Celebrities by Warhol
1962 The White Marilyn
2014 SOLD 41 M$ including premium
Andy Warhol, the painter of Coca Cola bottles and Campbell's cans, finished his first solo exhibition in July 1962 in Los Angeles. He immediately set to develop a quick and repeatable technique to produce paintings : silkscreen printing over a painted surface.
With such a process, Warhol could make multiple images either dispositioned side by side on the same canvas or featured in different colors on separated canvas.
He made his first trials with photographs of two young actors, Troy Donahue and Warren Beatty. The sudden death of Marilyn Monroe occured just at that time. Warhol understood that the image of the actress was a perfect theme for the development of his art.
The Quadruple Marilyn 74 x 55 cm overall that sold for $ 38M including premium at Phillips on May 16, 2013 can be described as a prototype with two applications of screen printing, one above and one below the acrylic layer, in order to improve the contrast of the image.
This technique did not meet the productivity required by Warhol. The series of twelve single Marilyn 51 x 41 cm are made with a single screen printing over acrylic paints of various colors. Two of these paintings are monochromatic. They are the precursors of the universal imaging conceived by Warhol.
The White Marilyn is estimated $ 12M, for sale by Christie's in New York on May 13. Here are two results for colored variants. The Lemon Marilyn was sold for $ 28M including premium at Christie's on May 18, 2007. The Orange Marilyn was sold for $ 16.3 million including premium at Christie's on November 15, 2006.
This series of twelve is contemporary with the Gold Marilyn currently at the MoMA, where the single silkscreen portrait surrounded by a halo occupies the center of a monumental canvas 211 x 145 cm.
That fabulous Gold Marilyn confirms that Warhol chose the theme of Marilyn through a mystical impulse and not by worldliness or desire to shock. A deep believer, he will come much later to religious iconography, preferring to show a preaching Christ rather than dying on the cross. His choice of an early picture of a Marilyn resplendent before the tragic events of her life matches the same idea.
POST SALE COMMENT
Forget the estimate. The highly important White Marilyn was sold for $ 41 M including premium.
With such a process, Warhol could make multiple images either dispositioned side by side on the same canvas or featured in different colors on separated canvas.
He made his first trials with photographs of two young actors, Troy Donahue and Warren Beatty. The sudden death of Marilyn Monroe occured just at that time. Warhol understood that the image of the actress was a perfect theme for the development of his art.
The Quadruple Marilyn 74 x 55 cm overall that sold for $ 38M including premium at Phillips on May 16, 2013 can be described as a prototype with two applications of screen printing, one above and one below the acrylic layer, in order to improve the contrast of the image.
This technique did not meet the productivity required by Warhol. The series of twelve single Marilyn 51 x 41 cm are made with a single screen printing over acrylic paints of various colors. Two of these paintings are monochromatic. They are the precursors of the universal imaging conceived by Warhol.
The White Marilyn is estimated $ 12M, for sale by Christie's in New York on May 13. Here are two results for colored variants. The Lemon Marilyn was sold for $ 28M including premium at Christie's on May 18, 2007. The Orange Marilyn was sold for $ 16.3 million including premium at Christie's on November 15, 2006.
This series of twelve is contemporary with the Gold Marilyn currently at the MoMA, where the single silkscreen portrait surrounded by a halo occupies the center of a monumental canvas 211 x 145 cm.
That fabulous Gold Marilyn confirms that Warhol chose the theme of Marilyn through a mystical impulse and not by worldliness or desire to shock. A deep believer, he will come much later to religious iconography, preferring to show a preaching Christ rather than dying on the cross. His choice of an early picture of a Marilyn resplendent before the tragic events of her life matches the same idea.
POST SALE COMMENT
Forget the estimate. The highly important White Marilyn was sold for $ 41 M including premium.
1962 Four Dazzling Marilyns
2013 SOLD for $ 38M including premium
2015 SOLD for $ 36M including premium
PRE 2015 SALE DISCUSSION
Warhol's Four Marilyns was sold for $ 38M including premium by Phillips on May 16, 2013, lot 23. I invite you to watch the video shared by the auction house before the sale.
This painting comes now for sale at Christie's in New York on November 10, lot 20B with a minimum price guarantee which is not released, as usual in such a case.
Here is how I introduced this artwork in 2013.
Andy Warhol, a former advertising illustrator turned artist, is very busy at the beginning of 1962. The mockery with which he displays the best loved consumer objects made in America becomes the thread of an exhibition at the Ferus Gallery in Los Angeles. Around the same time, he experiments his technique assisted by silkscreen that will allow him to increase his output as if his paintings were posters.
Marilyn's death on August 5 is a major shock to the American dream. Magazines explore frantically the last periods of her life. With opportunity, Andy understands that this tragic event will allow him to expand his themes beyond cats and soup cans.
Marilyn was dazzling. Andy chooses a film still made in 1952 to exalt his new posthumous muse. He copies the same image four times, in two columns and two rows, for a total size that now would seem small, 73 x 55 cm. In addition to the nice smile, the yellow hair before the orange background is expressing that death should not take its toll on the actress.
This is still a time for experiment. To enhance the graphic quality, Andy passes a second silkscreened layer over the acrylic. He shall quickly abandon this refinement which was not conducive to the rapid diversification wished by him for his art. This 'Four Marilyns' is one of the very first in the series devoted by Andy to this picture of the actress.
I invite you to watch the video shared by Christie's.
Warhol's Four Marilyns was sold for $ 38M including premium by Phillips on May 16, 2013, lot 23. I invite you to watch the video shared by the auction house before the sale.
This painting comes now for sale at Christie's in New York on November 10, lot 20B with a minimum price guarantee which is not released, as usual in such a case.
Here is how I introduced this artwork in 2013.
Andy Warhol, a former advertising illustrator turned artist, is very busy at the beginning of 1962. The mockery with which he displays the best loved consumer objects made in America becomes the thread of an exhibition at the Ferus Gallery in Los Angeles. Around the same time, he experiments his technique assisted by silkscreen that will allow him to increase his output as if his paintings were posters.
Marilyn's death on August 5 is a major shock to the American dream. Magazines explore frantically the last periods of her life. With opportunity, Andy understands that this tragic event will allow him to expand his themes beyond cats and soup cans.
Marilyn was dazzling. Andy chooses a film still made in 1952 to exalt his new posthumous muse. He copies the same image four times, in two columns and two rows, for a total size that now would seem small, 73 x 55 cm. In addition to the nice smile, the yellow hair before the orange background is expressing that death should not take its toll on the actress.
This is still a time for experiment. To enhance the graphic quality, Andy passes a second silkscreened layer over the acrylic. He shall quickly abandon this refinement which was not conducive to the rapid diversification wished by him for his art. This 'Four Marilyns' is one of the very first in the series devoted by Andy to this picture of the actress.
I invite you to watch the video shared by Christie's.
1963 The King and the Bad Boy
2014 SOLD for $ 82M including premium
After exploiting the adoration of the public for two actresses, Marilyn and Liz, Andy Warhol looked at the male actors. OnNovember 12 in New York, Christie's sells two of his most outstanding works in this theme, the Triple Elvis (Ferus Type) and the Quadruple Marlon. Both men, each in his own way, embodied the rebellion of the younger generation.
The 1963 exhibition at the Ferus Gallery in Los Angeles gave an opportunity for the artist to prepare multiple images of the King on a silver background that evoked the movie screen. On 9 May 2012, Sotheby's sold for $ 37M including premium a Double Elvis (Ferus Type), 208 x 122 cm, for which the inequality of density of the two identical figures brings a feeling of frenzy.
For the Triple Elvis, lot 9 of the next sale, 208 x 173 cm, the three overlapping figures are of equal density but the momentum is provided by their unequal interval.
To honor Marlon in 1966, Andy uses an untreated canvas that enhances the brilliance. On most images, rarer than Elvis, the Bad Boy is a rebel confined to the right side of the canvas.
A Double Marlon 213 x 243 cm, was sold for $ 32M including premium at Christie's on 13 May 2008. The Four Marlons, lot 10 of the next sale, 206 x 165 cm, is the only in this series for which the image occupies the entire surface in two rows of two pictures.
Both lots, to be sold separately, come from a German collection built for decorating a casino. The press release of September 10 announced a global estimate in the region of $ 130M for the two lots.
I invite you to play the two videos shared by Christie's: Elvis andMarlon.
RESULTS INCLUDING PREMIUM
Triple Elvis : 82M
Four Marlons : 70M
The low resolution image below is shared by Wikimedia for fair use :
The 1963 exhibition at the Ferus Gallery in Los Angeles gave an opportunity for the artist to prepare multiple images of the King on a silver background that evoked the movie screen. On 9 May 2012, Sotheby's sold for $ 37M including premium a Double Elvis (Ferus Type), 208 x 122 cm, for which the inequality of density of the two identical figures brings a feeling of frenzy.
For the Triple Elvis, lot 9 of the next sale, 208 x 173 cm, the three overlapping figures are of equal density but the momentum is provided by their unequal interval.
To honor Marlon in 1966, Andy uses an untreated canvas that enhances the brilliance. On most images, rarer than Elvis, the Bad Boy is a rebel confined to the right side of the canvas.
A Double Marlon 213 x 243 cm, was sold for $ 32M including premium at Christie's on 13 May 2008. The Four Marlons, lot 10 of the next sale, 206 x 165 cm, is the only in this series for which the image occupies the entire surface in two rows of two pictures.
Both lots, to be sold separately, come from a German collection built for decorating a casino. The press release of September 10 announced a global estimate in the region of $ 130M for the two lots.
I invite you to play the two videos shared by Christie's: Elvis andMarlon.
RESULTS INCLUDING PREMIUM
Triple Elvis : 82M
Four Marlons : 70M
The low resolution image below is shared by Wikimedia for fair use :
1963 The Frenetic Bustle of Elvis Presley
2012 SOLD 37 M$ including premium
Sotheby's is right in suggesting somewhere in its catalog that there is no real difference between Elvis Presley, a Campbell's soup can or a bottle of Coca Cola. In 1963, each one in its own way is a product of mass consumption.
At this time, Warhol explores the multiples. His series on Elvis Presley multiplies the King in various ways, the most common presenting the bodies in parallel, partly superimposed.
The Double Elvis for sale on May 9 in New York is the most original of this series inspired by a movie still. It is estimated $ 30M.
The King is a standing cowboy, front view, ready to fire. On a silver background, he is larger than life on the canvas 208 x 122 cm. Moreover, he has two heads, one in normal contrast and the other very pale, like a reflection.
Within only one painting, Warhol makes an apology to both the king of rock and the moving picture. This double view is reminiscent of the researches by Marey, Muybridge and others who had made the transition from still image to film. The frenetic bustle of the rock and roll is yet perfectly personified by Warhol's Double Elvis half a century later.
I invite you to play the video shared by Sotheby's.
POST SALE COMMENT
Elvis was not the best known in the early pantheon of the stars that inspired Warhol. This double figure is undeniably interesting and strange. It was sold $ 37M including premium.
At this time, Warhol explores the multiples. His series on Elvis Presley multiplies the King in various ways, the most common presenting the bodies in parallel, partly superimposed.
The Double Elvis for sale on May 9 in New York is the most original of this series inspired by a movie still. It is estimated $ 30M.
The King is a standing cowboy, front view, ready to fire. On a silver background, he is larger than life on the canvas 208 x 122 cm. Moreover, he has two heads, one in normal contrast and the other very pale, like a reflection.
Within only one painting, Warhol makes an apology to both the king of rock and the moving picture. This double view is reminiscent of the researches by Marey, Muybridge and others who had made the transition from still image to film. The frenetic bustle of the rock and roll is yet perfectly personified by Warhol's Double Elvis half a century later.
I invite you to play the video shared by Sotheby's.
POST SALE COMMENT
Elvis was not the best known in the early pantheon of the stars that inspired Warhol. This double figure is undeniably interesting and strange. It was sold $ 37M including premium.
1963 The Colors of Liz
2014 SOLD for $ 31.5M including premium
Andy Warhol has built much of his initial fame with a single image of Marilyn and a single image of Liz, taken from magazines. They however did not have the same role in the development of his business.
The first Marilyns from 1962 are experimental. Andy's idea is to mix the techniques of acrylic and silkscreen. He makes his hand in a variety of processes, dimensions and positioning of the image that is sometimes already multiplied in juxtaposition on a single canvas.
The Liz selected during the summer of 1963 opens the use of paint for a multiple reproduction with fixed dimensions. She is first seen on a background of silver painting, referring to the movie screens. A first pass of screen printing provides a mark for the colors: pink skin, red mouth, turquoise eye shadows. A second screen printing brings the deep black lines and hair.
In November 1963, Andy is preparing an exhibition of 101 x 101 cm Liz's which will be similar excepted the background color. The paintings used in this exhibition are numbered from 1 to 6. Seven additional specimens were not numbered. The series is identified as the Early Colored Liz.
In the following year, Andy uses his Liz in printed editions, again with backgrounds from various colors.
The Early Colored Liz number 5 on turquoise background was sold for $ 27M including premium by Phillips de Pury on May 12, 2011. The number 1 in a too bright yellow settled at $ 20.3M including premium on November 13, 2013 at Sotheby's (sold). An unnumbered turquoise was sold for $ 23.5M including premium at Christie's on November 13, 2007.
The Early Colored Liz number 3 with green background will be sold on November 11 by Sotheby's in New York, lot 27.
The first Marilyns from 1962 are experimental. Andy's idea is to mix the techniques of acrylic and silkscreen. He makes his hand in a variety of processes, dimensions and positioning of the image that is sometimes already multiplied in juxtaposition on a single canvas.
The Liz selected during the summer of 1963 opens the use of paint for a multiple reproduction with fixed dimensions. She is first seen on a background of silver painting, referring to the movie screens. A first pass of screen printing provides a mark for the colors: pink skin, red mouth, turquoise eye shadows. A second screen printing brings the deep black lines and hair.
In November 1963, Andy is preparing an exhibition of 101 x 101 cm Liz's which will be similar excepted the background color. The paintings used in this exhibition are numbered from 1 to 6. Seven additional specimens were not numbered. The series is identified as the Early Colored Liz.
In the following year, Andy uses his Liz in printed editions, again with backgrounds from various colors.
The Early Colored Liz number 5 on turquoise background was sold for $ 27M including premium by Phillips de Pury on May 12, 2011. The number 1 in a too bright yellow settled at $ 20.3M including premium on November 13, 2013 at Sotheby's (sold). An unnumbered turquoise was sold for $ 23.5M including premium at Christie's on November 13, 2007.
The Early Colored Liz number 3 with green background will be sold on November 11 by Sotheby's in New York, lot 27.
1963 Life and Death of Liz Taylor
2011 SOLD 27 M$ including premium
Liz Taylor died on March 23, 2011. The very next day Phillips de Pury announced in a press release that her portrait by Warhol will be included in their contemporary art auction in New York on May 12. Of course the negotiations with the seller had taken place before the death of the actress, but the media effect was very strong.
This is the number 5, 101 x 101 cm, painted in 1963 as part of a group of thirteen works with the same picture on different background colors. This painting is shown on the release shared by Artdaily.
Unfortunately for her, Liz was sickly. Warhol used an expressionist technique for paying tribute to his idol. The violet contour of the eyes up to the eyebrows, the too dark red lips accentuate the appearance of pale face. The turquoise background of this serial number 5 has a chilling effect.
The press release announced an estimate of $ 20M, not repeated in the catalog. Another turquoise copy, same size, had been sold for $ 23.5 million including premium by Christie's on November 13, 2007.
Let us quote results for two other works from the same series, again in the same size. Liz on dark red background was sold for $ 12.6 million including premium by Sotheby's on May 10, 2005. The silver Liz was sold £ 6.7 million including premium at Christie's on June 30, 2010.
POST SALE COMMENT
Victory for the turquoise version: $ 27M including premium.
This is the number 5, 101 x 101 cm, painted in 1963 as part of a group of thirteen works with the same picture on different background colors. This painting is shown on the release shared by Artdaily.
Unfortunately for her, Liz was sickly. Warhol used an expressionist technique for paying tribute to his idol. The violet contour of the eyes up to the eyebrows, the too dark red lips accentuate the appearance of pale face. The turquoise background of this serial number 5 has a chilling effect.
The press release announced an estimate of $ 20M, not repeated in the catalog. Another turquoise copy, same size, had been sold for $ 23.5 million including premium by Christie's on November 13, 2007.
Let us quote results for two other works from the same series, again in the same size. Liz on dark red background was sold for $ 12.6 million including premium by Sotheby's on May 10, 2005. The silver Liz was sold £ 6.7 million including premium at Christie's on June 30, 2010.
POST SALE COMMENT
Victory for the turquoise version: $ 27M including premium.
1963-1965 Liz on a Wider Screen
2015 SOLD for $ 28M including premium
Andy Warhol was a clever businessman of his own art. In 1963, when he executed his series of Liz Taylor pictures, he made it as multiple single paintings of the same design instead of positioning many images on one canvas.
He maintained however the illusion of wall advertising by exhibiting side by side the similar elements of the group. Afterwards each artwork could be sold separately by the owner of the set.
On May 11, 2010, Sotheby's sold for $ 18.3M including premium the Silver Liz diptych. It had been discussed in this column at that time. It is now estimated $ 25M for sale by Christie's in New York on May 11, lot 19A.
This specimen has a specific history. It was included in the exhibition of ten Silver Liz 101 x 101 cm at the Ferus Gallery in Los Angeles in September-October 1963. When he prepared another exhibition to be held in Philadelphia in 1965, Andy recuperated this specific copy and flanked it on its left with a blank canvas of same size and same silver shade.
In this new configuration which has never been disassembled, the Silver Liz diptych remained a tribute to Liz while also imitating the wide screens of the movie theaters.
He maintained however the illusion of wall advertising by exhibiting side by side the similar elements of the group. Afterwards each artwork could be sold separately by the owner of the set.
On May 11, 2010, Sotheby's sold for $ 18.3M including premium the Silver Liz diptych. It had been discussed in this column at that time. It is now estimated $ 25M for sale by Christie's in New York on May 11, lot 19A.
This specimen has a specific history. It was included in the exhibition of ten Silver Liz 101 x 101 cm at the Ferus Gallery in Los Angeles in September-October 1963. When he prepared another exhibition to be held in Philadelphia in 1965, Andy recuperated this specific copy and flanked it on its left with a blank canvas of same size and same silver shade.
In this new configuration which has never been disassembled, the Silver Liz diptych remained a tribute to Liz while also imitating the wide screens of the movie theaters.
1966 Four Marlons by Warhol
2014 SOLD for $ 70M including premium by Christie's
1966 The Marlon Myth
2012 SOLD 23.7 M$ including premium
The image of Marlon Brando recovered by Andy Warhol in 1966 is a result of his consideration of the threats against the American dream. The challenge is everywhere, against the war in Vietnam, for racial equality, against the social establishment, for non-violence.
In his 1953 film the Wild One, Marlon is the leader of a team of motorcyclists busy to terrorize. The young man is the archetype and the archangel of the new rebels without a cause. Andy uses a publicity still on which the modern gang leader rides his Triumph.
The time is still for experimentation. In a new refinement, Andy uses a raw linen canvas, creating a particular shining in his monochrome printing.
A double Marlon, 213 x 243 cm, was sold for $ 32M including premium by Christie's on May 13, 2008. The left margin, much larger than the image, and the monochromy position this view in the following of the disasters, as if Andy had made his choice between his attraction to the first movies played by Marlon and the threats brought by the thugs.
With a less obsessive margin, a simple Marlon, 104 x 117 cm, is estimated $ 15M, for sale by Christie's in New York on November 14.
POST SALE COMMENT
After the early successes, 1966 is a transition period for Warhol. The Marlon series express his desires and doubts. This beautiful example has been sold $ 23.7 million including premium.
In his 1953 film the Wild One, Marlon is the leader of a team of motorcyclists busy to terrorize. The young man is the archetype and the archangel of the new rebels without a cause. Andy uses a publicity still on which the modern gang leader rides his Triumph.
The time is still for experimentation. In a new refinement, Andy uses a raw linen canvas, creating a particular shining in his monochrome printing.
A double Marlon, 213 x 243 cm, was sold for $ 32M including premium by Christie's on May 13, 2008. The left margin, much larger than the image, and the monochromy position this view in the following of the disasters, as if Andy had made his choice between his attraction to the first movies played by Marlon and the threats brought by the thugs.
With a less obsessive margin, a simple Marlon, 104 x 117 cm, is estimated $ 15M, for sale by Christie's in New York on November 14.
POST SALE COMMENT
After the early successes, 1966 is a transition period for Warhol. The Marlon series express his desires and doubts. This beautiful example has been sold $ 23.7 million including premium.
1972 From Marilyn to Mao
2015 SOLD for $ 48M including premium
Andy Warhol was not active in politics but his Democratic and popular sympathies are known. The first idol of his artistic career, Marilyn, was close to Kennedy. He multiplies her image to offer it posthumously to a modern mystic idolatry.
After 1964 Warhol significantly reduces his activity as a painter to try to become an idol for others through the show business. It was not his best idea. His trend toward the underground went against such a purpose and his temperament certainly did not favor his acceptance in the jet set.
Pushed by Bischofberger, Warhol is back to painting in 1972. He needs a new star able to match Marilyn. He hesitates on Einstein and chooses Mao.
Mao by Warhol is an American political message. Nixon announced his candidacy for a presidential re-election just before his trip to China. When shaking hands with Mao, Nixon appears as a statesman of the same importance as the Great Helmsman. This does not please Warhol.
As for Marilyn, Warhol chooses an ancient image. Unlike Marilyn, Mao's image was universally known before Warhol reused it : held up since 1949 by millions of Chinese, it illustrates the Little Red Book. It is a thorn to Nixon : watch this undemocratic idol that Americans are now invited to admire. In five sizes and all colors, the Maos of Warhol, in their official dignity, do not express any feeling.
Warhol is still working in screen print and acrylic, but his technique has changed. The brushstroke is visible, contributing to the energy of the artwork. Again, Warhol was wrong. This new process is taking too long and his art is gradually less cared when he extends the series.
The first Mao by Warhol, achieved without the help of an assistant, is indeed the best painting in that theme. This picture 208 x 145 cm is for sale by Sotheby's in New York on November 11, lot 11(11-11-11). The press release of October 2 announced an estimate in the region of $ 40M.
After 1964 Warhol significantly reduces his activity as a painter to try to become an idol for others through the show business. It was not his best idea. His trend toward the underground went against such a purpose and his temperament certainly did not favor his acceptance in the jet set.
Pushed by Bischofberger, Warhol is back to painting in 1972. He needs a new star able to match Marilyn. He hesitates on Einstein and chooses Mao.
Mao by Warhol is an American political message. Nixon announced his candidacy for a presidential re-election just before his trip to China. When shaking hands with Mao, Nixon appears as a statesman of the same importance as the Great Helmsman. This does not please Warhol.
As for Marilyn, Warhol chooses an ancient image. Unlike Marilyn, Mao's image was universally known before Warhol reused it : held up since 1949 by millions of Chinese, it illustrates the Little Red Book. It is a thorn to Nixon : watch this undemocratic idol that Americans are now invited to admire. In five sizes and all colors, the Maos of Warhol, in their official dignity, do not express any feeling.
Warhol is still working in screen print and acrylic, but his technique has changed. The brushstroke is visible, contributing to the energy of the artwork. Again, Warhol was wrong. This new process is taking too long and his art is gradually less cared when he extends the series.
The first Mao by Warhol, achieved without the help of an assistant, is indeed the best painting in that theme. This picture 208 x 145 cm is for sale by Sotheby's in New York on November 11, lot 11(11-11-11). The press release of October 2 announced an estimate in the region of $ 40M.
1972 A Tri-Colored Mao
2017 SOLD for $ 32.4M including premium
Anxious since the almost successful murder attempt against him in 1968, Andy Warhol changed his life : he is now a recluse and hardly works anymore. Art dealers are impatient. In 1972 Bischofberger suggests to him to find a new iconic theme.
Andy chooses the only picture in the world that has been distributed in hundreds of millions of copies : the official three-color portrait of Mao Zedong which among other uses illustrates the Little Red Book. Mao succeeded for the popular imagery the unlimited multiplication that Andy had dreamed with his Marilyn's. The historic handshake between Mao and Nixon early in the same year may be just a coincidence.
Andy painted eleven similar Mao's in 1972, 208 cm high with a slightly variable width. The lines and the proportions in relation to the frame are comparable to the official image with the exception of the shadow that invades the left cheek and the chin. The artist changed the color of the tunic and of the background.
A brilliant and carefully executed picture considered as the prototype of that series, 208 x 145 cm, was sold for $ 48M including premium by Sotheby's on November 11, 2015. A Mao 208 x 155 cm was sold for $ 17.4M including premium by Christie's on November 15, 2006. On November 16 in New York, Sotheby's sells a Mao 208 x 152 cm, lot 45 estimated $ 30M.
In the following year Warhol multiplies his Mao's with smaller formats and new color variants. Mao's head, proportionally smaller, has lost the dignity of the official portrait. One of them with a dark red tunic and a black background was sold for $ 13.5M including premium by Phillips de Pury on November 15, 2012 and for $ 14.5M including premium by Sotheby's on May 12, 2015.
Andy chooses the only picture in the world that has been distributed in hundreds of millions of copies : the official three-color portrait of Mao Zedong which among other uses illustrates the Little Red Book. Mao succeeded for the popular imagery the unlimited multiplication that Andy had dreamed with his Marilyn's. The historic handshake between Mao and Nixon early in the same year may be just a coincidence.
Andy painted eleven similar Mao's in 1972, 208 cm high with a slightly variable width. The lines and the proportions in relation to the frame are comparable to the official image with the exception of the shadow that invades the left cheek and the chin. The artist changed the color of the tunic and of the background.
A brilliant and carefully executed picture considered as the prototype of that series, 208 x 145 cm, was sold for $ 48M including premium by Sotheby's on November 11, 2015. A Mao 208 x 155 cm was sold for $ 17.4M including premium by Christie's on November 15, 2006. On November 16 in New York, Sotheby's sells a Mao 208 x 152 cm, lot 45 estimated $ 30M.
In the following year Warhol multiplies his Mao's with smaller formats and new color variants. Mao's head, proportionally smaller, has lost the dignity of the official portrait. One of them with a dark red tunic and a black background was sold for $ 13.5M including premium by Phillips de Pury on November 15, 2012 and for $ 14.5M including premium by Sotheby's on May 12, 2015.
