François-Xavier LALANNE (1927-2008)
Except otherwise stated, all results include the premium.
See also : Chairs and seats Modern tables
Chronology : 1976 1979 1999 2001
See also : Chairs and seats Modern tables
Chronology : 1976 1979 1999 2001
(1964)-1991 Rhinocrétaire
2019 SOLD for € 5.4M by Sotheby's
Pierre Restany promotes under the wording Nouveaux Réalistes a new art which appropriates the industrial object. In 1964 the Galerie J devotes an exhibition to two sculptors, François-Xavier Lalanne and Claude, his companion and future wife.
Their conceptions and their product lines are complementary. François-Xavier maintains the functionality of his models of furniture even when they are zoomorphic. Claude creates decorative objects for the living room or the garden with an unlimited imagination. They will sign their works jointly from 1966 : Les Lalanne.
In that seminal exhibition, the two flagship pieces were François-Xavier's Rhinocrétaire and Claude's Choupatte. Pierre Bergé and Yves Saint-Laurent were enthusiastic about the Rhinocrétaire.
Throughout their long career, les Lalanne accumulate new subjects without interrupting the old themes. On 23 and 24 October, 2019, Sotheby's sells the works that they were keeping in their home and studio near Fontainebleau.
The lot 13 estimated € 700K is a Rhinocrétaire 2.55 m long in welded metal. Opening a fall front of the beast unfolds the desk. This unique piece made in 1991 was certainly assembled for the personal use of the artist. Please watch the video shared by Sotheby's in the tweet. It was sold for € 5.4M.
The lot 33 estimated € 150K is a Choupatte (Très Grand) 117 x 135 cm from an edition of 8 made in 2012 in patinated bronze. It was sold for € 2.17M. A unique piece of only 37 cm dated 1988 was sold for € 610K by Sotheby's on May 28, 2019 over a lower estimate of € 70K.
Their conceptions and their product lines are complementary. François-Xavier maintains the functionality of his models of furniture even when they are zoomorphic. Claude creates decorative objects for the living room or the garden with an unlimited imagination. They will sign their works jointly from 1966 : Les Lalanne.
In that seminal exhibition, the two flagship pieces were François-Xavier's Rhinocrétaire and Claude's Choupatte. Pierre Bergé and Yves Saint-Laurent were enthusiastic about the Rhinocrétaire.
Throughout their long career, les Lalanne accumulate new subjects without interrupting the old themes. On 23 and 24 October, 2019, Sotheby's sells the works that they were keeping in their home and studio near Fontainebleau.
The lot 13 estimated € 700K is a Rhinocrétaire 2.55 m long in welded metal. Opening a fall front of the beast unfolds the desk. This unique piece made in 1991 was certainly assembled for the personal use of the artist. Please watch the video shared by Sotheby's in the tweet. It was sold for € 5.4M.
The lot 33 estimated € 150K is a Choupatte (Très Grand) 117 x 135 cm from an edition of 8 made in 2012 in patinated bronze. It was sold for € 2.17M. A unique piece of only 37 cm dated 1988 was sold for € 610K by Sotheby's on May 28, 2019 over a lower estimate of € 70K.
Bars
1
1965 Bar Saint-Laurent
2009 SOLD for € 2.75M by Christie's
François-Xavier and Claude Lalanne are close to the Nouveaux Réalistes. With a soldering machine bought jointly with Tinguely, they will create new forms.
In 1964 the exhibition titled Zoophites displays the know-how of the Lalannes in functional furniture and zoomorphic figures, in both cases with humor and with rejection of all traditions. The rhinocrétaire is already a hybrid between these two types of objects. Before them Fornasetti had changed the decoration of the furniture but not the shape.
Yves Saint-Laurent is not mistaken. He orders a bar to François-Xavier. The elements of an ordinary bar are there : the bottle rack, the ice bucket and even a shaker. They are assembled with a tubular structure that is not zoomorphic. Supplied in 1965 to Saint-Laurent and Bergé, this unprecedented piece of furniture was sold by Christie's on February 25, 2009 for € 2,75M from a lower estimate of € 200K, lot 348.
In 1964 the exhibition titled Zoophites displays the know-how of the Lalannes in functional furniture and zoomorphic figures, in both cases with humor and with rejection of all traditions. The rhinocrétaire is already a hybrid between these two types of objects. Before them Fornasetti had changed the decoration of the furniture but not the shape.
Yves Saint-Laurent is not mistaken. He orders a bar to François-Xavier. The elements of an ordinary bar are there : the bottle rack, the ice bucket and even a shaker. They are assembled with a tubular structure that is not zoomorphic. Supplied in 1965 to Saint-Laurent and Bergé, this unprecedented piece of furniture was sold by Christie's on February 25, 2009 for € 2,75M from a lower estimate of € 200K, lot 348.
2
1966 Bar Mayersdorff
2018 SOLD for $ 4.6M by Christie's
Despite this first success, the Lalanne bar remains confidential. In 1966 François-Xavier delivers another bar, similar in structure but less compact, to a couple of Belgian collectors. The Mayersdorff Bar was sold by Christie's on May 17, 2018 for $ 4.6M from a lower estimate of $ 2.2M, lot 3 B.
from 1965 Moutons
1
1976 Group of 24
2012 SOLD for $ 5.7M by Christie's
An unusual idea can provide an overnight fame to an artist. In 1965, François-Xavier Lalanne creates a sensation in Paris at the Salon de la Jeune Peinture.
He designed a small bench in wood and aluminum, covered with wool, with four feet. All furniture manufacturers run their models in multiple copies: Lalanne standardizes the quantity to 24. Thus was born his flock of life size sheep, worthy of the best ideas of surrealism but in an extreme simplicity of interpretation.
The set is funny. The sheep with a proudly raised head is a bench with a hat holder and the headless sheep is an ottoman. This is a clear invitation to leave the pieces together : headless animals are considered occupied to graze within the group, protected by the external figures.
His first flock of 24 sheep is entitled Pour Polyphème. The artist's goal was to exhibit an innovative, utilitarian, monumental and modifiable work.
Throughout his career, Lalanne reissues his sheep. The first series, coated with real wool, are called the Moutons de Laine.
A flock made in 1968-1969 of five sheep and nine ottomans was sold for € 1.75M by Christie's on December 4, 2012, lot 22.
A pair dated 1969 was sold for € 1.57M by Sotheby's on November 21, 2017, lot 38.
A complete herd of seven white sheep, one black sheep and sixteen ottomans was sold for $ 5.7M from a lower estimate of $ 4M by Christie's on November 14, 2012, lot 43. This set had been purchased in 1976 by an American couple to fill a barn.
He designed a small bench in wood and aluminum, covered with wool, with four feet. All furniture manufacturers run their models in multiple copies: Lalanne standardizes the quantity to 24. Thus was born his flock of life size sheep, worthy of the best ideas of surrealism but in an extreme simplicity of interpretation.
The set is funny. The sheep with a proudly raised head is a bench with a hat holder and the headless sheep is an ottoman. This is a clear invitation to leave the pieces together : headless animals are considered occupied to graze within the group, protected by the external figures.
His first flock of 24 sheep is entitled Pour Polyphème. The artist's goal was to exhibit an innovative, utilitarian, monumental and modifiable work.
Throughout his career, Lalanne reissues his sheep. The first series, coated with real wool, are called the Moutons de Laine.
A flock made in 1968-1969 of five sheep and nine ottomans was sold for € 1.75M by Christie's on December 4, 2012, lot 22.
A pair dated 1969 was sold for € 1.57M by Sotheby's on November 21, 2017, lot 38.
A complete herd of seven white sheep, one black sheep and sixteen ottomans was sold for $ 5.7M from a lower estimate of $ 4M by Christie's on November 14, 2012, lot 43. This set had been purchased in 1976 by an American couple to fill a barn.
2
1979 Group of 10
2011 SOLD for $ 7.5M by Christie's
The success of the Moutons de Laine gives rise to new variants : the ram, the ewe, the lamb. The Mouton de Pierre appears in 1979 for use in the garden. It is in epoxy concrete and bronze, without wheels and without wool. It is first edited in 250 numbered units, later in small series of replicas.
A homogeneous group of ten Moutons de Pierre from the first edition was sold for $ 7.5M by Christie's on December 17, 2011, lot 303, from a lower estimate of $ 600K.
A group of ten was sold for $ 2.9M by Christie's on December 4, 2020, lot 608.
It is composed of one Bélier, three Moutons Transhumants, two Moutons de Pierre, two Brebis and two Agneaux, made between 1979 and 2004.
A homogeneous group of ten Moutons de Pierre from the first edition was sold for $ 7.5M by Christie's on December 17, 2011, lot 303, from a lower estimate of $ 600K.
A group of ten was sold for $ 2.9M by Christie's on December 4, 2020, lot 608.
It is composed of one Bélier, three Moutons Transhumants, two Moutons de Pierre, two Brebis and two Agneaux, made between 1979 and 2004.
1969 Hippopotame
2019 SOLD for $ 4.3M by Christie's
François-Xavier Lalanne combines the zoomorphic shape with the functionality of furniture. For the toilet, he chooses La Mouche. In 1968 he designs for Marcel Duchamp a bathtub integrated into a life-size hippopotamus in blue resin, commenting that the river horse is better suited than a zebra for this application.
Duchamp's bathtub is an operational failure. It is too large to be installed in the bathroom, and Teeny, Marcel's widow, leaves it in her living room. In 1969 Lalanne makes a hippopotamus bathtub in brass and copper. This unique piece 128 x 84 x 290 cm was sold for $ 4.3M by Christie's on November 12, 2019 from a lower estimate of $ 1M, lot 13 M.
On the same theme a bathroom set made in 1992 for the grandson of the Swiss animal sculptor Edouard-Marcel Sandoz was sold for € 2.1M by Sotheby's on June 25, 2020, lot 115.
Duchamp's bathtub is an operational failure. It is too large to be installed in the bathroom, and Teeny, Marcel's widow, leaves it in her living room. In 1969 Lalanne makes a hippopotamus bathtub in brass and copper. This unique piece 128 x 84 x 290 cm was sold for $ 4.3M by Christie's on November 12, 2019 from a lower estimate of $ 1M, lot 13 M.
On the same theme a bathroom set made in 1992 for the grandson of the Swiss animal sculptor Edouard-Marcel Sandoz was sold for € 2.1M by Sotheby's on June 25, 2020, lot 115.
1970 Bar aux Autruches
2017 SOLD for € 6.2M by Sotheby's
Created around 1882, the Pâte Nouvelle is a new hard paste developed by the Manufacture de Porcelaine de Sèvres, prepared at a lower temperature than the porcelains of the previous century. Around 1965 Antoine d'Albis, head of the Manufacture laboratory, develops on a similar principle an intensely white porcelain referenced PA.A. François-Xavier Lalanne is interested.
Georges Pompidou was a great sponsor of contemporary art. His accession to the presidency of the French Republic in 1969 encouraged new projects.
In 1970 Lalanne edits two very prestigious bars using the new ultra-white porcelain. The Grasshopper Bar, 175 cm long, is produced in two copies only. One was offered by President Pompidou to Queen Elizabeth II in 1972. The other was sold for $ 1.64M by Sotheby's on May 24, 2018.
The Bar aux Autruches, 194 cm long overall, is much original in its design. The tray is held on each side in the beak of an ostrich. The standing birds turn their backs each other for the balance. The folding wings open laterally on a bottle rack. The tray is centered with a removable ice bucket in the shape of an egg. The ostriches are dated 1967 and bear the mark of the Manufacture de Sèvres.
The Ostrich bar was assembled in six units. One of them is exhibited in the permanent collections of the Musée de Sèvres and another one was deposited at the Palais de l'Elysée at the request of Pompidou. Another copy was sold for € 6.2M by Sotheby's on November 21, 2017 from a lower estimate of € 700K, lot 40.
Georges Pompidou was a great sponsor of contemporary art. His accession to the presidency of the French Republic in 1969 encouraged new projects.
In 1970 Lalanne edits two very prestigious bars using the new ultra-white porcelain. The Grasshopper Bar, 175 cm long, is produced in two copies only. One was offered by President Pompidou to Queen Elizabeth II in 1972. The other was sold for $ 1.64M by Sotheby's on May 24, 2018.
The Bar aux Autruches, 194 cm long overall, is much original in its design. The tray is held on each side in the beak of an ostrich. The standing birds turn their backs each other for the balance. The folding wings open laterally on a bottle rack. The tray is centered with a removable ice bucket in the shape of an egg. The ostriches are dated 1967 and bear the mark of the Manufacture de Sèvres.
The Ostrich bar was assembled in six units. One of them is exhibited in the permanent collections of the Musée de Sèvres and another one was deposited at the Palais de l'Elysée at the request of Pompidou. Another copy was sold for € 6.2M by Sotheby's on November 21, 2017 from a lower estimate of € 700K, lot 40.
1999 Singe
1
Singe II
2020 SOLD for $ 4M by Sotheby's
In 1999 with François-Xavier Lalanne, the monkey becomes a piece of interior decoration. The squatting animal let its tail hanging so that it can only be placed on the edge of a furniture. The decorator takes care of the distance between tail's end and floor. The face is stylized.
Singe is made of two models 75 cm high with the head turned left or right. At the opposite ends of a table, both look in the same direction. They were edited in patinated bronze by Clementi in eight units each.
They were prepared in a variety of patina coloration. The most spectacular is the gold monkey, numbered 2/8. Singe SII 2/8A was sold for $ 4M from a lower estimate of $ 400K by Sotheby's on July 30, 2020, lot 129.
Sotheby's had also sold two other Singe II, SII 4/8A for € 920K on September 23, 2020, lot 102, and SII 5/8A for € 1.53M on May 26, 2021, lot 150.
Singe attentif is a variant with a less turned head, designed in the same year and edited by the same founder. SII 4/8B was sold for € 2.1M from a lower estimate of € 300K by Christie's on September 14, 2021, lot 118.
Singe is made of two models 75 cm high with the head turned left or right. At the opposite ends of a table, both look in the same direction. They were edited in patinated bronze by Clementi in eight units each.
They were prepared in a variety of patina coloration. The most spectacular is the gold monkey, numbered 2/8. Singe SII 2/8A was sold for $ 4M from a lower estimate of $ 400K by Sotheby's on July 30, 2020, lot 129.
Sotheby's had also sold two other Singe II, SII 4/8A for € 920K on September 23, 2020, lot 102, and SII 5/8A for € 1.53M on May 26, 2021, lot 150.
Singe attentif is a variant with a less turned head, designed in the same year and edited by the same founder. SII 4/8B was sold for € 2.1M from a lower estimate of € 300K by Christie's on September 14, 2021, lot 118.
2
Singe I
2020 SOLD for $ 3.5M by Sotheby's
The pendant of Singe SII 2/8A is SI 2/8A, also in gilt bronze. It was sold for $ 3.5M by Sotheby's on July 30, 2020 in the same sale as its companion, lot 130.
The couple SI SII from the Lalanne collection was a Hors Commerce cast by Clementi in 1992-1995. It was sold for € 1.57M from a lower estimate of € 140K by Sotheby's on October 23, 2019, lot 9.
The couple SI SII from the Lalanne collection was a Hors Commerce cast by Clementi in 1992-1995. It was sold for € 1.57M from a lower estimate of € 140K by Sotheby's on October 23, 2019, lot 9.
2001 Troupeau d'Eléphants dans les Arbres
2021 SOLD for $ 6.6M by Christie's
Troupeau d'éléphants dans les arbres is a playful installation made in 2001 by François-Xavier Lalanne, mingling furniture and animal art. An example was sold for $ 6.6M from a lower estimate of $ 1M by Christie's on June 10, 2021, lot 17. It had been commissioned by Sydell Miller and was a highlight of her 'La Rêverie' Palm Beach home. Four others were made for other customers.
The octagonal table in gilt bronze and glass is 81 cm high and 160 cm in diameter. Its four legs are trees. The branches without leaves support the top. The seven elephants of various sizes in gilt bronze are standing each alone on various attitudes. They may be positioned under or on the table, like toys. The biggest is 52 cm high.
Interestingly this composition associates the signature animal models of François-Xavier with the vegetal world of Claude.
The octagonal table in gilt bronze and glass is 81 cm high and 160 cm in diameter. Its four legs are trees. The branches without leaves support the top. The seven elephants of various sizes in gilt bronze are standing each alone on various attitudes. They may be positioned under or on the table, like toys. The biggest is 52 cm high.
Interestingly this composition associates the signature animal models of François-Xavier with the vegetal world of Claude.
