Chinese Art from Song to Qing
See also : China Chinese calligraphy Song and Yuan Later Ming Qianlong Landscape Dragon Animals Horse Travel
Chronology : 1000-1150 1150-1300 14th century 16th century 1570-1599 1610-1619 1680-1699 18th century 1740-1749 1790-1799
Chronology : 1000-1150 1150-1300 14th century 16th century 1570-1599 1610-1619 1680-1699 18th century 1740-1749 1790-1799
Northern Song - The Tree of the Calligrapher
2018 SOLD for HK$ 460M including premium
Under the Song, the literati are philosophers and humanists who sometimes have the audacity to oppose imperial politics. Their supreme mode of expression is calligraphy, which conveys to their readers the firmness and rhythm of their thought.
In 1071 CE, Su Shi had been expelled from the capital, starting at the age of 34 a second career as a provincial servant with increasingly mediocre missions despite his immense talent. He died in 1101. His younger friend Mi Fu escaped political persecution by his reputation for eccentricity. They were the two best calligraphers in their lifetime.
A nine-character autograph message on a 28 x 9.5 cm sheet sent by Su Shi to the governor of a locality that he was leaving was sold for $ 8.2M including premium by Sotheby's on September 19, 2013.
Graphic art is exceptional in their works. The movement of the artist's hand is the same as for calligraphy. The rare drawings by Su Shi translate emotions too deep to be expressed in words. Mi Fu will only paint in the last years of his life, mostly after Su Shi's death.
On November 26 in Hong Kong, Christie's sells as lot 8008 a 26 x 50 cm ink on paper painted by Su Shi. This piece is extended by many colophons including an appreciation calligraphed by Mi Fu, and includes many seals. Please watch two videos shared by the auction house.
The image consists of two elements that join together : a leafless tree twisted into several undulations and a bulky rock. The dryness of the tree expresses the desolation of the artist in his exile while at the opposite edge on the left flank of the rock the sparse bamboos bring the hope of a new vitality.
In 1071 CE, Su Shi had been expelled from the capital, starting at the age of 34 a second career as a provincial servant with increasingly mediocre missions despite his immense talent. He died in 1101. His younger friend Mi Fu escaped political persecution by his reputation for eccentricity. They were the two best calligraphers in their lifetime.
A nine-character autograph message on a 28 x 9.5 cm sheet sent by Su Shi to the governor of a locality that he was leaving was sold for $ 8.2M including premium by Sotheby's on September 19, 2013.
Graphic art is exceptional in their works. The movement of the artist's hand is the same as for calligraphy. The rare drawings by Su Shi translate emotions too deep to be expressed in words. Mi Fu will only paint in the last years of his life, mostly after Su Shi's death.
On November 26 in Hong Kong, Christie's sells as lot 8008 a 26 x 50 cm ink on paper painted by Su Shi. This piece is extended by many colophons including an appreciation calligraphed by Mi Fu, and includes many seals. Please watch two videos shared by the auction house.
The image consists of two elements that join together : a leafless tree twisted into several undulations and a bulky rock. The dryness of the tree expresses the desolation of the artist in his exile while at the opposite edge on the left flank of the rock the sparse bamboos bring the hope of a new vitality.
Christie’s Announces 1000-year-old $50m Su Shi Scroll https://t.co/eVdovdYFyr pic.twitter.com/XpeTTOdBby
— Art Market Monitor (@artmarket) August 30, 2018
1244 Six Sons of the Dragon King
2017 SOLD for $ 49M including premium
The dragons, symbols of the emperor and his family, know how to confront the forces of nature. Their sinuous bodies sail like in weightlessness amidst clouds and waves. The varied expressions of their faces are always vigorous.
The hand scroll is an art much more refined than a mere drawing. The image is read from right to left as it is unfolded, offering the scene of a real action. The paper should also be exquisite in the touch.
Towards the end of the Southern Song Dynasty, the artist Chen Rong pushed his ink pictures of dragons to the rank of masterpieces. His scrolls were much admired by the Qianlong emperor who commented on the colophons and stamped his seals.
The drawing of the fabulous beast by Chen Rong is sharp and detailed, in contrast to its wet surrounding realized by an original method of ink spraying. In the Taoist tradition, such a scene is a magical summon to rain.
The Boston Museum retains a scroll starring nine young sons of the Dragon King, 46 cm high for 15 m long, including on the painting two autograph inscriptions that provide an estimate of the date of the artwork at 1244 of our calendar.
On March 15 in New York, Christie's sells a scroll featuring six dragons in a style similar as in the Boston specimen. Signed by one seal of the artist, it is 35 cm high with a length of 4.40 m for the image and 83 cm for the calligraphy. De-accessioned from the Fujita Museum in Osaka, this artwork is estimated $ 1,2M, lot 507. It is handled for our pleasure in the video shared by the auction house.
The hand scroll is an art much more refined than a mere drawing. The image is read from right to left as it is unfolded, offering the scene of a real action. The paper should also be exquisite in the touch.
Towards the end of the Southern Song Dynasty, the artist Chen Rong pushed his ink pictures of dragons to the rank of masterpieces. His scrolls were much admired by the Qianlong emperor who commented on the colophons and stamped his seals.
The drawing of the fabulous beast by Chen Rong is sharp and detailed, in contrast to its wet surrounding realized by an original method of ink spraying. In the Taoist tradition, such a scene is a magical summon to rain.
The Boston Museum retains a scroll starring nine young sons of the Dragon King, 46 cm high for 15 m long, including on the painting two autograph inscriptions that provide an estimate of the date of the artwork at 1244 of our calendar.
On March 15 in New York, Christie's sells a scroll featuring six dragons in a style similar as in the Boston specimen. Signed by one seal of the artist, it is 35 cm high with a length of 4.40 m for the image and 83 cm for the calligraphy. De-accessioned from the Fujita Museum in Osaka, this artwork is estimated $ 1,2M, lot 507. It is handled for our pleasure in the video shared by the auction house.
Six Dragons handscroll attributed to Chen Rong, from the Fujita Museum sold for $48,967,500 against high estimate of $1.8m #AsianArtWeek pic.twitter.com/rbMbIyub5P
— Christie's (@ChristiesInc) March 15, 2017
Yuan - The Return of the Drunken Kings
2016 SOLD for RMB 304M yuan including premium
On November 29, 2009, Christie's sold for HK $ 46.6M a Chinese hand scroll on the theme of the drunken kings, lot 815. Before the sale, I had discussed this unusual and nice picture as follows :
"It is a hand scroll 2.10 m long and 35 cm high painted in ink and colors. The title is remarkable : Five drunken kings return on horses. There are nine characters overall. The kings are riding in vacillating attitudes and four grooms attend to assure that their honorable masters will not fall.
"The artist was named Ren Renfa and lived under the Yuan dynasty 700 years ago. He was following a tradition dating back to the Tang dynasty and specialized in images of horses of great beauty. The irreverent nature of the theme is a proof of humor rare in art history suggesting a great artistic freedom at the time of the Mongolian rule."
This piece returns for sale in Beijing on December 4 at Poly Auction, lot 4050. It is in a very good contrast in spite of its age and has been carefully analyzed. The pattern of the paper is conformant to the Song technologies and is earlier than the Ming. The scroll includes ancient colophons as well as the seals of three Qing emperors.
These drunken kings can be identified and were the subject of a very ancient poem. Although his work is not uncommon, Ren Renfa was probably not a professional artist : he worked as an imperial official in charge of water control. Contrary to my 2009 enthusiasm, it is fool to discuss from that single example the freedom in artistic expression at Yuan time.
The Tang loved horses, for war and for pleasure. Artists like Han Gan and Zhang Xuan were drawing the riders with high realism and this tradition was still fresh under the Yuan. Another predecessor of Ren Renfa was the Song artist Li Longmian. The procession of drunken kings by Ren displays revealing similarities in its composition with an elegant promenade of women painted two centuries earlier by Li after Zhang and preserved at the Taiwan Museum.
"It is a hand scroll 2.10 m long and 35 cm high painted in ink and colors. The title is remarkable : Five drunken kings return on horses. There are nine characters overall. The kings are riding in vacillating attitudes and four grooms attend to assure that their honorable masters will not fall.
"The artist was named Ren Renfa and lived under the Yuan dynasty 700 years ago. He was following a tradition dating back to the Tang dynasty and specialized in images of horses of great beauty. The irreverent nature of the theme is a proof of humor rare in art history suggesting a great artistic freedom at the time of the Mongolian rule."
This piece returns for sale in Beijing on December 4 at Poly Auction, lot 4050. It is in a very good contrast in spite of its age and has been carefully analyzed. The pattern of the paper is conformant to the Song technologies and is earlier than the Ming. The scroll includes ancient colophons as well as the seals of three Qing emperors.
These drunken kings can be identified and were the subject of a very ancient poem. Although his work is not uncommon, Ren Renfa was probably not a professional artist : he worked as an imperial official in charge of water control. Contrary to my 2009 enthusiasm, it is fool to discuss from that single example the freedom in artistic expression at Yuan time.
The Tang loved horses, for war and for pleasure. Artists like Han Gan and Zhang Xuan were drawing the riders with high realism and this tradition was still fresh under the Yuan. Another predecessor of Ren Renfa was the Song artist Li Longmian. The procession of drunken kings by Ren displays revealing similarities in its composition with an elegant promenade of women painted two centuries earlier by Li after Zhang and preserved at the Taiwan Museum.
1350 Zhichuan Resettlement by Wang Meng
2011 SOLD for RMB yuan 400M including premium by Poly
Wanli - scroll painting by Wu Bin on a journey of 18 monks
2009 SOLD 170 M RMB yuan including premium by Poly
Later Ming - North and South according to Dong Qichang
2015 SOLD for RMB yuan 69M including premium
In the later Ming Dynasty, 400 years ago, Dong Qichang is a theoretician of graphic art. He describes two opposing traditional tendencies named by him Northern school and Southern school. These wordings are now regarded as unfair because they correspond in no way to geographically distinct artistic styles.
Dong attributed to the North a realism in the Confucian tradition, more concerned by objectivity than by art. His Southern school promotes free forms close to the later European romanticism. The southern artistic creation invites to emotion and dream in the Taoist tradition.
On November 15 in Beijing, China Guardian sells a mountain landscape by Dong Qichang, hand scroll 26 x 146 cm, lot 1327 estimated RMB 60M.
The clean and sharp ink line defines a mountain landscape where the accumulation of rocks is beautifully exaggerated. The ground is scattered with more realistic trees, which could help the lovers of Northern art of his time to accept the romanticism of the artist. The scenery is not animated, but a discrete group of thatched cottages brings a human dimension.
Dong attributed to the North a realism in the Confucian tradition, more concerned by objectivity than by art. His Southern school promotes free forms close to the later European romanticism. The southern artistic creation invites to emotion and dream in the Taoist tradition.
On November 15 in Beijing, China Guardian sells a mountain landscape by Dong Qichang, hand scroll 26 x 146 cm, lot 1327 estimated RMB 60M.
The clean and sharp ink line defines a mountain landscape where the accumulation of rocks is beautifully exaggerated. The ground is scattered with more realistic trees, which could help the lovers of Northern art of his time to accept the romanticism of the artist. The scenery is not animated, but a discrete group of thatched cottages brings a human dimension.
1691-1697 The Assimilation of the Southern Provinces
2016 SOLD for $ 9.5M including premium
The Kangxi Emperor had a high opinion of his duties and responsibilities and his personal commitment was intense. The Qing Dynasty was still recent and it was challenged in the border provinces. The six inspection tours conducted by the emperor in the south between the 24th and the 47th year of his reign are intended for the assimilation of these reluctant regions.
Kangxi is not afraid to go to war but prefers peace. His tours are opportunities to link with the Four Occupations in their local particularities : gentry, peasants, craftsmen and merchants. The loyalty to the Emperor requires to understand and to be understood. Kangxi is a great statesman, lucid, responsible and effective.
The second trip took place during the 29th year of the reign, 1689 in our calendar. It was fruitful and promising and they must preserve its memory. An imperial decree orders the execution of a scroll divided into twelve parts showing in a continuity the steps of the long journey.
The project is politically important and an administrator is appointed. The artistic supervision is entrusted to Wang Hui, a renowned artist familiar with the southern landscapes.
For six years, the team of artists applies strictly on a silk strip 68 cm high the detailed instructions of Master Wang concerning the topographic features, the more or less close distance to villages and mountains, the actions of the emperor and the daily life of the people.
The overall length of the twelve scrolls, completed around the 37th year of the reign, is 200 meters. Two of the twelve scrolls are not located. The sixth scroll was divided in France circa the 1930s. Its fragments are the only elements of the set in private hands. At least two fragments of the sixth scroll are still missing.
Three fragments were auctioned by Briscadieu-Bordeaux in 2013 and 2014. One of them including dock scenes was sold for € 3,36M including premium on 27 April 2013.
The longest fragment of the sixth scroll, measuring 4.75 m, is estimated $ 4M for sale by Sotheby's in New York on September 14, lot 576. In a bird's-eye view demonstrating a remarkable control of the topographic representation, boats travel around the many islands of a river.
The tweet pasted below shows a detail. Please watch the video shared by Sotheby's :
Kangxi is not afraid to go to war but prefers peace. His tours are opportunities to link with the Four Occupations in their local particularities : gentry, peasants, craftsmen and merchants. The loyalty to the Emperor requires to understand and to be understood. Kangxi is a great statesman, lucid, responsible and effective.
The second trip took place during the 29th year of the reign, 1689 in our calendar. It was fruitful and promising and they must preserve its memory. An imperial decree orders the execution of a scroll divided into twelve parts showing in a continuity the steps of the long journey.
The project is politically important and an administrator is appointed. The artistic supervision is entrusted to Wang Hui, a renowned artist familiar with the southern landscapes.
For six years, the team of artists applies strictly on a silk strip 68 cm high the detailed instructions of Master Wang concerning the topographic features, the more or less close distance to villages and mountains, the actions of the emperor and the daily life of the people.
The overall length of the twelve scrolls, completed around the 37th year of the reign, is 200 meters. Two of the twelve scrolls are not located. The sixth scroll was divided in France circa the 1930s. Its fragments are the only elements of the set in private hands. At least two fragments of the sixth scroll are still missing.
Three fragments were auctioned by Briscadieu-Bordeaux in 2013 and 2014. One of them including dock scenes was sold for € 3,36M including premium on 27 April 2013.
The longest fragment of the sixth scroll, measuring 4.75 m, is estimated $ 4M for sale by Sotheby's in New York on September 14, lot 576. In a bird's-eye view demonstrating a remarkable control of the topographic representation, boats travel around the many islands of a river.
The tweet pasted below shows a detail. Please watch the video shared by Sotheby's :
Single-owner collection of Chinese paintings @Sothebys after 25 years off the market. https://t.co/eMYfycoQK2 pic.twitter.com/aWOpS6WtaM
— AntiquesTradeGazette (@ATG_Editorial) August 5, 2016
1747 The Grand Parade of Qianlong
2011 SOLD 22 M€ including premium
Qianlong was only 24 when he became emperor of China. For establishing his authority, he has prepared a huge military parade in the best tradition of the Qing Dynasty. It will be held early in the fourth year of his reign.
The objective is achieved: the power of the young emperor is not disputed. To the delight of current enthusiasts and historians, Qianlong was to become the most important art collector and patron of all time.
At the tenth year of his reign, Qianlong wants to fix the memory of this great revue. He orders the artist Jin Kun to realize four huge scrolls on silk with the help of the official court painters. Fifteen months later (1747 in our calendar), the four works are ready to be assembled in their presentation boxes.
These paintings show the festivities in a chronological order. The second, 68 x 1757 cm, is kept at the Palace Museum in Beijing. The third, 68 cm x 1550, was sold HK $ 68M including premium by Sotheby's on October 8, 2008. The catalog of that sale indicated that the other two were lost.
A miracle happened. No. I do not believe in miracles.
The market for ancient Chinese art has been so boosted for two years (indeed from after the scandal of the bronzes of the Saint-Laurent - Bergé collection) that the treasures come out of the attics: the fourth scroll is retrieved!
With the same height as the others, it is the longest: the incredible multitude of troops occupies 18 m of image. A primer including testimonials and seals increases this length to 24 m, on a diameter of 12 cm when rolled.
This treasure is estimated € 2M, for sale by Marc Labarbe in Toulouse on March 26.
POST SALE COMMENT
The scroll was sold € 17.8 million before fees, 22 million including premium.
The significant difference in price with the auction of 2008 is mainly due to the cultural awakening of China for the most outstanding treasures of its history.
This new price is perfectly understandable and deserved.
The objective is achieved: the power of the young emperor is not disputed. To the delight of current enthusiasts and historians, Qianlong was to become the most important art collector and patron of all time.
At the tenth year of his reign, Qianlong wants to fix the memory of this great revue. He orders the artist Jin Kun to realize four huge scrolls on silk with the help of the official court painters. Fifteen months later (1747 in our calendar), the four works are ready to be assembled in their presentation boxes.
These paintings show the festivities in a chronological order. The second, 68 x 1757 cm, is kept at the Palace Museum in Beijing. The third, 68 cm x 1550, was sold HK $ 68M including premium by Sotheby's on October 8, 2008. The catalog of that sale indicated that the other two were lost.
A miracle happened. No. I do not believe in miracles.
The market for ancient Chinese art has been so boosted for two years (indeed from after the scandal of the bronzes of the Saint-Laurent - Bergé collection) that the treasures come out of the attics: the fourth scroll is retrieved!
With the same height as the others, it is the longest: the incredible multitude of troops occupies 18 m of image. A primer including testimonials and seals increases this length to 24 m, on a diameter of 12 cm when rolled.
This treasure is estimated € 2M, for sale by Marc Labarbe in Toulouse on March 26.
POST SALE COMMENT
The scroll was sold € 17.8 million before fees, 22 million including premium.
The significant difference in price with the auction of 2008 is mainly due to the cultural awakening of China for the most outstanding treasures of its history.
This new price is perfectly understandable and deserved.
1747 Propaganda for Qianlong
2008 SOLD 68 MHK$ including premium
Sales for the first half of this year confirmed that the two major groups can submit top masterpieces at auction in Hong Kong. Just now, Sotheby's published in a press release (also available in Chinese) the highlights of its October sales.
The Chinese graphic arts are particularly well represented, and we will present later in this group and in the group Current Art other lots to come into these sales. Attention, however, that the dates announced too early may be subject to change.
Let me start with you about a remarkable Qianlong scroll, that not only seems to be the most unusual lot of this group, but also is presented with the highest estimate (beyond $ 80 MHK). It will be sold on October 8.
First, it allows me to lean to my small way of not using the Western calendar for the countries or the dates on which it was not in force. Our scroll was created in the fourth year of the reign of Qianlong, 269 years ago.
It is a Dayue Tu, from a series of four, showing on 68 cm high and 15.5 meters long the Emperor reviewing his troops. This work was intended to assess the power of the Emperor. The detail published in the press release shows Qianlong on a white horse, followed by two of his officers and 26 riders in an arc, all of this being of course very finely drawn and colorful.
This is the third in the series. Sotheby's taught us that the second is in the Palace Museum in Beijing, and that the other two are no more extant.
POST SALE COMMENT
Before the sale, the scroll was considered a treasure by several commentators close to the Asian market.
It has not reached the price that Sotheby's expected, but the result must still be considered very good: 68 MHK $ including fees.
The Chinese graphic arts are particularly well represented, and we will present later in this group and in the group Current Art other lots to come into these sales. Attention, however, that the dates announced too early may be subject to change.
Let me start with you about a remarkable Qianlong scroll, that not only seems to be the most unusual lot of this group, but also is presented with the highest estimate (beyond $ 80 MHK). It will be sold on October 8.
First, it allows me to lean to my small way of not using the Western calendar for the countries or the dates on which it was not in force. Our scroll was created in the fourth year of the reign of Qianlong, 269 years ago.
It is a Dayue Tu, from a series of four, showing on 68 cm high and 15.5 meters long the Emperor reviewing his troops. This work was intended to assess the power of the Emperor. The detail published in the press release shows Qianlong on a white horse, followed by two of his officers and 26 riders in an arc, all of this being of course very finely drawn and colorful.
This is the third in the series. Sotheby's taught us that the second is in the Palace Museum in Beijing, and that the other two are no more extant.
POST SALE COMMENT
Before the sale, the scroll was considered a treasure by several commentators close to the Asian market.
It has not reached the price that Sotheby's expected, but the result must still be considered very good: 68 MHK $ including fees.
1760 The Official Portrait of a Concubine
2015 SOLD for HK$ 137M including premium
The Kangxi Emperor favored the contact with Europe. By the 49th year of his reign, the court accepted a suggestion of the Jesuits to invite a painter. The candidature of the lay brother Giuseppe Castiglione was accepted.
Castiglione arrived in Beijing in the 54th year of Kangxi, 1715 in our calendar. The skills of this young man aged 27 appealed to the emperor and he became a court painter under the name Lang Shining. He never left the imperial court. In his outstanding career that lasted half a century without harm or conflict, he assimilated the traditional techniques of Chinese graphic art without forgetting his original training.
The court painters were considered as imperial officials and did not sign their works. Lang Shining and his studio are credited with near certainty for the paintings that incorporate such Western features like perspective or like the shades that enhance the realism of the face.
The official portraits of the Emperor and his favorite Ladies are a tradition in the Chinese court. In the first year of Qianlong, a scroll shows the Emperor and the Empress aside with no less than eleven consort spouses.
One of these eleven concubines remained a favorite until her death in the 25th year of Qianlong, 1760 of our calendar, when this former commoner had just reached the highest position behind the Empress. On October 7 in Hong Kong, Sotheby's sells as lot 3202 her portrait where she is designated in a calligraphy by the emperor's hand under the name of her ultimate dignity, Imperial Noble Consort Chunhui.
According to the imperial tradition, the Lady is sitting on a magnificent throne. She is wearing a robe of highest luxury and a long chain necklace. The face is young and smooth for this woman who died at the age of 47, but the original portrait with the other concubines had certainly served as a modello. The press release of September 1 announces an expected price in excess of HK $ 60M.
The artwork for sale by Sotheby's is a hanging scroll in ink and colors on silk 198 x 123 cm. It is shared on Wikimedia (see below).
On 27 May 2012, Bonhams sold for HK $ 40M including premium a portrait up the waist of the same favorite, oil on paper 55 x 42 cm.
Castiglione arrived in Beijing in the 54th year of Kangxi, 1715 in our calendar. The skills of this young man aged 27 appealed to the emperor and he became a court painter under the name Lang Shining. He never left the imperial court. In his outstanding career that lasted half a century without harm or conflict, he assimilated the traditional techniques of Chinese graphic art without forgetting his original training.
The court painters were considered as imperial officials and did not sign their works. Lang Shining and his studio are credited with near certainty for the paintings that incorporate such Western features like perspective or like the shades that enhance the realism of the face.
The official portraits of the Emperor and his favorite Ladies are a tradition in the Chinese court. In the first year of Qianlong, a scroll shows the Emperor and the Empress aside with no less than eleven consort spouses.
One of these eleven concubines remained a favorite until her death in the 25th year of Qianlong, 1760 of our calendar, when this former commoner had just reached the highest position behind the Empress. On October 7 in Hong Kong, Sotheby's sells as lot 3202 her portrait where she is designated in a calligraphy by the emperor's hand under the name of her ultimate dignity, Imperial Noble Consort Chunhui.
According to the imperial tradition, the Lady is sitting on a magnificent throne. She is wearing a robe of highest luxury and a long chain necklace. The face is young and smooth for this woman who died at the age of 47, but the original portrait with the other concubines had certainly served as a modello. The press release of September 1 announces an expected price in excess of HK $ 60M.
The artwork for sale by Sotheby's is a hanging scroll in ink and colors on silk 198 x 123 cm. It is shared on Wikimedia (see below).
On 27 May 2012, Bonhams sold for HK $ 40M including premium a portrait up the waist of the same favorite, oil on paper 55 x 42 cm.
> 1762 A Mandarin in the Mountains
2018 SOLD for HK$ 147M including premium
The very important inspection trips of the Kangxi emperor had a major role in consolidating the Southern provinces. Isolated regions therein must also join the civilization.
The coastal province of Zhejiang is the subject of a freeing campaign in 1727 CE during the reign of Yongzheng. The Qianlong emperor remains vigilant. During his 27th year, 1762 CE, he appoints as Education Commissioner of Zhejiang for a three-year mission one of his most brilliant mandarins named Qian Weicheng.
Qian's career is a very good example of the extreme and multidisciplinary skills required to the mandarins. Received at the examinations at the age of 23 in the tenth year of Qianlong, he had become as a jurist an important member of the imperial bureaucracy. Poet, calligrapher and artist, he knows how to imitate the ancients. His poetry is pleasant and original.
In the tradition of the Qing imperial travels, Qian executes landscape drawings of the Zhejiang in handscrolls of great length. His view of the Yandang Mountains has been preserved.
On April 3 in Hong Kong, Sotheby's sells a 34 cm high scroll of ten landscapes of Mount Tiantai, for a total length of 4.60 m. It is estimated HK $ 50M, lot 3301.
The drawing without washes is of a topographical accuracy and includes the Buddhist monasteries and some human presence. Yet Qian, who had visited Yandang, did not walk Tiantai personally as his tour plans were each time abandoned due to bad weather. He was probably relying upon pre-existing images to avoid confessing this failure.
Each of the ten views is accompanied by a long descriptive commentary by Qian and by an autograph poem written by Qianlong and dated by him in 1774 CE, two years after the death of the artist. The artwork was removed from the Palace in the early 1920s by the last deposed Qing emperor in an effort to protect the imperial patrimony from looters.
Please watch the video shared by Sotheby's including the vision of moving grounds often practiced by this auction house.
The coastal province of Zhejiang is the subject of a freeing campaign in 1727 CE during the reign of Yongzheng. The Qianlong emperor remains vigilant. During his 27th year, 1762 CE, he appoints as Education Commissioner of Zhejiang for a three-year mission one of his most brilliant mandarins named Qian Weicheng.
Qian's career is a very good example of the extreme and multidisciplinary skills required to the mandarins. Received at the examinations at the age of 23 in the tenth year of Qianlong, he had become as a jurist an important member of the imperial bureaucracy. Poet, calligrapher and artist, he knows how to imitate the ancients. His poetry is pleasant and original.
In the tradition of the Qing imperial travels, Qian executes landscape drawings of the Zhejiang in handscrolls of great length. His view of the Yandang Mountains has been preserved.
On April 3 in Hong Kong, Sotheby's sells a 34 cm high scroll of ten landscapes of Mount Tiantai, for a total length of 4.60 m. It is estimated HK $ 50M, lot 3301.
The drawing without washes is of a topographical accuracy and includes the Buddhist monasteries and some human presence. Yet Qian, who had visited Yandang, did not walk Tiantai personally as his tour plans were each time abandoned due to bad weather. He was probably relying upon pre-existing images to avoid confessing this failure.
Each of the ten views is accompanied by a long descriptive commentary by Qian and by an autograph poem written by Qianlong and dated by him in 1774 CE, two years after the death of the artist. The artwork was removed from the Palace in the early 1920s by the last deposed Qing emperor in an effort to protect the imperial patrimony from looters.
Please watch the video shared by Sotheby's including the vision of moving grounds often practiced by this auction house.
1794 The Chronicles of Feng Ning
2015 SOLD for HK$ 52M including premium
The use of very extended hand scrolls to illustrate military campaigns and civil life is very ancient in China. The Qing continue this tradition.
From the 35th to the 55th year of his reign, an illustrator for the Qianlong emperor is Zhang Yang (or Yang Zhang ?). The name of Feng Ning that appears immediately after him probably refers to his successor.
During the 59th year of that reign, 1794 in our calendar, Feng Ning executes a copy in ink and color from a Zhang Yang scroll that imitated a Song painting on the theme of everyday life in Jinling, the village which is the cradle of the powerful city of Nanjing, the "southern capital".
Feng Ning's scroll is 1.05 m long for 35 cm high, with no text in the image. The middle of the scene shows the bustle in the main street while the left and right parts are more rural. This work which remains complete will be sold by Poly Auction in Hong Kong on October 5, lot 996. It is illustrated in the press releasededicated to all the sessions of that sale.
Some scrolls were used as masters for albums of engravings, marking the clear intention of the Qianlong emperor to promote the dissemination of culture. For this reason, the name of Feng Ning is not unknown on the art market although his personal details are unknown.
On June 11, 2013, Artcurial sold three albums by Feng Ning and colleagues with 16, 8 and 4 engravings on three different military campaigns of Qianlong, with explanatory text in the pictures. These lots were sold for € 150K, 91K and 43K including premium.
From the 35th to the 55th year of his reign, an illustrator for the Qianlong emperor is Zhang Yang (or Yang Zhang ?). The name of Feng Ning that appears immediately after him probably refers to his successor.
During the 59th year of that reign, 1794 in our calendar, Feng Ning executes a copy in ink and color from a Zhang Yang scroll that imitated a Song painting on the theme of everyday life in Jinling, the village which is the cradle of the powerful city of Nanjing, the "southern capital".
Feng Ning's scroll is 1.05 m long for 35 cm high, with no text in the image. The middle of the scene shows the bustle in the main street while the left and right parts are more rural. This work which remains complete will be sold by Poly Auction in Hong Kong on October 5, lot 996. It is illustrated in the press releasededicated to all the sessions of that sale.
Some scrolls were used as masters for albums of engravings, marking the clear intention of the Qianlong emperor to promote the dissemination of culture. For this reason, the name of Feng Ning is not unknown on the art market although his personal details are unknown.
On June 11, 2013, Artcurial sold three albums by Feng Ning and colleagues with 16, 8 and 4 engravings on three different military campaigns of Qianlong, with explanatory text in the pictures. These lots were sold for € 150K, 91K and 43K including premium.
