Northern Song
including competing Chinese kingdoms
See also : China Chinese porcelain Song to Yuan porcelain Chinese art Landscape Bird Ancient sculpture Musical instrument Musical instrument II Buddhism Early Buddhist sculpture Chinese calligraphy
Chronology : 1000-1300
See also : China Chinese porcelain Song to Yuan porcelain Chinese art Landscape Bird Ancient sculpture Musical instrument Musical instrument II Buddhism Early Buddhist sculpture Chinese calligraphy
Chronology : 1000-1300
A Liao Buddha
2016 SOLD for € 13.6M including premium by Christie's
narrated in 2020
In 907 CE the fall of the Tang creates a political fragmentation of China, opening the period of the Five Dynasties. The Liao dynasty dominates for two centuries a vast territory from northern China to Mongolia.
In this period, Buddhist iconography is inspired by Tang figures. Gradually, the return of apocalyptic predictions brings a need to protect the knowledge and strengthens the worship of Maitreya.
Many figures are in painted wood or in clay. Gilded bronze is very rare and reserved for pieces of the utmost luxury. A 21 cm high deity from the beginning of this period, who may be Avalokitesvara or Maitreya, was sold for $ 2.5M including premium by Christie's on March 19, 2008.
A Vairocana Buddha 24 cm high in gilded solid bronze was sold for € 13.6M including premium by Christie's on December 14, 2016, lot 53. This piece, made in the 11th century CE, bears an administrative Liao inscription, unfortunately undated, which attests to its importance.
This figure has some exceptional characteristics. Vairocana is the primordial Buddha. His high tiara is centered with an image of Buddha and integrates into the crown the five cosmic Buddhas, the Tathagatas. His fists are joined in the gesture of knowledge. He is seated on a lotus whose stylized leaves are curiously overflowing. The figuration of jewelry and drapery is luxurious.
In this period, Buddhist iconography is inspired by Tang figures. Gradually, the return of apocalyptic predictions brings a need to protect the knowledge and strengthens the worship of Maitreya.
Many figures are in painted wood or in clay. Gilded bronze is very rare and reserved for pieces of the utmost luxury. A 21 cm high deity from the beginning of this period, who may be Avalokitesvara or Maitreya, was sold for $ 2.5M including premium by Christie's on March 19, 2008.
A Vairocana Buddha 24 cm high in gilded solid bronze was sold for € 13.6M including premium by Christie's on December 14, 2016, lot 53. This piece, made in the 11th century CE, bears an administrative Liao inscription, unfortunately undated, which attests to its importance.
This figure has some exceptional characteristics. Vairocana is the primordial Buddha. His high tiara is centered with an image of Buddha and integrates into the crown the five cosmic Buddhas, the Tathagatas. His fists are joined in the gesture of knowledge. He is seated on a lotus whose stylized leaves are curiously overflowing. The figuration of jewelry and drapery is luxurious.
#AuctionResult: Statue du Bouddha Vairocana vendue pour 13,570,500€ chez #ChristiesParis #worldrecord pour un bronze Liao pic.twitter.com/mHBTfyEVwJ
— Christie's Paris (@christiesparis) December 14, 2016
1070-1100 Willows and Geese by Zhao Lingrang
2017 SOLD for $ 27M including premium by Christie's
narrated in 2020
Zhao Lingrang, a brother of the fifth Song emperor, painted scrolls and fans. He is a typical example of the prince-artist of the ancient Chinese dynasties.
He was active between 1070 and 1100 CE, which is a period of high refinement. He takes that opportunity to have an indolent life. He loves music, women, furs and horses. An art critic of his time, close to Su Shi, criticizes him for his immaturity.
Zhao does not travel : maybe his high rank does not allow it. He paints in a cool gentleness hazy ponds with ducks and geese, probably taking his inspiration from Tang artists.
A 33 x 93 cm handscroll in ink and color on silk showing willows and geese was sold for $ 27M including premium by Christie's on March 15, 2017, lot 511 in the auction from the Fujita Museum Collection.
This work is not signed. The attribution to Zhao Lingrang is authenticated by a set of thirteen colophons from the period of transition between Southern Song and Yuan. It also bears 27 collectors' seals including six from the Qianlong emperor and one from the Jiaqing emperor. It is listed in the Shiqu Baoji which is the catalogue of the Qing imperial collection.
He was active between 1070 and 1100 CE, which is a period of high refinement. He takes that opportunity to have an indolent life. He loves music, women, furs and horses. An art critic of his time, close to Su Shi, criticizes him for his immaturity.
Zhao does not travel : maybe his high rank does not allow it. He paints in a cool gentleness hazy ponds with ducks and geese, probably taking his inspiration from Tang artists.
A 33 x 93 cm handscroll in ink and color on silk showing willows and geese was sold for $ 27M including premium by Christie's on March 15, 2017, lot 511 in the auction from the Fujita Museum Collection.
This work is not signed. The attribution to Zhao Lingrang is authenticated by a set of thirteen colophons from the period of transition between Southern Song and Yuan. It also bears 27 collectors' seals including six from the Qianlong emperor and one from the Jiaqing emperor. It is listed in the Shiqu Baoji which is the catalogue of the Qing imperial collection.
ca 1080 Nine Words for the Palace Administrator
2013 SOLD 8.2 M$ including premium
The Song era was intellectually brilliant and refined. Politically engaged, Su Shi was a universal spirit of that time, altogether writer, traveler, poet, engineer and gourmet.
On September 19 in New York, Sotheby's sells a hanging scroll autographed by Su Shi, 28 x 9.5 cm. In nine words written about 930 years ago, the author identifies himself and bids his farewell to Gong Fu, then administrator of the palace of Duanzhou.
Calligraphy means "beautiful writing". In these early days, the styles are already established since a long time. The beauty of the line is essential, more than the text, to honor the addressee. Su Shi practices with the required virtuosity a writing that combines running and standard styles.
Indeed, each of the nine words is a work of art, but their disposition, here in two columns, is also important because it brings a musicality to the whole message.
Like all outstanding documents from ancient China, the scroll is accompanied by seals and colophons. Its oldest collector's stamp dates from the Ming dynasty. Its earliest colophon, during the reign of Qianlong, is a detailed expert study comparing the biographies of the two men in order to establish the date of the work.
The document is in superb condition despite its age.
POST SALE COMMENT
This ancient example of beautiful writing made by an outstanding man in Chinese history was sold for $ 8.2 million including premium.
In the video below, Sotheby's summarizes with some examples the unique characteristics of the art of Chinese calligraphy for introducing this lot and demonstrating its importance.
On September 19 in New York, Sotheby's sells a hanging scroll autographed by Su Shi, 28 x 9.5 cm. In nine words written about 930 years ago, the author identifies himself and bids his farewell to Gong Fu, then administrator of the palace of Duanzhou.
Calligraphy means "beautiful writing". In these early days, the styles are already established since a long time. The beauty of the line is essential, more than the text, to honor the addressee. Su Shi practices with the required virtuosity a writing that combines running and standard styles.
Indeed, each of the nine words is a work of art, but their disposition, here in two columns, is also important because it brings a musicality to the whole message.
Like all outstanding documents from ancient China, the scroll is accompanied by seals and colophons. Its oldest collector's stamp dates from the Ming dynasty. Its earliest colophon, during the reign of Qianlong, is a detailed expert study comparing the biographies of the two men in order to establish the date of the work.
The document is in superb condition despite its age.
POST SALE COMMENT
This ancient example of beautiful writing made by an outstanding man in Chinese history was sold for $ 8.2 million including premium.
In the video below, Sotheby's summarizes with some examples the unique characteristics of the art of Chinese calligraphy for introducing this lot and demonstrating its importance.
Northern Song - The Tree of the Calligrapher
2018 SOLD for HK$ 460M including premium
Under the Song, the literati are philosophers and humanists who sometimes have the audacity to oppose imperial politics. Their supreme mode of expression is calligraphy, which conveys to their readers the firmness and rhythm of their thought.
In 1071 CE, Su Shi had been expelled from the capital, starting at the age of 34 a second career as a provincial servant with increasingly mediocre missions despite his immense talent. He died in 1101. His younger friend Mi Fu escaped political persecution by his reputation for eccentricity. They were the two best calligraphers in their lifetime.
A nine-character autograph message on a 28 x 9.5 cm sheet sent by Su Shi to the governor of a locality that he was leaving was sold for $ 8.2M including premium by Sotheby's on September 19, 2013.
Graphic art is exceptional in their works. The movement of the artist's hand is the same as for calligraphy. The rare drawings by Su Shi translate emotions too deep to be expressed in words. Mi Fu will only paint in the last years of his life, mostly after Su Shi's death.
On November 26 in Hong Kong, Christie's sells as lot 8008 a 26 x 50 cm ink on paper painted by Su Shi. This piece is extended by many colophons including an appreciation calligraphed by Mi Fu, and includes many seals. Please watch two videos shared by the auction house.
The image consists of two elements that join together : a leafless tree twisted into several undulations and a bulky rock. The dryness of the tree expresses the desolation of the artist in his exile while at the opposite edge on the left flank of the rock the sparse bamboos bring the hope of a new vitality.
In 1071 CE, Su Shi had been expelled from the capital, starting at the age of 34 a second career as a provincial servant with increasingly mediocre missions despite his immense talent. He died in 1101. His younger friend Mi Fu escaped political persecution by his reputation for eccentricity. They were the two best calligraphers in their lifetime.
A nine-character autograph message on a 28 x 9.5 cm sheet sent by Su Shi to the governor of a locality that he was leaving was sold for $ 8.2M including premium by Sotheby's on September 19, 2013.
Graphic art is exceptional in their works. The movement of the artist's hand is the same as for calligraphy. The rare drawings by Su Shi translate emotions too deep to be expressed in words. Mi Fu will only paint in the last years of his life, mostly after Su Shi's death.
On November 26 in Hong Kong, Christie's sells as lot 8008 a 26 x 50 cm ink on paper painted by Su Shi. This piece is extended by many colophons including an appreciation calligraphed by Mi Fu, and includes many seals. Please watch two videos shared by the auction house.
The image consists of two elements that join together : a leafless tree twisted into several undulations and a bulky rock. The dryness of the tree expresses the desolation of the artist in his exile while at the opposite edge on the left flank of the rock the sparse bamboos bring the hope of a new vitality.
Christie’s Announces 1000-year-old $50m Su Shi Scroll https://t.co/eVdovdYFyr pic.twitter.com/XpeTTOdBby
— Art Market Monitor (@artmarket) August 30, 2018
Treaty of Bianqiao by Li Gonglin
2017 SOLD for $ 17.6M including premium by Christie's
narrated in 2020
Li Gonglin, active between 1070 and 1095 CE, was one of the most prolific painters of the Northern Song period. His artist name was Li Longmian. His drawings were done in black ink on paper without adding colors. He was Mi Fu's mentor.
The Shiqu Baoji of the Qing lists 107 of his works, on much varied themes : Confucian, Taoist, butterflies, flowers, landscapes, portraits, horses. The sharpness of the line makes it possible to express the diversity of personalities in a group.
Li created several works on the theme of Guo Ziyi's intervention against the Tibetans. After the fall of the Tang emperor Xuanzong in 756 CE, Guo fought against the rebels. The Tibetans threatened to invade China with a powerful army. Guo obtained the decisive tribute of the Uyghurs without a battle by appearing like a ghost after the fake news of his death. He is the general who did not deign to become an emperor.
A drawing by Li in the National Palace Museum in Taipei illustrates Guo's negotiation with the Uyghur leader in 765 CE. The barbarians are different from the Chinese by their distorted face, their bulging nose, their poorly trimmed beard and their motley clothing.
On March 15, 2017, Christie's sold as lot 508 for $ 17.6M including premium a 26 cm x 9 m handscroll by Li Gonglin titled Treaty of Bianqiao, which is another example of this ancient ethnographic interpretation.
In the central scene, the barbarians come to negotiate in two groups. The group on the left carries the standards. The other includes the cavalry. The warriors wear their bows overflowing from a quiver which hangs from the belt. In front of and behind them the landscape is minimalist in the style of Su Shi. The Chinese headquarter is on the left side of the scroll. At the end of the story, acrobats on flying horses celebrate the Chinese victory.
The Shiqu Baoji of the Qing lists 107 of his works, on much varied themes : Confucian, Taoist, butterflies, flowers, landscapes, portraits, horses. The sharpness of the line makes it possible to express the diversity of personalities in a group.
Li created several works on the theme of Guo Ziyi's intervention against the Tibetans. After the fall of the Tang emperor Xuanzong in 756 CE, Guo fought against the rebels. The Tibetans threatened to invade China with a powerful army. Guo obtained the decisive tribute of the Uyghurs without a battle by appearing like a ghost after the fake news of his death. He is the general who did not deign to become an emperor.
A drawing by Li in the National Palace Museum in Taipei illustrates Guo's negotiation with the Uyghur leader in 765 CE. The barbarians are different from the Chinese by their distorted face, their bulging nose, their poorly trimmed beard and their motley clothing.
On March 15, 2017, Christie's sold as lot 508 for $ 17.6M including premium a 26 cm x 9 m handscroll by Li Gonglin titled Treaty of Bianqiao, which is another example of this ancient ethnographic interpretation.
In the central scene, the barbarians come to negotiate in two groups. The group on the left carries the standards. The other includes the cavalry. The warriors wear their bows overflowing from a quiver which hangs from the belt. In front of and behind them the landscape is minimalist in the style of Su Shi. The Chinese headquarter is on the left side of the scroll. At the end of the story, acrobats on flying horses celebrate the Chinese victory.
1095 Ancient Chinese Calligraphy
2010 SOLD 436 M RMB yuan including premium
The East Asian calligraphy can be interpreted as a means of linking poetry to graphic art. In fact, it is a form of art by itself, although not available and rarely commented on the Western market. Come directly to Beijing.
Exactly one year ago, Poly sold a fine collection of Qing calligraphy made in very large letters by the emperors themselves in order to spread moral slogans. Such imperial calligraphy is a very ancient tradition as some writings by the second Tang emperor are known.
A scroll of paper from Song period is for sale at Beijing by Poly International Auction on June 3. 37 cm high with a length exceeding 8 meters, it is completely covered with characters drawn in ink by Huang Tingjian, one of the most famous master calligraphers of his time. It is a fine example of his art consisting of semi-cursive letters in an energetic and accentuated style. Depending on location, this text includes from 4 to 15 characters within the height.
This artwork seems being very well maintained despite its age: Huang died 905 years ago. The online catalog does not provide information on the contents of the text. Unlike most lots of this important sale, the estimate is not published.
POST SALE COMMENT
It is a triumph for culture. It was registered in China on a Chinese piece, by a Chinese auction house: 390 million RMB hammer price, RMB 436 million including premium. The buyer has paid the equivalent of U.S. $ 63.8 million.
After this success, I found some additional information on the lot itself.
Completed around 1095 of our calendar, it contains 600 characters of which some examples are presented in the article shared by China Daily. Titled Di Zhu Ming, it is a copy of a Tang poem.
It was originally a little over 8 meters long, and was enlarged to 15 meters by comments. It includes a small portrait of the calligrapher artist.
Exactly one year ago, Poly sold a fine collection of Qing calligraphy made in very large letters by the emperors themselves in order to spread moral slogans. Such imperial calligraphy is a very ancient tradition as some writings by the second Tang emperor are known.
A scroll of paper from Song period is for sale at Beijing by Poly International Auction on June 3. 37 cm high with a length exceeding 8 meters, it is completely covered with characters drawn in ink by Huang Tingjian, one of the most famous master calligraphers of his time. It is a fine example of his art consisting of semi-cursive letters in an energetic and accentuated style. Depending on location, this text includes from 4 to 15 characters within the height.
This artwork seems being very well maintained despite its age: Huang died 905 years ago. The online catalog does not provide information on the contents of the text. Unlike most lots of this important sale, the estimate is not published.
POST SALE COMMENT
It is a triumph for culture. It was registered in China on a Chinese piece, by a Chinese auction house: 390 million RMB hammer price, RMB 436 million including premium. The buyer has paid the equivalent of U.S. $ 63.8 million.
After this success, I found some additional information on the lot itself.
Completed around 1095 of our calendar, it contains 600 characters of which some examples are presented in the article shared by China Daily. Titled Di Zhu Ming, it is a copy of a Tang poem.
It was originally a little over 8 meters long, and was enlarged to 15 meters by comments. It includes a small portrait of the calligrapher artist.
The Exquisite Flower of the Northern Song
2014 SOLD 147 MHK$ including premium
On April 8 in Hong Kong, Sotheby's sells a basin made in white porcelain at the time of the Northern Song Dynasty 900 years ago or slightly earlier. This piece in excellent condition is estimated HK $ 60M, lot 11 in the catalog. Its glaze is colored in two very close ivory shades.
This large bowl 22 cm in diameter with high walls enters into the category of the Ding, vessels of good purity used for food or medicine. It is however the high end in this category, with some extreme refinements unique of their kind.
Its theme is floral, first of all by its eight lobes of lotus petal shape. Inside, the floral patterns are finely incised under the glaze, barely noticeable in the photos. The central medallion is decorated with a peony and lotus stems adorn the inside walls. The exterior is blank.
The rim of the bowl is colored by a brown copper strip enabled by sparings in the glaze. This nice addition met the fashion of the time but did not please the emperor. It explains the development of the Ru production, monochrome without sparings, in the very last years of the dynasty.
A Ru washer also shaped as a lobed flower, 13.5 cm diameter, masterpiece of the tactile porcelain art of the Song, was sold for HK 208M including premium by Sotheby's on April 4, 2012.
POST SALE COMMENT
The Song porcelain reached an extraordinary refinement. The well deserved price of this basin, HK $ 147M including premium, is all the more remarkable as this piece was perhaps not imperial.
This large bowl 22 cm in diameter with high walls enters into the category of the Ding, vessels of good purity used for food or medicine. It is however the high end in this category, with some extreme refinements unique of their kind.
Its theme is floral, first of all by its eight lobes of lotus petal shape. Inside, the floral patterns are finely incised under the glaze, barely noticeable in the photos. The central medallion is decorated with a peony and lotus stems adorn the inside walls. The exterior is blank.
The rim of the bowl is colored by a brown copper strip enabled by sparings in the glaze. This nice addition met the fashion of the time but did not please the emperor. It explains the development of the Ru production, monochrome without sparings, in the very last years of the dynasty.
A Ru washer also shaped as a lobed flower, 13.5 cm diameter, masterpiece of the tactile porcelain art of the Song, was sold for HK 208M including premium by Sotheby's on April 4, 2012.
POST SALE COMMENT
The Song porcelain reached an extraordinary refinement. The well deserved price of this basin, HK $ 147M including premium, is all the more remarkable as this piece was perhaps not imperial.
Perfection and Diversity of the Ru Ware
2017 SOLD for HK$ 294M including premium
The Ru ware manufactured 900 years ago in present-day Henan province is the most prestigious of all Chinese porcelain for various causes related to the technological development, to the taste of their time and to chance.
By a positioning on tiny studs during cooking without turning the piece upside down, the glaze savings that so displeased at the court of the Northern Song are avoided. The celadon color of which several shades are available equals the refinement of the jade. In the fashion of that time perfect proportions and minimalism are preferred to the complexity of shapes.
Located on what was to become a border zone between north and south, the Ru kilns did not survive the fall of the Northern Song. Their undocumented activity which was perhaps not in the service of the court had only lasted about two decades.
A quarter of a century after the fall of the Northern Song a courtier presents to the Gaozong Emperor of the Southern Song a significant group of Ru ware. The Emperor who was just managing to restore the legendary refinement of his dynasty admires the exceptional quality of these porcelains and especially some pieces whose surface has a texture like ice crackles. This effect modeling the creation of minerals in nature is appreciated as sensational. It was related to the chance of the cooling conditions in the Ru kilns but the Southern Song potters discovered the conditions to be applied to create such a texture at will.
87 pieces of Ru porcelain of the Northern Song are known. Four of them are in private hands.
On April 4, 2012 Sotheby's sold for HK $ 208M including premium over a lower estimate of HK $ 50M a brush washer 13.5 cm in diameter slightly lobed with a smooth texture and a pale color which is close to jade.
On October 3 in Hong Kong, Sotheby's sells as lot 5 a 13 cm round brush washer This intense blue-green piece has an exceptionally shiny crackled surface. The press release of August 22 announces that it is expected in excess of HK $ 100M. Please watch the short video shared by the auction house.
By a positioning on tiny studs during cooking without turning the piece upside down, the glaze savings that so displeased at the court of the Northern Song are avoided. The celadon color of which several shades are available equals the refinement of the jade. In the fashion of that time perfect proportions and minimalism are preferred to the complexity of shapes.
Located on what was to become a border zone between north and south, the Ru kilns did not survive the fall of the Northern Song. Their undocumented activity which was perhaps not in the service of the court had only lasted about two decades.
A quarter of a century after the fall of the Northern Song a courtier presents to the Gaozong Emperor of the Southern Song a significant group of Ru ware. The Emperor who was just managing to restore the legendary refinement of his dynasty admires the exceptional quality of these porcelains and especially some pieces whose surface has a texture like ice crackles. This effect modeling the creation of minerals in nature is appreciated as sensational. It was related to the chance of the cooling conditions in the Ru kilns but the Southern Song potters discovered the conditions to be applied to create such a texture at will.
87 pieces of Ru porcelain of the Northern Song are known. Four of them are in private hands.
On April 4, 2012 Sotheby's sold for HK $ 208M including premium over a lower estimate of HK $ 50M a brush washer 13.5 cm in diameter slightly lobed with a smooth texture and a pale color which is close to jade.
On October 3 in Hong Kong, Sotheby's sells as lot 5 a 13 cm round brush washer This intense blue-green piece has an exceptionally shiny crackled surface. The press release of August 22 announces that it is expected in excess of HK $ 100M. Please watch the short video shared by the auction house.
900-year-old dish to smash US$36 million auction world record for Chinese antiques https://t.co/U56WqVJCQB pic.twitter.com/H7bBHIqiIv
— SCMP News (@SCMP_News) August 24, 2017
The Kilns of the Northern Song
2012 SOLD 208 MHK$ including premium
In the history of mankind, artistic refinement is not a matter of continuous improvement, as one might believe. The chemical secret of the Imperial ceramics of the Northern Song is lost for a long time, and the quality of the smooth and translucent glaze using agate powder will never be equaled.
The best production center was known as the Ru kilns, Ru yao in Chinese. Ru ceramics are very rare because this operation lasted only a few years, 900 years ago during Zhezong and Huizong periods and was stopped by the fall of the dynasty. The site of the Ru yao, lost since the Yuan, was located in 1987 in Henan Province and excavated in 2000.
The classic color of Ru is a very pale blue-green jade imitation. A specimen in very good condition is for sale on April 4 in Hong Kong by Sotheby's. This is a washer of 13.5 cm in diameter that could be used to rinse the brushes after writing. The form is also interesting. The edge is pinched in six locations, simulating the petals of a flower.
This washer was known long before the rediscovery of the site. It is estimated HK $ 60M. It is illustrated on Sotheby's website page announcing the sale.
POST SALE COMMENT
This piece of ceramics had caused great excitement in the weeks preceding the sale. It demonstrates an exceptional technical mastery despite its earliness, probably inimitable since the end of the Northern Song Dynasty.
It was sold HK $ 208 million including premium.
The best production center was known as the Ru kilns, Ru yao in Chinese. Ru ceramics are very rare because this operation lasted only a few years, 900 years ago during Zhezong and Huizong periods and was stopped by the fall of the dynasty. The site of the Ru yao, lost since the Yuan, was located in 1987 in Henan Province and excavated in 2000.
The classic color of Ru is a very pale blue-green jade imitation. A specimen in very good condition is for sale on April 4 in Hong Kong by Sotheby's. This is a washer of 13.5 cm in diameter that could be used to rinse the brushes after writing. The form is also interesting. The edge is pinched in six locations, simulating the petals of a flower.
This washer was known long before the rediscovery of the site. It is estimated HK $ 60M. It is illustrated on Sotheby's website page announcing the sale.
POST SALE COMMENT
This piece of ceramics had caused great excitement in the weeks preceding the sale. It demonstrates an exceptional technical mastery despite its earliness, probably inimitable since the end of the Northern Song Dynasty.
It was sold HK $ 208 million including premium.
Northern Song - A Sky Blue Bowl
2018 SOLD for HK$ 56M including premium
The Qing emperors considered the Imperial Ru porcelain as the best of all time. Its production for a decade or so at the end of the Northern Song dynasty had not been documented in period.
It was identified by the Southern Song that the extreme quality of the Imperial Ru ware was due to the incorporation of agate powder into the glaze. The exploration of the kiln site discovered in Henan province in 1986 showed that they were made beside a mass production in ordinary porcelain.
The techniques applied to hold the pieces during heating and cooling were rudimentary, resulting in a very low yield correlated with the excavation of many fragments on the site.
It is possible that the Imperial Ru was essentially experimental, and applied to most shapes produced at the same place in the other techniques. Because of its top quality, the Southern Song could not do otherwise than qualifying it as 'imperial' and the Qing experts followed.
A sky blue tea bowl 10.2 cm in diameter and 5.2 cm in height surfaced in 2015. Its provenance from Japanese collections is indisputable and precedes for several decades the location of the kiln site. It had been broken, probably in the first part of the twentieth century, and repaired according to a traditional Japanese method including a filling of the gaps by a lacquer mixed with gold powder. It is considered complete.
This piece brings together two of the rarest features in its class.
The extreme scarcity of Imperial Ru bowls had already been highlighted by the Qianlong emperor. A slightly chipped example of identical shape and dimensions but in another color had been found on the kiln site.
Its sky blue color is unique among complete pieces but is also found on some excavated fragments. Highly appreciated in graphic arts by the Northern Song, this color was an attempt by the Ru potters to escape the traditional celadon.
This bowl will be sold by Christie's in Hong Kong on November 26, lot 8006.
It was identified by the Southern Song that the extreme quality of the Imperial Ru ware was due to the incorporation of agate powder into the glaze. The exploration of the kiln site discovered in Henan province in 1986 showed that they were made beside a mass production in ordinary porcelain.
The techniques applied to hold the pieces during heating and cooling were rudimentary, resulting in a very low yield correlated with the excavation of many fragments on the site.
It is possible that the Imperial Ru was essentially experimental, and applied to most shapes produced at the same place in the other techniques. Because of its top quality, the Southern Song could not do otherwise than qualifying it as 'imperial' and the Qing experts followed.
A sky blue tea bowl 10.2 cm in diameter and 5.2 cm in height surfaced in 2015. Its provenance from Japanese collections is indisputable and precedes for several decades the location of the kiln site. It had been broken, probably in the first part of the twentieth century, and repaired according to a traditional Japanese method including a filling of the gaps by a lacquer mixed with gold powder. It is considered complete.
This piece brings together two of the rarest features in its class.
The extreme scarcity of Imperial Ru bowls had already been highlighted by the Qianlong emperor. A slightly chipped example of identical shape and dimensions but in another color had been found on the kiln site.
Its sky blue color is unique among complete pieces but is also found on some excavated fragments. Highly appreciated in graphic arts by the Northern Song, this color was an attempt by the Ru potters to escape the traditional celadon.
This bowl will be sold by Christie's in Hong Kong on November 26, lot 8006.
1120 Guqin (plucked string instrument) for Song emperor Huizong
2010 SOLD 137 M RMB yuan including premium by Poly
Link to post sale article by People's Daily.
