Self Portrait 2nd page
in addition to Bacon and Warhol
See also : Self portrait Man and woman Women artists Rembrandt Van Gogh Picasso < 1907 Central and South Americas Eastern Europe Chagall Germany II Music and dance
Chronology : 1630-1639 19th century 1870-1879 1880-1889 1889 1900-1909 1905 1920-1929 1928 1936 1938 1940-1949 1949 1988
See also : Self portrait Man and woman Women artists Rembrandt Van Gogh Picasso < 1907 Central and South Americas Eastern Europe Chagall Germany II Music and dance
Chronology : 1630-1639 19th century 1870-1879 1880-1889 1889 1900-1909 1905 1920-1929 1928 1936 1938 1940-1949 1949 1988
1632 A Business of Self Portraits
2020 SOLD for £ 14.5M including premium
Rembrandt Harmenszoon van Rijn had a gift for facial analysis and wanted to specialize in portrait painting. The realistic portrait of a soldier with the shadow from the hat on the right side of the face, painted in Leiden circa 1626, was probably a demonstrative model. It was sold for £ 8.4M including premium by Christie's on July 3, 2012.
Rembrandt was early interested in self-portrait, perhaps under the influence of his crossed portraits with his workshop colleague Jan Lievens. He used this theme from 1631 in several etchings.
Glory rewards talent. Rembrandt moved to Amsterdam at the end of 1631 while also working on commission in The Hague. In 1632 he painted numerous portraits as well as his first masterpiece of group scenes, the Anatomy Lesson of Dr Tulp.
Rembrandt then took an unprecedented initiative : rather than offering tronies, he painted self-portraits for sale. The painting is executed quickly with a wet in wet signature. If the piece is not sold, the support is reused. Self-portraits of the artist are certainly still hidden under a repaint made by his workshop.
On July 28 in London, Sotheby's sells one of these self-portraits, lot 12 estimated £ 12M. This oil on panel 22 x 16 cm is dated 1632, which is consistent with the very ephemeral variant 'Rembrant' of his signature. Please watch the video shared by the auction house. The image is shared by Wikimedia.
The demonstration of authenticity is based on autograph pentiments, and by the use of a board from the same oak as a portrait painted in the same year by Rembrandt. It is one of only two self-portraits on which Rembrandt is dressed as a respectable burger, with a very large ruff and a felt hat. The small format suggests that it is a portable piece which can be used as a sort of business card.
Rembrandt was early interested in self-portrait, perhaps under the influence of his crossed portraits with his workshop colleague Jan Lievens. He used this theme from 1631 in several etchings.
Glory rewards talent. Rembrandt moved to Amsterdam at the end of 1631 while also working on commission in The Hague. In 1632 he painted numerous portraits as well as his first masterpiece of group scenes, the Anatomy Lesson of Dr Tulp.
Rembrandt then took an unprecedented initiative : rather than offering tronies, he painted self-portraits for sale. The painting is executed quickly with a wet in wet signature. If the piece is not sold, the support is reused. Self-portraits of the artist are certainly still hidden under a repaint made by his workshop.
On July 28 in London, Sotheby's sells one of these self-portraits, lot 12 estimated £ 12M. This oil on panel 22 x 16 cm is dated 1632, which is consistent with the very ephemeral variant 'Rembrant' of his signature. Please watch the video shared by the auction house. The image is shared by Wikimedia.
The demonstration of authenticity is based on autograph pentiments, and by the use of a board from the same oak as a portrait painted in the same year by Rembrandt. It is one of only two self-portraits on which Rembrandt is dressed as a respectable burger, with a very large ruff and a felt hat. The small format suggests that it is a portable piece which can be used as a sort of business card.
1878-1879 Monsieur Manet, Artist
2010 SOLD 22.4 M£ including premium
In 1878 or 1879, Edouard Manet painted two self-portraits, which were the only ones of his career. Perhaps he wanted to change the image that his contemporaries had of him, fifteen years after such powerful and scandalous progresses of modern art as were le Déjeuner sur l'herbe and Olympia.
Manet is not a rapin. This colloquial term used in Paris at that time applied to partygoer artists who courted easy milliners who were known as grisettes. Instead, his elegant jacket and hat, and his full and forked beard provided the image of a grand bourgeois.
The oil on canvas, 85 x 71 cm, for sale on June 22 by Sotheby's in London, reinforces the quest for respectability by including the professional attributes of the artist: his brushes and palette. There is however an obstacle to the social success of Manet : he stares into space, sadly. Aged 47, he is already sick.
Manet is often classified among the Impressionists, whom he was one of the first to support. He was rather a great experimenter of the artistic language, and each of his paintings is a bit unique. This one is among the most prestigious. It is estimated £ 20 million, and is the subject of a page with great detail in the Wikipedia.
POST SALE COMMENT
This painting so unusual in Manet's art was sold 22.4 million pounds including premium, meeting its estimate.
The file below is shared by Wikimedia :
Manet is not a rapin. This colloquial term used in Paris at that time applied to partygoer artists who courted easy milliners who were known as grisettes. Instead, his elegant jacket and hat, and his full and forked beard provided the image of a grand bourgeois.
The oil on canvas, 85 x 71 cm, for sale on June 22 by Sotheby's in London, reinforces the quest for respectability by including the professional attributes of the artist: his brushes and palette. There is however an obstacle to the social success of Manet : he stares into space, sadly. Aged 47, he is already sick.
Manet is often classified among the Impressionists, whom he was one of the first to support. He was rather a great experimenter of the artistic language, and each of his paintings is a bit unique. This one is among the most prestigious. It is estimated £ 20 million, and is the subject of a page with great detail in the Wikipedia.
POST SALE COMMENT
This painting so unusual in Manet's art was sold 22.4 million pounds including premium, meeting its estimate.
The file below is shared by Wikimedia :
1889 Self Portrait without Beard by Van Gogh
1998 SOLD for $ 71.5M including premium by Christie's
narrated in 2020
Van Gogh is interned in Saint-Rémy since May 8, 1889. Two months later a lull in his health condition allows an escorted visit to Arles. Unhappy with missed appointments, he has a dementia attack on July 16.
The crisis is severe. Vincent does not go out any more and cannot resume his brushes before the end of August. Through the window, he sees a free man, the only free man who passes in his angle of vision, a peasant with his horse and his plow. Laboureur dans un champ, oil on canvas 50 x 65 cm, was sold for $ 81M including premium by Christie's on November 13, 2017.
Once again he feels a frantic urge to paint, as an antidote to his illness. Concerned also by the visible signs of madness on his face, he makes three self-portraits in bust, from the left side to hide the right ear.
On two of them, he is bearded. The background is decorated with swirls in his new signature style. On the portrait which is preserved in the Museum of Oslo, perhaps the earliest in this small series, the biased gaze is incontestably psychotic. About the painting that is currently in the Musée d'Orsay, he writes to Theo with a remarkable lucidity that his face is calm but that some distress remains in his gaze.
The other self-portrait is different. He painted it to make a birthday present to his mother, who turns 70 on September 10, 1889. To appear still young and healthy, the face is without beard, which does not mean that it corresponded to reality : a beardless man was not in the fashion of the time. He also wanted to make his caregivers and Theo believe that he felt cured.
This Portrait de l'artiste sans barbe, oil on canvas 65 x 54 cm, was sold for $ 71.5M including premium by Christie's on November 19, 1998 over a lower estimate of $ 20M. The image is shared by Wikimedia.
The crisis is severe. Vincent does not go out any more and cannot resume his brushes before the end of August. Through the window, he sees a free man, the only free man who passes in his angle of vision, a peasant with his horse and his plow. Laboureur dans un champ, oil on canvas 50 x 65 cm, was sold for $ 81M including premium by Christie's on November 13, 2017.
Once again he feels a frantic urge to paint, as an antidote to his illness. Concerned also by the visible signs of madness on his face, he makes three self-portraits in bust, from the left side to hide the right ear.
On two of them, he is bearded. The background is decorated with swirls in his new signature style. On the portrait which is preserved in the Museum of Oslo, perhaps the earliest in this small series, the biased gaze is incontestably psychotic. About the painting that is currently in the Musée d'Orsay, he writes to Theo with a remarkable lucidity that his face is calm but that some distress remains in his gaze.
The other self-portrait is different. He painted it to make a birthday present to his mother, who turns 70 on September 10, 1889. To appear still young and healthy, the face is without beard, which does not mean that it corresponded to reality : a beardless man was not in the fashion of the time. He also wanted to make his caregivers and Theo believe that he felt cured.
This Portrait de l'artiste sans barbe, oil on canvas 65 x 54 cm, was sold for $ 71.5M including premium by Christie's on November 19, 1998 over a lower estimate of $ 20M. The image is shared by Wikimedia.
1901 Yo Picasso
1989 SOLD for $ 48 M including premium by Sotheby's
narrated in 2020
Pablo Ruiz Picasso is attracted to the bohemian life. He goes to the 4 Gats cabaret in Barcelona and shares a workshop with Carlos Casagemas from January to September 1900. That name of 4 Gats is a reference to the Chat Noir in Montmartre. The two friends explore Paris in October 1900. It is indeed the ideal city for a career as a painter.
Carlos is the first to return to Paris, in January 1901. He commits suicide on February 17.
A highly creative period begins for Pablo. In May, the success of an exhibition of his pastels in Barcelona stirs his ambition. He returns to Paris at the end of May.
The skills of the young man is already evident. He will have a solo exhibition at the Galerie Vollard from June 24. He wants to show his know-how in its whole extent and frantically prepares paintings on various themes: scenes of cabaret and of horse racing, landscapes, flowers, naked women.
He is ready. His father's name, Ruiz, is too common for his exuberant ambition. He removes it from his signature to become Picasso.
The exhibition at Vollard's is dominated by a half-length self-portrait in front of his easel, unequivocally marking the artist's desire to be known and recognized. The attitude is proud, the gaze is intense and the colors are vivid. He will later write a title on this painting, Yo Picasso, confirming his own insolence. He may be forgiven : he was not yet 20 years old.
No, decidedly, four months after the death of Casagemas, there was no precursor of the blue period. Picasso's deep depression began around the middle of 1901. Picasso would later attribute it to the mourning of his friend, which nevertheless considerably disturbed him, without ever revealing the real cause of its outbreak. A rejected love?
Yo Picasso, oil on canvas 74 x 60 cm, was sold for $ 48M including premium by Sotheby's on May 9, 1989.
Carlos is the first to return to Paris, in January 1901. He commits suicide on February 17.
A highly creative period begins for Pablo. In May, the success of an exhibition of his pastels in Barcelona stirs his ambition. He returns to Paris at the end of May.
The skills of the young man is already evident. He will have a solo exhibition at the Galerie Vollard from June 24. He wants to show his know-how in its whole extent and frantically prepares paintings on various themes: scenes of cabaret and of horse racing, landscapes, flowers, naked women.
He is ready. His father's name, Ruiz, is too common for his exuberant ambition. He removes it from his signature to become Picasso.
The exhibition at Vollard's is dominated by a half-length self-portrait in front of his easel, unequivocally marking the artist's desire to be known and recognized. The attitude is proud, the gaze is intense and the colors are vivid. He will later write a title on this painting, Yo Picasso, confirming his own insolence. He may be forgiven : he was not yet 20 years old.
No, decidedly, four months after the death of Casagemas, there was no precursor of the blue period. Picasso's deep depression began around the middle of 1901. Picasso would later attribute it to the mourning of his friend, which nevertheless considerably disturbed him, without ever revealing the real cause of its outbreak. A rejected love?
Yo Picasso, oil on canvas 74 x 60 cm, was sold for $ 48M including premium by Sotheby's on May 9, 1989.
1905 Au Lapin Agile by Picasso
1989 SOLD for $ 41M including premium by Sotheby's
narrated in 2020
Cabarets had a preponderant place in Picasso's youth. It is indeed at the 4 Gats in Barcelona that he feels the desire to have a bohemian life in Montmartre.
Le Lapin Agile is perfectly located in the heart of Montmartre, rue des Saules. Before 1900 its reputation had been sordid. Its name is a pun on the sign created by the cartoonist André Gill showing a happy rabbit jumping out of a pan.
Picasso arrives in Paris at the time when a new steward nicknamed Frédé organizes evenings in this cabaret during which poets, comedians and artists from Montmartre play music, sing, recite poems, chat with conviviality. Frédé plays guitar and cello.
Au Lapin Agile is an oil on canvas 100 x 100 cm painted by Picasso in 1905 on a commission from Frédé. Pablo prepares it in the graphic style of Toulouse-Lautrec's posters, without any style link either with the blue period or with the pink period. It was sold for $ 41M including premium by Sotheby's on November 27, 1989.
The couple in the foreground, seated in front of glasses of wine, is made up of Picasso dressed as a Harlequin and of Germaine, the woman who had rejected Casagemas but was probably Pablo's mistress throughout the blue period. Behind them, Frédé plays the guitar.
Picasso's painting hung on the wall of the cabaret until 1912. It was therefore a silent witness of the most famous hoax in the history of art.
In 1910 on the cabaret terrace, the writer Roland Dorgelès accompanied by an accomplice attaches brushes to the tail of Lolo, Frédé's donkey. In the presence of a bailiff, they dip the brushes in pots of orange, yellow, red and blue paint and offer the animal a carrot. The frantic movement of the tail creates on a 54 x 81 cm canvas the masterpiece titled Et le Soleil s'endormit sur l'Adriatique, signed J.R. Boronali, an anagram of Buridan's famous donkey, Aliboron.
They exhibit this Sunset at the Salon des Indépendants as a manifesto of the Excessivisme. The fruitful debates that the hoax has aroused about the meaning of art are thus a direct consequence of the artists' meetings at the Lapin Agile. Picasso's painting is a rare rendering of this environment.
Le Lapin Agile is perfectly located in the heart of Montmartre, rue des Saules. Before 1900 its reputation had been sordid. Its name is a pun on the sign created by the cartoonist André Gill showing a happy rabbit jumping out of a pan.
Picasso arrives in Paris at the time when a new steward nicknamed Frédé organizes evenings in this cabaret during which poets, comedians and artists from Montmartre play music, sing, recite poems, chat with conviviality. Frédé plays guitar and cello.
Au Lapin Agile is an oil on canvas 100 x 100 cm painted by Picasso in 1905 on a commission from Frédé. Pablo prepares it in the graphic style of Toulouse-Lautrec's posters, without any style link either with the blue period or with the pink period. It was sold for $ 41M including premium by Sotheby's on November 27, 1989.
The couple in the foreground, seated in front of glasses of wine, is made up of Picasso dressed as a Harlequin and of Germaine, the woman who had rejected Casagemas but was probably Pablo's mistress throughout the blue period. Behind them, Frédé plays the guitar.
Picasso's painting hung on the wall of the cabaret until 1912. It was therefore a silent witness of the most famous hoax in the history of art.
In 1910 on the cabaret terrace, the writer Roland Dorgelès accompanied by an accomplice attaches brushes to the tail of Lolo, Frédé's donkey. In the presence of a bailiff, they dip the brushes in pots of orange, yellow, red and blue paint and offer the animal a carrot. The frantic movement of the tail creates on a 54 x 81 cm canvas the masterpiece titled Et le Soleil s'endormit sur l'Adriatique, signed J.R. Boronali, an anagram of Buridan's famous donkey, Aliboron.
They exhibit this Sunset at the Salon des Indépendants as a manifesto of the Excessivisme. The fruitful debates that the hoax has aroused about the meaning of art are thus a direct consequence of the artists' meetings at the Lapin Agile. Picasso's painting is a rare rendering of this environment.
1928 Wonderful Love
2017 SOLD for $ 28.5M including premium
Marc and Bella are charming in their total empathy for one another. On November 14 in New York, Sotheby's sells Les Amoureux, oil on canvas 117 x 90 cm painted in 1928 by Chagall, lot 8 estimated $ 12M.
The theme of lovers portraying his own couple is recurrent in the art of Chagall but this work is especially touching by the attitudes, the realism of the very recognizable faces and some discretion of the surrealist attributes.
In their beatitude the lovers are floating. The young man with closed eyes is resting his head between the cheek and the shoulder of the woman. She gently welcomes this enthusiastic impulse but her eyes wide open indicate the lucidity with which she guides in real life this innocent husband.
Paris is their nest. In that same year Marc painted Les Mariés de la Tour Eiffel where their dear little Ida is disguised as a floating angel to present the bouquet. This oil on canvas 90 x 117 cm was sold for £ 7M including premium by Christie's on February 2, 2016.
Let's go back to our Amoureux. Marc does not miss to express his gratitude to his host country. The tricolor dress of Bella ends with a blue in which is transposed the sky centered by a dazzling sun. In this sky a tiny bird comes to offer its auspices to the embraced couple. Leaves and flowers bring their frame to this ethereal scene.
Please watch the video shared by Sotheby's in which the love of Marc and Bella is commented by one of their granddaughters.
The theme of lovers portraying his own couple is recurrent in the art of Chagall but this work is especially touching by the attitudes, the realism of the very recognizable faces and some discretion of the surrealist attributes.
In their beatitude the lovers are floating. The young man with closed eyes is resting his head between the cheek and the shoulder of the woman. She gently welcomes this enthusiastic impulse but her eyes wide open indicate the lucidity with which she guides in real life this innocent husband.
Paris is their nest. In that same year Marc painted Les Mariés de la Tour Eiffel where their dear little Ida is disguised as a floating angel to present the bouquet. This oil on canvas 90 x 117 cm was sold for £ 7M including premium by Christie's on February 2, 2016.
Let's go back to our Amoureux. Marc does not miss to express his gratitude to his host country. The tricolor dress of Bella ends with a blue in which is transposed the sky centered by a dazzling sun. In this sky a tiny bird comes to offer its auspices to the embraced couple. Leaves and flowers bring their frame to this ethereal scene.
Please watch the video shared by Sotheby's in which the love of Marc and Bella is commented by one of their granddaughters.
1936 Self Portrait with Crystal Ball by Beckmann
2005 SOLD for $ 16.8M including premium by Sotheby's
Max Beckmann does not accept that his art is described as degenerate by Hitler.
Painted in 1936, his self-portrait with a crystal ball is a poignant message : he would like to react but does not have the solution. He is only 52 but he certainly appreciates that his premature aging and his surly attitude will not help him. The shadow over the eyes does not encourage dialogue.
This oil on canvas 110 x 65 cm was sold for $ 16.8M including premium by Sotheby's on May 3, 2005, lot 27.
Painted in 1936, his self-portrait with a crystal ball is a poignant message : he would like to react but does not have the solution. He is only 52 but he certainly appreciates that his premature aging and his surly attitude will not help him. The shadow over the eyes does not encourage dialogue.
This oil on canvas 110 x 65 cm was sold for $ 16.8M including premium by Sotheby's on May 3, 2005, lot 27.
1938 Self Portrait with Horn by Max Beckmann
2001 SOLD 22.5 M$ including premium by Sotheby's
narrated in 2020
The art of Max Beckmann was sonsidered as degenerate by Hitler.
In 1937 it is much worse. The Nazis confiscate 500 of his works from museums and include several in the Degenerate Art Exhibition in Munich. Threatened with imprisonment and castration, Beckmann flees Germany and settles in his sister-in-law's home in Amsterdam.
His works mark then a desire for revenge, now with a scathing criticism of the Nazi regime. Hölle der Vögel, oil on canvas 120 x 160 cm completed in 1938, was sold for £ 36M including premium by Christie's on June 27, 2017.
On May 10, 2001 Sotheby's sold for $ 22.5M including premium a Self-portrait with horn, oil on canvas 110 x 100 cm painted in 1938.
The instrument is not played but brandished at the height of the closed mouth like a helpless challenge. The sullen mouth expresses anxiety and once again the eyes are in the shade. The striped jacket resembles the coat of a convict or a Harlequin.
In 1937 it is much worse. The Nazis confiscate 500 of his works from museums and include several in the Degenerate Art Exhibition in Munich. Threatened with imprisonment and castration, Beckmann flees Germany and settles in his sister-in-law's home in Amsterdam.
His works mark then a desire for revenge, now with a scathing criticism of the Nazi regime. Hölle der Vögel, oil on canvas 120 x 160 cm completed in 1938, was sold for £ 36M including premium by Christie's on June 27, 2017.
On May 10, 2001 Sotheby's sold for $ 22.5M including premium a Self-portrait with horn, oil on canvas 110 x 100 cm painted in 1938.
The instrument is not played but brandished at the height of the closed mouth like a helpless challenge. The sullen mouth expresses anxiety and once again the eyes are in the shade. The striped jacket resembles the coat of a convict or a Harlequin.
1949 Diego y yo by Kahlo
2021 SOLD for $ 35M by Sotheby's
Frida Kahlo suffered a lifelong intense pain in her back after an accident. She courageously faced her condition by her art and by her quest for a passion out of the ordinary, including political commitment and bisexuality. She found her partner, unfaithful husband and accomplice in the Communist artist Diego Rivera, 20 years older than her.
Kahlo's art is made of metaphors and symbols with a high poetry. A friend of the Surrealists, she nevertheless insisted to state that she was not representing her dreams but her reality. 55 of her ca 143 paintings are self portraits.
Eager to exchange an empathy, she often made and inscribed self portraits for friends : Trotsky, her doctors. On November 16, 2021, Sotheby's sold such a self portrait for $ 35M, lot 12. This oil on masonite 30 x 22 cm painted in 1949 is dedicated to Florence and Sam, a couple of friends who were instrumental in promoting her art. Please watch the video shared by the auction house.
The piece was titled Diego y yo by the artist. It displays the portrait in bust of Diego Rivera on the forehead, fully centered between eyebrows and hair. This figure has at the same place the third eye of wisdom. The intimate theme of this self portrait is indeed her obsession for Diego. Three tears flow on her cheeks.
A self portrait executed in 1954, the year of her untimely death, is in the same inspiration, with the image of Diego on the breast and of her rival Maria between the eyebrows.
Kahlo's art is made of metaphors and symbols with a high poetry. A friend of the Surrealists, she nevertheless insisted to state that she was not representing her dreams but her reality. 55 of her ca 143 paintings are self portraits.
Eager to exchange an empathy, she often made and inscribed self portraits for friends : Trotsky, her doctors. On November 16, 2021, Sotheby's sold such a self portrait for $ 35M, lot 12. This oil on masonite 30 x 22 cm painted in 1949 is dedicated to Florence and Sam, a couple of friends who were instrumental in promoting her art. Please watch the video shared by the auction house.
The piece was titled Diego y yo by the artist. It displays the portrait in bust of Diego Rivera on the forehead, fully centered between eyebrows and hair. This figure has at the same place the third eye of wisdom. The intimate theme of this self portrait is indeed her obsession for Diego. Three tears flow on her cheeks.
A self portrait executed in 1954, the year of her untimely death, is in the same inspiration, with the image of Diego on the breast and of her rival Maria between the eyebrows.
1988 Self Portrait of Kippenberger in Picasso Underpants
2014 SOLD for $ 22.6M including premium
Regarding painting, the time of Martin Kippenberger could have been a lost generation. He admires Picasso as the ultimate artist who summarizes the art of the twentieth century. He likes the photo made by Duncan in 1962 where Picasso is shirtless, wearing only white underpants.
In 1988, Kippenberger is activist, ambitious and worldly. Coming to Vienna for business, he unintentionally arrives in a grubby hotel because all the others are full. He stages himself in Picasso pants and looks in the mirror. He sees how much he is ugly.
Kippenberger's self-portraits in Picasso underwears display an unpleasant bearded man with a beer belly. He is 35 years old. This series not only shows the beginning of the inexorable physical decline of the artist, but it mostly questions the future of artistic expression in the classis form of painting.
On November 12 in New York, Christie's sells an oil on canvas 242 x 202 cm, lot 40 estimated 15M. In an arrogant attitude opposite to Picasso's, the man without legs is placed on a shelf as if he were a pottery.
Another painting of same size was sold for $ 18.6M including premium by Christie's on May 12, 2014. The man is seen through a buttocks-shaped keyhole. His attitude is so abject that he prefers hiding his head in a blue drop.
Another one, sold for $ 4.1M including premium by Sotheby's on May 12, 2009, had been discussed in this column. Showing the man bending as for vomiting, it is the most realistic of these three artworks.
In 1988, Kippenberger is activist, ambitious and worldly. Coming to Vienna for business, he unintentionally arrives in a grubby hotel because all the others are full. He stages himself in Picasso pants and looks in the mirror. He sees how much he is ugly.
Kippenberger's self-portraits in Picasso underwears display an unpleasant bearded man with a beer belly. He is 35 years old. This series not only shows the beginning of the inexorable physical decline of the artist, but it mostly questions the future of artistic expression in the classis form of painting.
On November 12 in New York, Christie's sells an oil on canvas 242 x 202 cm, lot 40 estimated 15M. In an arrogant attitude opposite to Picasso's, the man without legs is placed on a shelf as if he were a pottery.
Another painting of same size was sold for $ 18.6M including premium by Christie's on May 12, 2014. The man is seen through a buttocks-shaped keyhole. His attitude is so abject that he prefers hiding his head in a blue drop.
Another one, sold for $ 4.1M including premium by Sotheby's on May 12, 2009, had been discussed in this column. Showing the man bending as for vomiting, it is the most realistic of these three artworks.
