Song
Except otherwise stated, all results include the premium.
See also : China Chinese porcelain Song to Yuan porcelain Chinese art Musical instrument Chinese instrument Chinese calligraphy
Chronology : 1000-1400
See also : China Chinese porcelain Song to Yuan porcelain Chinese art Musical instrument Chinese instrument Chinese calligraphy
Chronology : 1000-1400
1070-1100 Willows and Geese by Zhao Lingrang
2017 SOLD for $ 27M by Christie's
Zhao Lingrang, a brother of the fifth Song emperor, painted scrolls and fans. He is a typical example of the prince-artist of the ancient Chinese dynasties.
He was active between 1070 and 1100 CE, which is a period of high refinement. He takes that opportunity to have an indolent life. He loves music, women, furs and horses. An art critic of his time, close to Su Shi, criticizes him for his immaturity.
Zhao does not travel : maybe his high rank does not allow it. He paints in a cool gentleness hazy ponds with ducks and geese, probably taking his inspiration from Tang artists.
A 33 x 93 cm handscroll in ink and color on silk showing willows and geese was sold for $ 27M by Christie's on March 15, 2017, lot 511 in the auction of the Fujita Museum Collection.
This work is not signed. The attribution to Zhao Lingrang is authenticated by a set of thirteen colophons from the period of transition between Southern Song and Yuan. It also bears 27 collectors' seals including six from the Qianlong emperor and one from the Jiaqing emperor. It is listed in the Shiqu Baoji which is the catalogue of the Qing imperial collection.
He was active between 1070 and 1100 CE, which is a period of high refinement. He takes that opportunity to have an indolent life. He loves music, women, furs and horses. An art critic of his time, close to Su Shi, criticizes him for his immaturity.
Zhao does not travel : maybe his high rank does not allow it. He paints in a cool gentleness hazy ponds with ducks and geese, probably taking his inspiration from Tang artists.
A 33 x 93 cm handscroll in ink and color on silk showing willows and geese was sold for $ 27M by Christie's on March 15, 2017, lot 511 in the auction of the Fujita Museum Collection.
This work is not signed. The attribution to Zhao Lingrang is authenticated by a set of thirteen colophons from the period of transition between Southern Song and Yuan. It also bears 27 collectors' seals including six from the Qianlong emperor and one from the Jiaqing emperor. It is listed in the Shiqu Baoji which is the catalogue of the Qing imperial collection.
1080 Letter to a Friend by Zeng Gong
2016 SOLD for RMB 207M by China Guardian
Zeng Gong lived at the height of the Song dynasty. He had received the jinshi, the highest degree of the imperial exams, and had a parallel literary and military career, as it was often the case. He was a historian, geographer, poet and essayist. Without being a professional calligrapher, he was a collector of ancient calligraphy and inscribed tablets.
An autograph letter has survived. 124 characters in regular kaishu script are distributed in thirteen columns in a perfect parallelism and spacing on a 29 x 38 cm sheet. It is precisely dated, corresponding to September 27, 1080 CE. The image is shared by Wikimedia.
In this document titled Jushi Tie (letter on some happenings), Zeng writes to a friend whom he had not seen for three years. He expresses his doubts about his ability to hold a post at the court. This question was on the spot since he will be summoned a month later in the capital Kaifeng to be awarded a promotion by the Shenzong emperor, with the mission of a study on the history of the Five Dynasties.
Jushi Tie was sold for RMB 109M by Poly on November 22, 2009, lot 5126, and for RMB 207M by China Guardian on May 15, 2016, lot 1424.
An autograph letter has survived. 124 characters in regular kaishu script are distributed in thirteen columns in a perfect parallelism and spacing on a 29 x 38 cm sheet. It is precisely dated, corresponding to September 27, 1080 CE. The image is shared by Wikimedia.
In this document titled Jushi Tie (letter on some happenings), Zeng writes to a friend whom he had not seen for three years. He expresses his doubts about his ability to hold a post at the court. This question was on the spot since he will be summoned a month later in the capital Kaifeng to be awarded a promotion by the Shenzong emperor, with the mission of a study on the history of the Five Dynasties.
Jushi Tie was sold for RMB 109M by Poly on November 22, 2009, lot 5126, and for RMB 207M by China Guardian on May 15, 2016, lot 1424.
Wood and Rock by Su Shi
2018 SOLD for HK$ 460M by Christie's
Under the Song, the literati are philosophers and humanists who sometimes have the audacity to oppose imperial politics. Their supreme mode of expression is calligraphy, which conveys to their readers the firmness and rhythm of their thought.
In 1071 CE, Su Shi had been expelled from the capital, starting at the age of 34 a second career as a provincial servant with increasingly mediocre missions despite his immense talent. He died in 1101. His younger friend Mi Fu escaped political persecution by his reputation for eccentricity. They were the two best calligraphers in their lifetime.
A nine-character autograph message on a 28 x 9.5 cm sheet sent by Su Shi to the governor of a locality that he was leaving was sold for $ 8.2M by Sotheby's on September 19, 2013.
Graphic art is exceptional in their works. The movement of the artist's hand is the same as for calligraphy. The rare drawings by Su Shi translate emotions too deep to be expressed in words. Mi Fu will only paint in the last years of his life, mostly after Su Shi's death.
On November 26, 2018, Christie's sold for HK $ 460M as lot 8008 a 26 x 50 cm ink on paper painted by Su Shi. This piece is extended by many colophons including an appreciation calligraphed by Mi Fu, and includes many seals. Please watch two videos shared by the auction house.
The image consists of two elements that join together : a leafless tree twisted into several undulations and a bulky rock. The dryness of the tree expresses the desolation of the artist in his exile while at the opposite edge on the left flank of the rock the sparse bamboos bring the hope of a new vitality.
In 1071 CE, Su Shi had been expelled from the capital, starting at the age of 34 a second career as a provincial servant with increasingly mediocre missions despite his immense talent. He died in 1101. His younger friend Mi Fu escaped political persecution by his reputation for eccentricity. They were the two best calligraphers in their lifetime.
A nine-character autograph message on a 28 x 9.5 cm sheet sent by Su Shi to the governor of a locality that he was leaving was sold for $ 8.2M by Sotheby's on September 19, 2013.
Graphic art is exceptional in their works. The movement of the artist's hand is the same as for calligraphy. The rare drawings by Su Shi translate emotions too deep to be expressed in words. Mi Fu will only paint in the last years of his life, mostly after Su Shi's death.
On November 26, 2018, Christie's sold for HK $ 460M as lot 8008 a 26 x 50 cm ink on paper painted by Su Shi. This piece is extended by many colophons including an appreciation calligraphed by Mi Fu, and includes many seals. Please watch two videos shared by the auction house.
The image consists of two elements that join together : a leafless tree twisted into several undulations and a bulky rock. The dryness of the tree expresses the desolation of the artist in his exile while at the opposite edge on the left flank of the rock the sparse bamboos bring the hope of a new vitality.
Christie’s Announces 1000-year-old $50m Su Shi Scroll https://t.co/eVdovdYFyr pic.twitter.com/XpeTTOdBby
— Art Market Monitor (@artmarket) August 30, 2018
1095 Calligraphy of a Tang poem
2010 SOLD for RMB 436M by Poly
A scroll of paper from Song period was sold for RMB 436M by Poly on June 3, 2010. It is completely covered with characters drawn in ink by Huang Tingjian, one of the most famous master calligraphers of his time. It is a fine example of his art consisting of semi-cursive letters in an energetic and accentuated style. Depending on location, this text includes from 4 to 15 characters within the height.
Completed around 1095 CE, this scroll is 37 cm high with a length exceeding 8 m, 15 m including the colohons contains 600 characters of which some examples are presented in the article shared by China Daily. Titled Di Zhu Ming, it is a copy of a Tang poem. It includes a small portrait of the calligrapher artist.
Completed around 1095 CE, this scroll is 37 cm high with a length exceeding 8 m, 15 m including the colohons contains 600 characters of which some examples are presented in the article shared by China Daily. Titled Di Zhu Ming, it is a copy of a Tang poem. It includes a small portrait of the calligrapher artist.
ca 1100 porcelain basin
2014 SOLD for HK$ 147M by Sotheby's
Under the Song dynasties, porcelain replaces jade for the dishes of the imperial palace, provided that its refinement is extreme. The greatest geometric simplicity is highly appreciated. The softness of the glazes is so great to the touch that up to present day it remains the unequaled summit of this art. Incised decorations are often exquisite but are not essential.
From the beginning of the dynasty with the white Ding type porcelain, some cups are multi-lobed, taking the shape of a blooming flower. This form has indeed a practical purpose because it helps to hold the brushes during washing.
A basin made in white porcelain at the time of the Northern Song Dynasty 900 years ago or slightly earlier was sold for HK $ 147M from a lower estimate of HK $ 60M by Sotheby's on April 8, 2014, lot 11. There is no evidence that this piece was imperial.
This large bowl 22 cm in diameter with high walls enters into the category of the Ding, vessels of good purity used for food or medicine. It is however the high end in this category, with some extreme refinements unique of their kind. Its glaze is colored in two very close ivory shades. It is in excellent condition.
Its theme is floral, first of all by its eight lobes of lotus petal shape. Inside, the floral patterns are finely incised under the glaze, barely noticeable in the photos. The central medallion is decorated with a peony and lotus stems adorn the inside walls. The exterior is blank.
The rim of the bowl is colored by a brown copper strip enabled by sparings in the glaze. This nice addition met the fashion of the time but did not please the emperor. It explains the development of the Ru production, monochrome without sparings, in the very last years of the dynasty.
From the beginning of the dynasty with the white Ding type porcelain, some cups are multi-lobed, taking the shape of a blooming flower. This form has indeed a practical purpose because it helps to hold the brushes during washing.
A basin made in white porcelain at the time of the Northern Song Dynasty 900 years ago or slightly earlier was sold for HK $ 147M from a lower estimate of HK $ 60M by Sotheby's on April 8, 2014, lot 11. There is no evidence that this piece was imperial.
This large bowl 22 cm in diameter with high walls enters into the category of the Ding, vessels of good purity used for food or medicine. It is however the high end in this category, with some extreme refinements unique of their kind. Its glaze is colored in two very close ivory shades. It is in excellent condition.
Its theme is floral, first of all by its eight lobes of lotus petal shape. Inside, the floral patterns are finely incised under the glaze, barely noticeable in the photos. The central medallion is decorated with a peony and lotus stems adorn the inside walls. The exterior is blank.
The rim of the bowl is colored by a brown copper strip enabled by sparings in the glaze. This nice addition met the fashion of the time but did not please the emperor. It explains the development of the Ru production, monochrome without sparings, in the very last years of the dynasty.
Ru Ware
Intro
In the history of mankind, artistic refinement is not a matter of continuous improvement, as one might believe. The chemical secret of the Imperial ceramics of the Northern Song is lost for a long time, and the quality of the smooth and translucent glaze using agate powder will never be equaled.
The best production center was known as the Ru kilns, Ru yao in Chinese. Ru ceramics are very rare because this operation lasted only a few years, 900 years ago during Zhezong and Huizong periods and was stopped by the fall of the dynasty. The site of the Ru yao, lost since the Yuan, was located in 1987 in Henan Province and excavated in 2000.
By a positioning on tiny studs during cooking without turning the piece upside down, the glaze savings that so displeased at the court of the Northern Song are avoided. The celadon color of which several shades are available equals the refinement of the jade. In the fashion of that time perfect proportions and minimalism are preferred to the complexity of shapes.
Located on what was to become a border zone between north and south, the Ru kilns did not survive the fall of the Northern Song. Their undocumented activity which was perhaps not in the service of the court had only lasted about two decades.
A quarter of a century after the fall of the Northern Song a courtier presents to the Gaozong Emperor of the Southern Song a significant group of Ru ware. The Emperor who was just managing to restore the legendary refinement of his dynasty admires the exceptional quality of these porcelains and especially some pieces whose surface has a texture like ice crackles. This effect modeling the creation of minerals in nature is appreciated as sensational. It was related to the chance of the cooling conditions in the Ru kilns but the Southern Song potters discovered the conditions to be applied to create such a texture at will.
87 pieces of Ru porcelain of the Northern Song are known. Four of them are in private hands.
The best production center was known as the Ru kilns, Ru yao in Chinese. Ru ceramics are very rare because this operation lasted only a few years, 900 years ago during Zhezong and Huizong periods and was stopped by the fall of the dynasty. The site of the Ru yao, lost since the Yuan, was located in 1987 in Henan Province and excavated in 2000.
By a positioning on tiny studs during cooking without turning the piece upside down, the glaze savings that so displeased at the court of the Northern Song are avoided. The celadon color of which several shades are available equals the refinement of the jade. In the fashion of that time perfect proportions and minimalism are preferred to the complexity of shapes.
Located on what was to become a border zone between north and south, the Ru kilns did not survive the fall of the Northern Song. Their undocumented activity which was perhaps not in the service of the court had only lasted about two decades.
A quarter of a century after the fall of the Northern Song a courtier presents to the Gaozong Emperor of the Southern Song a significant group of Ru ware. The Emperor who was just managing to restore the legendary refinement of his dynasty admires the exceptional quality of these porcelains and especially some pieces whose surface has a texture like ice crackles. This effect modeling the creation of minerals in nature is appreciated as sensational. It was related to the chance of the cooling conditions in the Ru kilns but the Southern Song potters discovered the conditions to be applied to create such a texture at will.
87 pieces of Ru porcelain of the Northern Song are known. Four of them are in private hands.
1
intense blue-green brush washer
2017 SOLD for HK$ 294M by Sotheby's
A 13 cm round brush washer was sold for HK $ 294M by Sotheby's on October 3, 2017, lot 5. This intense blue-green piece has an exceptionally shiny crackled surface. Please watch the short video shared by the auction house.
900-year-old dish to smash US$36 million auction world record for Chinese antiques https://t.co/U56WqVJCQB pic.twitter.com/H7bBHIqiIv
— SCMP News (@SCMP_News) August 24, 2017
2
pale blue-green brush washer
2012 SOLD for HK$ 208M by Sotheby's
The classic color of Ru is a very pale blue-green jade imitation. A washer 13.5 cm in diameter in smooth texture and very good condition was sold for HK $ 208M from a lower estimate of HK $ 60M by Sotheby's on April 4, 2012. The edge is pinched in six locations, simulating the petals of a flower.
This washer was known long before the rediscovery of the site.
This washer was known long before the rediscovery of the site.
1120 Guqin
2010 SOLD for RMB 137M by Poly
The Huizong emperor, whose political incompetence led to the downfall of the Northern Song, was arguably the most important art lover of all time. At the beginning of Xuanhe, the sixth and final era of his reign, he had a catalog prepared of his collection, listing 6,391 paintings by 231 artists.
The esthete emperor was also a music lover. A self-portrait shows him playing the guqin, the zither with seven plucked strings used since the time of Confucius, 1600 years earlier.
An imperial guqin dated to the second year of Xuanhe, 1120 CE, has remained in a superb condition which has preserved its original sound. Some restorations under the Qing did not alter its sound box. According to the tradition for the most prestigious instruments, its name echoes its sound : Song Shi Jian Yi, stones amidst pine trees.
This classically shaped luxuriously lacquered instrument measures 126 cm overall, 21 cm shoulder wide and 4.7 cm thick.
After having been owned since 1953 by Fan Boyan, a famous guqin player in Shanghai, it was sold on December 5, 2010 by Poly for RMB 137M from a lower estimate of RMB 20M, lot 5681. It is illustrated in the post sale report by People's Daily.
The esthete emperor was also a music lover. A self-portrait shows him playing the guqin, the zither with seven plucked strings used since the time of Confucius, 1600 years earlier.
An imperial guqin dated to the second year of Xuanhe, 1120 CE, has remained in a superb condition which has preserved its original sound. Some restorations under the Qing did not alter its sound box. According to the tradition for the most prestigious instruments, its name echoes its sound : Song Shi Jian Yi, stones amidst pine trees.
This classically shaped luxuriously lacquered instrument measures 126 cm overall, 21 cm shoulder wide and 4.7 cm thick.
After having been owned since 1953 by Fan Boyan, a famous guqin player in Shanghai, it was sold on December 5, 2010 by Poly for RMB 137M from a lower estimate of RMB 20M, lot 5681. It is illustrated in the post sale report by People's Daily.
Letter to a Friend by Zhu Dunru
2020 SOLD for RMB 150M by China Guardian
A military officer and a poet, Zhu Dunru did not take part in the events of the fall of the Northern Song in 1127 CE but became provincial secretary in Shaoxing for the Southern Song and in 1135 CE followed the training for the jinshi, the highest degree of the imperial examinations. He died in 1159 CE, aged 78.
Zhu Dunru's known literary activity consists only of singing poems, a form that had previously been practiced by Su Shi, the most outstanding Song poet.
An autograph letter by Zhu Dunru was sold for RMB 150M by China Guardian on December 1, 2020, lot 279. The image is shared by China Daily in their review of the top results for Chinese art in 2020 auctions.
This letter to a friend in running and cursive script calligraphy on paper 35 x 46 cm is titled Kui Suo Tie, meaning "It has been a long time since I saw you". By its size and the number of its words spread over twelve columns, it is the most important of the four surviving autograph documents by this poet.
Zhu Dunru's known literary activity consists only of singing poems, a form that had previously been practiced by Su Shi, the most outstanding Song poet.
An autograph letter by Zhu Dunru was sold for RMB 150M by China Guardian on December 1, 2020, lot 279. The image is shared by China Daily in their review of the top results for Chinese art in 2020 auctions.
This letter to a friend in running and cursive script calligraphy on paper 35 x 46 cm is titled Kui Suo Tie, meaning "It has been a long time since I saw you". By its size and the number of its words spread over twelve columns, it is the most important of the four surviving autograph documents by this poet.
1244 Six Dragons attributed to Chen Rong
2017 SOLD for $ 49M by Christie's
The dragons, symbols of the emperor and his family, know how to confront the forces of nature. Their sinuous bodies sail like in weightlessness amidst clouds and waves. The varied expressions of their faces are always vigorous.
The hand scroll is an art much more refined than a mere drawing. The image is read from right to left as it is unfolded, offering the scene of a real action. The paper should also be exquisite in the touch.
Towards the end of the Southern Song Dynasty, the artist Chen Rong pushed his ink pictures of dragons to the rank of masterpieces. His scrolls were much admired by the Qianlong emperor who commented on the colophons and stamped his seals.
The drawing of the fabulous beast by Chen Rong is sharp and detailed, in contrast to its wet surrounding realized by an original method of ink spraying. In the Taoist tradition, such a scene is a magical summon to rain.
The Boston Museum retains a scroll starring nine young sons of the Dragon King, 46 cm high for 15 m long, including on the painting two autograph inscriptions that provide an estimate of the date of the artwork at 1244 CE.
A scroll featuring six dragons in a style similar as in the Boston specimen was sold for $ 49M from a lower estimate of $ 1.2M by Christie's on March 15, 2017 after deaccession from the Fujita Museum in Osaka, lot 507. Signed by one seal of the artist, it is 35 cm high with a length of 4.40 m for the image and 83 cm for the calligraphy. It is handled for our pleasure in the video shared by the auction house.
The hand scroll is an art much more refined than a mere drawing. The image is read from right to left as it is unfolded, offering the scene of a real action. The paper should also be exquisite in the touch.
Towards the end of the Southern Song Dynasty, the artist Chen Rong pushed his ink pictures of dragons to the rank of masterpieces. His scrolls were much admired by the Qianlong emperor who commented on the colophons and stamped his seals.
The drawing of the fabulous beast by Chen Rong is sharp and detailed, in contrast to its wet surrounding realized by an original method of ink spraying. In the Taoist tradition, such a scene is a magical summon to rain.
The Boston Museum retains a scroll starring nine young sons of the Dragon King, 46 cm high for 15 m long, including on the painting two autograph inscriptions that provide an estimate of the date of the artwork at 1244 CE.
A scroll featuring six dragons in a style similar as in the Boston specimen was sold for $ 49M from a lower estimate of $ 1.2M by Christie's on March 15, 2017 after deaccession from the Fujita Museum in Osaka, lot 507. Signed by one seal of the artist, it is 35 cm high with a length of 4.40 m for the image and 83 cm for the calligraphy. It is handled for our pleasure in the video shared by the auction house.
Six Dragons handscroll attributed to Chen Rong, from the Fujita Museum sold for $48,967,500 against high estimate of $1.8m #AsianArtWeek pic.twitter.com/rbMbIyub5P
— Christie's (@ChristiesInc) March 15, 2017
