Chinese Art from Tang to Qing
Except otherwise stated, all results include the premium.
See also : China Chinese calligraphy Song Yuan Ming Qianlong Mountains in China Cities Dragon Horse
Chronology : 1000-1400 14th century 17th century 1610-1619 18th century 1760-1769
See also : China Chinese calligraphy Song Yuan Ming Qianlong Mountains in China Cities Dragon Horse
Chronology : 1000-1400 14th century 17th century 1610-1619 18th century 1760-1769
1070-1100 Willows and Geese by Zhao Lingrang
2017 SOLD for $ 27M by Christie's
Zhao Lingrang, a brother of the fifth Song emperor, painted scrolls and fans. He is a typical example of the prince-artist of the ancient Chinese dynasties.
He was active between 1070 and 1100 CE, which is a period of high refinement. He takes that opportunity to have an indolent life. He loves music, women, furs and horses. An art critic of his time, close to Su Shi, criticizes him for his immaturity.
Zhao does not travel : maybe his high rank does not allow it. He paints in a cool gentleness hazy ponds with ducks and geese, probably taking his inspiration from Tang artists.
A 33 x 93 cm handscroll in ink and color on silk showing willows and geese was sold for $ 27M by Christie's on March 15, 2017, lot 511 in the auction of the Fujita Museum Collection.
This work is not signed. The attribution to Zhao Lingrang is authenticated by a set of thirteen colophons from the period of transition between Southern Song and Yuan. It also bears 27 collectors' seals including six from the Qianlong emperor and one from the Jiaqing emperor. It is listed in the Shiqu Baoji which is the catalogue of the Qing imperial collection.
He was active between 1070 and 1100 CE, which is a period of high refinement. He takes that opportunity to have an indolent life. He loves music, women, furs and horses. An art critic of his time, close to Su Shi, criticizes him for his immaturity.
Zhao does not travel : maybe his high rank does not allow it. He paints in a cool gentleness hazy ponds with ducks and geese, probably taking his inspiration from Tang artists.
A 33 x 93 cm handscroll in ink and color on silk showing willows and geese was sold for $ 27M by Christie's on March 15, 2017, lot 511 in the auction of the Fujita Museum Collection.
This work is not signed. The attribution to Zhao Lingrang is authenticated by a set of thirteen colophons from the period of transition between Southern Song and Yuan. It also bears 27 collectors' seals including six from the Qianlong emperor and one from the Jiaqing emperor. It is listed in the Shiqu Baoji which is the catalogue of the Qing imperial collection.
Wood and Rock by Su Shi
2018 SOLD for HK$ 460M by Christie's
Under the Song, the literati are philosophers and humanists who sometimes have the audacity to oppose imperial politics. Their supreme mode of expression is calligraphy, which conveys to their readers the firmness and rhythm of their thought.
In 1071 CE, Su Shi had been expelled from the capital, starting at the age of 34 a second career as a provincial servant with increasingly mediocre missions despite his immense talent. He died in 1101. His younger friend Mi Fu escaped political persecution by his reputation for eccentricity. They were the two best calligraphers in their lifetime.
A nine-character autograph message on a 28 x 9.5 cm sheet sent by Su Shi to the governor of a locality that he was leaving was sold for $ 8.2M by Sotheby's on September 19, 2013.
Graphic art is exceptional in their works. The movement of the artist's hand is the same as for calligraphy. The rare drawings by Su Shi translate emotions too deep to be expressed in words. Mi Fu will only paint in the last years of his life, mostly after Su Shi's death.
On November 26, 2018, Christie's sold for HK $ 460M as lot 8008 a 26 x 50 cm ink on paper painted by Su Shi. This piece is extended by many colophons including an appreciation calligraphed by Mi Fu, and includes many seals. Please watch two videos shared by the auction house.
The image consists of two elements that join together : a leafless tree twisted into several undulations and a bulky rock. The dryness of the tree expresses the desolation of the artist in his exile while at the opposite edge on the left flank of the rock the sparse bamboos bring the hope of a new vitality.
In 1071 CE, Su Shi had been expelled from the capital, starting at the age of 34 a second career as a provincial servant with increasingly mediocre missions despite his immense talent. He died in 1101. His younger friend Mi Fu escaped political persecution by his reputation for eccentricity. They were the two best calligraphers in their lifetime.
A nine-character autograph message on a 28 x 9.5 cm sheet sent by Su Shi to the governor of a locality that he was leaving was sold for $ 8.2M by Sotheby's on September 19, 2013.
Graphic art is exceptional in their works. The movement of the artist's hand is the same as for calligraphy. The rare drawings by Su Shi translate emotions too deep to be expressed in words. Mi Fu will only paint in the last years of his life, mostly after Su Shi's death.
On November 26, 2018, Christie's sold for HK $ 460M as lot 8008 a 26 x 50 cm ink on paper painted by Su Shi. This piece is extended by many colophons including an appreciation calligraphed by Mi Fu, and includes many seals. Please watch two videos shared by the auction house.
The image consists of two elements that join together : a leafless tree twisted into several undulations and a bulky rock. The dryness of the tree expresses the desolation of the artist in his exile while at the opposite edge on the left flank of the rock the sparse bamboos bring the hope of a new vitality.
Christie’s Announces 1000-year-old $50m Su Shi Scroll https://t.co/eVdovdYFyr pic.twitter.com/XpeTTOdBby
— Art Market Monitor (@artmarket) August 30, 2018
1244 Six Dragons attributed to Chen Rong
2017 SOLD for $ 49M by Christie's
The dragons, symbols of the emperor and his family, know how to confront the forces of nature. Their sinuous bodies sail like in weightlessness amidst clouds and waves. The varied expressions of their faces are always vigorous.
The hand scroll is an art much more refined than a mere drawing. The image is read from right to left as it is unfolded, offering the scene of a real action. The paper should also be exquisite in the touch.
Towards the end of the Southern Song Dynasty, the artist Chen Rong pushed his ink pictures of dragons to the rank of masterpieces. His scrolls were much admired by the Qianlong emperor who commented on the colophons and stamped his seals.
The drawing of the fabulous beast by Chen Rong is sharp and detailed, in contrast to its wet surrounding realized by an original method of ink spraying. In the Taoist tradition, such a scene is a magical summon to rain.
The Boston Museum retains a scroll starring nine young sons of the Dragon King, 46 cm high for 15 m long, including on the painting two autograph inscriptions that provide an estimate of the date of the artwork at 1244 of our calendar.
A scroll featuring six dragons in a style similar as in the Boston specimen was sold for $ 49M from a lower estimate of $ 1.2M by Christie's on March 15, 2017 after deaccession from the Fujita Museum in Osaka, lot 507. Signed by one seal of the artist, it is 35 cm high with a length of 4.40 m for the image and 83 cm for the calligraphy. It is handled for our pleasure in the video shared by the auction house.
The hand scroll is an art much more refined than a mere drawing. The image is read from right to left as it is unfolded, offering the scene of a real action. The paper should also be exquisite in the touch.
Towards the end of the Southern Song Dynasty, the artist Chen Rong pushed his ink pictures of dragons to the rank of masterpieces. His scrolls were much admired by the Qianlong emperor who commented on the colophons and stamped his seals.
The drawing of the fabulous beast by Chen Rong is sharp and detailed, in contrast to its wet surrounding realized by an original method of ink spraying. In the Taoist tradition, such a scene is a magical summon to rain.
The Boston Museum retains a scroll starring nine young sons of the Dragon King, 46 cm high for 15 m long, including on the painting two autograph inscriptions that provide an estimate of the date of the artwork at 1244 of our calendar.
A scroll featuring six dragons in a style similar as in the Boston specimen was sold for $ 49M from a lower estimate of $ 1.2M by Christie's on March 15, 2017 after deaccession from the Fujita Museum in Osaka, lot 507. Signed by one seal of the artist, it is 35 cm high with a length of 4.40 m for the image and 83 cm for the calligraphy. It is handled for our pleasure in the video shared by the auction house.
Six Dragons handscroll attributed to Chen Rong, from the Fujita Museum sold for $48,967,500 against high estimate of $1.8m #AsianArtWeek pic.twitter.com/rbMbIyub5P
— Christie's (@ChristiesInc) March 15, 2017
Five Drunken Kings Return on Horses by Ren Renfa
2016 SOLD for RMB 303M by Poly
A painting titled Five Drunken Kings Return on Horses was sold for HK $ 46.6M by Christie's on November 29, 2009, lot 815, for RMB 303M by Poly on December 4, 2016, lot 4050 and for HK $ 307M by Sotheby's on October 8, 2020, lot 2575. Please watch the video shared by Sotheby's.
It is in a very good contrast in spite of its age and has been carefully analyzed. The paper is conformant to the Song patterns and is earlier than the Ming. The scroll includes ancient colophons as well as the seals of three Qing emperors.
There are nine characters overall in this hand scroll 2.10 m long and 35 cm high painted in ink and colors. The kings are riding in vacillating attitudes and four grooms attend to assure that their honorable masters will not fall.
The artist was named Ren Renfa and lived under the Yuan dynasty. He was following a tradition dating back to the Tang dynasty for pictures of horses of great beauty. The irreverent nature of the theme is a proof of wittiness rare in art history suggesting an artistic freedom at the time of the Mongolian rule.
Although his work is not uncommon, Ren Renfa was probably not a professional artist : he made his career as an imperial official in charge of the regulation of rivers.
According to the opinion of a Ming scholar official, the drunken characters are the five sons of a Tang emperor. The leading prince riding a magnificent black horse is the future emperor Xuanzong whose love of pleasures will much later trigger a civil war against his dynasty.
The procession of drunken princes by Ren displays revealing similarities in its composition with an elegant promenade of women painted two centuries earlier by the Song artist Li Longmian and preserved at the Taiwan Museum.
It is in a very good contrast in spite of its age and has been carefully analyzed. The paper is conformant to the Song patterns and is earlier than the Ming. The scroll includes ancient colophons as well as the seals of three Qing emperors.
There are nine characters overall in this hand scroll 2.10 m long and 35 cm high painted in ink and colors. The kings are riding in vacillating attitudes and four grooms attend to assure that their honorable masters will not fall.
The artist was named Ren Renfa and lived under the Yuan dynasty. He was following a tradition dating back to the Tang dynasty for pictures of horses of great beauty. The irreverent nature of the theme is a proof of wittiness rare in art history suggesting an artistic freedom at the time of the Mongolian rule.
Although his work is not uncommon, Ren Renfa was probably not a professional artist : he made his career as an imperial official in charge of the regulation of rivers.
According to the opinion of a Ming scholar official, the drunken characters are the five sons of a Tang emperor. The leading prince riding a magnificent black horse is the future emperor Xuanzong whose love of pleasures will much later trigger a civil war against his dynasty.
The procession of drunken princes by Ren displays revealing similarities in its composition with an elegant promenade of women painted two centuries earlier by the Song artist Li Longmian and preserved at the Taiwan Museum.
WANG MENG
Intro
The Chinese culture comes from a very strong literary tradition mixed with mysticism. In the 11th century CE, Mi Fu opened the way to the themes of the literate landscape, and for several centuries the graphic arts were often devoted to these ancient stories.
A maternal grandson of Zhao Mengfu, Wang Meng is one of the four great literati masters of the Yuan dynasty. He incorporated the techniques of Tang and Song dynasties. He survived the Yuan but was accused to support a rebellion against the Ming emperor and died in jail.
In the theme of the immensity of nature contemplated by the sage, Wang practiced two opposite styles in a single artwork. The human dwellings and occupationals are rendered in a sharp drawing of very thin brushstroke. The lush surrounding of trees and mountains provides the feeling of infinity in a very dense texture. The bare rocks escape the realism for providing an unbalanced emotion.
Qiu is a sacred mountain with a Buddhist temple. In his quest for expressing another reality and atmosphere, Wang Meng realized a mountain view in his signature style of varying the texture as necessary. He mingles curly brush lines and dense dots.
This hanging scroll in color on paper 135 x 35 cm does not add a narration to the view of towering mountains over a pleasant valley. It was sold for RMB 137M by Poly on June 3, 2010, lot 2881. This piece bears the seals of Wang Meng and of Wang Shuming that identified him in his early career. The Qiu location is identified by the artist.
A maternal grandson of Zhao Mengfu, Wang Meng is one of the four great literati masters of the Yuan dynasty. He incorporated the techniques of Tang and Song dynasties. He survived the Yuan but was accused to support a rebellion against the Ming emperor and died in jail.
In the theme of the immensity of nature contemplated by the sage, Wang practiced two opposite styles in a single artwork. The human dwellings and occupationals are rendered in a sharp drawing of very thin brushstroke. The lush surrounding of trees and mountains provides the feeling of infinity in a very dense texture. The bare rocks escape the realism for providing an unbalanced emotion.
Qiu is a sacred mountain with a Buddhist temple. In his quest for expressing another reality and atmosphere, Wang Meng realized a mountain view in his signature style of varying the texture as necessary. He mingles curly brush lines and dense dots.
This hanging scroll in color on paper 135 x 35 cm does not add a narration to the view of towering mountains over a pleasant valley. It was sold for RMB 137M by Poly on June 3, 2010, lot 2881. This piece bears the seals of Wang Meng and of Wang Shuming that identified him in his early career. The Qiu location is identified by the artist.
1
1350 Ge Zhichuan Relocating
2011 SOLD for RMB 400M by Poly
On June 4, 2011, Poly sold for RMB 400M a hanging scroll painted in ink and wash circa 1350 CE by Wang Meng on the theme of the migration of Ge Hong to the sacred mountains. The provenance of this artwork has been established over six centuries. The image is shared by Wikimedia.
Ge Hong, also named Ge Zhichuan, lived 1,000 years before Wang in the Eastern Jin dynasty. Nicknamed the Little Immortal Old Man, he was an alchemist, a doctor and above all a Taoist master. He was going to study the secrets of immortality in the Luofu mountains. He stayed there for eight years. The image by Wang shows Ge and his suite passing through a valley under a very rocky landscape. Seven poems have been added.
The Palace Museum in Beijing has a 139 x 58 cm scroll by the same artist on the same theme, dated around 1360, with another landscape in an oblique perspective.
Ge Hong, also named Ge Zhichuan, lived 1,000 years before Wang in the Eastern Jin dynasty. Nicknamed the Little Immortal Old Man, he was an alchemist, a doctor and above all a Taoist master. He was going to study the secrets of immortality in the Luofu mountains. He stayed there for eight years. The image by Wang shows Ge and his suite passing through a valley under a very rocky landscape. Seven poems have been added.
The Palace Museum in Beijing has a 139 x 58 cm scroll by the same artist on the same theme, dated around 1360, with another landscape in an oblique perspective.
2
Di Yan Tu
2023 SOLD for RMB 290M by China Guardian
In the theme of the smallness of man within the lush forest in front of majestic bare mountains, the Di Yan Tu hanging scroll by Wang Meng had been highly praised by the Qianlong emperor. It was recorded in the Qing catalogue Shiqu Baoji and is a rare example with the seven imperial appreciation seals, beside eight usual Qianlong seals. It has a five character poem inscribed by that emperor in running script and an inscription from the 11th year of Qianlong, 1746 CE.
The narrative input in thin lines is centered by a thatched cottage facing a stream, shaded by miscellaneous trees, while a small bridge is leading to the other side. Behind it, layers of steep mountains constitute an ideal world for the literati. A very young boy is operating an inkstone beside the stream. Inside the house with the pavilion open, a lonely seated man with a pointed beard is listening to the wonderful sound of the flowing water and watching the beautiful scenery including the clouds and the splashing of the waterfall.
The scenery and character details in this painting may be a portrayal of the aging artist in his secluded life after he abandoned his official position at the end of the Yuan dynasty.
This ink and color on paper 65 x 34 cm had been made by the artist for a friend. It was sold for RMB 290M by China Guardian on November 30, 2023, lot 2195. It is illustrated including many details in the post sale article shared by The Value.
The narrative input in thin lines is centered by a thatched cottage facing a stream, shaded by miscellaneous trees, while a small bridge is leading to the other side. Behind it, layers of steep mountains constitute an ideal world for the literati. A very young boy is operating an inkstone beside the stream. Inside the house with the pavilion open, a lonely seated man with a pointed beard is listening to the wonderful sound of the flowing water and watching the beautiful scenery including the clouds and the splashing of the waterfall.
The scenery and character details in this painting may be a portrayal of the aging artist in his secluded life after he abandoned his official position at the end of the Yuan dynasty.
This ink and color on paper 65 x 34 cm had been made by the artist for a friend. It was sold for RMB 290M by China Guardian on November 30, 2023, lot 2195. It is illustrated including many details in the post sale article shared by The Value.
WU BIN
1
1610 Lingbi Stone
2020 SOLD for RMB 510M by Poly
The gongshi is the rock of the literati. The erosion of the limestone has created strange shapes, simulating twisted columns rising to the sky. The larger ones are beloved ornaments in Chinese gardens. Lingbi, in Anshan province, is one of the three main deposits.
Mi Wanzhong, a painter and calligrapher, is a passionate collector whose artist name is Youshi, the friend of stones. Around 1610 CE he acquires an extraordinary Lingbi stone 50 cm high, simulating a forest with spectacular shrinkages and branches. He considers his artistic skills to be inadequate and calls his friend Wu Bin.
Wu Bin studies the stone for a month. His ten drawings display the specimen from all angles, with great precision of line and beautiful contrasts providing a superb texture effect. Each image is flanked by text.
Each of the ten elements measures 55 x 115 cm, for a total uninterrupted length of 11.5 m. The handscroll also includes two introductions respectively 26 x 112 cm and 48 x 143 cm and an epilogue 55 cm x 11.3 m with colophons.
Ten Views of a Lingbi Stone was sold for RMB 510M by Poly on October 18, 2020, lot 3922, after nearly an hour of bidding. It is illustrated with some enlarged details in the post sale report published by The Value. Please watch the much detailed video shared by Norton Museum of Art.
The Lingbi stone which served as a model only survived the ravages of time for a few decades.
Mi Wanzhong, a painter and calligrapher, is a passionate collector whose artist name is Youshi, the friend of stones. Around 1610 CE he acquires an extraordinary Lingbi stone 50 cm high, simulating a forest with spectacular shrinkages and branches. He considers his artistic skills to be inadequate and calls his friend Wu Bin.
Wu Bin studies the stone for a month. His ten drawings display the specimen from all angles, with great precision of line and beautiful contrasts providing a superb texture effect. Each image is flanked by text.
Each of the ten elements measures 55 x 115 cm, for a total uninterrupted length of 11.5 m. The handscroll also includes two introductions respectively 26 x 112 cm and 48 x 143 cm and an epilogue 55 cm x 11.3 m with colophons.
Ten Views of a Lingbi Stone was sold for RMB 510M by Poly on October 18, 2020, lot 3922, after nearly an hour of bidding. It is illustrated with some enlarged details in the post sale report published by The Value. Please watch the much detailed video shared by Norton Museum of Art.
The Lingbi stone which served as a model only survived the ravages of time for a few decades.
2
1615 Eighteen Luohans
2009 SOLD for RMB 170M by Poly
The original followers of Buddha are named Arhats in India and Luohans in China. They have a personal name and specific attributes. Their traditional number, eighteen, is not fixed by a sacred text. They have been admitted to Nirvana.
Wu Bin, who was a very skilled landscape artist in the Wanli era, was also a caricaturist. He was a devout Buddhist while remaining secular. He loved to ridicule the Luohans, therefore assessing that they were human beings.
The MET has a 32 x 415 cm scroll with sixteen Luohans. It bears a date corresponding to 1591 CE, and is arguably one of Wu Bin's earliest works on this subject. The serious and grotesque characters are stylized, but they are all different one another.
The Cleveland Museum of Art has an undated scroll 38 x 2500 cm by Wu Bin featuring 500 Luohans with 18 assistants plus Guanyin. They exercise their powers in an endless variety of situations. They know how to tame tigers and dragons, walk on water, fly on the back of a crane.
On November 22, 2009, Poly sold a 31 x 570 cm scroll by Wu Bin for RMB 170M from a lower estimate of RMB 20M, lot 5125. It is referenced and illustrated in an article published in 2020 by The Value.
A date inscribed in the work corresponds to 1615 CE. The eighteen Luohans are accompanied by grotesque animals. The Qianlong emperor, better known for his erudition than as a humorist, commented in a colophon about the quietened dragon which holds the sacred book in its claws.
Wu Bin, who was a very skilled landscape artist in the Wanli era, was also a caricaturist. He was a devout Buddhist while remaining secular. He loved to ridicule the Luohans, therefore assessing that they were human beings.
The MET has a 32 x 415 cm scroll with sixteen Luohans. It bears a date corresponding to 1591 CE, and is arguably one of Wu Bin's earliest works on this subject. The serious and grotesque characters are stylized, but they are all different one another.
The Cleveland Museum of Art has an undated scroll 38 x 2500 cm by Wu Bin featuring 500 Luohans with 18 assistants plus Guanyin. They exercise their powers in an endless variety of situations. They know how to tame tigers and dragons, walk on water, fly on the back of a crane.
On November 22, 2009, Poly sold a 31 x 570 cm scroll by Wu Bin for RMB 170M from a lower estimate of RMB 20M, lot 5125. It is referenced and illustrated in an article published in 2020 by The Value.
A date inscribed in the work corresponds to 1615 CE. The eighteen Luohans are accompanied by grotesque animals. The Qianlong emperor, better known for his erudition than as a humorist, commented in a colophon about the quietened dragon which holds the sacred book in its claws.
1616-1672 Echo through the Mountains
2023 SOLD for HK$ 190M by China Guardian
Dong Qichang desired to be an arbiter of taste. He constituted with younger fellows a sort of academy later identified as the Nine Friends in Painting (Hua Zhong Jiu You) by poet Wu Weiye in 1655 CE.
The scholar artist Wu Hufan began in 1933 collecting albums of art and associated calligraphies by each of the nine. The collection was complete in 1947. The albums were carefully assembled into a unified shape with the overall title Echo through the mountains : Landscapes and Calligraphy by the Nine Friends in Painting.
The earliest entry is an album by Dong Qichang of eight leaves 25.3 x 17.5 cm dated bingchen, 1616 CE. It is titled Album of Landscapes after Old Masters. The next one, in 1622 by Li Liufang, is titled Album of Landscapes and Calligraphies. The latest, made in 1672, brings the overall total to 108 leaves. Its art is by the youngest, Wang Jian, who was aged 38 at Dong's passing in 1636.
The nine volumes were sold for HK $ 190M by China Guardian as a single lot on June 12, 2023, lot 790.
The scholar artist Wu Hufan began in 1933 collecting albums of art and associated calligraphies by each of the nine. The collection was complete in 1947. The albums were carefully assembled into a unified shape with the overall title Echo through the mountains : Landscapes and Calligraphy by the Nine Friends in Painting.
The earliest entry is an album by Dong Qichang of eight leaves 25.3 x 17.5 cm dated bingchen, 1616 CE. It is titled Album of Landscapes after Old Masters. The next one, in 1622 by Li Liufang, is titled Album of Landscapes and Calligraphies. The latest, made in 1672, brings the overall total to 108 leaves. Its art is by the youngest, Wang Jian, who was aged 38 at Dong's passing in 1636.
The nine volumes were sold for HK $ 190M by China Guardian as a single lot on June 12, 2023, lot 790.
1764 Pacification of the Western Regions by Xu Yang
2021 SOLD for RMB 410M by Poly
From the 20th to 24th year of Qianlong matching 1755 to 1759 CE, the emperor ordered three military campaigns for the control of the border Xinjiang region and the destruction of the Dzungars.
Xu Yang was a court artist. A handscroll 43 x 1860 cm in bright colors on paper is titled Picture of the Presentation of the Captives for the Pacification of the Western Regions. Commissioned by the emperor, it depicts scenes in Beijing during a military ceremony in the Qing palace after the victories. His sense of perspective and figuration were influenced by European art.
This detailed topographic picture leads the viewer from Zhengyang gate to the Forbidden City through Tiananmen Square. Crowds are displayed alongside lines of guards and flag bearers.
According to the archives Xu Yang should have completed this painting before the 29th year of Qianlong's reign, 1764 CE.
This piece was originally displayed with brocade wrapping in the imperial palace and bears several seals of Qianlong. It was sold for RMB 134M by Sungari in 2009 and for RMB 410M by Poly on June 6, 2021, lot 1935 and is illustrated in the post sale report shared by CNN. Two details are illustrated in the tweet below.
Xu Yang was a court artist. A handscroll 43 x 1860 cm in bright colors on paper is titled Picture of the Presentation of the Captives for the Pacification of the Western Regions. Commissioned by the emperor, it depicts scenes in Beijing during a military ceremony in the Qing palace after the victories. His sense of perspective and figuration were influenced by European art.
This detailed topographic picture leads the viewer from Zhengyang gate to the Forbidden City through Tiananmen Square. Crowds are displayed alongside lines of guards and flag bearers.
According to the archives Xu Yang should have completed this painting before the 29th year of Qianlong's reign, 1764 CE.
This piece was originally displayed with brocade wrapping in the imperial palace and bears several seals of Qianlong. It was sold for RMB 134M by Sungari in 2009 and for RMB 410M by Poly on June 6, 2021, lot 1935 and is illustrated in the post sale report shared by CNN. Two details are illustrated in the tweet below.
Maybe the most expensive item in the coming Beijing Spring Auction:
— China in Pictures (@tongbingxue) May 17, 2021
Settling Down the Western Regions and Presenting Prisoners,
hand scroll by court artist Xu Yang, Qianlong Period (1736-1796), 1,800 cm wide, Poly Auction, POR. pic.twitter.com/SJqs7nM4DR
