and a rowing woman, highlighting the proud Washington as the father of the US nation as a whole.
Three paintings were executed by Leutze with his assistant Eastman Johnson. Made in 1850, the original version was destroyed in a World War II bombing. The second full scale 3.80 x 6.50 m canvas is housed by the Met Museum.
Prepared in 1851 in parallel with the Met example, the third piece on a reduced scale was commissioned by the Paris art editors Goupil and Vibert for an engraving. It was on loan at the White House from 1979 to 2014. This oil on canvas 102 x 173 cm was sold for $ 45M from a lower estimate of $ 15M by Christie's on May 12, 2022, lot 30C.
A pastiche painted by Robert Colescott in 1975 replacing the general by an African American scientist and the troops by a gang of joyful Negroes was sold for $ 15.3M by Sotheby's in 2021. Another pastiche painted in 2018 by Jon McNaughton features President Trump leading his team by night with an oil lamp.
That epic moment was painted by the German-born Emanuel Leutze in the wake of the 1848 European events.
The tall General is straight standing at the bow with a foot on the edge, looking ahead with a stiff determination. The US flag in its 1777 Stars and Stripes version is floating in the wind behind the hero. The boat is populated by various officers and troops including a rowing Black man, a Scot and a rowing woman, highlighting the proud Washington as the father of the US nation as a whole.
Three paintings were executed by Leutze with his assistant Eastman Johnson. Made in 1850, the original version was destroyed in a World War II bombing. The second full scale 3.80 x 6.50 m canvas is housed by the Met Museum.
Prepared in 1851 in parallel with the Met example, the third piece on a reduced scale was commissioned by the Paris art editors Goupil and Vibert for an engraving. It was on loan at the White House from 1979 to 2014. This oil on canvas 102 x 173 cm was sold for $ 45M from a lower estimate of $ 15M by Christie's on May 12, 2022, lot 30C.
A pastiche painted by Robert Colescott in 1975 replacing the general by an African American scientist and the troops by a gang of joyful Negroes was sold for $ 15.3M by Sotheby's in 2021. Another pastiche painted in 2018 by Jon McNaughton features President Trump leading his team by night with an oil lamp.
#AuctionUpdate Emmanuel Leutze’s ‘Washington Crossing the Delaware’ sets an auction record for the artist; price realized $45 million pic.twitter.com/waEDUwjlaT
— Christie's (@ChristiesInc) May 13, 2022
1852 The Cover from Hawaii
2013 SOLD 2.25 M$ including premium
The invention of the stamp greatly facilitated the communication with the most remote regions. In Hawaii, the missionaries wished to send mails to their families. In 1851, the government of the archipelago issued its first stamps.
Three values are released, corresponding to the three postage rates: 2 cents for a newspaper, 5 cents for a letter to the Western United States and 13 cents to the East. Printed on thin paper, these fragile stamps poorly survived.
These 13 cents enabled to pay 5 cents for the sending country, 2 cents to the boat and 6 cents to the destination country. They were paid to the post office of Hawaii which ensured the sharing of the fee.
In 1905, somewhere in the United States, a worker cleans a factory disused for about 35 years. The previous owners had not checked the incineration of their archives. The worker discovered in a stove, almost intact, one of the wonders of the history of philately: the Dawson cover.
Shipped from Hawaii to New York on October 4, 1852, the Dawson cover did not use the stamp of 13 cents but a combination from the two involved countries : 2 cents and 5 cents of Hawaii and two stamps of 3 cents each of the United States. This is the only known copy with this mixed postage.
It was sold for $ 2.1 million including premium by Robert A. Siegel in New York in November 1995. It is now estimated $ 2M, for sale by the same auction house on June 25.
POST SALE COMMENT
Sold for $ 1.95M before fees, this prestigious piece of philately remained in the region of its lower estimate.
The file is shared by Wikimedia :
Three values are released, corresponding to the three postage rates: 2 cents for a newspaper, 5 cents for a letter to the Western United States and 13 cents to the East. Printed on thin paper, these fragile stamps poorly survived.
These 13 cents enabled to pay 5 cents for the sending country, 2 cents to the boat and 6 cents to the destination country. They were paid to the post office of Hawaii which ensured the sharing of the fee.
In 1905, somewhere in the United States, a worker cleans a factory disused for about 35 years. The previous owners had not checked the incineration of their archives. The worker discovered in a stove, almost intact, one of the wonders of the history of philately: the Dawson cover.
Shipped from Hawaii to New York on October 4, 1852, the Dawson cover did not use the stamp of 13 cents but a combination from the two involved countries : 2 cents and 5 cents of Hawaii and two stamps of 3 cents each of the United States. This is the only known copy with this mixed postage.
It was sold for $ 2.1 million including premium by Robert A. Siegel in New York in November 1995. It is now estimated $ 2M, for sale by the same auction house on June 25.
POST SALE COMMENT
Sold for $ 1.95M before fees, this prestigious piece of philately remained in the region of its lower estimate.
The file is shared by Wikimedia :
1854-S Half Eagle
2021 SOLD for $ 2.4M by Heritage
In 1850, when California joins the Union, the gold rush is in full swing. The government needs to take the initiative against private workshops that make more or less fairly their business from the gold rush. President Fillmore addresses to Congress a social argument which will be decisive : miners are forced to accept large discounts when they sell gold dust to private buyers, this trade must be centralized to end this injustice.
The San Francisco Branch Mint opens on April 3, 1854 to receive gold. The first deposit is made by The Adams Express Company, consisting of 50 ounces of gold recorded for $ 1,311.92, equivalent to the price of 262 half eagles, on April 11.
The Adams Express was a conveyor founded in Boston in 1840. Its San Francisco office, established in 1849, also traded in gold dust. Such deposit of 50 ounces is very small for such a powerful company, competing with the American Express.
Two weeks later at the mint, the staff finally manage to control the furnaces. From April 18 to 20, the first batches of $ 20, $ 10, $ 5 and $ 2.5 are produced with respective quantities of 178, 260, 268 and 246 which are sufficient to demonstrate the feasibility.
The premises are tiny and the machines work badly. The setting difficulties accumulate, aggravated by the sinking of the ship which was bringing the nitric acid necessary to purify the gold. The continuation of the production is limited to the double eagle, the eagle and the dollar, more user friendly than the fractional denominations. There will be no other 1854-S half and quarter eagles.
The details of the financial transactions between Adams and the Branch Mint are not known but it was not unusual to pay the depositors with coins made with their own gold. On April 29, the Mountain Democrat, an El Dorado County newspaper, narrated that an agent of Adams displayed several examples of half eagles recently made in San Francisco. The other denominations are not referred.
If we assume that Adams received the whole production batch of half eagles, we see it as a clever promotional operation, including both a feedback to miners and a compliance with the wishes addressed by former President Fillmore. After this operation, the coins were no longer useful to Adams. Most have probably been melted.
We will not see an 1854-S half eagle again before the 1910s, with a first public sale in 1932. A total of four units appeared, one of which was irretrievably lost in a burglary in 1967. Please watch the video shared by NGC comparing the four specimens to announce their guarantee of authenticity for the fourth that had surfaced in April 2018. This 1854-S half eagle was graded XF-45 by NGC which also verified that it cannot be the stolen coin.
This coin graded XF45 was sold twice by Heritage, for $ 2.16M on August 16, 2018, lot 5248, and for $ 2.4M on August 18, 2021, lot 3433. In the meantime PCGS confirmed its grade and authenticity.
The San Francisco Branch Mint opens on April 3, 1854 to receive gold. The first deposit is made by The Adams Express Company, consisting of 50 ounces of gold recorded for $ 1,311.92, equivalent to the price of 262 half eagles, on April 11.
The Adams Express was a conveyor founded in Boston in 1840. Its San Francisco office, established in 1849, also traded in gold dust. Such deposit of 50 ounces is very small for such a powerful company, competing with the American Express.
Two weeks later at the mint, the staff finally manage to control the furnaces. From April 18 to 20, the first batches of $ 20, $ 10, $ 5 and $ 2.5 are produced with respective quantities of 178, 260, 268 and 246 which are sufficient to demonstrate the feasibility.
The premises are tiny and the machines work badly. The setting difficulties accumulate, aggravated by the sinking of the ship which was bringing the nitric acid necessary to purify the gold. The continuation of the production is limited to the double eagle, the eagle and the dollar, more user friendly than the fractional denominations. There will be no other 1854-S half and quarter eagles.
The details of the financial transactions between Adams and the Branch Mint are not known but it was not unusual to pay the depositors with coins made with their own gold. On April 29, the Mountain Democrat, an El Dorado County newspaper, narrated that an agent of Adams displayed several examples of half eagles recently made in San Francisco. The other denominations are not referred.
If we assume that Adams received the whole production batch of half eagles, we see it as a clever promotional operation, including both a feedback to miners and a compliance with the wishes addressed by former President Fillmore. After this operation, the coins were no longer useful to Adams. Most have probably been melted.
We will not see an 1854-S half eagle again before the 1910s, with a first public sale in 1932. A total of four units appeared, one of which was irretrievably lost in a burglary in 1967. Please watch the video shared by NGC comparing the four specimens to announce their guarantee of authenticity for the fourth that had surfaced in April 2018. This 1854-S half eagle was graded XF-45 by NGC which also verified that it cannot be the stolen coin.
This coin graded XF45 was sold twice by Heritage, for $ 2.16M on August 16, 2018, lot 5248, and for $ 2.4M on August 18, 2021, lot 3433. In the meantime PCGS confirmed its grade and authenticity.
#HERITAGELIVE "Discovery of a Lifetime": This 1854-S Liberty Half Eagle was recently discovered and is but one of only four known examples. This handful of history just sold for $2.4 million, setting a new #worldrecord for this coin! https://t.co/KUR7ohWILA#HeritageAuctions pic.twitter.com/ZAuO18lIuF
— Heritage Auctions (@HeritageAuction) August 19, 2021
1855 A Dangerous Javanese Game
2018 SOLD for € 9M including premium
Nephew of a local prefect on the island of Java which was then part of the Dutch East Indies, Raden Saleh had early skills for the graphic arts. He left in 1829 to study art in Holland. His first Western paintings are portraits. After meeting a lion tamer, he executes hunting scenes whose exoticism is well suited to the curiosity of the period.
The action of a great violence involves ferocious beasts, together or confronted with hunters on horseback. His bestiary is too varied to be relying from personal Javanese memories : lions, tigers, deer, buffalo, boar.
The composition seems directly inspired by the hunting scenes painted by Rubens around 1620, with a swirling and vividly colored center in which the protagonists are intertwined up to the limit of readability. Men and animals express exacerbated feelings of panic and horror.
When he is in France, Raden Saleh is in touch with Horace Vernet but his more flexible lines are inspired by the Dutch landscape learned from Schelfhout. The similarity of his ardor with Delacroix's romantic orientalism is obvious, but the hunts by Raden Saleh were conceived long before the 1854 commission to Delacroix by the Beaux-Arts for a lion hunt.
Raden Saleh returned to Java in 1852, bringing with him the notoriety he acquired in Europe. Like Rubens, he is using very large formats. Like what tradition said of Rubens, he also likes to include his self-portrait in full activity among the hunters.
An oil on canvas 110 x 180 cm dated 1855 titled La Chasse au taureau sauvage Banteng (Banteng wild bull hunting) has just surfaced in Brittany, in a basement where the owners had hidden it for several decades because they were uncomfortable with its violence. Minor misses are reported. It is estimated € 150K for sale by Ruellan in Vannes on January 27, lot 1. Please watch the video shared by Interencheres.
The action of a great violence involves ferocious beasts, together or confronted with hunters on horseback. His bestiary is too varied to be relying from personal Javanese memories : lions, tigers, deer, buffalo, boar.
The composition seems directly inspired by the hunting scenes painted by Rubens around 1620, with a swirling and vividly colored center in which the protagonists are intertwined up to the limit of readability. Men and animals express exacerbated feelings of panic and horror.
When he is in France, Raden Saleh is in touch with Horace Vernet but his more flexible lines are inspired by the Dutch landscape learned from Schelfhout. The similarity of his ardor with Delacroix's romantic orientalism is obvious, but the hunts by Raden Saleh were conceived long before the 1854 commission to Delacroix by the Beaux-Arts for a lion hunt.
Raden Saleh returned to Java in 1852, bringing with him the notoriety he acquired in Europe. Like Rubens, he is using very large formats. Like what tradition said of Rubens, he also likes to include his self-portrait in full activity among the hunters.
An oil on canvas 110 x 180 cm dated 1855 titled La Chasse au taureau sauvage Banteng (Banteng wild bull hunting) has just surfaced in Brittany, in a basement where the owners had hidden it for several decades because they were uncomfortable with its violence. Minor misses are reported. It is estimated € 150K for sale by Ruellan in Vannes on January 27, lot 1. Please watch the video shared by Interencheres.
Retrouvez nous le 27 janvier 2018 pour la vente à Vannes de « La Chasse au taureau sauvage » de Raden Saleh datée et signée de 1855. #artist #Inde #chasse #Tigre #Taureau #auction #SaveTheDate https://t.co/4OqgLXxsMi pic.twitter.com/Eabe5zvVRO
— RUELLAN (@jpruellan) December 13, 2017
1855 The Parure by Bapst for Empress Eugénie
2014 SOLD for CHF 2.3M including premium
Eugénie de Montijo was a Spanish aristocrat educated in Paris. The new emperor Napoleon III married her in 1853. He was captivated by this young woman aged 27 who will lead the court by her elegance and majestic attitude and guide the fashion according to her taste.
Eugénie was one of the greatest users of jewelry of her time. She rushes to the Crown Jewels of France that had not been dispersed and selects some of them for assembling new pieces.
Alfred Bapst then recovers the role played by his ancestors who had been jewelers to the Crown. In 1855, Eugénie commissions to Bapst a parure (ornament set) that will remain one of the most prestigious jewelry of her reign.
The parure realized by Bapst is composed of three elements: a guirlande (necklace), a tour de corsage (turn-of-bodice) to wear on the dress and a devant-de-corsage (pin-to-bodice brooch). The motifs of currant leafs (feuilles de groseillier) are made by a paving of ancient-cut diamonds mounted in silver and gold.
After the fall of the Empire, Eugénie's jewels were auctioned. Many of them have been disassembled due to the market value of their individual gems. The Bapst groseillier brooch remained however as is. It is estimated CHF 1.9M for sale by Christie's in Geneva on November 11, lot 387. It is centered with a larger diamond and decorated with three hanging pampilles.
Eugénie was one of the greatest users of jewelry of her time. She rushes to the Crown Jewels of France that had not been dispersed and selects some of them for assembling new pieces.
Alfred Bapst then recovers the role played by his ancestors who had been jewelers to the Crown. In 1855, Eugénie commissions to Bapst a parure (ornament set) that will remain one of the most prestigious jewelry of her reign.
The parure realized by Bapst is composed of three elements: a guirlande (necklace), a tour de corsage (turn-of-bodice) to wear on the dress and a devant-de-corsage (pin-to-bodice brooch). The motifs of currant leafs (feuilles de groseillier) are made by a paving of ancient-cut diamonds mounted in silver and gold.
After the fall of the Empire, Eugénie's jewels were auctioned. Many of them have been disassembled due to the market value of their individual gems. The Bapst groseillier brooch remained however as is. It is estimated CHF 1.9M for sale by Christie's in Geneva on November 11, lot 387. It is centered with a larger diamond and decorated with three hanging pampilles.
1856 British Guiana One Cent Magenta Stamp
2014 SOLD for $ 9.5M by Sotheby's
The invention of the postage stamp in England in 1840 is a revolution in communications. Hitherto limited to shipment operations, the Post Office of British Guiana is one of the first in South America to use stamps and to develop a local delivery, through the diligence of Edward Dalton, a colonial postmaster unwilling to wait for official authorizations.
The first stamps issued by the British Guiana in 1850 are made in black ink by woodcut printing on papers of various colors depending on the face value. The work is done by the printer of the local newspaper. They are so rudimentary that each sold stamp is authenticated by the handwritten initials of the postmaster or of one of his clerks.
These first stamps of 4, 8 and 12 cents are not rare because they have attracted the interest of collectors from the 1870s. These circular or roughly octagonal stamps are nicknamed the cottonreels. An additional cottonreel of 2 cents was issued in 1851. This low value only applied for the local mail inside Georgetown and this variety is extremely rare.
In 1852 the government takes control of operations. Stamps for British Guiana are now lithographed in England. In September 1855, it is a disaster. British agents had misunderstood the order and printed a quantity of stamps ten times lower than needed. Faced with the shortage, Dalton released in 1856 a new series of locally printed British Guiana stamps, with the same rudimentary process as in 1850.
The 4 cents stamp of 1856 to be used for mail is printed on colored paper in four variants, magenta, carmine, blue and double sided blue.
The 1 cent for the postage of newspapers is a lower denomination that had no reason to be kept by users. Only one survived. In poor condition, almost indecipherable, it is magenta in the same shade as one of the 4 cent variants. Collected in 1873 by a schoolboy in the archives of his uncle, it was formally authenticated by an expert in 1891.
This 1 cent magenta 29 x 26 mm British Guiana stamp is the only British variety that escapes the royal collection. Its reverse bears eight marks of prominent owners. Sold for $ 935K by Siegel in 1980, it was already at that time the most expensive stamp in the world.
It was sold twice by Sotheby's : for $ 9.5M on June 17, 2014 and for $ 8.3M on June 8, 2021, lot 3. The image is shared by Wikimedia. Please watch a video shared in 2008 by psychediva.
In June 2014 the other lots from the DuPont collection of British Guiana stamps were sold by David Feldman. The top results before fees were € 160K for a 4 cents from 1850-1851 on a cover, € 190K for a 2 cents from 1851 and € 240K for a blue 4 cents on a cover from 1856.
The first stamps issued by the British Guiana in 1850 are made in black ink by woodcut printing on papers of various colors depending on the face value. The work is done by the printer of the local newspaper. They are so rudimentary that each sold stamp is authenticated by the handwritten initials of the postmaster or of one of his clerks.
These first stamps of 4, 8 and 12 cents are not rare because they have attracted the interest of collectors from the 1870s. These circular or roughly octagonal stamps are nicknamed the cottonreels. An additional cottonreel of 2 cents was issued in 1851. This low value only applied for the local mail inside Georgetown and this variety is extremely rare.
In 1852 the government takes control of operations. Stamps for British Guiana are now lithographed in England. In September 1855, it is a disaster. British agents had misunderstood the order and printed a quantity of stamps ten times lower than needed. Faced with the shortage, Dalton released in 1856 a new series of locally printed British Guiana stamps, with the same rudimentary process as in 1850.
The 4 cents stamp of 1856 to be used for mail is printed on colored paper in four variants, magenta, carmine, blue and double sided blue.
The 1 cent for the postage of newspapers is a lower denomination that had no reason to be kept by users. Only one survived. In poor condition, almost indecipherable, it is magenta in the same shade as one of the 4 cent variants. Collected in 1873 by a schoolboy in the archives of his uncle, it was formally authenticated by an expert in 1891.
This 1 cent magenta 29 x 26 mm British Guiana stamp is the only British variety that escapes the royal collection. Its reverse bears eight marks of prominent owners. Sold for $ 935K by Siegel in 1980, it was already at that time the most expensive stamp in the world.
It was sold twice by Sotheby's : for $ 9.5M on June 17, 2014 and for $ 8.3M on June 8, 2021, lot 3. The image is shared by Wikimedia. Please watch a video shared in 2008 by psychediva.
In June 2014 the other lots from the DuPont collection of British Guiana stamps were sold by David Feldman. The top results before fees were € 160K for a 4 cents from 1850-1851 on a cover, € 190K for a 2 cents from 1851 and € 240K for a blue 4 cents on a cover from 1856.
✉️The British Guiana One-Cent Magenta is thought to be the sole survivor of its kind, created during a stamp shortage in the 1850s and now expected to fetch up to $15 million when it’s auctioned by @Sothebys pic.twitter.com/I57OQ34zkr
— Bloomberg Quicktake (@Quicktake) April 29, 2021
1856 view of Constantinople by Aivazovsky
2012 SOLD for £ 3.23M including premium by Sotheby's
Link to catalogue.
Shared by Wikimedia :
Shared by Wikimedia :
1857 The Laws of the Knickerbockers
2016 SOLD for $ 3.26M including premium
They like playing ball in New York and Brooklyn. Teams are built. Some clubs are created. The nineteenth century saw the rapid development of transport. Soon the groups of players will make longer trips to play their matches.
The spirit of competition requires fixed rules that will identify champions who will defend their title in the following season. In England, football has a similar story at the same period.
The activist of the standardization of base ball, which will later become the baseball, is the New York Knickerbockers Base Ball Club established in 1845 and named after the uniforms of the firefighters who lent to them their playing field.
The Knickerbockers were not the best in sport but they had the merit of endeavoring to impose their rules. They were also one of the two teams that played the first official match in 1846 and the first base ball club to use a distinctive uniform in 1849.
In 1857 in New York, the first congress of the National Association of Base Ball Players establishes the first regulatory body and freezes the rules that will remain virtually unchanged for ever, ending the initiatives of the Knickerbockers.
A set of three manuscripts that were almost unnoticed in an auction in 1999 gives a new vision on the fundamental and even unique role of the Knickerbockers in defining the final baseball laws.
In 1857 the President of the Knickerbockers is Doc Adams who had been a player in the 1846 pioneering game. The three documents are the first autograph draft written by Adams in 1856 (the last page is missing), an iteration annotated by him before the congress and the final laws submitted to Congress and approved.
These documents are grouped as the lot 1 in the online auction organized by SCP Auctions with bidding close out on April 23. I invite you to watch the video shared by the auction house.
The spirit of competition requires fixed rules that will identify champions who will defend their title in the following season. In England, football has a similar story at the same period.
The activist of the standardization of base ball, which will later become the baseball, is the New York Knickerbockers Base Ball Club established in 1845 and named after the uniforms of the firefighters who lent to them their playing field.
The Knickerbockers were not the best in sport but they had the merit of endeavoring to impose their rules. They were also one of the two teams that played the first official match in 1846 and the first base ball club to use a distinctive uniform in 1849.
In 1857 in New York, the first congress of the National Association of Base Ball Players establishes the first regulatory body and freezes the rules that will remain virtually unchanged for ever, ending the initiatives of the Knickerbockers.
A set of three manuscripts that were almost unnoticed in an auction in 1999 gives a new vision on the fundamental and even unique role of the Knickerbockers in defining the final baseball laws.
In 1857 the President of the Knickerbockers is Doc Adams who had been a player in the 1846 pioneering game. The three documents are the first autograph draft written by Adams in 1856 (the last page is missing), an iteration annotated by him before the congress and the final laws submitted to Congress and approved.
These documents are grouped as the lot 1 in the online auction organized by SCP Auctions with bidding close out on April 23. I invite you to watch the video shared by the auction house.
We are record setters here at SCP #Auctions. Remember when we sold The Laws of Baseball for over $3,000,000? We’d love to help you with your #sports #memorabilia in our Summer Premier Auction. Send in your #consignments before it’s too late. pic.twitter.com/jVT7YCG3vh
— SCP Auctions (@SCPAuctions) July 7, 2019
1857 The Only 3-Skilling Yellow
1996 SOLD for CHF 2.9M including premium by David Feldman
narrated in 2010 before a private auction sale (see below)
Children love stamps, as it is well known. In 1885, a German boy gets his grandmother's permission to take off stamps from old covers to make money. The dealer to whom he presented his booty is amazed: a 3 Skilling Swedish stamp has a wrong color!
No other copy will never be found, making this stamp the rarest and most desired piece on the philately market. Its story is told on the Treskilling Yellow page of Wikipedia, where it is illustrated. It was canceled in 1857.
It is a mistake and not a fake. This sample has all the characteristics of an 8 Skilling stamp, yellow, unless it bears the engraving of the 3 Skilling, which is green for all other known copies. The hypothesis to keep is that one of 100 clichés of a printing block of 8 Skilling was damaged, and the operator has inadvertently changed it by a 3 Skilling cliché. Nobody went aware of the error, and there is no way of knowing how many wrong copies were produced.
It was sold in 1996 2.9 MCHF including premium by David Feldman.
A scoop of the Telegraph has just announced its forthcoming sale without giving details, and it took me a few navigation tips to find the source: the 3 Skilling Yellow comes on May 22 in Geneva at private auction by David Feldman, with a specific catalog. You are now part of the happy few: here is the link to the catalog shared by the auction house.
David Feldman has done a quick calculation. Reduced to its weight, this small artefact of 26.75 milligrams is valued $ 70 billion per kilogram! Who says better?
POST SALE COMMENT
The Treskilling was sold for over $ 2.3 million to a group of buyers who required that the exact amount was not disclosed . I remind that it was a private auction.
Shared by Wikimedia :
No other copy will never be found, making this stamp the rarest and most desired piece on the philately market. Its story is told on the Treskilling Yellow page of Wikipedia, where it is illustrated. It was canceled in 1857.
It is a mistake and not a fake. This sample has all the characteristics of an 8 Skilling stamp, yellow, unless it bears the engraving of the 3 Skilling, which is green for all other known copies. The hypothesis to keep is that one of 100 clichés of a printing block of 8 Skilling was damaged, and the operator has inadvertently changed it by a 3 Skilling cliché. Nobody went aware of the error, and there is no way of knowing how many wrong copies were produced.
It was sold in 1996 2.9 MCHF including premium by David Feldman.
A scoop of the Telegraph has just announced its forthcoming sale without giving details, and it took me a few navigation tips to find the source: the 3 Skilling Yellow comes on May 22 in Geneva at private auction by David Feldman, with a specific catalog. You are now part of the happy few: here is the link to the catalog shared by the auction house.
David Feldman has done a quick calculation. Reduced to its weight, this small artefact of 26.75 milligrams is valued $ 70 billion per kilogram! Who says better?
POST SALE COMMENT
The Treskilling was sold for over $ 2.3 million to a group of buyers who required that the exact amount was not disclosed . I remind that it was a private auction.
Shared by Wikimedia :
1858 Kebab Merchants of Scutari
2009 SOLD 3.4 M$ including premium
Before the invention of photography, the artists recorded their impressions of travel in watercolor. John Frederick Lewis was initially one of them, then he became a pioneer of Orientalist art which he released from the heroic aspect to better interpret the picturesque.
He made long stays in the Middle East. During his returns to London, he exhibited at the Royal Academy the paintings he had created from his travel sketches. This was the case of "the Kibab (Kebab) Shop, Scutari," an oil on panel 53 x 79 cm, which was admired by John Ruskin when he displayed it in 1858.
This scene of life in the Middle East is remarkable in its details that recreate an intense life. The characters are seen in close-ups, quietly engaged in their business. The shop is very realistic, and Chinese import plates add a surprising touch of truth. It opens up entirely on the street animated by pigeons, two goats, a dog.
Sotheby's estimates this work at $ 1.5 million and is selling it in New York on April 24.
On 15 June 2005 in London, Christie's went close to £ 2.5 million including expenses for a midday meal in Cairo. This oil on canvas, bigger, with more characters, was the last work of Lewis (1875). Personally, I prefer the Kibabs Store, which I find more intimate and passionate ... and is an important milestone in Orientalist art.
POST SALE COMMENT
The price obtained, $ 3.4 million including expenses, paid tribute to the quality and earliness of the artwork. Forget the estimate, which was too low.
He made long stays in the Middle East. During his returns to London, he exhibited at the Royal Academy the paintings he had created from his travel sketches. This was the case of "the Kibab (Kebab) Shop, Scutari," an oil on panel 53 x 79 cm, which was admired by John Ruskin when he displayed it in 1858.
This scene of life in the Middle East is remarkable in its details that recreate an intense life. The characters are seen in close-ups, quietly engaged in their business. The shop is very realistic, and Chinese import plates add a surprising touch of truth. It opens up entirely on the street animated by pigeons, two goats, a dog.
Sotheby's estimates this work at $ 1.5 million and is selling it in New York on April 24.
On 15 June 2005 in London, Christie's went close to £ 2.5 million including expenses for a midday meal in Cairo. This oil on canvas, bigger, with more characters, was the last work of Lewis (1875). Personally, I prefer the Kibabs Store, which I find more intimate and passionate ... and is an important milestone in Orientalist art.
POST SALE COMMENT
The price obtained, $ 3.4 million including expenses, paid tribute to the quality and earliness of the artwork. Forget the estimate, which was too low.
1858-1859 Class III Restrike of the 1804 Silver Dollar
2009 SOLD for $ 2.3M including premium by Heritage
narrated in 2020 before the sale of another coin by Stack's Bowers (see below)
The Class III Restrike is the designation used in 1962 by Newman and Bressett to describe a 1804 one dollar novodel, produced secretly at the Philadelphia Mint, distinct from the Class II by its lettered edge. One Class II and six Class III pieces survive.
The 1804 dollar is the last model made before the suspension of production of the silver dollar which will last until 1836. The 19,570 coins declared in the annual report for 1804 have always remained untraceable, creating fabulous myths like the disappearance of the entire production in a shipwreck. The tools existed nevertheless at the factory and had been kept.
The production of silver dollars had already been low in 1803, allowing an extension of the use of the dies. The one dollar coins announced in 1804 in the annual report were certainly struck with dies from previous years, perhaps due to a too late availability of the dies on the date of 1804 which will remain unused until the Class I.
In 1834 the government requests two specimens of each of the denominations of US coinage in the current year or the last year of production as applicable, to constitute inexpensive diplomatic gifts for the king of Siam and the sultan of Muscat. The factory does not have an 1804 dollar in stock. It is easy to recreate a few copies : this is the Class I, of which eight units are known, probably representing the entire production.
One of these copies is used in 1842 to illustrate a manual published by two employees of the Mint, Eckfeldt and DuBois. Collectors are going crazy. The factory accepts an exchange with one of them in 1843, recovering the unique example from a bygone gold coin project of 1785 with the inscription Immune Columbia.
The Class II restrike is created at the factory in 1858. It was a poor quality unauthorized operation intended to make profit from the greed of collectors. The Mint requests to recover them. Three are destroyed and one is kept as a specimen at the factory. No other Class II is known. The only surviving piece was struck on a Swiss thaler from 1857, with a plain edge.
The idea of producing restrikes goes up to the highest level of the hierarchy. In 1859 the Mint director JR Snowden tries in vain to obtain an authorization from the Treasury for such operations.
The production of Class III at the Philadelphia factory is indisputable, probably from 1858 or 1859. The blundering lettering will be done late on the previously struck pieces, which could have been earlier Class II made on blank planchets and remaining at the factory. The first Class III surfaced in 1876, tending to prove that the illicit uses of this variant had been successfully blocked until that date.
Four Class III have been artificially worn by rubbing in a pocket to make it look like authentic coins made in 1804. The batch was however made with a proof finish which did not exist before 1817.
A Class III graded PR58 or AU58 by PCGS was sold for $ 2.3M including premium by Heritage on April 30, 2009, lot 2567.
Another Class III, graded PR55 by PCGS, was sold twice by Stack's Bowers : for $ 1.88M including premium on August 6, 2014, lot 13146, and for $ 1.44M including premium on March 20, 2020, lot 7304.
The 1804 dollar is the last model made before the suspension of production of the silver dollar which will last until 1836. The 19,570 coins declared in the annual report for 1804 have always remained untraceable, creating fabulous myths like the disappearance of the entire production in a shipwreck. The tools existed nevertheless at the factory and had been kept.
The production of silver dollars had already been low in 1803, allowing an extension of the use of the dies. The one dollar coins announced in 1804 in the annual report were certainly struck with dies from previous years, perhaps due to a too late availability of the dies on the date of 1804 which will remain unused until the Class I.
In 1834 the government requests two specimens of each of the denominations of US coinage in the current year or the last year of production as applicable, to constitute inexpensive diplomatic gifts for the king of Siam and the sultan of Muscat. The factory does not have an 1804 dollar in stock. It is easy to recreate a few copies : this is the Class I, of which eight units are known, probably representing the entire production.
One of these copies is used in 1842 to illustrate a manual published by two employees of the Mint, Eckfeldt and DuBois. Collectors are going crazy. The factory accepts an exchange with one of them in 1843, recovering the unique example from a bygone gold coin project of 1785 with the inscription Immune Columbia.
The Class II restrike is created at the factory in 1858. It was a poor quality unauthorized operation intended to make profit from the greed of collectors. The Mint requests to recover them. Three are destroyed and one is kept as a specimen at the factory. No other Class II is known. The only surviving piece was struck on a Swiss thaler from 1857, with a plain edge.
The idea of producing restrikes goes up to the highest level of the hierarchy. In 1859 the Mint director JR Snowden tries in vain to obtain an authorization from the Treasury for such operations.
The production of Class III at the Philadelphia factory is indisputable, probably from 1858 or 1859. The blundering lettering will be done late on the previously struck pieces, which could have been earlier Class II made on blank planchets and remaining at the factory. The first Class III surfaced in 1876, tending to prove that the illicit uses of this variant had been successfully blocked until that date.
Four Class III have been artificially worn by rubbing in a pocket to make it look like authentic coins made in 1804. The batch was however made with a proof finish which did not exist before 1817.
A Class III graded PR58 or AU58 by PCGS was sold for $ 2.3M including premium by Heritage on April 30, 2009, lot 2567.
Another Class III, graded PR55 by PCGS, was sold twice by Stack's Bowers : for $ 1.88M including premium on August 6, 2014, lot 13146, and for $ 1.44M including premium on March 20, 2020, lot 7304.
