Alps
Except otherwise stated, all results include the premium.
See also : Landscape Klimt US painting < 1940 Sargent Russia Kandinsky Zhang Daqian
Chronology : 1900-1909 1901 1903 1905 1909 1910 1913 1915 1916 1968 1986
See also : Landscape Klimt US painting < 1940 Sargent Russia Kandinsky Zhang Daqian
Chronology : 1900-1909 1901 1903 1905 1909 1910 1913 1915 1916 1968 1986
masterpiece
1818 Der Wanderer über dem Nebelmeer by Friedrich
Hamburg Kunsthalle
The image is shared by Wikimedia.
Attersee by KLIMT
1
masterpiece
1900
Leopold Museum
From 1900 to 1907 Gustav Klimt spends the summer in the small village of Litzlberg on the Attersee in the Austrian Alps of Salzkammergut. Far away from the hectic life of Vienna, he has a quiet pastime including swim in the lake and outdoor painting after breakfast when the weather is fine, plus an optional swim and second painting session in the afternoon, "early to bed, early to rise in the next morning".
Like Monet he does not feel like a tourist and is not appealed by panoramic views. He is serenely looking for the deep essence of nature, catching its texture in square format. Monet also had used this solution.
In an oil on canvas 80 x 80 cm of the Attersee painted in 1900, nearly the whole surface is occupied by the turquoise spots in grazing incidence against the misty sunlight. The surface of the lake is lapping in shimmering shades from green in the forefront to bluish violet in the distance.
The sunrise and the horizon appear in a very narrow area where the sun is trimmed. Please watch the video shared by the Leopold Museum.
Klimt's textures express a sensation that anticipates the abstraction.
Like Monet he does not feel like a tourist and is not appealed by panoramic views. He is serenely looking for the deep essence of nature, catching its texture in square format. Monet also had used this solution.
In an oil on canvas 80 x 80 cm of the Attersee painted in 1900, nearly the whole surface is occupied by the turquoise spots in grazing incidence against the misty sunlight. The surface of the lake is lapping in shimmering shades from green in the forefront to bluish violet in the distance.
The sunrise and the horizon appear in a very narrow area where the sun is trimmed. Please watch the video shared by the Leopold Museum.
Klimt's textures express a sensation that anticipates the abstraction.
2
1901-1902 Insel im Attersee
2023 SOLD for $ 53M by Sotheby's
In 1901 or 1902 Klimt paints a remake of his 1900 Attersee view. In a move that anticipates by a few years Monet's Nymphéas, he gets rid of the horizon in another square format. The shore is maintained but looks far away. A green area of foliage without details on the right, already visible in the 1900 picture, is an island in Litzlberg.
Klimt did not depart from this improved replica, certainly made for his own pleasure. This oil on canvas 100 x 100 cm was sold for $ 53M by Sotheby's on May 16, 2023, lot 107. Please watch the video shared by the auction house.
Klimt did not depart from this improved replica, certainly made for his own pleasure. This oil on canvas 100 x 100 cm was sold for $ 53M by Sotheby's on May 16, 2023, lot 107. Please watch the video shared by the auction house.
3
1903 Birch Forest by Klimt
2022 SOLD for $ 105M by Christie's
Gustav Klimt is the leader of the Sezessionsstil, or Viennese Secession, which he created in 1898 for the promotion of a new art including the utilitarian arts. He is the friend of Emilie Flöge who runs an avant-garde fashion house with her sisters. Gustav's art is made up of very rich textures that can be applied to Emilie's dresses. Helene Flöge is the widow of Gustav's younger brother.
Gustav's symbolism is charged with an eroticism which shocks the Viennese. He is not afraid of scandal but needs rest. He spends summers in Litzlberg on the Attersee, where he is the guest of the Flöge family.
In this tranquil atmosphere, Gustav maintains another art for his own pleasure. He paints outdoors the landscapes of forests, clearings and ponds on square formats, like Monet is doing at the same time. He does not forget the application to women's clothing, for which depth and horizon are of no use.
An oil on canvas 110 x 110 cm painted in 1903 was sold by Christie's on November 8, 2006 for $ 40M, lot 51 coming from the restitution to the heirs of the Bloch-Bauer family. It was sold for $ 105M by Christie's on November 9, 2022, lot 17. The image is shared by Wikimedia.
The birch trees form an unlimited pattern of vertical streaks with no horizon. The variable width of the trunks cancels the vanishing points, superseded by the overlaid arrangement of the color strokes. The leaves on the ground are painted with spots inspired by pointillism which bring a sparkle of colors.
Klimt's attention to the applied arts has taken him beyond post-impressionism up to the limits of an immersive abstraction.
Gustav's symbolism is charged with an eroticism which shocks the Viennese. He is not afraid of scandal but needs rest. He spends summers in Litzlberg on the Attersee, where he is the guest of the Flöge family.
In this tranquil atmosphere, Gustav maintains another art for his own pleasure. He paints outdoors the landscapes of forests, clearings and ponds on square formats, like Monet is doing at the same time. He does not forget the application to women's clothing, for which depth and horizon are of no use.
An oil on canvas 110 x 110 cm painted in 1903 was sold by Christie's on November 8, 2006 for $ 40M, lot 51 coming from the restitution to the heirs of the Bloch-Bauer family. It was sold for $ 105M by Christie's on November 9, 2022, lot 17. The image is shared by Wikimedia.
The birch trees form an unlimited pattern of vertical streaks with no horizon. The variable width of the trunks cancels the vanishing points, superseded by the overlaid arrangement of the color strokes. The leaves on the ground are painted with spots inspired by pointillism which bring a sparkle of colors.
Klimt's attention to the applied arts has taken him beyond post-impressionism up to the limits of an immersive abstraction.
4
1913 Cassone
2010 SOLD for £ 27M by Sotheby's
It is illusory to represent a volume on a canvas or on a photograph. Klimt takes this into account in his paintings, whatever the subject.
He does not work from a photo, but his removal of the perspective seems to be independent of Cézanne's deconstructions. He finds textures and geometric elements in the landscape, using a viewfinder made up of a hole in a cardboard. Later a friend will give him an ivory eyeglass.
After choosing his elements, Klimt reassembles them in square formats. His villages can be compared to the accumulations of houses in Krumau by Schiele. Both artists thus obtain a personification of the buildings in their compositions with no characters. Their final effect, however, is in opposition. Schiele wants to annihilate his haunted city but Klimt is on holidays : his colors are happy.
In 1913, Gustav Klimt spent his summer time in the vicinity of Garda Lake. He did not work much: three paintings in two months! This is a proof that he was particularly enchanted by the village of Cassone.
His oil on canvas shows many houses clustered on the slopes of the hill, along with the church and cypresses. The square format, 110 x 110 cm, is the best to convey the serenity of the place, according to the theories of the artist. The structured forms attest to the influence of expressionism and cubism. The angle of view includes the lake shore, but does not rise up to the horizon line.
Most of Klimt's landscapes show the Attersee in Salzkammergut. The view of Cassone was sold for £ 27M from a lower estimate of £ 12M by Sotheby's on February 3, 2010. The image is shared by Wikimedia.
He does not work from a photo, but his removal of the perspective seems to be independent of Cézanne's deconstructions. He finds textures and geometric elements in the landscape, using a viewfinder made up of a hole in a cardboard. Later a friend will give him an ivory eyeglass.
After choosing his elements, Klimt reassembles them in square formats. His villages can be compared to the accumulations of houses in Krumau by Schiele. Both artists thus obtain a personification of the buildings in their compositions with no characters. Their final effect, however, is in opposition. Schiele wants to annihilate his haunted city but Klimt is on holidays : his colors are happy.
In 1913, Gustav Klimt spent his summer time in the vicinity of Garda Lake. He did not work much: three paintings in two months! This is a proof that he was particularly enchanted by the village of Cassone.
His oil on canvas shows many houses clustered on the slopes of the hill, along with the church and cypresses. The square format, 110 x 110 cm, is the best to convey the serenity of the place, according to the theories of the artist. The structured forms attest to the influence of expressionism and cubism. The angle of view includes the lake shore, but does not rise up to the horizon line.
Most of Klimt's landscapes show the Attersee in Salzkammergut. The view of Cassone was sold for £ 27M from a lower estimate of £ 12M by Sotheby's on February 3, 2010. The image is shared by Wikimedia.
5
1915 Attersee
2011 SOLD for $ 40.4M by Sotheby's
Whether viewed from near or far, alone or in a forest, the tree offers to the artists the texture of its foliage.
It was a powerful source of inspiration for Klimt, who expressed it as a continuation of colored spots. This effect, precursor of abstraction, is of the same kind as the sumptuous backgrounds of his portraits of women. At the same time, another poet of color, Monet, studies the water lilies.
Yet Klimt does not push it up to abstraction. The view of the Attersee, 110 x 110 cm, for sale by Sotheby's on November 2, 2011, is a real landscape in a bold composition.
In a narrow stripe at the bottom, the village by the lake and its reflection in the water are schematic and almost naive, like the details of the Krumau views of his former student Schiele at the same time. At the top, a small piece of the sky stresses the grandiose scale of the landscape. And the rest of the image only shows the side of the mountain covered by the forest.
This painting was made in the workshop in 1915, in Vienna. It is leaving the museum of Salzburg following a property dispute related to a Nazi plunder. It was sold for $ 40.4M from a lower estimate of $ 25M. Please watch the video shared by Sotheby's. The image is shared by Wikimedia.
It was a powerful source of inspiration for Klimt, who expressed it as a continuation of colored spots. This effect, precursor of abstraction, is of the same kind as the sumptuous backgrounds of his portraits of women. At the same time, another poet of color, Monet, studies the water lilies.
Yet Klimt does not push it up to abstraction. The view of the Attersee, 110 x 110 cm, for sale by Sotheby's on November 2, 2011, is a real landscape in a bold composition.
In a narrow stripe at the bottom, the village by the lake and its reflection in the water are schematic and almost naive, like the details of the Krumau views of his former student Schiele at the same time. At the top, a small piece of the sky stresses the grandiose scale of the landscape. And the rest of the image only shows the side of the mountain covered by the forest.
This painting was made in the workshop in 1915, in Vienna. It is leaving the museum of Salzburg following a property dispute related to a Nazi plunder. It was sold for $ 40.4M from a lower estimate of $ 25M. Please watch the video shared by Sotheby's. The image is shared by Wikimedia.
6
1916 Houses at Unterach
2006 SOLD for $ 31.4M by Christie's
It is illusory to represent a volume on a canvas or on a photograph. Klimt takes this into account in his paintings, whatever the subject.
He does not work from a photo, but his removal of the perspective seems to be independent of Cézanne's deconstructions. He finds textures and geometric elements in the landscape, using a viewfinder made up of a hole in a cardboard. Later a friend will give him an ivory eyeglass.
After choosing his elements, Klimt reassembles them in square formats. His villages can be compared to the accumulations of houses in Krumau by Schiele. Both artists thus obtain a personification of the buildings in their compositions with no characters. Their final effect, however, is in opposition. Schiele wants to annihilate his haunted city but Klimt is on holidays : his colors are happy.
Klimt spends every summer at the residence of Emilie's family in Litzlberg on the Attersee. Unterach is a very picturesque village at the other end of the lake. To avoid any temptation of perspective and horizon, the artist takes his view with a telescope from the other side of the lake.
A view of Unterach, oil on canvas 110 x 110 cm painted circa 1916 and coming from the Bloch-Bauer restitution, was sold for $ 31.4M from a lower estimate of $ 18M by Christie's on November 8, 2006, lot 52. The image is shared by Wikimedia.
He does not work from a photo, but his removal of the perspective seems to be independent of Cézanne's deconstructions. He finds textures and geometric elements in the landscape, using a viewfinder made up of a hole in a cardboard. Later a friend will give him an ivory eyeglass.
After choosing his elements, Klimt reassembles them in square formats. His villages can be compared to the accumulations of houses in Krumau by Schiele. Both artists thus obtain a personification of the buildings in their compositions with no characters. Their final effect, however, is in opposition. Schiele wants to annihilate his haunted city but Klimt is on holidays : his colors are happy.
Klimt spends every summer at the residence of Emilie's family in Litzlberg on the Attersee. Unterach is a very picturesque village at the other end of the lake. To avoid any temptation of perspective and horizon, the artist takes his view with a telescope from the other side of the lake.
A view of Unterach, oil on canvas 110 x 110 cm painted circa 1916 and coming from the Bloch-Bauer restitution, was sold for $ 31.4M from a lower estimate of $ 18M by Christie's on November 8, 2006, lot 52. The image is shared by Wikimedia.
1905 Group with Parasols by Sargent
2004 SOLD for $ 23.5M by Sotheby's
Influenced by impressionism, John Singer Sargent was one of the best portrait painters of his time. As he approaches fifty, he wants to live his life better. He has been traveling throughout Europe since his youth. He will now refocus his art on the landscapes of his travels and on the holiday scenes with friends in Italy and Switzerland.
Group with Parasols (A Siesta) is an oil on canvas 55 x 71 cm painted in 1905. Two women and two men enjoy the farniente in a meadow on the border of a wood in the Swiss Alps.
The colors are very contrasted, in the chiaroscuro of a hot summer day. The removal of details takes some parts of the image to the borders of abstraction.
One of the men has his head resting on the belly of his mistress who is peacefully dozing under her white parasol. The painting was dedicated to this friend. This extramarital relationship, as well as the different position of each of the four sleepers, matches the artist's deep desire for a free life.
Group with Parasols was sold for $ 23.5M from a lower estimate of $ 9M by Sotheby's on December 1, 2004, lot 7. The image is shared by Wikimedia.
Group with Parasols (A Siesta) is an oil on canvas 55 x 71 cm painted in 1905. Two women and two men enjoy the farniente in a meadow on the border of a wood in the Swiss Alps.
The colors are very contrasted, in the chiaroscuro of a hot summer day. The removal of details takes some parts of the image to the borders of abstraction.
One of the men has his head resting on the belly of his mistress who is peacefully dozing under her white parasol. The painting was dedicated to this friend. This extramarital relationship, as well as the different position of each of the four sleepers, matches the artist's deep desire for a free life.
Group with Parasols was sold for $ 23.5M from a lower estimate of $ 9M by Sotheby's on December 1, 2004, lot 7. The image is shared by Wikimedia.
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KANDINSKY
1
masterpiece
winter 1908-1909 Der blaue Berg
Guggenheim
From his childhood Kandinsky was fascinated by colors. He settled in Munich in 1896 to integrate himself within the artistic avant-gardes that he will manage to regroup around him. From this first phase he is remarkably open to all the movements that escape classicism. The main themes of his personal art are the Bavarian landscapes and the rural legends of Russia.
After Cézanne and van Gogh he learns to shake the realism of the lines. After Gauguin, Matisse, the Fauvists and the post-Impressionists, he likes to exaggerate the colors and ceases to weaken them under a varnish. He follows his friend Jawlensky who was one of the first to systematically abandon the realism of colors. Attracted by mysticism, Kandinsky studies Goethe's theories on the psychological significance of colors.
Two summer stays at Murnau with Jawlensky and their companions Gabriele and Marianne are decisive for Kandinsky's career and for his role as a pioneer of modern art. In 1908 he experiments with new forms and new colors. In 1909 he revisits with blazing colors in thick layers his compositions of the previous year and prepares the theories of his new art.
Der blaue Berg is narrative. A group of riders travels in front of a mountain reduced to a triangular surface in an intense blue.
After Cézanne and van Gogh he learns to shake the realism of the lines. After Gauguin, Matisse, the Fauvists and the post-Impressionists, he likes to exaggerate the colors and ceases to weaken them under a varnish. He follows his friend Jawlensky who was one of the first to systematically abandon the realism of colors. Attracted by mysticism, Kandinsky studies Goethe's theories on the psychological significance of colors.
Two summer stays at Murnau with Jawlensky and their companions Gabriele and Marianne are decisive for Kandinsky's career and for his role as a pioneer of modern art. In 1908 he experiments with new forms and new colors. In 1909 he revisits with blazing colors in thick layers his compositions of the previous year and prepares the theories of his new art.
Der blaue Berg is narrative. A group of riders travels in front of a mountain reduced to a triangular surface in an intense blue.
2
1909 Murnau - Landschaft mit grünem Haus
2017 SOLD for £ 21M by Sotheby's
Murnau - Studie zur Landschaft mit grünem Haus is an oil on board 33 x 45 cm painted in 1908.
Satisfied with the audacity of his study with the green house Kandinsky reuses the same composition in 1909 in a larger size with more saturated pure colors. Murnau - Landschaft mit grünem Haus, oil on board 70 x 96 cm, was sold for £ 21M from a lower estimate of £ 15M by Sotheby's on June 21, 2017, lot 47.
Satisfied with the audacity of his study with the green house Kandinsky reuses the same composition in 1909 in a larger size with more saturated pure colors. Murnau - Landschaft mit grünem Haus, oil on board 70 x 96 cm, was sold for £ 21M from a lower estimate of £ 15M by Sotheby's on June 21, 2017, lot 47.
3
1910 Murnau mit Kirche
2023 SOLD for £ 37M by Sotheby's
Wassily Kandinsky is back in 1910 in Murnau where his companion Gabriele Münter had bought a summer home in the previous year. Kandinsky is completing his quest for the new art, divided into elaborate compositions and spontaneous improvisations, soon afterward released as On the Spiritual in Art.
At that stage Kandinsky is still a landscape painter, but colors and forms supersede the realism. Murnau's dazzling colors are the beloved lab of his researches, including the dark violet woods and the saturated green of the foliage.
He makes a further step forward by considering that the verticals, while required to recognize a landscape, may be tilted. A church steeple or a factory chimney can play this role. A consequence is the canceling of the perspective, supporting his desired domination of color over representational and going closer to his end goal to mingle painting with poetry and music as a new harmonic art.
Murnau mit Kirche I, oil on board 67 x 50 cm, is anchored by the tilted steeple, but the real verticals are re-established in the foreground fence and absent in the background.
Murnau mit Kirche II, oil on canvas 96 x 105 cm, achieves that new trend by tilting the village and the mountains in a unique angle all around the same steeple.
This groundbreaking picture comes to the market as a restitution from a Nazi spoliation after seven decades spent in a museum in Eindhoven. It was sold for £ 37M by Sotheby's on March 1, 2023, lot 115. The image is shared by Wikimedia. Please watch the video shared by the auction house.
At that stage Kandinsky is still a landscape painter, but colors and forms supersede the realism. Murnau's dazzling colors are the beloved lab of his researches, including the dark violet woods and the saturated green of the foliage.
He makes a further step forward by considering that the verticals, while required to recognize a landscape, may be tilted. A church steeple or a factory chimney can play this role. A consequence is the canceling of the perspective, supporting his desired domination of color over representational and going closer to his end goal to mingle painting with poetry and music as a new harmonic art.
Murnau mit Kirche I, oil on board 67 x 50 cm, is anchored by the tilted steeple, but the real verticals are re-established in the foreground fence and absent in the background.
Murnau mit Kirche II, oil on canvas 96 x 105 cm, achieves that new trend by tilting the village and the mountains in a unique angle all around the same steeple.
This groundbreaking picture comes to the market as a restitution from a Nazi spoliation after seven decades spent in a museum in Eindhoven. It was sold for £ 37M by Sotheby's on March 1, 2023, lot 115. The image is shared by Wikimedia. Please watch the video shared by the auction house.
1968 Mist at Dawn by Zhang Daqian
2021 SOLD for HK$ 215M by Sotheby's
Zhang Daqian began by being the best and most knowledgeable copyist of the Chinese graphic art from all periods. His moving to the vicinity of Sao Paulo in 1954 opens to him the landscapes of the world and the contact with the artistic avant-gardes. He meets Picasso in Antibes in 1956.
The mogu is a very old technique that was already practiced under the Tang, based on the observation that graphic figuration can be obtained by wash without a drawing. Zhang brings new ideas through the use of splashes in superimposed layers for creating rare colors. In 1965 he experiments his new technique now close to abstraction with varied themes : landscapes, lotus.
In Brazil or during his visits to the Swiss Alps, he discovers landscapes that do not exist in China. He expresses from memory this new sensory experience with a spontaneity of execution inspired by the Action Painting.
For these views, Zhang sometimes uses very large formats. On December 4, 2016, Poly sold as lot 2030 for RMB 165M an ink and colors on silk 173 x 344 cm on the theme of the Swiss snowy mountain.
This artwork realized in 1965 is one of the first of this new phase in the art of Zhang. The horizon reveals the mountain atmosphere with twin peaks licked by clouds but the foreground is a study of colors close to abstraction from where the drawing is absent.
Beside the Swiss sceneries, other paintings evoke the ancient China by their title and by the insertion at the completion of the creative process of small scattered houses according to the traditional style of drawing.
Splendor of the Peak, ink and color on silk 172 x 90 cm, was sold for HK $ 34M by Christie's on November 26, 2016. With a provenance from the Mei Yun Tang collection, Ancient Temples amidst Clouds, ink and color on gold paper of same size, was sold for HK$ 102M by Christie's on May 30, 2017, lot 8001.
In the next years, Zhang will go back to more figuration in a subtle blend of splash and line. An interpretation 176 x 264 cm of Lake Achensee made in 1968 in ink and colors on silk was sold for RMB 100M by China Guardian on May 17, 2010.
Mist at dawn, splashed ink and color on paper 100 x 140 cm painted in Brazil in 1968, is a pinnacle of abstraction in the art of Zhang Daqian.
Zhang had been much impressed by the Swiss mountains and had a perfect memory of atmospheres and colors. He interprets here the extreme condition of high wind in the mist just before sunrise.
At first glance the result looks like a wandering of ochre flames in front of splashes of dark blue mingled with malachite green powder. By prolonging the inspection, the shape of the mountains and a cluster of clouds are revealed amidst the rare colors of a stormy dawn sky, at the moment when daylight comes out of a dark chaos.
This opus was sold for HK $ 215M by Sotheby's on October 11, 2021, lot 3065. Please watch the video shared by the auction house.
The mogu is a very old technique that was already practiced under the Tang, based on the observation that graphic figuration can be obtained by wash without a drawing. Zhang brings new ideas through the use of splashes in superimposed layers for creating rare colors. In 1965 he experiments his new technique now close to abstraction with varied themes : landscapes, lotus.
In Brazil or during his visits to the Swiss Alps, he discovers landscapes that do not exist in China. He expresses from memory this new sensory experience with a spontaneity of execution inspired by the Action Painting.
For these views, Zhang sometimes uses very large formats. On December 4, 2016, Poly sold as lot 2030 for RMB 165M an ink and colors on silk 173 x 344 cm on the theme of the Swiss snowy mountain.
This artwork realized in 1965 is one of the first of this new phase in the art of Zhang. The horizon reveals the mountain atmosphere with twin peaks licked by clouds but the foreground is a study of colors close to abstraction from where the drawing is absent.
Beside the Swiss sceneries, other paintings evoke the ancient China by their title and by the insertion at the completion of the creative process of small scattered houses according to the traditional style of drawing.
Splendor of the Peak, ink and color on silk 172 x 90 cm, was sold for HK $ 34M by Christie's on November 26, 2016. With a provenance from the Mei Yun Tang collection, Ancient Temples amidst Clouds, ink and color on gold paper of same size, was sold for HK$ 102M by Christie's on May 30, 2017, lot 8001.
In the next years, Zhang will go back to more figuration in a subtle blend of splash and line. An interpretation 176 x 264 cm of Lake Achensee made in 1968 in ink and colors on silk was sold for RMB 100M by China Guardian on May 17, 2010.
Mist at dawn, splashed ink and color on paper 100 x 140 cm painted in Brazil in 1968, is a pinnacle of abstraction in the art of Zhang Daqian.
Zhang had been much impressed by the Swiss mountains and had a perfect memory of atmospheres and colors. He interprets here the extreme condition of high wind in the mist just before sunrise.
At first glance the result looks like a wandering of ochre flames in front of splashes of dark blue mingled with malachite green powder. By prolonging the inspection, the shape of the mountains and a cluster of clouds are revealed amidst the rare colors of a stormy dawn sky, at the moment when daylight comes out of a dark chaos.
This opus was sold for HK $ 215M by Sotheby's on October 11, 2021, lot 3065. Please watch the video shared by the auction house.
1986 Harmonie Hivernale by Chu Teh-Chun
2021 SOLD for HK$ 230M by Sotheby's
Expatriate in Paris since 1955, Chu Teh-Chun is reunited with his Chinese roots during a trip in 1983. In the meantime, he had specialized in abstract art in oil on canvas. He now wants his art to express the basics of nature, in very large formats. Les Eléments Confédérés, polyptych 162 x 650 cm dated 1984-1985, was sold for HK $ 114M by Sotheby's on July 8, 2020.
Under these conditions, his amazed discovery of the movement of snow in the mountains in December 1985 was not fortuitous.
He watches the sublime Swiss Alps from his train window when a storm hits. The squall throws snowflakes and fog on a scenery of rocks and trees which changes at every moment by the movement of the train. As soon as he arrives, he rushes to his brushes to express what nature has just taught him. He will work for fifteen years on this theme, varying the effects of texture without ever returning to the figurative.
Harmonie Hivernale, painted in 1986, is one of the very first works in this series. This triptych 193 x 385 cm overall reproduces the whirlwinds blowing the snow and revealing the rocks in turn. It was sold for HK $ 230M from a lower estimate of HK $ 80M by Sotheby's on April 18, 2021, lot 1020. Please watch the video shared by the auction house.
The ultimate outcome is the expression of snowfall. He achieved this in 1999 by bringing a pointillism to Vertige Neigeux, a 200 x 400 cm diptych started in 1990, sold for HK $ 92M by Christie's on November 26, 2016.
Under these conditions, his amazed discovery of the movement of snow in the mountains in December 1985 was not fortuitous.
He watches the sublime Swiss Alps from his train window when a storm hits. The squall throws snowflakes and fog on a scenery of rocks and trees which changes at every moment by the movement of the train. As soon as he arrives, he rushes to his brushes to express what nature has just taught him. He will work for fifteen years on this theme, varying the effects of texture without ever returning to the figurative.
Harmonie Hivernale, painted in 1986, is one of the very first works in this series. This triptych 193 x 385 cm overall reproduces the whirlwinds blowing the snow and revealing the rocks in turn. It was sold for HK $ 230M from a lower estimate of HK $ 80M by Sotheby's on April 18, 2021, lot 1020. Please watch the video shared by the auction house.
The ultimate outcome is the expression of snowfall. He achieved this in 1999 by bringing a pointillism to Vertige Neigeux, a 200 x 400 cm diptych started in 1990, sold for HK $ 92M by Christie's on November 26, 2016.
