Pond by Monet in Giverny
1905 Water Landscapes
2015 SOLD for $ 54M including premium
In 1904 Claude Monet is seduced by his own work, not as an artist but as a gardener. Water lilies are now invading his pond at Giverny. Their floating leaves constitute a perfectly flat surface which is unique as an artistic theme and the exquisite colors of the flowers meet the Art Nouveau sensitivity of the time.
The artist begins a synthesis of this new theme with his concern from the previous twenty years for the changing colors and reflections under various time and weather. He had the good fortune to catch in his own garden the most subtle theme of modern painting.
The paintings of the first year of the Nymphéas series are very rare on the art market. One of them, 81 x 100 cm, was sold for £ 18.5 million including premium by Sotheby's on 19 June 2007. In this close-up view, the edge of the pond is already off the field, also providing an impression of infinity that anticipates Mondrian.
In 1905, the water lilies are more sparse to offer a better role to reflections that became recognizable although the trees are still out of field. The plants form a floating cohort simulating a nice horizontal movement.
A view in clear weather under a gentle sun, oil on canvas 90 x 100 cm, was sold for $ 44M including premium by Christie's on November 7, 2012.
On May 5 in New York, Sotheby's sells an oil on canvas 81 x 100 cm, lot 30 estimated $ 30M. Also dated 1905, it shows the blocks at the water surface in an atmosphere of early or late hour providing a superb harmony of deep blues and greens.
The artist begins a synthesis of this new theme with his concern from the previous twenty years for the changing colors and reflections under various time and weather. He had the good fortune to catch in his own garden the most subtle theme of modern painting.
The paintings of the first year of the Nymphéas series are very rare on the art market. One of them, 81 x 100 cm, was sold for £ 18.5 million including premium by Sotheby's on 19 June 2007. In this close-up view, the edge of the pond is already off the field, also providing an impression of infinity that anticipates Mondrian.
In 1905, the water lilies are more sparse to offer a better role to reflections that became recognizable although the trees are still out of field. The plants form a floating cohort simulating a nice horizontal movement.
A view in clear weather under a gentle sun, oil on canvas 90 x 100 cm, was sold for $ 44M including premium by Christie's on November 7, 2012.
On May 5 in New York, Sotheby's sells an oil on canvas 81 x 100 cm, lot 30 estimated $ 30M. Also dated 1905, it shows the blocks at the water surface in an atmosphere of early or late hour providing a superb harmony of deep blues and greens.
AuctionUpdate: Sotheby's Chairmen George Wachter and Patti Wong battle for Monet’s ‘Nymphéas,' selling for $54m pic.twitter.com/4mlTAOvKY9
— Sotheby's (@Sothebys) May 6, 20151905 Monet overwhelmed by his Nymphéas
2012 SOLD 44 M$ including premium
Continuously in search of the harmony of colors and lights, Monet could not ignore the water lilies. When he installed some of them in his pool at Giverny, it was for the pleasure of gardening. The infinite variety of shapes and reflections pushed Monet to make the Nymphéas his favorite subject.
Constable had been the painter of the wind. Monet was the artist of the water surface. After the development of Impressionism, the Nymphéas series is the second revolution brought about by Monet in art history.
In June 19, 2007, Sotheby's sold £ 18.5 million including premium an oil on canvas, 81 x 100 cm. Dated 1904, it demonstrates the first systematic experiments on this subject: the horizon disappears to let the water remaining alone in space. The green reflections are almost abstract, already.
The oil on canvas, 90 x 100 cm, for sale by Christie's in New York on November 7, is dated in the following year, 1905. The water lilies have a botanical accuracy, the more readable reflections are a better tribute to the pleasure of the garden. It is estimated $ 30M, and illustrated in the release shared by Artdaily.
Durand-Ruel was the first to understand and support the transformation of the art of Monet. In 1909, he assembled in an exhibition 48 Nymphéas by Monet, including the painting now for sale at Christie's. Through this unique theme, careful observers could detect the infinite variety of the artistic creation.
POST SALE COMMENT
By its date and quality, this painting is one of the most outstanding from the Nympheas series: $ 44M including premium.
Constable had been the painter of the wind. Monet was the artist of the water surface. After the development of Impressionism, the Nymphéas series is the second revolution brought about by Monet in art history.
In June 19, 2007, Sotheby's sold £ 18.5 million including premium an oil on canvas, 81 x 100 cm. Dated 1904, it demonstrates the first systematic experiments on this subject: the horizon disappears to let the water remaining alone in space. The green reflections are almost abstract, already.
The oil on canvas, 90 x 100 cm, for sale by Christie's in New York on November 7, is dated in the following year, 1905. The water lilies have a botanical accuracy, the more readable reflections are a better tribute to the pleasure of the garden. It is estimated $ 30M, and illustrated in the release shared by Artdaily.
Durand-Ruel was the first to understand and support the transformation of the art of Monet. In 1909, he assembled in an exhibition 48 Nymphéas by Monet, including the painting now for sale at Christie's. Through this unique theme, careful observers could detect the infinite variety of the artistic creation.
POST SALE COMMENT
By its date and quality, this painting is one of the most outstanding from the Nympheas series: $ 44M including premium.
1906 Monet and the Passion of Water
2014 SOLD 32 M£ including premium
Unsold at Christie's in 2010 with an excessive estimate, a beautiful painting of Nymphéas by Monet is now more reasonably estimated £ 20M, for sale by Sotheby's in London on June 23, lot 17.
Here is how I announced in 2010 this masterpiece that was previously sold in 2000 :
Claude Monet is the painter of the elusive. His studies of light variations have transformed the Western art. He should not be regarded as a leader, but rather as a great creator.
And the Durand-Ruel gallery was a great instigator of talent. In 1905, Monet is 65 years old, already. He departed from the excitement of the life in Paris to enjoy his garden at Giverny. An exhibition project for Durand-Ruel made his passion. The exhibition took place in 1909, and Monet found there the theme that monopolized his art until the end of his life: the water lilies in his garden.
This series of "Nymphéas" mark the total success of an impossible challenge: to show in painting the transparency of water. The flowers are seen obliquely, with perspective, lighting and reflections being different each time. They are widely spaced, and between them is coming the incredible illusion: the observer sees the surface of the water. They are not abstract, far away, but the lack of horizon has certainly influenced the non-figurative art.
On May 8th 2000, Christie's sold for $ 20.9 million including premium an oil on canvas, 90 x 100 cm. This painting has all the qualities. Made in 1906, it was one of the highlights of the exhibition of 1909. The light is established by very subtle pastel shades, and the reflections are superb.
POST SALE COMMENT
This painting is one of the masterpieces from Monet's early Nymphéas. It was sold for £ 32 million including premium.
I invite you to play the video shared by Sotheby's :
Here is how I announced in 2010 this masterpiece that was previously sold in 2000 :
Claude Monet is the painter of the elusive. His studies of light variations have transformed the Western art. He should not be regarded as a leader, but rather as a great creator.
And the Durand-Ruel gallery was a great instigator of talent. In 1905, Monet is 65 years old, already. He departed from the excitement of the life in Paris to enjoy his garden at Giverny. An exhibition project for Durand-Ruel made his passion. The exhibition took place in 1909, and Monet found there the theme that monopolized his art until the end of his life: the water lilies in his garden.
This series of "Nymphéas" mark the total success of an impossible challenge: to show in painting the transparency of water. The flowers are seen obliquely, with perspective, lighting and reflections being different each time. They are widely spaced, and between them is coming the incredible illusion: the observer sees the surface of the water. They are not abstract, far away, but the lack of horizon has certainly influenced the non-figurative art.
On May 8th 2000, Christie's sold for $ 20.9 million including premium an oil on canvas, 90 x 100 cm. This painting has all the qualities. Made in 1906, it was one of the highlights of the exhibition of 1909. The light is established by very subtle pastel shades, and the reflections are superb.
POST SALE COMMENT
This painting is one of the masterpieces from Monet's early Nymphéas. It was sold for £ 32 million including premium.
I invite you to play the video shared by Sotheby's :
1907 The Lengthy Evolution of Monet's Pond
2014 SOLD 27 M$ including premium
In 1893, when Claude Monet obtains the administrative authorization to create a pond in his garden at Giverny, he already knows that it will be a laboratory for his artistic creation. He was then interested in the reflections in the water of the tall trees and of the Japanese bridge.
Monet is an amateur but careful and skilled horticulturist. Without having his original preference, the water lilies impose themselves as his most prolific theme, up to obsession. Unlike the ivy on the wall, they will not cover the entire available surface. Spreading their leaves flush with water, they materialize in perspective the real surface of the pond.
From 1904 to 1908, Monet produced his first series of Nymphéas. With more than 60 paintings which he wants all different from one another, the artist expresses the most subtle variations of color and light, changing the distance and population of the flowers, the importance of the reflections from the trees and the expressive power of color.
The horizon disappears, the details become abstract but the botanical accuracy remains. One of the first trials in this new figurative style, dated 1904, 81 x 100 cm, was sold for £ 18.5 million including premium by Sotheby's on 19 June 2007.
A beautiful fleet of well colored water lilies dated 1905, 90 x 100 cm, was sold for $ 44 million including premium at Christie's on November 7, 2012.
A particularly poetic oil version in pastel tones dated 1906, 90 x 100 cm, was sold for $ 20.9 million including premium at Christie's on May 8, 2000 but failed to meet in 2010 its new estimate of £ 30M.
An oil on canvas 100 x 80 cm painted in 1907 for sale by Christie's in New York on May 6 comes in the following of that trend with soft shades more highlighting the reflections than the botany. It includes an innovation of Monet from that year : he realized that he was no longer a painter of landscapes and experienced the vertical format.
This painting is estimated $ 25M.
POST SALE COMMENT
This good example of the Nymphéas series came from the Clark collection and was fresh on the market. It was sold for $ 27M including premium.
I invite you to play the video shared by Christie's :
Monet is an amateur but careful and skilled horticulturist. Without having his original preference, the water lilies impose themselves as his most prolific theme, up to obsession. Unlike the ivy on the wall, they will not cover the entire available surface. Spreading their leaves flush with water, they materialize in perspective the real surface of the pond.
From 1904 to 1908, Monet produced his first series of Nymphéas. With more than 60 paintings which he wants all different from one another, the artist expresses the most subtle variations of color and light, changing the distance and population of the flowers, the importance of the reflections from the trees and the expressive power of color.
The horizon disappears, the details become abstract but the botanical accuracy remains. One of the first trials in this new figurative style, dated 1904, 81 x 100 cm, was sold for £ 18.5 million including premium by Sotheby's on 19 June 2007.
A beautiful fleet of well colored water lilies dated 1905, 90 x 100 cm, was sold for $ 44 million including premium at Christie's on November 7, 2012.
A particularly poetic oil version in pastel tones dated 1906, 90 x 100 cm, was sold for $ 20.9 million including premium at Christie's on May 8, 2000 but failed to meet in 2010 its new estimate of £ 30M.
An oil on canvas 100 x 80 cm painted in 1907 for sale by Christie's in New York on May 6 comes in the following of that trend with soft shades more highlighting the reflections than the botany. It includes an innovation of Monet from that year : he realized that he was no longer a painter of landscapes and experienced the vertical format.
This painting is estimated $ 25M.
POST SALE COMMENT
This good example of the Nymphéas series came from the Clark collection and was fresh on the market. It was sold for $ 27M including premium.
I invite you to play the video shared by Christie's :
1908 Tirelessly painting the Nympheas
2015 SOLD for $ 34M including premium
From 1905 to 1908, Claude Monet is tirelessly working on the theme of the water lilies in his pond, yet all these artworks are different. The technique is in evolution throughout this period with a progressively thinner paint layer and longer brush strokes.
His focus within this subject is also changing. Controlling the effects of the surface of water, he can scatter the position of the leaves. The botanical accuracy of the blossoms is superseded by a touch closer to earlier impressionism. The rigor of perspective is no longer necessary: the horizon is pushed out of field and from 1907 the artist positions also some paintings vertically.
He still uses the process that was so successful to him in previous decades, by installing several easels and working from canvas to canvas depending on time and weather.
The main subject of the artist is not the pool but the color. The paintings executed towards the final year of this fertile period can be seen as a culmination of his research. From that time, long before the dissolution of the shapes tested at the end of his life, Monet is already a precursor to Rothko and Richter.
On November 5 in New York, Sotheby's sells an oil on canvas 100 x 81 cm painted around 1908, lot 22 estimated $ 30M.
His focus within this subject is also changing. Controlling the effects of the surface of water, he can scatter the position of the leaves. The botanical accuracy of the blossoms is superseded by a touch closer to earlier impressionism. The rigor of perspective is no longer necessary: the horizon is pushed out of field and from 1907 the artist positions also some paintings vertically.
He still uses the process that was so successful to him in previous decades, by installing several easels and working from canvas to canvas depending on time and weather.
The main subject of the artist is not the pool but the color. The paintings executed towards the final year of this fertile period can be seen as a culmination of his research. From that time, long before the dissolution of the shapes tested at the end of his life, Monet is already a precursor to Rothko and Richter.
On November 5 in New York, Sotheby's sells an oil on canvas 100 x 81 cm painted around 1908, lot 22 estimated $ 30M.
A rare Blue Period Picasso + an iconic Monet Waterlilies have joined our November sales: http://t.co/yPy4smKRK7 pic.twitter.com/6xMA4XX30Y
— Sotheby's (@Sothebys) October 9, 20151908 A Few Water Lilies
2019 SOLD for £ 23.7M including premium
Monet created his water garden in Giverny for his pleasure and for exercising his passion of gardening. The water lilies in various colors gradually occupy the surface of the pond. The artist has found his master : nature itself, quite simply.
Around 1904, these nymphéas became a favorite theme in Monet's art. Nothing escapes him in the daily cycle from the opening to the closing of the blossom, or in the reaction of the plant to light and to weather conditions. He processes this theme as a series, painting several canvases in parallel as he had done with the poplars.
Unlike previous series, Monet is struggling to bring this theme to a close. As he progresses, he removes the paintings that no longer suit him. It is probably for this reason that he is so reluctant to leave his garden for his long stay in Venice, from October 1908.
Back from Venice, he does not retrieve his obsession. Durand-Ruel can finally exhibit the Nymphéas, from May 6 to June 5, 1909. This set of 48 paintings offers the complete vision of the artist for this theme. The water lilies will also populate a few years later the Grandes Décorations, for which Monet will be more concerned about the atmosphere of his garden.
In the first series of nymphéas, Monet removes both the edge of the pond and the horizon, which facilitates the adoption of a square format. The perspective is replaced by the flexible figures formed by the flotilla of plants. The clear water reflects the tall trees.
At the end of this phase, several works focus even more on the plants, with subtle pastel tones, reducing the contrast in the reflections. The undated oil on canvas 100 x 81 cm numbered 1735 by Wildenstein is an example of this trend. It was sold for $ 34M including premium by Sotheby's on November 5, 2015.
On June 19 in London, Sotheby's sells a similar example, oil on canvas 92 x 89 cm painted in 1908, number Wildenstein 1727, lot 10 estimated £ 25M. Please watch the video shared by the auction house.
Around 1904, these nymphéas became a favorite theme in Monet's art. Nothing escapes him in the daily cycle from the opening to the closing of the blossom, or in the reaction of the plant to light and to weather conditions. He processes this theme as a series, painting several canvases in parallel as he had done with the poplars.
Unlike previous series, Monet is struggling to bring this theme to a close. As he progresses, he removes the paintings that no longer suit him. It is probably for this reason that he is so reluctant to leave his garden for his long stay in Venice, from October 1908.
Back from Venice, he does not retrieve his obsession. Durand-Ruel can finally exhibit the Nymphéas, from May 6 to June 5, 1909. This set of 48 paintings offers the complete vision of the artist for this theme. The water lilies will also populate a few years later the Grandes Décorations, for which Monet will be more concerned about the atmosphere of his garden.
In the first series of nymphéas, Monet removes both the edge of the pond and the horizon, which facilitates the adoption of a square format. The perspective is replaced by the flexible figures formed by the flotilla of plants. The clear water reflects the tall trees.
At the end of this phase, several works focus even more on the plants, with subtle pastel tones, reducing the contrast in the reflections. The undated oil on canvas 100 x 81 cm numbered 1735 by Wildenstein is an example of this trend. It was sold for $ 34M including premium by Sotheby's on November 5, 2015.
On June 19 in London, Sotheby's sells a similar example, oil on canvas 92 x 89 cm painted in 1908, number Wildenstein 1727, lot 10 estimated £ 25M. Please watch the video shared by the auction house.
A View of the Monet Market: Helena Newman https://t.co/jSpKCWCbGu pic.twitter.com/ZmgfgxnYkm
— Art Market Monitor (@artmarket) June 6, 2019
1914-1917 The New Water Lilies
2018 SOLD for $ 85M including premium
Monet visits the booth of the horticulturist Latour-Marliac at the Paris Universal Exhibition in 1889. A specialist in bamboos and other aquatic plants, Latour-Marliac is a skilled hybridizer. He was the first in Western Europe to create colored nenuphars by crossbreeding the usual white flowered plants with wild species.
Based in Giverny since 1883 the artist wants to create a water garden. In 1894 he purchases from Latour-Marliac plants from 32 different species including a yellow Nymphaea created in 1888 and a pink Nymphaea created in 1892. His interest in these hybrids is not immediate but his curiosity increases.
These new water lilies will become the stars of his garden. Monet paints his first Nymphéas in 1895, displaying the plants on the water in close-up with a botanical accuracy on canvases less than 1 m wide.
The artist is delighted by his garden. In 1904 the nymphéa pond becomes one of his favorite themes. The water lilies float in a cohort, bringing in conjunction with the reflections a vision of the surface of the water. In the same year he buys four other hybrids to Latour-Marliac
1914 is a terrible year. His son Jean dies in February, less than three years after Alice. International relations are desperate. Fortunately his friend Georges Clemenceau pushes him back to work by suggesting the project of the Grandes Décorations.
This new phase includes a major modification in Monet's art, the use of large formats of canvas. He looks more closely at the details of the flowers in his garden. A group of giant iris at water's edge 200 x 100 cm was sold for £ 10.8M including premium by Christie's on June 23, 2015.
On May 8 in New York, Christie's sells as lot 10 Nymphéas en fleur, oil on canvas 140 x 180 cm painted in his signature style of 1914-1917. The large size enables here a synthesis of the two visions of the artist. Nine big flowers in five groups have retrieved the details of the earliest series while the leaves and reflections are positioning the surface of the water on the whole of this image with no horizon.
Based in Giverny since 1883 the artist wants to create a water garden. In 1894 he purchases from Latour-Marliac plants from 32 different species including a yellow Nymphaea created in 1888 and a pink Nymphaea created in 1892. His interest in these hybrids is not immediate but his curiosity increases.
These new water lilies will become the stars of his garden. Monet paints his first Nymphéas in 1895, displaying the plants on the water in close-up with a botanical accuracy on canvases less than 1 m wide.
The artist is delighted by his garden. In 1904 the nymphéa pond becomes one of his favorite themes. The water lilies float in a cohort, bringing in conjunction with the reflections a vision of the surface of the water. In the same year he buys four other hybrids to Latour-Marliac
1914 is a terrible year. His son Jean dies in February, less than three years after Alice. International relations are desperate. Fortunately his friend Georges Clemenceau pushes him back to work by suggesting the project of the Grandes Décorations.
This new phase includes a major modification in Monet's art, the use of large formats of canvas. He looks more closely at the details of the flowers in his garden. A group of giant iris at water's edge 200 x 100 cm was sold for £ 10.8M including premium by Christie's on June 23, 2015.
On May 8 in New York, Christie's sells as lot 10 Nymphéas en fleur, oil on canvas 140 x 180 cm painted in his signature style of 1914-1917. The large size enables here a synthesis of the two visions of the artist. Nine big flowers in five groups have retrieved the details of the earliest series while the leaves and reflections are positioning the surface of the water on the whole of this image with no horizon.
#AuctionUpdate Claude Monet’s ‘Nymphéas en fleur’ achieves $84,687,500, a new #WorldAuctionRecord for the artist!https://t.co/G5xBg3xpbT pic.twitter.com/LD6tGMAVvX
— Christie's (@ChristiesInc) May 9, 2018
#LiveLikeARockefeller: ‘The closer you get to the canvas, the more you feel like you’re inside it. The rest of the world vanishes,’ says Rebecca Wei, our President of Christie’s Asia, of the Rockefellers’ ‘Nymphéas en fleur’ by Claude #Monet.https://t.co/mT8EnKHNAN pic.twitter.com/LrOsMEJU7F
— Christie's (@ChristiesInc) April 24, 2018
Preparation for Les Grandes Décorations
1
1918-1919
2018 SOLD for $ 32M by Christie's
From 1914 Claude Monet conceives the project of the Grandes Décorations, which will occupy the last phase of his life and will be his artistic legation. In accordance with his signature artistic vision, these paintings will be limited to a specific theme shown in all the shades of the seasons, hours of the day and weather.
The artist is aging and suffering from cataract. This last theme is once again the nymphéas of his water garden which since 1904 satisfy his passion for gardening while being close to his workshop.
When he finished the project a few months before he died in 1926, Les Grandes Décorations consisted of eight compositions using 22 canvases in a unique height of 2 m for a total length of 90 m.
During the war years, the artist made about 60 paintings of his water lilies for trying his theme on large formats. The global design is gradually built. It then becomes necessary to test the panoramic formats. This new phase is made more challenging by his desire to concentrate the image on flowers and on reflections while eliminating the edges of the pond and the horizon.
In 1918 Monet buys the canvases necessary for this new series. He executes 14 paintings 100 x 200 cm and 5 paintings 130 x 200 cm over a short period ending in the following year. One of them is dated 1917 which is the year of the conception of this phase.
A Bassin aux Nymphéas 100 x 200 cm dated 1919 was sold for £ 41M including premium by Christie's on June 24, 2008. A few other canvases have been cut. Dated in the same year, a 100 x 100 cm fragment whose other half is in a museum was sold for $ 27M including premium by Christie's on May 12, 2016.
On November 11 in New York, Christie's sells an undated Bassin aux Nymphéas 100 x 200 cm, lot 32 A estimated $ 30M. This example offers a very pleasant homogeneity of tone between the blue reflections of the sky and the green reflections of the big trees. The flowers are rare.
The artist is aging and suffering from cataract. This last theme is once again the nymphéas of his water garden which since 1904 satisfy his passion for gardening while being close to his workshop.
When he finished the project a few months before he died in 1926, Les Grandes Décorations consisted of eight compositions using 22 canvases in a unique height of 2 m for a total length of 90 m.
During the war years, the artist made about 60 paintings of his water lilies for trying his theme on large formats. The global design is gradually built. It then becomes necessary to test the panoramic formats. This new phase is made more challenging by his desire to concentrate the image on flowers and on reflections while eliminating the edges of the pond and the horizon.
In 1918 Monet buys the canvases necessary for this new series. He executes 14 paintings 100 x 200 cm and 5 paintings 130 x 200 cm over a short period ending in the following year. One of them is dated 1917 which is the year of the conception of this phase.
A Bassin aux Nymphéas 100 x 200 cm dated 1919 was sold for £ 41M including premium by Christie's on June 24, 2008. A few other canvases have been cut. Dated in the same year, a 100 x 100 cm fragment whose other half is in a museum was sold for $ 27M including premium by Christie's on May 12, 2016.
On November 11 in New York, Christie's sells an undated Bassin aux Nymphéas 100 x 200 cm, lot 32 A estimated $ 30M. This example offers a very pleasant homogeneity of tone between the blue reflections of the sky and the green reflections of the big trees. The flowers are rare.
Christie’s Has $30m Monet Nymphéas from Penultimate Series https://t.co/yvnKWEfutg pic.twitter.com/T18M9LRHEs
— Art Market Monitor (@artmarket) September 27, 2018
2
1919
2021 SOLD for $ 70M by Sotheby's
A painting from the series of Le Bassin aux Nymphéas was sold twice by Sotheby's, for $ 16.8M on May 6, 2004, lot 133, and for $ 70M on May 12, 2021, lot 1010. Please watch the video shared by the auction house. An estimate in the region of $ 40M was revealed therein. The image is shared by Wikimedia.
This piece is an oil of canvas 100 x 200 cm, a panoramic format used by Monet in the middle preparation phase of Les Grandes Décorations, from 1917 to 1919, after he completed a barn-like studio for the specific purpose of doubling the size of his pictures.
In conjunction with the complete removal of both shore and horizon, the large size of the flowers indeed brings the impression of a very close view of the pond. This immersion is enhanced by the reflections of green trees and blue sky in the interstices between the groups of floating plants.
The emotion and the presence are brought by the arrangement of the increasingly vibrant colors while the topographic depiction becomes unnecessary. This opus had probably been prepared at the end of the 1917-1919 period. It is indeed a forerunner of the trend to abstraction of the next phase of Monet's career.
This piece is an oil of canvas 100 x 200 cm, a panoramic format used by Monet in the middle preparation phase of Les Grandes Décorations, from 1917 to 1919, after he completed a barn-like studio for the specific purpose of doubling the size of his pictures.
In conjunction with the complete removal of both shore and horizon, the large size of the flowers indeed brings the impression of a very close view of the pond. This immersion is enhanced by the reflections of green trees and blue sky in the interstices between the groups of floating plants.
The emotion and the presence are brought by the arrangement of the increasingly vibrant colors while the topographic depiction becomes unnecessary. This opus had probably been prepared at the end of the 1917-1919 period. It is indeed a forerunner of the trend to abstraction of the next phase of Monet's career.
3
1919
2008 SOLD for £ 41M by Christie's
Monet had interrupted his series of Bassins aux Nymphéas in 1908. In 1914 he restarts this theme on larger formats while observing its decorative effect. He redesigns his workshop in the following year to paint entirely indoors his largest canvases, around 2 x 2 m, which he devotes to enlargements of small details.
This decorative ambition led him in 1917 to test panoramic formats, around 130 x 200 cm, the largest dimension for which he is able to paint outdoors using a system of ropes and weights. He multiplies the sketches with, according to his signature habit, the greatest variety of colors expressing the different lights of the day.
Under the influence of Clémenceau, the project becomes a patriotic symbol, titled Les Grandes Décorations, which he completes in 1926.
From the start of the preparation phase, Monet attached the greatest importance to the coherence of the whole. Nevertheless in 1919 he paints for the trade four finished works with an especially high quality, which he sells in November of the same year to Bernheim-Jeune.
One of these paintings is in the Metropolitan Museum. Another one was sold by Christie's on November 11, 1992 for $ 12M including premium, a good result for that period of recession in the art market. The third was cut in half before 1944. The left side is in the Tel Aviv Museum. The right side was sold for $ 27M including premium by Christie's on May 12, 2016.
The fourth painting, oil on canvas 100 x 200 cm, was sold by Christie's on June 24, 2008 for £ 41M including premium worth at that date $ 80M, lot 16. The groups of leaves form a frame around the reflections of the trees in the blue water. The image is shared by Wikimedia.
This decorative ambition led him in 1917 to test panoramic formats, around 130 x 200 cm, the largest dimension for which he is able to paint outdoors using a system of ropes and weights. He multiplies the sketches with, according to his signature habit, the greatest variety of colors expressing the different lights of the day.
Under the influence of Clémenceau, the project becomes a patriotic symbol, titled Les Grandes Décorations, which he completes in 1926.
From the start of the preparation phase, Monet attached the greatest importance to the coherence of the whole. Nevertheless in 1919 he paints for the trade four finished works with an especially high quality, which he sells in November of the same year to Bernheim-Jeune.
One of these paintings is in the Metropolitan Museum. Another one was sold by Christie's on November 11, 1992 for $ 12M including premium, a good result for that period of recession in the art market. The third was cut in half before 1944. The left side is in the Tel Aviv Museum. The right side was sold for $ 27M including premium by Christie's on May 12, 2016.
The fourth painting, oil on canvas 100 x 200 cm, was sold by Christie's on June 24, 2008 for £ 41M including premium worth at that date $ 80M, lot 16. The groups of leaves form a frame around the reflections of the trees in the blue water. The image is shared by Wikimedia.
