1909
See also : Picasso 1907-1931 Russia Kandinsky Austria II Alps Orientalism Sport Baseball T206 Wagner
1909 The Cubist Deadlock
2016 SOLD for £ 43M including premium
The painting of the Demoiselles d'Avignon in 1907 masterfully demonstrates that anything is possible from the standpoint of the form. Through this single work, Picasso got rid the art of painting from realism, narrative, perspective and depth. The simplified drawing inspired by tribal art is unprecedented in European art.
The achievement of the Demoiselles encouraged Picasso to explore new styles of painting. After Cézanne, he desires to promote expression and structure. Cubism is not a style nor a school but a pioneering research, with its trials and errors.
In 1909 Pablo spends the summer with Fernande in a Catalan village named Horta, only accessible by mule track. During the same summer, Kandinsky gets himself isolated in Murnau with Gabriele. Independently of each other, these two artists become the theorists who are inventing the art of the twentieth century.
On June 21 in London, Sotheby's sells as lot 8 a portrait of Fernande by Pablo, oil on canvas 81 x 65 cm conceived and painted in Horta. The estimate is not published, probably because Cubist works by Picasso have become exceedingly rare in private hands. Sotheby's let however escape an expectation beyond £ 30M.
The fragmentation in blocks that gave its name to Cubism offers a similar processing for the three themes tested by Pablo in Horta: portrait, landscape and still life. The outlines of the subject are visible with a little effort leading to recognize the broad face of Fernande. The colors are subject to a similar mix : we are not in front of a portrait but of an image suggesting the features of a seated woman in the warm Catalan summer.
For several of its characteristics, Cubism is a dead end. In the following years, the trend to a dull monochrome increases the difficulty of interpreting the image without offering the puzzling breakthrough of abstraction. The loss of the three-dimensional effect generates the trials of collages which will not save the Cubism.
It does not matter, because every artist can now engage his own style in an original expressive quest. From Picasso, the modern art has become multifaceted.
Please watch the video shared by Sotheby's.
The achievement of the Demoiselles encouraged Picasso to explore new styles of painting. After Cézanne, he desires to promote expression and structure. Cubism is not a style nor a school but a pioneering research, with its trials and errors.
In 1909 Pablo spends the summer with Fernande in a Catalan village named Horta, only accessible by mule track. During the same summer, Kandinsky gets himself isolated in Murnau with Gabriele. Independently of each other, these two artists become the theorists who are inventing the art of the twentieth century.
On June 21 in London, Sotheby's sells as lot 8 a portrait of Fernande by Pablo, oil on canvas 81 x 65 cm conceived and painted in Horta. The estimate is not published, probably because Cubist works by Picasso have become exceedingly rare in private hands. Sotheby's let however escape an expectation beyond £ 30M.
The fragmentation in blocks that gave its name to Cubism offers a similar processing for the three themes tested by Pablo in Horta: portrait, landscape and still life. The outlines of the subject are visible with a little effort leading to recognize the broad face of Fernande. The colors are subject to a similar mix : we are not in front of a portrait but of an image suggesting the features of a seated woman in the warm Catalan summer.
For several of its characteristics, Cubism is a dead end. In the following years, the trend to a dull monochrome increases the difficulty of interpreting the image without offering the puzzling breakthrough of abstraction. The loss of the three-dimensional effect generates the trials of collages which will not save the Cubism.
It does not matter, because every artist can now engage his own style in an original expressive quest. From Picasso, the modern art has become multifaceted.
Please watch the video shared by Sotheby's.
1909 Blue Mountain and Green House
2017 SOLD for £ 21M including premium
From his childhood Kandinsky was fascinated by colors. He settled in Munich in 1896 to integrate himself within the artistic avant-gardes that he will manage to regroup around him. From this first phase he is remarkably open to all the movements that escape classicism. The main themes of his personal art are the Bavarian landscapes and the rural legends of Russia.
After Cézanne and van Gogh he learns to shake the realism of the lines. After Gauguin, Matisse, the Fauvists and the post-Impressionists, he likes to exaggerate the colors and ceases to weaken them under a varnish. He follows his friend Jawlensky who was one of the first to systematically abandon the realism of colors. Attracted by mysticism, Kandinsky studies Goethe's theories on the psychological significance of colors.
Two summer stays at Murnau with Jawlensky and their companions Gabriele and Marianne are decisive for Kandinsky's career and for his role as a pioneer of modern art. In 1908 he experiments with new forms and new colors. In 1909 he revisits with blazing colors in thick layers his compositions of the previous year and prepares the theories of his new art.
Der blaue Berg is narrative. A group of riders travels in front of a mountain reduced to a triangular surface in an intense blue. Murnau - Studie zur Landschaft mit grünem Haus is an oil on board 33 x 45 cm painted in 1908.
Satisfied with the audacity of his study with the green house Kandinsky reuses the same composition in 1909 in a larger size with more saturated pure colors. Murnau - Landschaft mit grünem Haus, oil on board 70 x 96 cm, is estimated £ 15M for sale by Sotheby's in London on June 21, lot 47.
After Cézanne and van Gogh he learns to shake the realism of the lines. After Gauguin, Matisse, the Fauvists and the post-Impressionists, he likes to exaggerate the colors and ceases to weaken them under a varnish. He follows his friend Jawlensky who was one of the first to systematically abandon the realism of colors. Attracted by mysticism, Kandinsky studies Goethe's theories on the psychological significance of colors.
Two summer stays at Murnau with Jawlensky and their companions Gabriele and Marianne are decisive for Kandinsky's career and for his role as a pioneer of modern art. In 1908 he experiments with new forms and new colors. In 1909 he revisits with blazing colors in thick layers his compositions of the previous year and prepares the theories of his new art.
Der blaue Berg is narrative. A group of riders travels in front of a mountain reduced to a triangular surface in an intense blue. Murnau - Studie zur Landschaft mit grünem Haus is an oil on board 33 x 45 cm painted in 1908.
Satisfied with the audacity of his study with the green house Kandinsky reuses the same composition in 1909 in a larger size with more saturated pure colors. Murnau - Landschaft mit grünem Haus, oil on board 70 x 96 cm, is estimated £ 15M for sale by Sotheby's in London on June 21, lot 47.
1909 Modigliani will be a Painter
2013 SOLD 26 M$ including premium
Modigliani, installed at the Bateau Lavoir since 1906, is a sculptor, at once close to the avant-garde style of Brancusi. A prolific drawing artist, he produced many studies and sketches.
He also knows to be a painter, with a severe and uncompromising style inspired by Picasso in the following of the portrait of Gertrude Stein. His patron Paul Alexandre invited him in 1909 to paint the portrait of the young baronne de Hasse de Villers.
It is a real challenge for the young artist. Perfectionist, he is constantly reworking the line and the colors. Alcohol does not help his decisions. The Baroness is haughty and hurried, and no longer accepts the long sittings required by the young Italian immigrant.
The miracle of this painting is that it was completed. It seems that the Baroness did not recognize herself in this woman with dominant gaze and bony face in angles as sharp as a sculpture. Her horsewoman dressing and the hand firmly held on the hip are still strengthening the authoritarian attitude.
Paul Alexandre understood the power and modernism emanating from this strong image and kept this painting entitled L'Amazone in his collection for several years. This oil on canvas, 92 x 66 cm, is estimated $ 20M, for sale by Sotheby's in New York on May 7. Here is the link to the catalog.
This is a very rare example of the beginning of the period when Modigliani considered to practise painting and sculpture altogether. Later obliged to choose for reason of poor health, he was to become the most gifted painter of his time.
POST SALE COMMENT
This portrait is important for understanding the early art of Modigliani. It was sold $ 26M including premium, in its range of estimates.
I invite you to watch the video shared by Sotheby's :
He also knows to be a painter, with a severe and uncompromising style inspired by Picasso in the following of the portrait of Gertrude Stein. His patron Paul Alexandre invited him in 1909 to paint the portrait of the young baronne de Hasse de Villers.
It is a real challenge for the young artist. Perfectionist, he is constantly reworking the line and the colors. Alcohol does not help his decisions. The Baroness is haughty and hurried, and no longer accepts the long sittings required by the young Italian immigrant.
The miracle of this painting is that it was completed. It seems that the Baroness did not recognize herself in this woman with dominant gaze and bony face in angles as sharp as a sculpture. Her horsewoman dressing and the hand firmly held on the hip are still strengthening the authoritarian attitude.
Paul Alexandre understood the power and modernism emanating from this strong image and kept this painting entitled L'Amazone in his collection for several years. This oil on canvas, 92 x 66 cm, is estimated $ 20M, for sale by Sotheby's in New York on May 7. Here is the link to the catalog.
This is a very rare example of the beginning of the period when Modigliani considered to practise painting and sculpture altogether. Later obliged to choose for reason of poor health, he was to become the most gifted painter of his time.
POST SALE COMMENT
This portrait is important for understanding the early art of Modigliani. It was sold $ 26M including premium, in its range of estimates.
I invite you to watch the video shared by Sotheby's :
1909 The Prescient Improvisations of Wassily Kandinsky
2012 SOLD 23 M$ including premium
In 1909, Wassily Kandinsky spent several months in Murnau, Bavaria, together with Gabriele Münter. He worked intensively on the redefinition of art, preparing his theoretical book Uber das Geistige in der Kunst (On the Spiritual in Art).
Far from imagining that he will define the abstract art a few months later, he identifies three themes for his personal art: impressions, improvisations, compositions. He starts immediately by "improvisations", which fascinated him.
In the eight improvisations realized in Murnau in 1909, color dominates the whole work. Some riders and heroes are clearly visible, but the narration is minimized so that the colors get the top role to guide interpretation and emotion.
The notion of improvisation usually involves spontaneity. For this theorist of great complexity, this is no longer true: the pseudo-improvisations are preceded by studies in oil, as if to demonstrate that this art is the culmination of an inner process.
At this stage, by leaving much place for an interpretation by the observer, Kandinsky is a powerful predecessor of Miro. Later, at the time of abstraction, his art becomes too semantic, with a reading difficulty that can repel the public.
Studie für Improvisation 8, 98 x 70 cm, is estimated $ 20M, for sale by Christie's in New York on November 7. This painting is illustrated in the article shared by Artdaily.
I invite you to play the video shared by Christie's.
POST SALE COMMENT
The figurative works made by Kandinsky in Murnau constitute a rare example of a theoretician who actually managed to find new artistic paths. The importance of this study was confirmed: $ 23M including premium.
Far from imagining that he will define the abstract art a few months later, he identifies three themes for his personal art: impressions, improvisations, compositions. He starts immediately by "improvisations", which fascinated him.
In the eight improvisations realized in Murnau in 1909, color dominates the whole work. Some riders and heroes are clearly visible, but the narration is minimized so that the colors get the top role to guide interpretation and emotion.
The notion of improvisation usually involves spontaneity. For this theorist of great complexity, this is no longer true: the pseudo-improvisations are preceded by studies in oil, as if to demonstrate that this art is the culmination of an inner process.
At this stage, by leaving much place for an interpretation by the observer, Kandinsky is a powerful predecessor of Miro. Later, at the time of abstraction, his art becomes too semantic, with a reading difficulty that can repel the public.
Studie für Improvisation 8, 98 x 70 cm, is estimated $ 20M, for sale by Christie's in New York on November 7. This painting is illustrated in the article shared by Artdaily.
I invite you to play the video shared by Christie's.
POST SALE COMMENT
The figurative works made by Kandinsky in Murnau constitute a rare example of a theoretician who actually managed to find new artistic paths. The importance of this study was confirmed: $ 23M including premium.
1909 The Conquest of Kandinsky
2013 SOLD 13.5 M£ including premium
On June 18 in London, Christie's sells Studie zu Improvisation 3 by Kandinsky. This oil and gouache on cardboard, 45 x 65 cm, has already been a star at auction: it was sold for $ 17M including premium by Christie's on November 6, 2008. It is now estimated £ 12M.
In 2008, I was mostly interested in the comparison with the earlier landscapes painted by Kandinsky. I wrote:
"Kandinsky was a master of fauvist expressionism, did you know it? In 1909, he was pleased by the village of Murnau, south of Munich. He painted a view in strident colors. His research on forms and colors were already more important to him than the theme, and he titled his painting 'Studie zu Improvisation 3'. in the following year, he began to explore abstraction, with the success that we know."
This comment is not enough, of course, but it is not wrong. My mistake was to ignore the mystical rider who rushes to the fortress for an indecipherable reason. With this artwork, the landscape already does not matter any more to the artist, he is gone like a Don Quixote to conquer the mystical dimension of art. The fortress of the landscape is not in Murnau, it is already a product of the imagination of Kandinsky in his greatest year of creativity.
The key to the evolution of the art of Kandinsky in Murnau was given in the meantime by a painting of the same series and same year, Studie für Improvisation 8, sold for $ 23M including premium at Christie's on November 7, 2012.
The landscape and the horse are absent. The rider became a crusader in a urban context too stylized to be recognizable. The strength of his huge sword and the colors still more violent express the glory of the artist to lead the way to a new conception of art.
I invite you to watch the video shared by Christie's introducing the Studie 3 for next sale.
POST SALE COMMENT
The previous sale had taken place at the beginning of the crisis in the art market. Sold for £ 13.5 million including premium, this Studie is now at its fair price, just below the Studie 8 sold last year.
In 2008, I was mostly interested in the comparison with the earlier landscapes painted by Kandinsky. I wrote:
"Kandinsky was a master of fauvist expressionism, did you know it? In 1909, he was pleased by the village of Murnau, south of Munich. He painted a view in strident colors. His research on forms and colors were already more important to him than the theme, and he titled his painting 'Studie zu Improvisation 3'. in the following year, he began to explore abstraction, with the success that we know."
This comment is not enough, of course, but it is not wrong. My mistake was to ignore the mystical rider who rushes to the fortress for an indecipherable reason. With this artwork, the landscape already does not matter any more to the artist, he is gone like a Don Quixote to conquer the mystical dimension of art. The fortress of the landscape is not in Murnau, it is already a product of the imagination of Kandinsky in his greatest year of creativity.
The key to the evolution of the art of Kandinsky in Murnau was given in the meantime by a painting of the same series and same year, Studie für Improvisation 8, sold for $ 23M including premium at Christie's on November 7, 2012.
The landscape and the horse are absent. The rider became a crusader in a urban context too stylized to be recognizable. The strength of his huge sword and the colors still more violent express the glory of the artist to lead the way to a new conception of art.
I invite you to watch the video shared by Christie's introducing the Studie 3 for next sale.
POST SALE COMMENT
The previous sale had taken place at the beginning of the crisis in the art market. Sold for £ 13.5 million including premium, this Studie is now at its fair price, just below the Studie 8 sold last year.
1909 The Seer of the Beach
2014 SOLD 17.2 M$ including premium
In Murnau in 1909, Wassily Kandinsky develops his theories on artistic creation and illustrates them in a completely new pictorial language.
The theme of 'Improvisations' is well recorded. Some images show a seer of modern art in the assault on the fortress of classicism, although Kandinsky did not himself propose such a definition. His 'Impressions' are more difficult to categorize because the artist has not assigned this title to actual artworks.
However Strandszene (beach scene), oil on board 53 x 67 cm, retroactively appears as one of the best demonstrators of the artistic revolution brought by Kandinsky's Impressions.
This painting was executed at the end of 1909, not before a preparatory drawing dated August 3 in his sketchbook. As in Improvisations, vertical references disappear and colors are violent and even threatening. Some characters are shown but the narrative aspect is absent or impossible to decode.
The non localized beach is of course not Murnau which is a village in the Bavarian mountains. The long white robe of a character classifies it as an Orientalist painting. Tunisia was a favorite theme of Kandinsky when he was still a Fauvist landscape artist.
The great novelty of this composition is that it relies exclusively on a memory of impressions of the artist, without recourse of any previous work or to a photograph, thus excluding almost totally the reality of shapes.
Wassily probably painted it for display in a the house newly purchased in Murnau by his companion Gabriele Münter. He then kept it for nearly thirty years. Yet it is one of the earliest precursors of the release of the forms from any figurative or narrative intention that will lead to the concept of abstract art.
Strandszene is estimated $ 16M, for sale by Christie's in New York on May 6. I invite you to play the video shared by the auction house.
POST SALE COMMENT
Good result for this difficult Kandinsky painting which was from the best period: $ 17.2 million including premium.
The theme of 'Improvisations' is well recorded. Some images show a seer of modern art in the assault on the fortress of classicism, although Kandinsky did not himself propose such a definition. His 'Impressions' are more difficult to categorize because the artist has not assigned this title to actual artworks.
However Strandszene (beach scene), oil on board 53 x 67 cm, retroactively appears as one of the best demonstrators of the artistic revolution brought by Kandinsky's Impressions.
This painting was executed at the end of 1909, not before a preparatory drawing dated August 3 in his sketchbook. As in Improvisations, vertical references disappear and colors are violent and even threatening. Some characters are shown but the narrative aspect is absent or impossible to decode.
The non localized beach is of course not Murnau which is a village in the Bavarian mountains. The long white robe of a character classifies it as an Orientalist painting. Tunisia was a favorite theme of Kandinsky when he was still a Fauvist landscape artist.
The great novelty of this composition is that it relies exclusively on a memory of impressions of the artist, without recourse of any previous work or to a photograph, thus excluding almost totally the reality of shapes.
Wassily probably painted it for display in a the house newly purchased in Murnau by his companion Gabriele Münter. He then kept it for nearly thirty years. Yet it is one of the earliest precursors of the release of the forms from any figurative or narrative intention that will lead to the concept of abstract art.
Strandszene is estimated $ 16M, for sale by Christie's in New York on May 6. I invite you to play the video shared by the auction house.
POST SALE COMMENT
Good result for this difficult Kandinsky painting which was from the best period: $ 17.2 million including premium.
1909 A Self Portrait in the Jugendstil
2016 SOLD for £ 7.2M including premium
The Viennese Jugendstil deserves its name: Gustav Klimt endeavors to reveal and protect young skilled artists. Egon Schiele is passionate about drawing since childhood and begins to paint on canvas. During the summer of 1909 he exhibits four paintings at the International Kunstschau promoting Klimt's Secessionist movement. Aged 19, he is still a student.
The advances by Klimt in the artistic language are revolutionary and effective. Schiele is inspired by them but early seeks to express his own personality. A self-portrait 74 x 30 cm painted by Egon in late 1909 was sold for £ 4.5 million including premium by Christie's in London on 6 February 2007. It is now estimated £ 6M for sale in the same auction room on February 2, lot 31.
Working a portrait in a narrow vertical format is one of Klimt's innovations. Egon reuses this idea while limiting the figuration to the head in the top right and the hands at the lower end of the image, over a dark background.
The young artist is ambitious. The insertion of the head into a gold frame on two and a half sides is an adaptation from the gilded left and right edges of Klimt's Judith. The left edge of Egon's image is decorated with small variously colored rectangles that mark his temporary allegiance to the Wiener Werkstätte.
Schiele's personality is complex. He wants to be recognized and his lively gazes undertakes communication, but his face is heavily rouged. The fingers which are the tool of his growing fame are wide open in a hermetic symbolism that can be a proposal, an explanation or a mime.
The advances by Klimt in the artistic language are revolutionary and effective. Schiele is inspired by them but early seeks to express his own personality. A self-portrait 74 x 30 cm painted by Egon in late 1909 was sold for £ 4.5 million including premium by Christie's in London on 6 February 2007. It is now estimated £ 6M for sale in the same auction room on February 2, lot 31.
Working a portrait in a narrow vertical format is one of Klimt's innovations. Egon reuses this idea while limiting the figuration to the head in the top right and the hands at the lower end of the image, over a dark background.
The young artist is ambitious. The insertion of the head into a gold frame on two and a half sides is an adaptation from the gilded left and right edges of Klimt's Judith. The left edge of Egon's image is decorated with small variously colored rectangles that mark his temporary allegiance to the Wiener Werkstätte.
Schiele's personality is complex. He wants to be recognized and his lively gazes undertakes communication, but his face is heavily rouged. The fingers which are the tool of his growing fame are wide open in a hermetic symbolism that can be a proposal, an explanation or a mime.
#Selbstbildnis von #EgonSchiele und weitere namhafte #Künstler am 2. Feb. bei @ChristiesInc. https://t.co/rvA9iHZonE pic.twitter.com/4523IJGcOC
— Barnebys.de (@Barnebysde) January 19, 2016
1909 Portrait de Maurice Drouard by Modigliani
2020 SOLD for € 4.5M including premium by Christie's
Link to catalogue.
1909 T206 WAGNER
1
2021 SOLD for $ 3.75M by Goldin
T206 is a classification code established in 1951 in a reference catalog. It is a series of 523 cards published between 1909 and 1911 by the American Tobacco Company. The portraits of the players, most often from face or in slight profile, are printed in bright colors. The Major League offers a very good coverage with 390 cards, the greatest champions like Ty Cobb having several varieties. 134 cards are featuring players from minor leagues.
The advertising back identifies a brand of tobacco that can be Piedmont, Sweet Caporal or 14 other varieties of cigarettes and tobacco then offered by this company. The cards were inserted in the packs.
The views are not numbered but on the back the cumulative number of the announced subjects allows to establish a chronology of the impressions : 150 subjects then 350 and 460, then 'Large Assortment' for the last runs.
The Honus Wagner card was printed in the first year and almost immediately withdrawn. Honus Wagner was one of the best baseball players of all time, whose prestige is almost equal to that of Ty Cobb. This withdrawal can not have any other explanation than a disagreement between the champion and the publisher. Wagner was probably not hostile to tobacco but he was indeed a keen negotiator.
It is only known with the advertising back variants for the two most common tobacco brands of the American Tobacco Company, Sweet Caporal and Piedmont, the former being known in two tobacco plant identifications, 25 and 30. All copies indicate the series at 150 subjects which is the original edition from 1909 before it was extended. The withdrawal of the Wagner card just after the original release is obvious but not documented in period.
A T206 Wagner was sold for $ 3.7M by Goldin on May 22, 2021, lot 1.
This well centered card with a Sweet Caporal 'Base Ball Series, 150 Subjects' back is graded Good 2 by PSA taking into account large horizontal creases, tiny smudges and round corners.
It had been collected by the consignor's father half a century ago and is fresh on the market.
A T206 Wagner was sold for $ 3.75M by Goldin on May 22, 2021, lot 1.
This well centered card with a Sweet Caporal 'Base Ball Series, 150 Subjects' back is graded Good 2 by PSA taking into account large horizontal creases, tiny smudges and round corners.
It had been collected by the consignor's father half a century ago and is fresh on the market.
The advertising back identifies a brand of tobacco that can be Piedmont, Sweet Caporal or 14 other varieties of cigarettes and tobacco then offered by this company. The cards were inserted in the packs.
The views are not numbered but on the back the cumulative number of the announced subjects allows to establish a chronology of the impressions : 150 subjects then 350 and 460, then 'Large Assortment' for the last runs.
The Honus Wagner card was printed in the first year and almost immediately withdrawn. Honus Wagner was one of the best baseball players of all time, whose prestige is almost equal to that of Ty Cobb. This withdrawal can not have any other explanation than a disagreement between the champion and the publisher. Wagner was probably not hostile to tobacco but he was indeed a keen negotiator.
It is only known with the advertising back variants for the two most common tobacco brands of the American Tobacco Company, Sweet Caporal and Piedmont, the former being known in two tobacco plant identifications, 25 and 30. All copies indicate the series at 150 subjects which is the original edition from 1909 before it was extended. The withdrawal of the Wagner card just after the original release is obvious but not documented in period.
A T206 Wagner was sold for $ 3.7M by Goldin on May 22, 2021, lot 1.
This well centered card with a Sweet Caporal 'Base Ball Series, 150 Subjects' back is graded Good 2 by PSA taking into account large horizontal creases, tiny smudges and round corners.
It had been collected by the consignor's father half a century ago and is fresh on the market.
A T206 Wagner was sold for $ 3.75M by Goldin on May 22, 2021, lot 1.
This well centered card with a Sweet Caporal 'Base Ball Series, 150 Subjects' back is graded Good 2 by PSA taking into account large horizontal creases, tiny smudges and round corners.
It had been collected by the consignor's father half a century ago and is fresh on the market.
Why the Honus Wagner T206 is the industry’s Holy Grail... □ pic.twitter.com/B7G8ZpBab4
— Ken Goldin (@KenGoldin) February 27, 2021
2
Jumbo Wagner
2016 SOLD for $ 3.2M by Goldin
The Jumbo Wagner baseball card has unique characteristics for its type that is moreover the rarest in the series published in 1909 by the American Tobacco Company and now codified as T206.
Jumbo is a wording introduced around 1970 to designate stamps with larger margins than average while maintaining an excellent centering. Its unwanted origin is due to the uncertainty in positioning the perforating wheels. Philatelists love these pieces where the margins provided an additional protection of the image against accident and contamination while also increasing the visual appeal by a nicer framing.
Probably we will never know why a T206 Wagner got a Jumbo feature. The original printed sheet included adjacent images of other players. The perfectly parallel and sharp edges make implausible the hypothesis of a cutting hazard. I guess that a fan of Honus Wagner cut it with the focus to get a better framed image of his champion at the expense of the rest of the sheet. Wagner, unquestionably one of the greatest baseball players of the early twentieth century, will later be one of the first five elected to the Baseball Hall of Fame.
This card has surfaced in the early 1970s in a collection where it was kept with other T206s by its first owner, reinforcing the hypothesis that its Jumbo cut was contemporary to its printing.
The one and unique Jumbo Wagner is graded EX5 (MC) by PSA. The general condition is excellent (EX) despite some rounding in the corners and a very slight oozing from the image below it at its bottom edge. The image of Honus Wagner remains in mint condition with perfect color (MC).
Prices are now significantly rising for the best American sports cards. The Jumbo Wagner was sold for $ 1.68M including premium by Mastro Auctions on August 1, 2008 and for $ 2.1M including premium by Goldin on 29 March 2013. It is now estimated $ 5M by Goldin in an online sale ending on October 1, lot 1.
Jumbo is a wording introduced around 1970 to designate stamps with larger margins than average while maintaining an excellent centering. Its unwanted origin is due to the uncertainty in positioning the perforating wheels. Philatelists love these pieces where the margins provided an additional protection of the image against accident and contamination while also increasing the visual appeal by a nicer framing.
Probably we will never know why a T206 Wagner got a Jumbo feature. The original printed sheet included adjacent images of other players. The perfectly parallel and sharp edges make implausible the hypothesis of a cutting hazard. I guess that a fan of Honus Wagner cut it with the focus to get a better framed image of his champion at the expense of the rest of the sheet. Wagner, unquestionably one of the greatest baseball players of the early twentieth century, will later be one of the first five elected to the Baseball Hall of Fame.
This card has surfaced in the early 1970s in a collection where it was kept with other T206s by its first owner, reinforcing the hypothesis that its Jumbo cut was contemporary to its printing.
The one and unique Jumbo Wagner is graded EX5 (MC) by PSA. The general condition is excellent (EX) despite some rounding in the corners and a very slight oozing from the image below it at its bottom edge. The image of Honus Wagner remains in mint condition with perfect color (MC).
Prices are now significantly rising for the best American sports cards. The Jumbo Wagner was sold for $ 1.68M including premium by Mastro Auctions on August 1, 2008 and for $ 2.1M including premium by Goldin on 29 March 2013. It is now estimated $ 5M by Goldin in an online sale ending on October 1, lot 1.
T206 Honus Wagner Card Headlines @GoldinAuctions September High-Grade Trading Card Auction https://t.co/wiBIffJ7Fe pic.twitter.com/WYRoYvMiQU
— Auction Report (@Auctionreport) July 22, 2016
<1909 Ida in the Empty Room
2015 SOLD for £ 2.05M including premium
From 1899 to 1909, Vilhelm Hammershøi lives on the first floor of a building at Strandgade 30, Copenhagen. Throughout this period, this apartment was the main theme of his work.
The rooms are sparsely furnished and not decorated. The walls are white. His wife Ida is present, often from behind, always quiet and never inactive although her occupation is not often identifiable. The interior doors are opened or closed, the sun sometimes penetrates through the tall glass windows.
Vilhelm is shy and austere, and the idea of a recluse life does not disturb him. His sharp compositions inspired by the Dutch interiors of the seventeenth century oppose the trends of modern art that he yet knew. His questions about the society of his time resulted in a rejection. He is now considered as having been a precursor to Hopper.
The glossy paint has an unexpected effect. The viewer enters the Strandgade apartment as if the artwork was a mirror in a frame and the exhibition room had been cancelled.
This impression is at its best when the contrast between light and shade is important. An oil on canvas 51 x 56 cm painted late in the Strandgade period is estimated £ 700K for sale by Sotheby's in London on May 21, lot 12.
The rooms are sparsely furnished and not decorated. The walls are white. His wife Ida is present, often from behind, always quiet and never inactive although her occupation is not often identifiable. The interior doors are opened or closed, the sun sometimes penetrates through the tall glass windows.
Vilhelm is shy and austere, and the idea of a recluse life does not disturb him. His sharp compositions inspired by the Dutch interiors of the seventeenth century oppose the trends of modern art that he yet knew. His questions about the society of his time resulted in a rejection. He is now considered as having been a precursor to Hopper.
The glossy paint has an unexpected effect. The viewer enters the Strandgade apartment as if the artwork was a mirror in a frame and the exhibition room had been cancelled.
This impression is at its best when the contrast between light and shade is important. An oil on canvas 51 x 56 cm painted late in the Strandgade period is estimated £ 700K for sale by Sotheby's in London on May 21, lot 12.
An exquisite interior by Vilhelm Hammershøi will be featured in our 19thC sale in #London pic.twitter.com/anE2WCfiyD
— Sotheby's (@Sothebys) May 15, 2015
