Islamic Art
See also : India Persia Egypt Religious texts Manuscript Coin Gold coins Antique coins Textiles Flowers Jewels II Cartier Orientalism 1850-1900
Chronology : 1-1000 14th century 1480-1499 1500-1519 1520-1539 17th century 1600-1609 1620-1629 1700-1719 1860-1869 1972
Chronology : 1-1000 14th century 1480-1499 1500-1519 1520-1539 17th century 1600-1609 1620-1629 1700-1719 1860-1869 1972
724 The Dinar from Arabia
2019 SOLD for £ 3.7M including premium
The Umayyad dynasty was reigning in Damascus. The fifth caliph, Abd al-Malik, creates the Islamic coinage, replacing the images with kufi scriptures in praise of God. The coins also cease to identify the reigning caliph. The first gold dinar in this new style is dated 77 AH.
Taking advantage of the conquests, the caliphs exploit distant mines including Ifriqiya in Tunisia from 100 to 122 AH and al-Andalus. Around 100 AH the caliph Umar buys a mine in Hijaz, between Medina and Mecca, on a land bequeathed to the father of the previous owners by the Prophet himself.
The dies are made in Damascus. Some very rare prestige editions make a reference to the origin of the gold. Most of the coins were nevertheless striken in Damascus but the practice of traveling mints is not excluded because the necessary tools were not bulky.
The use of the Gold of the Commander of the Believers is indicated on a series of dinars in 91 and 92 AH. The dinar of 105 AH adds to this inscription a Hijaz origin. It is impossible to know if the gold of these two series comes from the same mine.
In 105 AH corresponding to 724 CE, the caliph Yazid dies after a long illness. The presence in Arabia of his brother and successor Hisham is attested in that year. Although it is impossible to conclude which of the two caliphs commissioned the gold dinar, a prestigious operation of the new caliph co-ordinated with a pilgrimage to Mecca is likely.
By its inscription, this beautiful dinar from Hijaz weighing 4.27 g is the most valuable of the Islamic Umayyad coins. One of them in Extremely Fine condition was sold for £ 3.7M including premium by Morton and Eden on April 4, 2011 over a lower estimate of £ 300K.
Another uncirculated example of this dinar was sold for £ 793K including premium by Baldwin's on December 6, 2012, lot 120. It had previously passed at the same auction house on April 25, 2012, lot 17 with a lower estimate of £ 1.5M. I discussed it in this column before these sales. It is now estimated £ 1.4M for sale by Morton and Eden in London on October 24, lot 11 here linked on the NumisBids bidding platform.
Taking advantage of the conquests, the caliphs exploit distant mines including Ifriqiya in Tunisia from 100 to 122 AH and al-Andalus. Around 100 AH the caliph Umar buys a mine in Hijaz, between Medina and Mecca, on a land bequeathed to the father of the previous owners by the Prophet himself.
The dies are made in Damascus. Some very rare prestige editions make a reference to the origin of the gold. Most of the coins were nevertheless striken in Damascus but the practice of traveling mints is not excluded because the necessary tools were not bulky.
The use of the Gold of the Commander of the Believers is indicated on a series of dinars in 91 and 92 AH. The dinar of 105 AH adds to this inscription a Hijaz origin. It is impossible to know if the gold of these two series comes from the same mine.
In 105 AH corresponding to 724 CE, the caliph Yazid dies after a long illness. The presence in Arabia of his brother and successor Hisham is attested in that year. Although it is impossible to conclude which of the two caliphs commissioned the gold dinar, a prestigious operation of the new caliph co-ordinated with a pilgrimage to Mecca is likely.
By its inscription, this beautiful dinar from Hijaz weighing 4.27 g is the most valuable of the Islamic Umayyad coins. One of them in Extremely Fine condition was sold for £ 3.7M including premium by Morton and Eden on April 4, 2011 over a lower estimate of £ 300K.
Another uncirculated example of this dinar was sold for £ 793K including premium by Baldwin's on December 6, 2012, lot 120. It had previously passed at the same auction house on April 25, 2012, lot 17 with a lower estimate of £ 1.5M. I discussed it in this column before these sales. It is now estimated £ 1.4M for sale by Morton and Eden in London on October 24, lot 11 here linked on the NumisBids bidding platform.
Morton and Eden are delighted to announce the sale of the extremely rare Umayyad dinar Ma'din Amir al-Mu'minin bi'l-Hijaz 105h, sold today for £3.720.000 (with premium), matching the record we set in 2011 for a similar coin. pic.twitter.com/dkN2oBdES2
— Morton & Eden Ltd (@MortonandEden) October 24, 2019
1340-1345 The Major-domo of a Powerful Mamluk Emir
2011 SOLD 4.5 M£ including premium
In Egypt, the later reign of the Mamluk sultan An Nasir Muhammad was a short period of stability with the strengthening of the role of the viceroys who were emirs in charge of overseeing the territories of the kingdom. Being constantly on the field of war, the emirs left the direction of their home to mayors or major-domos who had their own place in the high nobility.
A Mamluk candlestick for sale by Sotheby's in London on April 6 reflects this hierarchical structure. It is estimated £ 2M.
The base is a truncated cone slightly curved, 34 cm in its largest diameter. It is topped by a stick that supports the candle holder, also a truncated cone, for a total height of 38 cm. This piece of brass inlaid with copper and silver is decorated on its whole surface with inscriptions, armorials and other animal, vegetal and geometric motifs.
The white eagles and cups in cartouches shaped as reversed teardrops are the blazon of the emir Tuquztamur, who was certainly famous in his time! The inscriptions testify to the faithfulness of the major-domo of his noble house.
The identification of the Emir enables to date the candlestick with some accuracy because his role of viceroy was limited to a period of five years (741-746 AH, 1340-1345 AD). Curiously, this information can not locate the object, since the emir executed several successive appointments in Egypt and Syria.
POST SALE COMMENT
The great rarity and the complex decoration of the candlestick pushed it up to £ 4.5 million including premium.
It takes its place among the important pieces of ancient Islamic art.
A Mamluk candlestick for sale by Sotheby's in London on April 6 reflects this hierarchical structure. It is estimated £ 2M.
The base is a truncated cone slightly curved, 34 cm in its largest diameter. It is topped by a stick that supports the candle holder, also a truncated cone, for a total height of 38 cm. This piece of brass inlaid with copper and silver is decorated on its whole surface with inscriptions, armorials and other animal, vegetal and geometric motifs.
The white eagles and cups in cartouches shaped as reversed teardrops are the blazon of the emir Tuquztamur, who was certainly famous in his time! The inscriptions testify to the faithfulness of the major-domo of his noble house.
The identification of the Emir enables to date the candlestick with some accuracy because his role of viceroy was limited to a period of five years (741-746 AH, 1340-1345 AD). Curiously, this information can not locate the object, since the emir executed several successive appointments in Egypt and Syria.
POST SALE COMMENT
The great rarity and the complex decoration of the candlestick pushed it up to £ 4.5 million including premium.
It takes its place among the important pieces of ancient Islamic art.
1480 Fritware Pottery in Iznik
2018 SOLD for £ 5.4M including premium
Sultan Mehmed II put an end to the Byzantine Empire in 1453 CE. He managed to promote Ottoman culture and had a pottery production center established in Iznik, formerly Nicaea. The first phase takes the name of Baba Nakkas, the honorary nickname of its first leading potter meaning 'the old designer'. Undocumented, it is traditionally dated around 1480.
The new craft is inspired by the Chinese blue and white, best known to the Ottomans through the Persian Timurid pottery center at Kashan. The fritware paste with a high content of siliceous rocks does not make it possible to obtain the hardness of a porcelain. The decorations of the early Iznik ceramics juxtapose the vegetal patterns in the Chinese taste and the arabesques of the Ottoman metalwork. This mixed style is named rumi-hatayi.
Blue is obtained by cobalt but the concentration of underglaze pigment is poorly controlled, generating a too intense color comparable to earlier phases of the Chinese blue and white. It will take about two decades for bright blue to be made in Iznik. Until about 1520 cobalt blue remains the only available color.
On October 24 in London, Sotheby's sells a charger from the Baba Nakkas period with a wide everted rim, lot 134 estimated £ 300K. It is 45 cm in diameter and 8 cm deep.
This piece has a documented provenance over more than half a century but had never been published. It joins an extremely limited population of four dishes of similar technique and dimensions, all of them preserved in museums. The rumi-hatayi Baba Nakkas ceramics is also known in other shapes : jars, candlesticks, flasks.
A rumi-hatayi bowl from the next phase circa 1510 was sold for £ 1.43M including premium by Christie's on April 10, 2014 over a lower estimate of £ 300K.
The new craft is inspired by the Chinese blue and white, best known to the Ottomans through the Persian Timurid pottery center at Kashan. The fritware paste with a high content of siliceous rocks does not make it possible to obtain the hardness of a porcelain. The decorations of the early Iznik ceramics juxtapose the vegetal patterns in the Chinese taste and the arabesques of the Ottoman metalwork. This mixed style is named rumi-hatayi.
Blue is obtained by cobalt but the concentration of underglaze pigment is poorly controlled, generating a too intense color comparable to earlier phases of the Chinese blue and white. It will take about two decades for bright blue to be made in Iznik. Until about 1520 cobalt blue remains the only available color.
On October 24 in London, Sotheby's sells a charger from the Baba Nakkas period with a wide everted rim, lot 134 estimated £ 300K. It is 45 cm in diameter and 8 cm deep.
This piece has a documented provenance over more than half a century but had never been published. It joins an extremely limited population of four dishes of similar technique and dimensions, all of them preserved in museums. The rumi-hatayi Baba Nakkas ceramics is also known in other shapes : jars, candlesticks, flasks.
A rumi-hatayi bowl from the next phase circa 1510 was sold for £ 1.43M including premium by Christie's on April 10, 2014 over a lower estimate of £ 300K.
Uncover 10 highlights from Arts of the Islamic World, opening in our London galleries this Friday: https://t.co/OgAJ1Hx4NB#SothebysMiddleEast pic.twitter.com/vJ4FBtlDXU
— Sotheby's (@Sothebys) October 16, 2018
Rare Iznik Charger Is Expected To Fetch Around $645,000 At Sotheby’s Auctionhttps://t.co/fTAh3xDIdA@Sothebys #iznik #auction #Arts #London pic.twitter.com/BCnFtiiHx6
— فوربس الشرق الأوسط (@ForbesME) October 17, 2018
Created at the very genesis of Iznik pottery, this intense, inky, blue-black charger encapsulates a confluence of influences as well as a flair for invention: https://t.co/aKHHsSIh9J#SothebysMiddleEast pic.twitter.com/mAasPRnutr
— Sotheby's (@Sothebys) October 17, 2018
1489 A Mamluk Qur'an
2019 SOLD for £ 3.7M including premium
The Mamluk period of Egypt paradoxically got its culmination with a former slave of Circassian origin named Qaitbay who reigned from 872 to 901 AH. A general appointed commander-in-chief by a transitory Sultan, Qaitbay had been the right man in the right place by his reputation for piety and by the immense wealth he had accumulated since his emancipation.
Throughout his long reign Qaitbay successfully resisted the ambitions of his powerful Ottoman neighbors. Despite his conservative reputation, he knew how to take diplomatic initiatives. The giraffe he sent to Florence was the only one of its kind to be seen in Europe between antiquity and 1826 CE.
He was a great builder. Like his predecessors, he endowed his religious institutions with inalienable donations identified as waqf in Islamic law. The most luxurious Korans of his reign are calligraphed in the very large format 107 x 80 cm named Baghdadi.
On May 2 in London, Christie's sells a complete Qur'an made of 311 folios on half-Baghdadi cream paper 68 x 45 cm, lot 11estimated £ 500K. This Qur'an is not inscribed as a waqf and we do not know for which foundation it was created but it is luxuriously dedicated to Sultan Qaitbay. Its writing is large, making it comfortable to read aloud on a lectern.
This manuscript is signed with the personal and courtesy names of the scribe. The nickname, al-Maliki al-Ashrafi, attests to a double allegiance to an unidentified noble person, perhaps simply to indicate that he works in the royal studio.
It is dated 21 Jumada I 894 AH, corresponding to April 30, 1489 CE. Some details of the realization show that it was done in a urgency, with mistakes removed by a simple scraping of the thick paper and even with omissions in the illustration. This hurry could be related to health problems of the aging Sultan.
Throughout his long reign Qaitbay successfully resisted the ambitions of his powerful Ottoman neighbors. Despite his conservative reputation, he knew how to take diplomatic initiatives. The giraffe he sent to Florence was the only one of its kind to be seen in Europe between antiquity and 1826 CE.
He was a great builder. Like his predecessors, he endowed his religious institutions with inalienable donations identified as waqf in Islamic law. The most luxurious Korans of his reign are calligraphed in the very large format 107 x 80 cm named Baghdadi.
On May 2 in London, Christie's sells a complete Qur'an made of 311 folios on half-Baghdadi cream paper 68 x 45 cm, lot 11estimated £ 500K. This Qur'an is not inscribed as a waqf and we do not know for which foundation it was created but it is luxuriously dedicated to Sultan Qaitbay. Its writing is large, making it comfortable to read aloud on a lectern.
This manuscript is signed with the personal and courtesy names of the scribe. The nickname, al-Maliki al-Ashrafi, attests to a double allegiance to an unidentified noble person, perhaps simply to indicate that he works in the royal studio.
It is dated 21 Jumada I 894 AH, corresponding to April 30, 1489 CE. Some details of the realization show that it was done in a urgency, with mistakes removed by a simple scraping of the thick paper and even with omissions in the illustration. This hurry could be related to health problems of the aging Sultan.
ca 1520 Portrait of Sultan Suleyman by a follower of Bellini
2019 SOLD for £ 5.3M including premium by Sotheby's
Link to catalogue.
#AuctionUpdate Royal Flush: This rare Venetian portrait of Ottoman Sultan Suleyman the Great was met with determined bidding, as three bidders pushed the price to £5,323,500 - 18 x its estimate! #SothebysMiddleEast pic.twitter.com/dyjutAPGnJ
— Sotheby's (@Sothebys) May 1, 2019
1525-1535 The King disguised as a Dragon
2011 SOLD 7.4 M£ including premium
The most important works of ancient literature had a universal or encyclopaedic goal. The Iliad of Homer, Dante's Divine Comedy and the Shahnameh of Firdausi must be put on the same pedestal.
The Persian poet Firdausi wrote the Shahnameh 1000 years ago. This Book of Kings collects the epic and heroic stories of his country since the creation of the world until the advent of Islam.
He was misunderstood in his lifetime, like all geniuses, but the Persian kings realized later that this text could be used as an apologia for royal power. Ismail, founder of the Safavid dynasty, encouraged artists to illustrate the Shahnameh, but the great work was an illuminated manuscript created in the early reign of his son and successor Tahmasp.
This highly important manuscript has been dismantled. One can, or even have to, regret it but the corollary is that each folio coming on the market is considered as a work of art in its own right.
On April 6 in London, Sotheby's sells a gouache heightened with gold, 47 x 32 cm. Made in Tabriz between 1525 and 1535 of our calendar, it is attributable to Aqa Mirak who was one of the best artists of this collection. It is estimated £ 2M.
It shows the king Faridun who disguises himself as a fierce dragon to test the courage and loyalty of his three sons. He could rejoice in the result and particularly appreciate the haughty answer made by the youngest: Go your way, dragon, we are the sons of the powerful Faridun.
This work will soon be exhibited in Doha. On this occasion, it is illustrated in the upper left of the article shared by The Peninsula Qatar.
POST SALE COMMENT
Sotheby's had announced this lot for a very long time and knew its value, of course.
The result, £ 7.4 million including premium, is very high, but the above discussion indicated the trend: each sheet of Shahnameh of Tahmasp is a work of art in its own right.
I have no doubt that this price will incite other sheets to come in future sales.
The Persian poet Firdausi wrote the Shahnameh 1000 years ago. This Book of Kings collects the epic and heroic stories of his country since the creation of the world until the advent of Islam.
He was misunderstood in his lifetime, like all geniuses, but the Persian kings realized later that this text could be used as an apologia for royal power. Ismail, founder of the Safavid dynasty, encouraged artists to illustrate the Shahnameh, but the great work was an illuminated manuscript created in the early reign of his son and successor Tahmasp.
This highly important manuscript has been dismantled. One can, or even have to, regret it but the corollary is that each folio coming on the market is considered as a work of art in its own right.
On April 6 in London, Sotheby's sells a gouache heightened with gold, 47 x 32 cm. Made in Tabriz between 1525 and 1535 of our calendar, it is attributable to Aqa Mirak who was one of the best artists of this collection. It is estimated £ 2M.
It shows the king Faridun who disguises himself as a fierce dragon to test the courage and loyalty of his three sons. He could rejoice in the result and particularly appreciate the haughty answer made by the youngest: Go your way, dragon, we are the sons of the powerful Faridun.
This work will soon be exhibited in Doha. On this occasion, it is illustrated in the upper left of the article shared by The Peninsula Qatar.
POST SALE COMMENT
Sotheby's had announced this lot for a very long time and knew its value, of course.
The result, £ 7.4 million including premium, is very high, but the above discussion indicated the trend: each sheet of Shahnameh of Tahmasp is a work of art in its own right.
I have no doubt that this price will incite other sheets to come in future sales.
Celebrating 40 years of pioneering #IslamicArt at Sotheby’s https://t.co/wwDYNq8T6E pic.twitter.com/n8SIMLwc8s
— Sotheby's (@Sothebys) February 18, 2016
Safavid - The Carpet of Senator Clark
2013 SOLD 34 M$ including premium
The extreme refinement of Persian carpets reached its peak under the Safavid dynasty.
One of them created one of the most exciting surprises in the history of auctions. Surfacing in Germany in October 2009, it was estimated € 900 by a local auctioneer. Christie's had a small intuition about the importance of the piece by providing an estimate of £ 200K. They sold it for £ 6.2 million including premium on April 15, 2010.
Now known as the carpet of the comtesse de Béhague, this Kirman in wool 339 x 153 cm was made with one of the more complex techniques identified as the 'vase' technique. This name is unrelated to the decorative pattern.
The carpet of Senator Clark will not create the same surprise as it has already been described for nearly a century as a masterpiece of Persian textile art. It was exhibited after the death of its owner in 1925 in a museum that de-accessions it now. It is estimated $ 5M, for sale by Sotheby's in New York on June 5. Here is the link to the catalog.
Its red background is rare and perhaps unique in its class, the sickle-leaf pattern variant of the 'vase' technique. Its fine floral motifs and its palmettes make it a vibrant and sumptuous artwork in 267 x 196 cm size.
It is always difficult to date and locate an old carpet, if not by considerations of its technical characteristics. The Clark carpet is Safavid and probably Kirman. It is comparable to the best known pieces woven during the reign of Shah Abbas 400 years ago.
POST SALE COMMENT
There is no price limit for the most outstanding art pieces. This extraordinary carpet was sold for $ 34M including premium.
I invite you to play the video shared by Sotheby's.
It is also shared by Wikimedia.
One of them created one of the most exciting surprises in the history of auctions. Surfacing in Germany in October 2009, it was estimated € 900 by a local auctioneer. Christie's had a small intuition about the importance of the piece by providing an estimate of £ 200K. They sold it for £ 6.2 million including premium on April 15, 2010.
Now known as the carpet of the comtesse de Béhague, this Kirman in wool 339 x 153 cm was made with one of the more complex techniques identified as the 'vase' technique. This name is unrelated to the decorative pattern.
The carpet of Senator Clark will not create the same surprise as it has already been described for nearly a century as a masterpiece of Persian textile art. It was exhibited after the death of its owner in 1925 in a museum that de-accessions it now. It is estimated $ 5M, for sale by Sotheby's in New York on June 5. Here is the link to the catalog.
Its red background is rare and perhaps unique in its class, the sickle-leaf pattern variant of the 'vase' technique. Its fine floral motifs and its palmettes make it a vibrant and sumptuous artwork in 267 x 196 cm size.
It is always difficult to date and locate an old carpet, if not by considerations of its technical characteristics. The Clark carpet is Safavid and probably Kirman. It is comparable to the best known pieces woven during the reign of Shah Abbas 400 years ago.
POST SALE COMMENT
There is no price limit for the most outstanding art pieces. This extraordinary carpet was sold for $ 34M including premium.
I invite you to play the video shared by Sotheby's.
It is also shared by Wikimedia.
1627-1628 Indian inscribed diamond in a 1972 necklace assembly by Cartier
2011 SOLD for $ 8.8M including premium by Christie's
Cotton and Pashmina
2013 SOLD 4.8 M£ including premium
Mughal carpets are considered as the masterpieces from the textiles of India. One of them had remained during a century in the Vanderbilt family where it was highlighted by prolonged exposure in places of honor of the mansions.
Measuring 388 x 411 cm, it has a classic repetitive decor of millefleurs, with a star lattice. The drawing of the edge is a later design. It was woven about 300 years ago, but its appeal is largely due to the fact that it is not oldest, once will not hurt!
Indeed, the great ancient Mughal carpets were in silk and are significantly degraded. The Vanderbilt specimen is in cotton, in ivory color for the warp and blue for the weft. The upper layer or pile with the decorative pattern is in pashmina which is a wool from Kashmir.
It is estimated £ 1.5 million, for sale by Christie's in London on October 8.
POST SALE COMMENT
This exceptional carpet from North India greatly exceeded its estimate. It was sold for £ 4.8M including premium.
The image of this magnificent piece of textile in very good condition is shared on Wikimedia:
Measuring 388 x 411 cm, it has a classic repetitive decor of millefleurs, with a star lattice. The drawing of the edge is a later design. It was woven about 300 years ago, but its appeal is largely due to the fact that it is not oldest, once will not hurt!
Indeed, the great ancient Mughal carpets were in silk and are significantly degraded. The Vanderbilt specimen is in cotton, in ivory color for the warp and blue for the weft. The upper layer or pile with the decorative pattern is in pashmina which is a wool from Kashmir.
It is estimated £ 1.5 million, for sale by Christie's in London on October 8.
POST SALE COMMENT
This exceptional carpet from North India greatly exceeded its estimate. It was sold for £ 4.8M including premium.
The image of this magnificent piece of textile in very good condition is shared on Wikimedia:
1865-1870 A Maharajah converts to Islam
2009 SOLD 5.5 M$ including premium
The splendor of the Maharajahs was proverbial. When, shortly before 1870, the Prince of Baroda, Khande Râo of Gâekwâr dynasty, converted to Islam, he wanted to honor his new faith by an exceptional work.
He commissioned the creation of a carpet in pearls and gems, whose beauty can be worthy of the tomb of the Prophet Muhammad at Medina. This work unique in its kind was made, but the Maharaja died in 1870 before the gift was made. The carpet was retained by the family, and remained there for over a hundred years.
It looks in its patterns like a textile carpet centered with three rosettes, and otherwise based on the millefleurs motif fashioned in India in the previous century. It consists of two millions of natural pearls, hundreds of gems of all kinds and a countless colored glass beads.
Sotheby's, which sells it in Doha on March 19, does not publish the estimate but only the starting bid: 5 MUS$. For the moment it is the most extraordinary artwork that has been announced for auction this year.
POST SALE COMMENT
Sensing the difficulties in the market for Islamic art, Sotheby's had lowered its starting bid at $ 4.5 million. They have done well. The carpet of pearls was sold at $ 4.8 million hammer, $ 5.5 million including fees.
He commissioned the creation of a carpet in pearls and gems, whose beauty can be worthy of the tomb of the Prophet Muhammad at Medina. This work unique in its kind was made, but the Maharaja died in 1870 before the gift was made. The carpet was retained by the family, and remained there for over a hundred years.
It looks in its patterns like a textile carpet centered with three rosettes, and otherwise based on the millefleurs motif fashioned in India in the previous century. It consists of two millions of natural pearls, hundreds of gems of all kinds and a countless colored glass beads.
Sotheby's, which sells it in Doha on March 19, does not publish the estimate but only the starting bid: 5 MUS$. For the moment it is the most extraordinary artwork that has been announced for auction this year.
POST SALE COMMENT
Sensing the difficulties in the market for Islamic art, Sotheby's had lowered its starting bid at $ 4.5 million. They have done well. The carpet of pearls was sold at $ 4.8 million hammer, $ 5.5 million including fees.
1880 Young Woman Reading by Osman Hamdy Bey
2019 SOLD for £ 6.7M including premium by Bonhams
1882 Osman Hamdi Bey, the Reformer of Ottoman Art
2016 SOLD for TL 13.5M (worth € 4.4M) including premium
Osman Hamdi Bey was the son of Ibrahim Edhem Pasha who had a remarkable career in Constantinople. Edhem Pasha was a Greek-born who became a slave at the age of 3 after the massacres of Chios. This brilliant intellectual became a mining engineer in Paris and then rose in the Ottoman hierarchy up to the position of grand vizier reached in 1877.
Hamdi Bey came to Paris in 1860 and remained there for nine years. He studied with Gérôme and Boulanger in that city at the time when Orientalist painting enjoyed a great success. Deputy Director of the Ottoman protocol in 1871, he was to remain loyal to this dynasty threatened by decline.
Influenced by European culture, Hamdi Bey became director of the Imperial Museum in 1881 and founded in 1882 the Academy of Fine Arts that would enable young artists to develop their skills without an exile in Europe. He early had a remarkable pioneering achievement in the protection of the archaeological heritage of the Middle East.
He nevertheless does not abandon painting in these years of intense official activity. His scenes of mosques are typical for the time but his portraits of courtiers are in the following of the Qajar art of Persia to which he brings an increased emotion.
The full length portrait of an elegant and veiled Lady painted in oil on canvas in 1881, 185 x 104 cm, was sold for £ 3.4 million including premium by Sotheby's on May 30, 2008. In the same technique but a smaller format, the portrait painted in 1878 of a young scholar comfortably lying to study a document in Topkapi remained unsold in April 2012 at Sotheby's.
On May 14 in Istanbul, Artam Antik A.S. sells a view of the front of the Green Mosque, oil on canvas 185 x 100 cm painted in 1882. The sunny steps and entrance are animated with faithful in the best European Orientalist style. This artwork is estimated TL 10M equivalent to € 3.25M, lot 130. Here is the link to the website of the auction house.
I invite you to watch the post sale video shared on YouTube by the auction house :
Hamdi Bey came to Paris in 1860 and remained there for nine years. He studied with Gérôme and Boulanger in that city at the time when Orientalist painting enjoyed a great success. Deputy Director of the Ottoman protocol in 1871, he was to remain loyal to this dynasty threatened by decline.
Influenced by European culture, Hamdi Bey became director of the Imperial Museum in 1881 and founded in 1882 the Academy of Fine Arts that would enable young artists to develop their skills without an exile in Europe. He early had a remarkable pioneering achievement in the protection of the archaeological heritage of the Middle East.
He nevertheless does not abandon painting in these years of intense official activity. His scenes of mosques are typical for the time but his portraits of courtiers are in the following of the Qajar art of Persia to which he brings an increased emotion.
The full length portrait of an elegant and veiled Lady painted in oil on canvas in 1881, 185 x 104 cm, was sold for £ 3.4 million including premium by Sotheby's on May 30, 2008. In the same technique but a smaller format, the portrait painted in 1878 of a young scholar comfortably lying to study a document in Topkapi remained unsold in April 2012 at Sotheby's.
On May 14 in Istanbul, Artam Antik A.S. sells a view of the front of the Green Mosque, oil on canvas 185 x 100 cm painted in 1882. The sunny steps and entrance are animated with faithful in the best European Orientalist style. This artwork is estimated TL 10M equivalent to € 3.25M, lot 130. Here is the link to the website of the auction house.
I invite you to watch the post sale video shared on YouTube by the auction house :
1890 Good Readings with Hamdy Bey
2019 SOLD for £ 4.6M including premium
The career of Osman Hamdy Bey as a painter is inseparable from the Tanzimat, the vast reorganization movement of the Ottoman Empire started in the 1830s by Sultan Mahmud II. His father is a vizier who will reach in 1877 the top responsibility in the Ottoman government.
Osman came to Paris in 1860 at the age of 17 to complete his law studies. When he returned to Constantinople in 1869 with a French fiancée, he was an Orientalist artist, former student of the late Boulanger and friend of Gérôme.
He learned from his French masters the techniques of realistic figuration that are based on photographs. He will remain throughout his life a great servant of the Ottoman Empire. He disdains the scenes of artificial harems and keenly observes the religious practices and the luxurious costumes of the Turkish elites.
Hamdy Bey introduces progressive elements in his art, with a great subtlety that does not impeach his splendid cultural and administrative career. He stages himself with his family, probably to avoid remonstrances from other models. He is the only figurative painter in Turkey and his works have not been exhibited during his lifetime in his country.
For example the Lady of Constantinople wears the Islamic veil, but it is so transparent that it does not hide anything of her pretty face. This 185 x 109 cm oil on canvas painted in 1881 was sold for £ 3.4M including premium by Sotheby's on May 30, 2008. A smaller version is for sale at Dorotheum on October 23, 2019. Both have been narrated in this column.
The reading of sacred books is one of Hamdy Bey's favorite themes. His characters are made appealing by their passions or their carelessness. This deep humanism that leads the social criticism up to a pleasant mockery has no equivalent in European orientalist art, even less in Ottoman art.
Painted in 1878 with the atmosphere from Topkapi, the picture of a young prince sprawled on a couch for better focusing on his reading passed at Sotheby's on April 24, 2012. A young woman fooling her boredom by looking at a big book, oil on canvas 41 x 51 cm painted in 1880, was sold for £ 6.7M including premium by Bonhams on September 26, 2019 over a lower estimate of £ 600K.
On October 22 in London, Sotheby's sells Koranic Instruction, oil on canvas 80 x 60 cm painted in 1890, lot 21 estimated £ 3M.
In the luxurious interior of the Bursa Green Mosque, the standing teacher reads the book aloud without looking at the disciple. This serious man forgot to take off his babouches. The student is a mature man holding a closed book with a jaded attitude. He is a self-portrait of the artist, from a photograph that has been identified.
Osman came to Paris in 1860 at the age of 17 to complete his law studies. When he returned to Constantinople in 1869 with a French fiancée, he was an Orientalist artist, former student of the late Boulanger and friend of Gérôme.
He learned from his French masters the techniques of realistic figuration that are based on photographs. He will remain throughout his life a great servant of the Ottoman Empire. He disdains the scenes of artificial harems and keenly observes the religious practices and the luxurious costumes of the Turkish elites.
Hamdy Bey introduces progressive elements in his art, with a great subtlety that does not impeach his splendid cultural and administrative career. He stages himself with his family, probably to avoid remonstrances from other models. He is the only figurative painter in Turkey and his works have not been exhibited during his lifetime in his country.
For example the Lady of Constantinople wears the Islamic veil, but it is so transparent that it does not hide anything of her pretty face. This 185 x 109 cm oil on canvas painted in 1881 was sold for £ 3.4M including premium by Sotheby's on May 30, 2008. A smaller version is for sale at Dorotheum on October 23, 2019. Both have been narrated in this column.
The reading of sacred books is one of Hamdy Bey's favorite themes. His characters are made appealing by their passions or their carelessness. This deep humanism that leads the social criticism up to a pleasant mockery has no equivalent in European orientalist art, even less in Ottoman art.
Painted in 1878 with the atmosphere from Topkapi, the picture of a young prince sprawled on a couch for better focusing on his reading passed at Sotheby's on April 24, 2012. A young woman fooling her boredom by looking at a big book, oil on canvas 41 x 51 cm painted in 1880, was sold for £ 6.7M including premium by Bonhams on September 26, 2019 over a lower estimate of £ 600K.
On October 22 in London, Sotheby's sells Koranic Instruction, oil on canvas 80 x 60 cm painted in 1890, lot 21 estimated £ 3M.
In the luxurious interior of the Bursa Green Mosque, the standing teacher reads the book aloud without looking at the disciple. This serious man forgot to take off his babouches. The student is a mature man holding a closed book with a jaded attitude. He is a self-portrait of the artist, from a photograph that has been identified.
Discover ‘Renaissance man’ Osman Hamdy Bey, one of the most accomplished and revered cultural figures of his day, and the first Turkish artist to embrace fully the European style of painting and to use it to depict his own country: https://t.co/NH0IzntInN #SothebysMiddleEast
— Sotheby's (@Sothebys) October 11, 2019
