ArtHitParade
ArtHitParade on Twitter
  • Home
    • Contact
  • Next Auctions
    • Calendar
  • Top 10
    • Origin
    • From 600 BCE to CE
    • Years 1 to 1000
    • Years 1000 to 1300
    • 14th Century
    • 15th Century >
      • Years 1400-1429
      • Years 1430-1459
      • Years 1460-1479
      • Years 1480-1499
    • 16th Century >
      • Years 1500-1519
      • Decade 1520-1529
      • Decade 1530-1539
      • Years 1540-1569
      • Years 1570-1599
    • 17th Century >
      • Decade 1600-1609
      • Decade 1610-1619
      • Decade 1620-1629
      • Decade 1630-1639
      • Decade 1640-1649
      • Decade 1650-1659
      • Years 1660-1679
      • Years 1680-1699
    • 18th Century >
      • Years 1700-1719
      • Decade 1720-1729
      • Decade 1730-1739
      • Decade 1740-1749
      • Decade 1750-1759
      • Decade 1760-1769
      • Decade 1770-1779 >
        • 1776
      • Decade 1780-1789
      • Decade 1790-1799
    • 19th Century >
      • Decade 1800-1809
      • Decade 1810-1819
      • Decade 1820-1829
      • Decade 1830-1839
      • Decade 1840-1849
      • Decade 1850-1859
      • Decade 1860-1869
      • Decade 1870-1879
      • Decade 1880-1889 >
        • 1887
        • 1888
        • 1889
      • Decade 1890-1899 >
        • 1890
        • 1892
    • 20th Century >
      • Decade 1900-1909 >
        • 1904
        • 1905
        • 1907
        • 1908
        • 1909
      • Decade 1910-1919 >
        • 1911
        • 1912
        • 1913
        • 1914
        • 1915
        • 1916
        • 1917
        • 1918
        • 1919
      • Decade 1920-1929 >
        • 1920
        • 1923
        • 1925
        • 1926
        • 1927
        • 1928
        • 1929
      • Decade 1930-1939 >
        • 1930
        • 1931
        • 1932
        • 1933
        • 1934
        • 1935
        • 1936
        • 1937
        • 1938
        • 1939
      • Decade 1940-1949 >
        • 1941
        • 1942
        • 1945
        • 1947
        • 1948
        • 1949
      • Decade 1950-1959 >
        • 1950
        • 1951
        • 1952
        • 1953
        • 1954
        • 1955
        • 1956
        • 1957
        • 1958
        • 1959
      • Decade 1960-1969 >
        • 1960
        • 1961
        • 1962
        • 1963
        • 1964
        • 1965
        • 1966
        • 1967
        • 1968
        • 1969
      • Decade 1970-1979 >
        • 1970
        • 1971
        • 1972
        • 1975
        • 1977
        • 1979
      • Decade 1980-1989 >
        • 1980
        • 1981
        • 1982
        • 1983
        • 1985
        • 1986
        • 1987
        • 1988
      • Decade 1990-1999 >
        • 1993
        • 1994
        • 1996
        • 1997
        • 1998
    • Decade 2000-2009 >
      • 2000
      • 2001
      • 2006
      • 2007
    • From 2010 to Now >
      • Current Art
  • Roman Empire
  • Renaissance
  • Painting
    • Ancient Painting >
      • Oil on Copper
    • 18th Century Painting
  • Ancient Drawing
  • Art on Paper
  • Sculpture
    • Bust
    • Ancient Sculpture
    • Italian Sculpture
    • French Sculpture
  • Women Artists
    • Ancient Art by Women
    • Art by Women ca 1960
    • Current Art by Women
  • Furniture
    • Chairs and Seats
    • Colonial Furniture
    • Ancient French Furniture
    • 18th Century Furniture
    • 20th Century Furniture >
      • Art Deco
  • Prints
    • Ancient Prints
    • Modern Prints
  • Photo
    • Old Photos >
      • Travel Photos
      • Early French Photo
    • Photos 1900-1940 >
      • Photos in the 1920s
    • Photos 1970s 1980s
    • Gursky
    • Photos by Women
  • The Man
  • The Woman
  • Children
  • Man and Woman
  • Groups
  • Self Portrait
    • Self Portrait 2nd page
  • Nude
  • Abstract Art
    • Abstract Art - 2nd page
  • Landscape
    • Midi
    • Alps
    • Mountains in China
  • Cities
    • Venice
    • Paris
    • Los Angeles
  • Flowers
    • Bouquet
  • Animals
    • Bird
    • Cats
    • Horse
  • Dragon
  • Tabletop
  • Early Still Life
  • Music and Dance in Art
    • Music in Old Painting
  • Sport in Art
  • Orientalism
    • Orientalism 1830-1900
  • France
    • Louis XIV to XVI
    • Revolution and Empire
    • Louis XVIII to 2nd Empire
    • Ancient French Painting
    • Cézanne
    • Monet >
      • Monet before 1878
      • From Vétheuil to Giverny
      • Pond by Monet
    • Gauguin
    • Lautrec
    • Matisse
    • Post War French Art >
      • Klein
  • Italy
    • Italian Painting 1280-1700
    • Canaletto
    • Modigliani
    • Modern Italian Art
    • Italy 2nd page
  • Switzerland before 1940
  • Giacometti
    • Giacometti 1947-53
  • Bacon
    • Bacon before 1963
    • Bacon 1963-70
    • Later Bacons
  • UK - 2nd page
    • Ancient England
    • George I to III
    • George IV to Victoria
    • British Royals
    • Turner
    • Freud
    • Hockney
    • Doig
  • Germany
    • Ancient Germany
    • Richter >
      • Richter before 1986
    • Germany - 2nd page
  • Rembrandt
  • Van Gogh
  • De Kooning
  • Holland 2nd page
  • Old Flanders and Belgium
    • Flemish Art >
      • Rubens
    • Magritte
    • Tintin
    • Belgium 2nd page
  • Picasso
    • Picasso before 1907
    • Picasso 1907-1931
    • Picasso in the 1930s
    • Picasso 1940-1960
    • Picasso from 1961
    • Prints by Picasso
  • Spain - 2nd page
    • Ancient Spain
    • Miro
    • Spain 3rd page
  • Klimt
  • Austria 2nd page
  • USA
    • US Independence
    • Development of USA
    • US Civil War
    • Far West
    • US Painting before 1940
    • Rockwell
    • Rothko >
      • Early Rothko
      • Rothko 1957-70
    • Pollock
    • Lichtenstein >
      • Lichtenstein after 1965
    • Warhol >
      • USA by Warhol
      • Celebrities by Warhol
      • Later Warhols
    • Twombly
    • Koons
    • Basquiat
    • USA 2nd page
  • Canada
  • Central and South Americas
  • China
    • Archaic China >
      • Ritual Bronzes
    • Northern Song
    • Southern Song and Yuan
    • Early Ming
    • Later Ming
    • Early Qing
    • Qianlong
    • Modern China >
      • Sanyu
      • Zao Wou-Ki
    • New Chinese Painting
    • Chinese Porcelain >
      • Song to Yuan Porcelain
      • Ming Porcelain
      • Qing Porcelain
    • Chinese Art
    • Chinese Calligraphy
    • Jade
  • India
    • Tibet and Nepal
    • Modern India >
      • Gaitonde
  • Persia
  • Japan
  • Russia
    • Russia 1700-1900
    • Kandinsky
  • Eastern Europe
    • Chagall
  • Northern Europe
    • Munch
  • Egypt
  • Tropical Africa
    • Congo
    • Gabon
    • Mask
  • Tribal Oceania
  • Australia
    • Colonial Australia
  • Islam
  • Buddhism
    • Early Buddhist Sculpture
  • Judaica
  • Christianity
    • Madonna and Child
  • Cars
    • Birth of Automobile
    • Cars of the 1910s
    • Cars of the 1920s
    • Cars of the 1930s >
      • Cars 1930-33
      • Cars 1934-36
      • Cars 1937-39
    • Post War Cars >
      • Cars 1940-50
      • Cars 1951-53
      • Cars 1954-55
      • Cars 1956-57
      • Cars 1958-59
    • Cars of the 1960s >
      • Cars 1960-61
      • Cars 1962-64
      • Cars 1965-67
    • Cars 1970s 1980s
    • Supercars
    • Hypercars
    • Ferrari >
      • Early Ferrari
      • From LWB to GTO >
        • California Spider
      • Ferrari after 1962
    • Italian Cars
    • Mercedes-Benz
    • Porsche
    • British Cars >
      • Aston Martin
      • Jaguar
      • McLaren
    • Bugatti
    • French Cars
    • US Cars >
      • Duesenberg
    • Cars - 2nd page
  • Motorcycles
  • Jewels
    • White Diamond
    • Pink Diamond
    • Blue Diamond
    • African Diamonds
    • Jewels - 2nd page
    • Cartier
  • Silverware
  • Coin
    • Gold Coins
    • Silver Coins
    • Antique Coins
    • Coins 1000-1775
    • Early US Coins >
      • US Coins 1792-1793
    • Coins 1800-49
    • Coins 1850-69
    • Coins 1870-99
    • 20th century Coins
    • British Coins
    • US Dollars
    • Asian Coins
  • Paper Currency
  • Medal and Decoration
    • Nobel Medals
  • Time Pieces
    • Clocks >
      • Old Clocks
    • Mechanical Craft ca 1800 >
      • Jaquet-Droz and Followers
    • Modern Watches
    • New Watches
    • Patek Philippe >
      • Development of Patek Philippe
      • Patek Philippe 1945-1980
    • Rolex
    • Watches 2nd page
    • English Time Pieces
    • French Time Pieces
  • Glass and Crystal
    • Glass before 1900
    • Glass 1900-10
  • European Porcelain
    • Ceramic before 1760
  • Textiles
  • Garment
  • Fashion
  • Books
    • Incunabula
    • Books 1501-1700
    • Fine Books 1700-1850
  • Literature
    • Literature in English
    • Literature in French
  • Poems and Lyrics
  • Autograph
  • Manuscript
  • Religious Texts
  • Political Writing
  • Comic Books
  • Comic Art
  • Travel
  • Space
  • Maps
  • Cars in Movies
  • Movies
  • Music
  • Musical Instrument
    • Violin
    • Guitar
    • Musical Instrument 2nd page
  • Music Hall
    • The Beatles
  • Poster
  • Sport Memorabilia
    • Sport Equipment >
      • Baseball Bat
    • Sport Document
    • Sport Rewards and Medals
    • Sport Images before 1945
    • Sports Card after 1945
    • Baseball >
      • Babe Ruth
      • Mickey Mantle
      • Baseball Uniform
    • Basketball
    • Ice Hockey
    • Sport Memorabilia 2nd page
    • Olympic Games
  • Origins of Sports
  • Historical Arms
    • Blade and Armour
    • Colt 1836-62
    • Later Colts
    • Winchester
    • Firearms - 2nd page
  • Toys and Carousels
    • Doll
  • Games
  • Stamps
    • World Stamps
    • US Stamps
  • Inventions
  • Instrument and Equipment
  • Sciences
    • Ancient Science
    • Sciences 1600-1800
    • Sciences from 1800
    • Astronomy
    • Medicine
    • Natural History
  • Whisky
  • Wine
  • Past Sales

Russia

Including Russian born artists
See also :  Kandinsky  Abstract art  Abstract art II  Alps  Pink diamond
Chronology : 1909  1910-1919  1913  1915  1916  1920-1929  1920  1935  2010 to now
Russia 1700-1900

1909 Blue Mountain and Green House
​2017 SOLD for £ 21M including premium

From his childhood Kandinsky was fascinated by colors. He settled in Munich in 1896 to integrate himself within the artistic avant-gardes that he will manage to regroup around him. From this first phase he is remarkably open to all the movements that escape classicism. The main themes of his personal art are the Bavarian landscapes and the rural legends of Russia.

After Cézanne and van Gogh he learns to shake the realism of the lines. After Gauguin, Matisse, the Fauvists and the post-Impressionists, he likes to exaggerate the colors and ceases to weaken them under a varnish. He follows his friend Jawlensky who was one of the first to systematically abandon the realism of colors. Attracted by mysticism, Kandinsky studies Goethe's theories on the psychological significance of colors.

Two summer stays at Murnau with Jawlensky and their companions Gabriele and Marianne are decisive for Kandinsky's career and for his role as a pioneer of modern art. In 1908 he experiments with new forms and new colors. In 1909 he revisits with blazing colors in thick layers his compositions of the previous year and prepares the theories of his new art.

Der blaue Berg is narrative. A group of riders travels in front of a mountain reduced to a triangular surface in an intense blue. Murnau - Studie zur Landschaft mit grünem Haus is an oil on board 33 x 45 cm painted in 1908.

Satisfied with the audacity of his study with the green house Kandinsky reuses the same composition in 1909 in a larger size with more saturated pure colors. Murnau - Landschaft mit grünem Haus, oil on board 70 x 96 cm, is estimated £ 15M for sale by Sotheby's in London on June 21, lot 47.
Alps
1909

1909 The Prescient Improvisations of Wassily Kandinsky
2012 SOLD 23 M$ including premium

In 1909, Wassily Kandinsky spent several months in Murnau, Bavaria, together with Gabriele Münter. He worked intensively on the redefinition of art, preparing his theoretical book Uber das Geistige in der Kunst (On the Spiritual in Art).

Far from imagining that he will define the abstract art a few months later, he identifies three themes for his personal art: impressions, improvisations, compositions. He starts immediately by "improvisations", which fascinated him.

In the eight improvisations realized in Murnau in 1909, color dominates the whole work. Some riders and heroes are clearly visible, but the narration is minimized so that the colors get the top role to guide interpretation and emotion.

The notion of improvisation usually involves spontaneity. For this theorist of great complexity, this is no longer true: the pseudo-improvisations are preceded by studies in oil, as if to demonstrate that this art is the culmination of an inner process.

At this stage, by leaving much place for an interpretation by the observer, Kandinsky is a powerful predecessor of Miro. Later, at the time of abstraction, his art becomes too semantic, with a reading difficulty that can repel the public.

Studie für Improvisation 8, 98 x 70 cm, is estimated $ 20M, for sale by Christie's in New York on November 7. This painting is illustrated in the article shared by Artdaily.

I invite you to play the video shared by Christie's.

POST SALE COMMENT

The figurative works made ​​by Kandinsky in Murnau constitute a rare example of a theoretician who actually managed to find new artistic paths. The importance of this study was confirmed: $ 23M including premium.

​1913 Tilting the Perspective
​2017 SOLD for £ 33M including premium

The summers 1908 and 1909 spent by Kandinsky in Murnau are important for the evolution of his creative vision but are in fact only an intermediate phase. In reconstructing the figuration he is still in the wake of Cézanne. In using pure and bright colors he follows Matisse.

The anecdote that Kandinsky did not recognize one of his own paintings because it was turned on another side is often considered the founding act of abstract art. Reported much later by the artist this story is mainly symbolic and is not really dated. It marks the awareness by Kandinsky that the identification of the theme undermines the aesthetic appreciation of an artwork.

After 1909 Kandinsky suppressed the classical perspective in favor of tilted sceneries for which his preparatory sketches were figurative. He copies the positions, the proportions and the masses from the sketch into the final work. The figurative details disappear and the title suggests that it was an abstract conception from the beginning. The loss of the perspective gives the artist the opportunity to reinforce the musicalist interpretation of the colors. The balance of the masses becomes a symphony.

On June 21 in London, Sotheby's sells at lot 53 Bild mit weissen Linien, oil on canvas 120 x 110 cm painted in 1913. The press release of May 29 announces an estimate in excess of US $ 35M.

A sketch in watercolor and ink for this work is known, dated from the same year. The towers of a Russian city are clearly visible along with a red bridge over the river and two harnessed horses. The comparison is obvious when we watch simultaneously the sketch and the painting. When we only see the ultimate image it is a brilliantly colored amalgam forming an oblique mass.

After his return to Russia, Kandinsky continues to proceed with a similar method. In 1916 Moskau I is a tilted sketch where some features of the big city are recognizable. Moskau II is closer to abstraction and requires an effort of interpretation. This oil on canvas 53 x 38 cm was sold for £ 6.3M including premium by Sotheby's on February 3, 2015.

Big Bang of Modern art: #Kandinsky’s explosive canvas marks breakthrough moment, heading to NY and #London this June https://t.co/E6qgytSkzF pic.twitter.com/oaVJ18ngLa

— Sotheby's (@Sothebys) June 2, 2017
Kandinsky
1913

​1913 Spiritual Colors of Kandinsky
2018 SOLD for $ 23M including premium

Encouraged by his own research at Murnau, Wassily Kandinskymanages to become the prophet of a new birth of painting. With their sequences of notes, Wagner and Schönberg share their mysticism with the music lovers. Painters have the colors.

In 1911 in Munich, Kandinsky and Marc create the group Der Blaue Reiter. Marc seeks to establish a symbolic code of colors that he applies to figurative forms without respecting the original colors of his models. Kandinsky wants to take into account the relationship perceived by humans between colors and emotions.

In this tendency the figurative gradually loses its preponderance. Lines and colors come to be organized as force fields around anchor points. The verticals are replaced by an oblique composition that directs the gaze towards the top right. Colors provide their emotions and their music around two mute values, white and black, which also express the two extremes of hope.

In seeking the spiritual with such considerations, Kandinsky increasingly approaches abstraction. His writings provide him a lead over all his competitors. When abstract art becomes one of the major elements of painting, he will have the necessary arguments to claim its invention, although the reality may be a little more complex.

The prophet of art must have mystical references. As early as 1910 Kandinsky tries the theme of the Last Judgment, very well adapted to his purpose by its depersonalized story.

On November 12 in New York, Sotheby's sells Zum Thema Jüngstes Gericht, oil and mixed media on canvas 47 x 52 cm painted by Kandinsky in 1913, lot 8 estimated $ 22M.

This composition is not really abstract. By comparison with other works, we recognize steeples that surmount the horizon of the cities and the background is a group of mountains under a very tight flow of lightnings. The object of the judgment is the ultimate confrontation of good and evil that will open a new era. The anchors of the forces are the many oval shapes of various colors spread across that battlefield.

'The Triumph of Color: Important Works from a Private European Collection' today represents one of the finest assemblages of post-Impressionist & Modern Art in private hands. Preview the collection, which will highlight our marquee sales this Nov in #NYC: https://t.co/ct5KgUwp4L pic.twitter.com/WBKjsjAiZL

— Sotheby's (@Sothebys) October 4, 2018

1915 Victory over Nature
2015 SOLD for £ 21.5M including premium

Suprematism comes in the wake of Futurism, with the same target of ​​glorifying the work of man. The Futurists express speed, linked to the improvement of techniques. Malevich's work on non-figuration is not inspired by the emotional and semiotic abstraction by Kandinsky.

The seminal work of non-figuration is the stage set made in 1913 by Malevich in St. Petersburg for the Russian Futurist opera Victory over the Sun. He soon emerges as the leader of this new art whose emblem is in 1915 his black square on white background, towering, dense, symmetrical and balanced.

The new language is a construction of colored quadrangles on a white background which expresses purity and infinity and anticipates Mondrian. They overlap or coincide without a perspective effect and without transparency, often in a globally rising or falling movement that offers the confidence into the progress.

Some of these constructions retain titles such as Automobile and Lady or Aircraft in flight that do not score an incentive to a figurative reading but rather a recognition by the artist of his Futurist inspiration. Three years later, the boldness of the White square on white background opens the way to modern abstract art calling for the variations in texture instead of form or color.

On June 24 in London, Sotheby's sells Suprematism - 18th Construction, oil on canvas 53 x 53 cm painted in 1915, lot 18 estimated £ 20M.

I invite you to watch the video shared by Sotheby's.
1915

1915 The First Degree of the Reconstruction
​2017 SOLD for $ 21M including premium

An exhibition of avant-garde Russian paintings is held in Petrograd (formerly St. Petersburg) in March 1915 at the initiative of the very young Ivan Puni. Its aim is to promote a synthesis between cubism and futurism. The title Tramway V is an allusion to the progress of mechanical locomotion that symbolizes the new century for the Futurists.

Malevich participates in Tramway V but is already somehow a rebel. He introduces his own works with a comment which is indeed a profession of faith for an abstract art : "the author ignores the contents of these paintings".

The scandal of Tramway V meets the expectations of its organizers and another exhibition will be managed before the end of the year. Malevich understands that his time has come : he will be the apostle of the subject-less art.

He begins by isolating the basic figures, invariably on a white background, and reaches in May the ultimate expression of this new artistic grammar, the black square. Aware of the promising importance of this invention, he returns to build complex compositions expressing the forces of the universe by the opposition of colors circumscribed in strictly geometrical forms. To avoid any figurative interpretation he goes so far as to banish the horizontal line which evokes the horizon.

In the December exhibition hermetically titled Zero-Ten, Malevich enters 39 paintings offering various degrees of reconstruction but physically dominated in their hanging by the Black Square. The loss of meaning allows the artist to change the position of the paintings. He is a precursor of the modern installation.

On May 16 in New York, Sotheby's sells a Composition of three forms, lot 32 estimated $ 12M. This oil on canvas 53 x 53 cm is a convincing demonstration of the first level of the suprematist reconstruction at such a point that it was undoubtedly made for the preparation of Zero-Ten.

It is dominated by a very saturated dark yellow truncated triangle which is the projection of a sloping rectangle onto the surface of the canvas. A group of two small rectangles partially masking the yellow form can be viewed in space as co-planar with its upper edge.

A few years later, Rodchenko's constructivism was a follow-up to Malevich's suprematism, adding a desire to create useful structures for architecture and furnishings. Malevich did not need to follow Rodchenko : independently from Mondrian he had been one of the very first artists to offer a vision of the universe free from any thematic reference.

Explore Abstraction through highlights from our May #SothebysImpMod, #SothebysContemporary & #SothebysLatin sales https://t.co/mEoS365628 pic.twitter.com/ZFEY5NGB4n

— Sotheby's (@Sothebys) May 12, 2017

1916 Purified Art by Malevich
​2018 SOLD for $ 86M including premium

Boccioni had wanted a global art with a figuration blurred within many facets. Kandinsky, Léger and a little later Mondrian were still exploring the boundaries between figurative and emotional. Malevich is unquestionably the first to purify art by freeing it from any interpretation of subject or object.

The second exhibition of his group, from mid-December 1915 to mid-January 1916, includes his Black Square on White Background, the first great shock from this new art. Malevich's aim is aesthetic. He finds for this new approach the designation of Suprematism.

The Black Square is his first flagship but it is not enough. The emotion must not be brought only by the freedom of the elements but also by the colors. Painted in 1915, the 18th Composition is a stack of almost rectangular non-transparent shapes in various colors. This artwork already invites to rotate the canvas for an observation in the four possible orientations. It was sold for £ 21.5M including premium by Sotheby's on June 24, 2015.

After the closing of the exhibition 0.10 in January 1916, Malevich restarts his search for the ultimate expression of colors. Suprematist Composition, oil on canvas 89 x 71 cm painted in 1916, was sold for $ 60M including premium by Sotheby's on November 3, 2008, lot 6. It will be sold by Christie's in New York on May 15, lot 12 A.

I described and commented it as follows in 2008:

The painting for sale no longer produces an illusion : it is a composition based on about fifty colored beams spread over a white background. The size, the proportions and the colors are varied. The angular positions show an opposition between the big purple beam and most of the others.

Malevich has succeeded here in his approach to an art that completely escapes nature and feeling, to retain only the aesthetics of color and geometry. He wanted his art to be understandable in the same way in all countries.

Please watch the video shared by Christie's. The image is shared by Wikimedia.
Suprematist Composition - Kazimir Malevich
Abstract Art
abstract art - 2nd page
Decade 1910-1919
1916

1920-1922 The Black and the Red
​2015 SOLD for $ 38M including premium

In 1915 the Suprematism of Kazimir Malevich shakes forever the theories of art. To be pure, art should excite feelings without referring to a message. It is neither figurative nor religious nor political.

Malevich developed a new grammar reduced to three basic filled shapes, simple enough to escape a semiotic interpretation : rectangle, oval and cross. The perfect rectangle and oval are the square and the circle.

The black square on white is the seminal flagship and the masterpiece of Suprematism. Centered on a canvas where it fills most of the available surface, the square becomes a flying artefact independently from its supporting fabric and generates a mesmerizing feeling. Faced with such a spatial illusion, we are tempted to reduce the famous white square on white from 1918 down to no more than an additional experiment.

In the early phase, other works by Malevich still make concessions to competing movements. His cohorts of stripes more or less parallel in various colors seek to express the movement as in the Futurism in an assembly which appears hand made as in the Synthetic Cubism or in the Constructivism.

On November 5 in New York, Sotheby's sells Mystic Suprematism, oil on canvas 100 x 59 cm painted between 1920 and 1922, lot 8 estimated $ 35M.

A black cross is flying in front of a deep red oval. The pole of the cross and the oval are coaxial. The pole is a quadrangle that slightly tapers downward, bringing an effect of forward tilting. The additional small black line that runs across the lower part of the pole is used for balancing, allowing the viewer to decide if that indefinable abstract object is or not about to fall.

Suprematism is already announcing the major trends of abstract art of the second half of its century, which will use the expressive role of the colors. It is unfortunate that Malevich did not experience the importance of large size. To go further than Suprematism, wait for Rothko.

Kazimir Malevich’s “Mystic Suprematism” represents the artist at his most radical and powerful http://t.co/ZVK8UCMZxo pic.twitter.com/9iGywjP92q

— Sotheby's (@Sothebys) September 18, 2015
Decade 1920-1929
1920

1935 The Second Exile of Wassily Kandinsky
​2016 SOLD for $ 23.3M including premium

Wassily Kandinsky left Moscow in 1921 when the Soviets threatened to ban abstract art. He left Berlin in 1933 when the Nazis closed the Bauhaus. He moved to Paris where he was helped by Duchamp.

Kandinsky loves the light and weather of Paris. He has no teaching responsibility and feels free despite the increasing heaviness of the European totalitarianisms. He introduces the curve, or more precisely the planar projection of a flexible tape, in his pictorial vocabulary and lets reappear some figurative symbols.

Rigide et courbé is painted in December 1935 with his new technique where he improves the texture by mingling sand in the oil paint. This mixed media on canvas 114 x 162 cm is estimated $ 18M for sale by Christie's in New York on November 16, lot 18 B.

'Courbé' is the central tape, accompanied by a musical rhythm. Its flexibility expresses with a new optimism the vagaries of fate. This figure is flanked by a bulge and extended at its right end by the horns of a bovine. Its interpretation as the theme of the rape of Europa is plausible and seductive. At the same time Picasso identifies himself with the Minotaur.

'Rigide' is the totalitarianism reduced to a group of skyscrapers from which however escapes a sign of life which may be a leafy branch or perhaps a fetus. In the following year in his Composition No. 9, the symbols of birth become dominant and the theme of the fetus is confirmed in several places either by an explicit figuration or by the addition of umbilical cords.

Please watch the video shared by Christie's :

Kandinsky painting bought directly from the artist by Solomon Guggenheim returns to auction https://t.co/qDctYtdUAX pic.twitter.com/73XK1bmZar

— The Art Newspaper (@TheArtNewspaper) September 15, 2016
1935

2017 In Memory of Nijinsky
2020 SOLD for CHF 24.4M including premium

The Yakutia region, which has become the Sakha Republic, has been for half a century one of the best producers of pink diamonds, operated by the Russian company Alrosa.

A gem discovered in 2017 is a purple pink diamond of exceptional weight, 27.85 carats. Prepared in Russia, the diamond has retained the elongated shape of the rough stone, allowing a sensational yield of over 50%. It weighs 14.83 carats and is certified Fancy Vivid Purple Pink and Internally Flawless  by the GIA. Its oval modified  brilliant cut perfectly reveals both colors.

Much rarer than the Fancy Vivid Pink or the Fancy Intense Pink, the Fancy Vivid Purple Pink shows a perfect balance between its two colors, unlike the Fancy Vivid Purplish Pink which has a pink dominant.

The company gave the raw gem the name Nijinsky, in memory of the costume adorned with rose petals worn in 1911 in Monte Carlo by the Russian dancer in the memorable ballet Le Spectre de la Rose. The finished diamond was named The Spirit of the Rose when it was announced in August 2019. It is estimated over CHF 21M for sale on November 11 in Geneva by Sotheby's, lot 204. Please watch the video shared by the auction house.

A Fancy Vivid Purple Pink weighing 8.41 carats, also Internally Flawless, was sold by Sotheby's on October 7, 2014 for HK $ 138M including premium, making US $ 2.1M per carat, one of the highest results recorded in the whole range of pink diamonds.

With identical characteristics and an optimized shape, bigger diamonds are more expensive per carat. The higher estimate of The Spirit, CHF 35M, corresponds to more than US $ 2.5M per carat before fees.

Pink Diamond
From 2010 to now
Powered by Create your own unique website with customizable templates.