ArtHitParade
ArtHitParade on X
  • Home
    • Contact
  • Calendar
  • Top 10
    • Origin
    • From 600 BCE to CE
    • Years 1 to 1000
    • Years 1000 to 1400
    • 15th Century >
      • Years 1400-1429
      • Years 1430-1459
      • Years 1460-1479
      • Years 1480-1499
    • 16th Century >
      • Years 1500-1519
      • Decade 1520-1529
      • Decade 1530-1539
      • Years 1540-1569
      • Years 1570-1599
    • 17th Century >
      • Decade 1600-1609
      • Decade 1610-1619
      • Decade 1620-1629
      • Decade 1630-1639
      • Decade 1640-1649
      • Decade 1650-1659
      • Years 1660-1679
      • Years 1680-1699
    • 18th Century >
      • Decade 1700-1709
      • Decade 1710-1719
      • Decade 1720-1729
      • Decade 1730-1739
      • Decade 1740-1749
      • Decade 1750-1759
      • Decade 1760-1769
      • Decade 1770-1779 >
        • 1776
      • Decade 1780-1789 >
        • 1787
      • Decade 1790-1799 >
        • 1792
    • 19th Century >
      • Decade 1800-1809
      • Decade 1810-1819
      • Decade 1820-1829
      • Decade 1830-1839
      • Decade 1840-1849
      • Decade 1850-1859
      • Decade 1860-1869
      • Decade 1870-1879 >
        • 1877
        • 1878
        • 1879
      • Decade 1880-1889 >
        • 1880
        • 1881
        • 1882
        • 1884
        • 1885
        • 1887
        • 1888
        • 1889
      • Decade 1890-1899 >
        • 1890
        • 1891
        • 1892
        • 1895
        • 1896
    • 20th Century >
      • Decade 1900-1909 >
        • 1901
        • 1902
        • 1903
        • 1904
        • 1905
        • 1906
        • 1907
        • 1908
        • 1909
      • Decade 1910-1919 >
        • 1910
        • 1911
        • 1912
        • 1913
        • 1914
        • 1915
        • 1916
        • 1917
        • 1918
        • 1919
      • Decade 1920-1929 >
        • 1920
        • 1921
        • 1922
        • 1923
        • 1924
        • 1925
        • 1926
        • 1927
        • 1928
        • 1929
      • Decade 1930-1939 >
        • 1930
        • 1931
        • 1932
        • 1933
        • 1934
        • 1935
        • 1936
        • 1937
        • 1938
        • 1939
      • Decade 1940-1949 >
        • 1941
        • 1942
        • 1943
        • 1945
        • 1946
        • 1947
        • 1948
        • 1949
      • Decade 1950-1959 >
        • 1950
        • 1951
        • 1952
        • 1953
        • 1954
        • 1955
        • 1956
        • 1957
        • 1958
        • 1959
      • Decade 1960-1969 >
        • 1960
        • 1961
        • 1962
        • 1963
        • 1964
        • 1965
        • 1966
        • 1967
        • 1968
        • 1969
      • Decade 1970-1979 >
        • 1970
        • 1971
        • 1972
        • 1973
        • 1974
        • 1975
        • 1976
        • 1977
        • 1978
        • 1979
      • Decade 1980-1989 >
        • 1980
        • 1981
        • 1982
        • 1983
        • 1984
        • 1985
        • 1986
        • 1987
        • 1988
        • 1989
      • Decade 1990-1999 >
        • 1990
        • 1991
        • 1992
        • 1993
        • 1994
        • 1995
        • 1996
        • 1997
        • 1998
        • 1999
    • 21st Century >
      • Decade 2000-2009 >
        • 2000
        • 2001
        • 2002
        • 2003
        • 2004
        • 2005
        • 2006
        • 2007
        • 2008
        • 2009
      • Decade 2010-2019 >
        • 2010
        • 2011
        • 2012
        • 2013
        • 2014
        • 2015
        • 2017
        • 2018
      • 2020 to now >
        • 2021
        • 2022
  • Ancient Painting
    • Flemish Art >
      • Pieter II Brueghel
      • Jan Brueghel
    • Rubens
    • Rembrandt
    • Early Still Life
    • Oil on Copper
  • 18th Century Painting
  • Ancient Drawing
  • Art on Paper
  • Sculpture
    • Bust
    • Ancient Sculpture >
      • Roman Sculpture
    • Italian Sculpture
    • French Sculpture >
      • Rodin
    • Sculpture by Painters
  • Women Artists
    • Ancient Art by Women
    • O'Keeffe
    • Lempicka
    • Martin
    • Mitchell
    • Yayoi Kusama
    • Brown
  • Furniture
    • Chairs and Seats
    • Colonial Furniture
    • Ancient French Furniture
    • Modern Furniture >
      • Art Deco
      • Modern Tables
  • Prints
    • Ancient Prints
    • Modern Prints
  • Photo
    • Old Photos >
      • Travel Photos
      • Early French Photo
    • Photos 1900s 1910s
    • Photos 1920s 1930s
    • Photos 1970s 1980s
    • Sherman
    • Gursky
  • The Man
  • The Woman
  • Children
  • Man and Woman
  • Groups
  • Self Portrait
    • Self Portrait 2nd page
  • Nude
  • Abstract Art - 2nd page
  • Landscape
    • Alps
  • Cities
    • Venice
    • Paris
  • Flowers
    • Bouquet
  • Animals
    • Bird
    • Cats and Lions
    • Horse
  • Tabletop
  • Music and Dance in Art
    • Music in Old Painting
  • Sport in Art
  • Orientalism
    • Orientalism 1830-1900
  • France
    • French Painting before 1860
    • Manet
    • Degas
    • Cézanne
    • Monet >
      • Monet before 1879
      • Monet 1879-1887
      • Series by Monet
      • London and Venice
      • Bassin aux Nymphéas
    • Renoir
    • Caillebotte
    • Gauguin
    • Seurat
    • Signac
    • Lautrec
    • Matisse
    • Léger
    • Klein
    • Lalanne
    • Post War French Art
  • Italy
    • Canaletto
    • Modigliani
    • Fontana
    • Mappa by Boetti
  • Swiss Painting
  • Giacometti
    • Giacometti 1947-53
    • Femme Debout
  • Bacon
    • Bacon before 1963
    • Bacon 1963-70
    • Later Bacons
    • Head Triptych
  • UK - 2nd page
    • Ancient England
    • George III
    • British Royals
    • Turner >
      • Watercolor by Turner
    • Freud >
      • Early Freud
    • Hockney
    • Doig
    • Hirst
    • Banksy
  • Richter
    • Richter before 1983
  • Germany - 2nd page
    • Ancient Germany >
      • Cranach
    • Marc
  • Van Gogh
  • Mondrian
  • De Kooning
  • Magritte
    • Early Magritte
  • Belgium 2nd page
  • Ancient Spain
  • Picasso
    • Picasso before 1907
    • Picasso 1907-1931
    • Marie-Thérèse
    • Picasso later 1930s
    • Picasso 1940-1960
    • Picasso in Mougins
    • Prints by Picasso
  • Gris
  • Miro
  • Klimt
  • Schiele
  • USA
    • US Independence
    • Development of USA
    • US Civil War
    • US Painting before 1940 >
      • Sargent
    • Hopper
    • Rockwell
    • Calder
    • Rothko >
      • Early Rothko
      • Rothko 1957-70
    • Still
    • Newman
    • Guston
    • Pollock
    • Diebenkorn
    • Lichtenstein >
      • Lichtenstein after 1965
    • Warhol >
      • USA by Warhol
      • Celebrities by Warhol >
        • Elvis and Liz
      • Later Warhols
      • Prints by Warhol >
        • Warhol Prints 2nd page
    • Twombly
    • Johns
    • Ruscha
    • Koons
    • Marshall
    • Wool
    • Basquiat
    • Bradford
  • Wild West
  • Central and South Americas
    • Mexico
  • China
    • Ritual Bronzes
    • Song
    • Yuan
    • Ming
    • Early Qing
    • Qianlong
    • Modern China >
      • Qi Baishi
      • Zhang Daqian >
        • Zhang Daqian before 1965
      • Fu Baoshi
      • Sanyu >
        • Sanyu before 1950
      • Li Keran
      • Wu Guanzhong
      • Zao Wou-Ki
      • Cui Ruzhuo
    • Chinese Porcelain >
      • Song to Yuan Porcelain
      • Ming Porcelain
      • Qing Porcelain
    • Chinese Art
    • Mountains in China
    • Chinese Calligraphy
    • Chinese Furniture
    • Imperial Seal
    • Chinese Dragon
    • Jadeite
  • India
    • Gaitonde
    • Modern India
  • Persia
    • Safavid Carpets
  • Yoshitomo Nara
  • Russia and Eastern Europe
    • Russia 1700-1900
    • Kandinsky
    • Brancusi
    • Chagall
    • Soutine
    • Ghenie
  • Munch
    • Prints by Munch
  • Egypt
  • Tropical Africa
    • Congo
    • Gabon
    • Mask
  • Tribal Oceania
    • Easter Island
  • Australia
    • Colonial Australia
  • Islam
  • Buddhism
    • Early Buddhist Sculpture
    • Tibet and Nepal
  • Judaica
  • Christianity
    • Madonna and Child
  • Cars
    • Birth of Automobile
    • Cars of the 1910s
    • Cars of the 1920s
    • Cars of the 1930s >
      • Cars 1930-33
      • Cars 1934-35
      • Cars 1936-37
      • Cars 1938-39
    • Post War Cars
    • Cars of the 1950s >
      • Cars 1953-54
      • Cars 1955
      • Cars 1956-57
      • Cars 1958-59
    • Cars of the 1960s >
      • Cars 1960-61
      • Cars 1962-63
      • Cars 1964-65
      • Cars 1966-67
    • Cars 1970s 1980s
    • Supercars
    • Hypercars
    • Ferrari >
      • California Spider
      • Big Five
    • Alfa Romeo
    • Mercedes-Benz
    • Porsche
    • Aston Martin
    • Jaguar
    • McLaren
    • Bugatti
    • French Cars
    • Duesenberg
    • Ford and Shelby
    • Cars in Movies
  • Motorcycles
  • Jewels
    • White Diamond
    • Pink Diamond
    • Blue Diamond
    • Jewels - 2nd page
    • Cartier
  • Silverware
    • Old Silverware
  • Coin
    • Antique Coins >
      • Roman Coins
    • Coins 1000-1775
    • Coins 1776-92
    • Coins 1793-1819
    • Coins 1820-49
    • Coins 1850-69
    • Coins 1870-99
    • 20th century Coins
    • US Gold Coins
    • Silver Dollar
    • Cent and Dime
    • British Coins
    • Japanese Coins
    • Chinese Coins
  • Paper Currency
  • Medal and Decoration
  • Time Pieces
    • Clocks >
      • Old Clocks
    • Mechanical Craft ca 1800
    • Jaquet-Droz and Followers
    • Modern Watches
    • New Watches >
      • OnlyWatch
    • Patek Philippe >
      • Patek Philippe before 1950
      • World Time
      • Perpetual Calendar
    • Rolex
    • French Time Pieces
    • Daniels
  • Glass and Crystal
    • Glass before 1900
    • Tiffany Studios
  • Terracotta and Porcelain
    • Meissen
  • Textiles
  • Books
    • Incunabula
    • 16th Century Books
    • 17th Century Books
    • Fine Books 1700-1850
    • The Birds of America
  • Literature
    • Literature in French
  • Poems and Lyrics
  • Autograph
  • Manuscript
    • Paleography
    • Illuminated Christian Manuscript
  • Political Writing
  • Comic Books
  • Illustration Art
    • Tintin
  • Travel
  • Ancient Maps
  • Space
  • Movies
  • Screen Worn
  • Music
  • Musical Instrument
    • Stradivarius
    • Violin 2nd page
    • Guitar
    • Chinese Instrument
  • The Beatles
  • Poster
  • Sport
    • Sport Equipment
    • Sport Document
    • Sport Rewards
    • Sport Cards >
      • Sport Images before 1942
      • T206 Wagner
      • Babe Ruth Cards
      • Sport Cards 1942-92
      • Topps Mantle
      • Modern Sport Cards
    • Baseball >
      • Baseball Bat
      • Baseball Jersey
      • Babe Ruth
      • Lou Gehrig
    • Basketball >
      • Michael Jordan
      • Kobe Bryant
    • Ice Hockey
    • Sport 2nd page
  • Olympic Games
  • Origins of Sports
  • Historical Arms
    • Blade and Armour
    • Colt in Lifetime
    • Later Colts
    • Winchester
    • Firearms
  • Toys
  • Doll
  • Games
  • Stamps
    • US Stamps
    • Inverted Jenny
  • Inventions
  • Leica
  • Sciences
    • Ancient Science
    • Sciences 1600-1800
    • Astronomy
    • Physics
    • Medicine
  • Dinosaur
  • Computing
  • Nobel Medals
    • Nobel in Medicine
  • Whisky
    • Whisky 2nd page
  • Wine
  • Plus
    • Plus 17C Art
    • Plus 18C Art
    • Plus 1910s
    • Plus 1982 Basquiat
    • Plus Ferrari
    • Plus US Cars
    • Plus Qing Porcelain
    • Plus Tribal
  • Work in Progress

Wassily KANDINSKY (1866-1944)

Except otherwise stated, all results include the premium.
​See also :  Russia  Alps  Music and dance
Chronology : 1909  1910  1913  1914  1921  1924  1935  1937

masterpiece
winter 1908-1909 Der blaue Berg
Guggenheim

From his childhood Kandinsky was fascinated by colors. He settled in Munich in 1896 to integrate himself within the artistic avant-gardes that he will manage to regroup around him. From this first phase he is remarkably open to all the movements that escape classicism. The main themes of his personal art are the Bavarian landscapes and the rural legends of Russia.

After Cézanne and van Gogh he learns to shake the realism of the lines. After Gauguin, Matisse, the Fauvists and the post-Impressionists, he likes to exaggerate the colors and ceases to weaken them under a varnish. He follows his friend Jawlensky who was one of the first to systematically abandon the realism of colors. Attracted by mysticism, Kandinsky studies Goethe's theories on the psychological significance of colors.

Two summer stays at Murnau with Jawlensky and their companions Gabriele and Marianne are decisive for Kandinsky's career and for his role as a pioneer of modern art. In 1908 he experiments with new forms and new colors. In 1909 he revisits with blazing colors in thick layers his compositions of the previous year and prepares the theories of his new art.

Der blaue Berg is narrative. A group of riders travels in front of a mountain reduced to a triangular surface in an intense blue.
Blue Mountain, 1908-09. Solomon R. Guggenheim Museum, New York

1909 Murnau - Landschaft mit grünem Haus
​2017 SOLD for £ 21M by Sotheby's

Murnau - Studie zur Landschaft mit grünem Haus is an oil on board 33 x 45 cm painted in 1908.

Satisfied with the audacity of his study with the green house Kandinsky reuses the same composition in 1909 in a larger size with more saturated pure colors. Murnau - Landschaft mit grünem Haus, oil on board 70 x 96 cm, was sold for £ 21M from a lower estimate of £ 15M by Sotheby's on June 21, 2017, lot 47.
1909

1909 Studie für Improvisation
2012 SOLD for $ 23M by Christie's

In 1909, Wassily Kandinsky spent several months in Murnau, Bavaria, together with Gabriele Münter. He worked intensively on the redefinition of art, preparing his theoretical book Uber das Geistige in der Kunst (On the Spiritual in Art).

Far from imagining that he will define the abstract art a few months later, he identifies three themes for his personal art: impressions, improvisations, compositions. He starts immediately by "improvisations", which fascinated him.

In the eight improvisations realized in Murnau in 1909, color dominates the whole work. Some riders and heroes are clearly visible, but the narration is minimized so that the colors get the top role to guide interpretation and emotion.

The notion of improvisation usually involves spontaneity. For this theorist of great complexity, this is no longer true: the pseudo-improvisations are preceded by studies in oil, as if to demonstrate that this art is the culmination of an inner process.

At this stage, by leaving much place for an interpretation by the observer, Kandinsky is a powerful predecessor of Miro. Later, at the time of abstraction, his art becomes too semantic, with a reading difficulty that can repel the public.

Studie für Improvisation 8, 98 x 70 cm was sold for $ 23M by Christie's on November 7, 2012. Please watch the video prepared by the auction house.

In 1909 also Studie zu Improvisation 3 was painted in strident colors. Kandinsky was a master of fauvist expressionism. His research on forms and colors were already more important to him than the theme. This oil and gouache on cardboard 45 x 65 cm was sold by Christie's for £ 13.5M on June 18, 2013.

A mystical rider rushes to the fortress for conquering like a Don Quixote to conquer the mystical dimension of art. The fortress does not exist in Murnau, it is already a product of the imagination of Kandinsky in his greatest year of creativity. 

The rider is a crusader in a urban context too stylized to be recognizable. The strength of his huge sword and the violent colors express the glory of the artist to lead the way to a new conception of art. The landscape does not matter any more to the artist.

1910 Murnau mit Kirche

1
​II
2023 SOLD for £ 37M by Sotheby's

Wassily Kandinsky is back in 1910 in Murnau where his companion Gabriele Münter had bought a summer home in the previous year. Kandinsky is completing his quest for the new art, divided into elaborate compositions and spontaneous improvisations, soon afterward released as On the Spiritual in Art.

At that stage Kandinsky is still a landscape painter, but colors and forms supersede the realism. Murnau's dazzling colors are the beloved lab of his researches, including the dark violet woods and the saturated green of the foliage.

He makes a further step forward by considering that the verticals, while required to recognize a landscape, may be tilted. A church steeple or a factory chimney can play this role. A consequence is the canceling of the perspective, supporting his desired domination of color over representational and going closer to his end goal to mingle painting with poetry and music as a new harmonic art.

Murnau mit Kirche I, oil on board 67 x 50 cm, is anchored by the tilted steeple, but the real verticals are re-established in the foreground fence and absent in the background.

Murnau mit Kirche II, oil on canvas 96 x 105 cm, achieves that new trend by tilting the village and the mountains in a unique angle all around the same steeple.

This groundbreaking picture comes to the market as a restitution from a Nazi spoliation after seven decades spent in a museum in Eindhoven. It was sold for £ 37M by Sotheby's on March 1, 2023, lot 115. The image is shared by Wikimedia. Please watch the video shared by the auction house.
Kandinsky, Blick auf Murnau mit Kirche
Alps
Russia
1910

2
for reference
I
Lanbachhaus München

The image is shared by Wikimedia.
Kandinsky, Murnau mit Kirche I (1910)

masterpiece
1912 Avec l'Arc Noir
Centre Pompidou

The image is shared by Wikimedia.
Vassily kandinsky, con l'arco nero, 1912

​1913 Bild mit weissen Linien
​2017 SOLD for £ 33M by Sotheby's

The summers 1908 and 1909 spent by Kandinsky in Murnau are important for the evolution of his creative vision but are in fact only an intermediate phase. In reconstructing the figuration he is still in the wake of Cézanne. In using pure and bright colors he follows Matisse.

The anecdote that Kandinsky did not recognize one of his own paintings because it was turned on another side is often considered the founding act of abstract art. Reported much later by the artist this story is mainly symbolic and is not really dated. It marks the awareness by Kandinsky that the identification of the theme undermines the aesthetic appreciation of an artwork.

After 1909 Kandinsky suppressed the classical perspective in favor of tilted sceneries for which his preparatory sketches were figurative. He copies the positions, the proportions and the masses from the sketch into the final work. The figurative details disappear and the title suggests that it was an abstract conception from the beginning. The loss of the perspective gives the artist the opportunity to reinforce the musicalist interpretation of the colors. The balance of the masses becomes a symphony.

On June 21, 2017, Sotheby's sold for £ 33M Bild mit weissen Linien, oil on canvas 120 x 110 cm painted in 1913, lot 53.

A sketch in watercolor and ink for this work is known, dated from the same year. The towers of a Russian city are clearly visible along with a red bridge over the river and two harnessed horses. The comparison is obvious when we watch simultaneously the sketch and the painting. When we only see the ultimate image it is a brilliantly colored amalgam forming an oblique mass.

After his return to Russia, Kandinsky continues to proceed with a similar method. In 1916 Moskau I is a tilted sketch where some features of the big city are recognizable. Moskau II is closer to abstraction and requires an effort of interpretation. This oil on canvas 53 x 38 cm was sold for £ 6.3M by Sotheby's on February 3, 2015.

Big Bang of Modern art: #Kandinsky’s explosive canvas marks breakthrough moment, heading to NY and #London this June https://t.co/E6qgytSkzF pic.twitter.com/oaVJ18ngLa

— Sotheby's (@Sothebys) June 2, 2017
1913

1913 Zum Thema Jüngstes Gericht
2018 SOLD for $ 23M by Sotheby's

Encouraged by his own research at Murnau, Wassily Kandinsky manages to become the prophet of a new birth of painting. With their sequences of notes, Wagner and Schönberg share their mysticism with the music lovers. Painters have the colors.

In 1911 in Munich, Kandinsky and Marc create the group Der Blaue Reiter. Marc seeks to establish a symbolic code of colors that he applies to figurative forms without respecting the original colors of his models. Kandinsky wants to take into account the relationship perceived by humans between colors and emotions.

In this tendency the figurative gradually loses its preponderance. Lines and colors come to be organized as force fields around anchor points. The verticals are replaced by an oblique composition that directs the gaze towards the top right. Colors provide their emotions and their music around two mute values, white and black, which also express the two extremes of hope.

In seeking the spiritual with such considerations, Kandinsky increasingly approaches abstraction. His writings provide him a lead over all his competitors. When abstract art becomes one of the major elements of painting, he will have the necessary arguments to claim its invention, although the reality may be a little more complex.

The prophet of art must have mystical references. As early as 1910 Kandinsky tries the theme of the Last Judgment, very well adapted to his purpose by its depersonalized story.

On November 12, 2018, Sotheby's sold for $ 23M Zum Thema Jüngstes Gericht, oil and mixed media on canvas 47 x 52 cm painted by Kandinsky in 1913, lot 8.

This composition is not really abstract. By comparison with other works, we recognize steeples that surmount the horizon of the cities and the background is a group of mountains under a very tight flow of lightnings. The object of the judgment is the ultimate confrontation of good and evil that will open a new era. The anchors of the forces are the many oval shapes of various colors spread across that battlefield.

'The Triumph of Color: Important Works from a Private European Collection' today represents one of the finest assemblages of post-Impressionist & Modern Art in private hands. Preview the collection, which will highlight our marquee sales this Nov in #NYC: https://t.co/ct5KgUwp4L pic.twitter.com/WBKjsjAiZL

— Sotheby's (@Sothebys) October 4, 2018

1914 Fugue
1990 SOLD for $ 21M by Sotheby's

In 1909 Wassily Kandinsky described his inspiration by three categories : Impression, Improvisation, Komposition. This excessively theoretical approach should not obscure the fact that his great jump forward was to highlight the expression and confrontation of the colors while minimizing the line.

In January 1911 he was enthralled by the music of Schönberg heard in a concert. He will now endeavor to express through his painting a universal and pantheistic feeling with a rhythm which is equivalent to a breath. For that purpose he no longer needs a narrative excuse nor a perspective and he also eliminates the graphic consistency between lines and colors.

Fugue, oil on canvas 130 x 130 cm painted in 1914, was sold for $ 21M from a lower estimate of $ 10M by Sotheby's on May 17, 1990. The image is shared by Wikimedia.

Arnold Schönberg was a theorist of the fugue and a conductor of Bach. The colored striped ribbons hanging to the nearly biomorphic main figure certainly represent the freedom of the notes in Schönberg's system.
Vassily Kandinsky, 1914 - Fugue
1914

masterpiece
1920 Rotes Oval
The Solomon R. Guggenheim Museum

Narrated below.
​The image is shared by Wikimedia.
Red Oval, by Wassily Kandinsky

1921 Weisses Oval
2024 SOLD for $ 21.6M by Sotheby's

From 1918 to 1921 Kandinsky collaborated in Russian art education and museum reform. He managed to develop a teaching program based on the psychological effects of the association between forms and colors, resolutely promoting non-objective art and accepting intuition in the process of composition.

Painted in 1920, Rotes Oval is centered with nearly biomorphic forms in full opposition with the Suprematism of Malevich. Weisses Oval follows in 1921 with another balance of colors dominated by yellow and blue which represent an illusion of push and pull of warm and cold on the planar surface.


​Weisses Oval, oil on canvas 106 x 100 cm, was sold for $ 21.6M from a lower estimate of $ 15M for sale by Sotheby's on November 18, 2024, lot 12. Please watch the video shared by the auction house.

This pedagogic effort could not leave Gropius indifferent. Invited to attend the Bauhaus of Weimar as a Meister, Kandinsky left Russia for Germany in 1922. In the same year the Soviets prohibited the abstract art considered as incompatible with the socialist ideals.

#AuctionUpdate: One of the last three paintings he made while living in Russia, ‘Weisses Oval’ has sold for $21.6M at auction. #SothebysModern pic.twitter.com/RaCxP3CQNY

— Sotheby's (@Sothebys) November 19, 2024
1921

1924 Tiefes Braun
​2022 SOLD for $ 23.3M by Christie's

Founded in 1919 by Gropius in Weimar, the Bauhaus first focused on a synthesis between art and crafts for an application to architecture. In keeping with the progress of that time, the technique is gradually taking the place of the craftsmanship.

The Bauhaus was the place to be for Wassily Kandinsky. Invited by Gropius, he joined that school in 1922 to reside as a Meister, teaching both the basics of design for beginners and the advanced theories.

Originally a painter of landscapes and epic improvisations, he now becomes the theoretician of abstract art, questioning the usefulness of figuration in art.  

Kandinsky was throughout his career a theorist in search of the absolute art. At the time of the Blaue Reiter, the predominance of the colors and of the lines of force led him to abstraction, although he willfully ignored Malevich's Suprematism. In the Bauhaus he advances his theories by a detailed analysis of the basic forms : plane, straight line, angle, circle, semicircle, and of their relation with the colors. His own palette integrates additional colors.

Tiefes Braun was painted in 1924 by Kandinsky for his teaching. The arrangement of the figures assesses that he now integrates the Suprematism. This oil in canvas 83 x 73 cm was sold for $ 23.3M from a lower estimate of $ 10M by Christie's on November 9, 2022, lot 48.
1924

1935 Rigide et Courbé
​2016 SOLD for $ 23.3M by Christie's

In 1933, when the Bauhaus was closed by the Nazis, Wassily Kandinsky moved to an apartment in Neuilly-sur-Seine where he was to reside until his death. In his new Parisian life, he was helped by Duchamp. He went into a creative anonymity, keeping himself far away from the Surrealists but enjoying Miro's mingling of poetry and abstraction.

From 1922 to 1933, he had investigated with his colleagues from the Bauhaus the basic elements of the pictorial creation.

His exile in Paris frees him from teaching, and consequently from his subjugation to geometry. The forms observed in embryology and microbiology generate an unprecedented variant of his pantheism. He admires these flexible organisms invented by nature, which move under the microscope in a harmony that had escaped human eyes.

He then revisited the basic ideas of his early career about the pre-eminence of colors. The musical influence, triggered in 1911 by Schönberg, will never leave him. Nothing is left from a figurative inspiration.

Kandinsky loves the light and weather of Paris where he feels free despite the increasing heaviness of the European totalitarianisms. He introduces the curve, or more precisely the planar projection of a flexible tape, in his pictorial vocabulary and lets reappear some figurative symbols.

Rigide et courbé is painted in December 1935 with his new technique where he improves the texture by mingling sand in the oil paint. This mixed media on canvas 114 x 162 cm, is typical of the new style with the melody simulated by the curves of its central ribbon. It was sold for $ 23.3M from a lower estimate of $ 18M by Christie's on November 16, 2016, lot 18 B. Please watch the video shared by Christie's.

'Courbé' is the central tape, accompanied by a musical rhythm. Its flexibility expresses with a new optimism the vagaries of fate. This figure is flanked by a bulge and extended at its right end by the horns of a bovine. Its interpretation as the theme of the rape of Europa is plausible and seductive. At the same time Picasso identifies himself with the Minotaur.

'Rigide' is the totalitarianism reduced to a group of skyscrapers from which however escapes a sign of life which may be a leafy branch or perhaps a fetus. In the following year in his Composition No. 9, the symbols of birth become dominant and the theme of the fetus is confirmed in several places either by an explicit figuration or by the addition of umbilical cords.

Kandinsky painting bought directly from the artist by Solomon Guggenheim returns to auction https://t.co/qDctYtdUAX pic.twitter.com/73XK1bmZar

— The Art Newspaper (@TheArtNewspaper) September 15, 2016
1935

1937 Tensions Calmées
2021 SOLD for £ 21.2M by Sotheby's

On June 29, 2021, Sotheby's sold for £ 21.2M Tensions calmées, oil on canvas 90 x 116 cm painted in 1937, lot 116. Please watch the video shared by the auction house.

The title reveals the desire of the artist to express the complexity of the emotions through opposite concepts. It may be a precursor to his L'Elan tempéré of 1944, where the abstract figures are also musicalist.

Details in Tensions calmées may evoke a performing pianist with his keyboard and four converging strings of a violin. Curved figures are joyous, in an obvious desire to express an orchestration.
Music and Dance in Art
1937
Powered by Create your own unique website with customizable templates.