In January 1945 it becomes legitimate to imagine that the end of the horrors is coming. Miro accompanies this hope in a series of oils on canvas, a technique that he had not used during the darkest hours.
The first installment of this series is dated January 26 and titled Femme et Oiseau dans la Nuit. The outlines of the woman are painted in thin black lines, much easier to read over the bright white background than the extraterrestrial characters of the 1940 Constellations. The eyes and the sex form colorful figures inside this body.
This dreamlike image is neither realistic nor cubist. The position of the eyes in the circle of the head responds only to a geometric balance. The composition is completed by musical notes and by stars.
As expected, the situation is improving. On February 1 with a Femme rêvant de l'Evasion, the wicked birds have already disappeared. This oil on canvas 146 x 114 cm was sold for £ 8.4M including premium by Sotheby's on February 5, 2013.
On November 15 in New York, Phillips sells a Femme dans la Nuit dated March 22, oil on canvas 130 x 163 cm, lot 4 estimated $ 12M. Please watch the video prepared by the auction house.
The 14th and last opus of this war series is dated May 7, 1945, the day of the unconditional surrender of Germany. Normal life has restarted. Miro makes two optimistic paintings on a black background, Femme entendant de la musique on May 11 and Danseuse entendant jouer de l'orgue dans une cathédrale gothique on May 26.
SOLD for $ 22.6M including premium
Art historian Dr. Charles Stuckey discusses the importance of "Femme dans la nuit," —a featured highlight from our upcoming 20th Century & Contemporary Art Evening Sale in New York: https://t.co/ABvb9nbb80 pic.twitter.com/wjoKicitaH
— P H I L L I P S (@phillipsauction) November 6, 2018