Later Ming
See also : Chinese porcelain Ancient Chinese porcelain Chinese art Chinese calligraphy Furniture Chairs and seats Animals Bird Musical instrument Travel
Chronology : 15th century 1480-1499 16th century 1500-1519 1540-1569 1570-1599 1610-1619
Chronology : 15th century 1480-1499 16th century 1500-1519 1540-1569 1570-1599 1610-1619
Chenghua - Imperial Chickens
2014 SOLD 280 MHK$ including premium
Inactive after the reign of Xuande, the Jingdezhen kilns were reactivated three decades later by Chenghua before being stopped around the 20th year of the reign of this emperor.
The best period of Chenghua porcelains is the second decade of his reign. Improvements are made to the choice of materials, enabling a higher temperature. The apex of any ceramic art is then achieved with a dense paste, a transparent and robust glaze and an extraordinary tactile effect.
The doucai color, started under Xuande, also gets some dramatic progress under Chenghua. Mixing enameled colors over the glaze allows a wide range of shades.
The figures of Chenghua ceramics are simple and naive. However, his chicken wine cups had an almost mystical reputation. The rooster is the emperor, and the hen protecting her chicks is his favorite concubine. It is an opportunity fir the historian to remind that Wan Guifei herself intervened to improve the quality of imperial porcelains.
One of these wonders is in perfect condition, on a pristine white background, without any crack or scratch. This piece 8.2 cm in diameter is decorated underglaze in cobalt blue and multicolored on its surface.
It was sold for HK $ 29M including premium on April 27, 1999 by Sotheby's, purchased at that sale by Eskenazi. It is estimated HK $ 200M, for sale by Sotheby's in Hong Kong on April 8.
POST SALE COMMENT
The absolute pinnacle of the art of porcelain was achieved by the Chinese Imperial pieces of the second part of the reign of Chenghua. This cup was sold for HK $ 280M including premium.
I invite you to play the video shared by Sotheby's :
The best period of Chenghua porcelains is the second decade of his reign. Improvements are made to the choice of materials, enabling a higher temperature. The apex of any ceramic art is then achieved with a dense paste, a transparent and robust glaze and an extraordinary tactile effect.
The doucai color, started under Xuande, also gets some dramatic progress under Chenghua. Mixing enameled colors over the glaze allows a wide range of shades.
The figures of Chenghua ceramics are simple and naive. However, his chicken wine cups had an almost mystical reputation. The rooster is the emperor, and the hen protecting her chicks is his favorite concubine. It is an opportunity fir the historian to remind that Wan Guifei herself intervened to improve the quality of imperial porcelains.
One of these wonders is in perfect condition, on a pristine white background, without any crack or scratch. This piece 8.2 cm in diameter is decorated underglaze in cobalt blue and multicolored on its surface.
It was sold for HK $ 29M including premium on April 27, 1999 by Sotheby's, purchased at that sale by Eskenazi. It is estimated HK $ 200M, for sale by Sotheby's in Hong Kong on April 8.
POST SALE COMMENT
The absolute pinnacle of the art of porcelain was achieved by the Chinese Imperial pieces of the second part of the reign of Chenghua. This cup was sold for HK $ 280M including premium.
I invite you to play the video shared by Sotheby's :
The Palace Bowls of the Chenghua Emperor
2013 SOLD 140 MHK$ including premium
In 1464 of our calendar, Chenghua became the eighth Ming Emperor. Politically dominated by his eunuchs and socially by his concubines, he did not leave an indelible mark in history.
During this reign that lasted 24 years, the porcelain workshops of Jingdezhen had an intense activity, which can be divided into three phases.
The blue and white of the beginning looks similar as Yuan and early Ming styles. The first major technical innovation is then the doucai, by which other colors could be added through a second firing.
And suddenly, about the 17th year of his reign, the unique technique of the so-called Chenghua palace bowls is launched. The porcelain is back to blue and white, but its tactile quality is extraordinary, comparable only to the Ru porcelain of the Northern Song, 380 years earlier.
Chenghua palace bowls are decorated with delicacy and simplicity, with flowers or fruits of botanical accuracy. On 7 April 2011, Sotheby's sold HK $ 90M in post sale a bowl 15 cm in diameter decorated with fruit and leaves of melon.
On October 8, Hong Kong, the palace bowl to be sold by Sotheby's, similar as the above in shape and size, is decorated inside and outside with humble musk-mallows. Also same as the melon bowl, it wears the Imperial mark. Expected beyond HK $ 80M, it will be described in a separate catalog. Here is the link to the home page of the sale.
The Ru of the Song had been interrupted by the Yuan invasion after only a few years. Similarly, the production of Chenghua bowls did not survive his reign. Easier to execute, the doucai had a great future and is one of the major steps that lead to the perfection of colors of the falangcai under the Qing.
POST SALE COMMENT
Chenghua palace bowls are among the greatest wonders in the history of art. This specimen was sold for HK$ 140M including premium.
During this reign that lasted 24 years, the porcelain workshops of Jingdezhen had an intense activity, which can be divided into three phases.
The blue and white of the beginning looks similar as Yuan and early Ming styles. The first major technical innovation is then the doucai, by which other colors could be added through a second firing.
And suddenly, about the 17th year of his reign, the unique technique of the so-called Chenghua palace bowls is launched. The porcelain is back to blue and white, but its tactile quality is extraordinary, comparable only to the Ru porcelain of the Northern Song, 380 years earlier.
Chenghua palace bowls are decorated with delicacy and simplicity, with flowers or fruits of botanical accuracy. On 7 April 2011, Sotheby's sold HK $ 90M in post sale a bowl 15 cm in diameter decorated with fruit and leaves of melon.
On October 8, Hong Kong, the palace bowl to be sold by Sotheby's, similar as the above in shape and size, is decorated inside and outside with humble musk-mallows. Also same as the melon bowl, it wears the Imperial mark. Expected beyond HK $ 80M, it will be described in a separate catalog. Here is the link to the home page of the sale.
The Ru of the Song had been interrupted by the Yuan invasion after only a few years. Similarly, the production of Chenghua bowls did not survive his reign. Easier to execute, the doucai had a great future and is one of the major steps that lead to the perfection of colors of the falangcai under the Qing.
POST SALE COMMENT
Chenghua palace bowls are among the greatest wonders in the history of art. This specimen was sold for HK$ 140M including premium.
Chenghua - Perfect Tactility of Ming Bowls
2011 SOLD 90 MHK$
White porcelain from the imperial kilns in Jingdezhen was highly appreciated by the Ming. Yongle, third emperor of the dynasty, had promoted pieces in immaculate white, without slowing the progress of underglaze decoration in cobalt blue.
The "palace bowls" were produced for a very short period not exceeding 7 years, from 1481 to 1487 in our calendar at the end of the reign of Chenghua, the seventh emperor. This utensil is by nature an object to be touched. These Chenghua bowls reach a perfection of tactility that will never be exceeded.
They are very rare, and the copy for sale by Sotheby's in Hong Kong on April 7, estimated HK $ 80M, takes its place among the masterpieces of Chinese porcelain.
Measuring 15 cm in diameter, it is inscribed with the six-character mark of Chenghua and decorated with melon vines including leaves and fruits.
POST SALE COMMENTS
1
Perfection of manufacturing and scarcity were not sufficient arguments to justify the estimate. Unsold.
2
A later buyer let this bowl win its rightful place in the cultural hierarchy of the results.
The press release of Sotheby's indicates that it was sold HK $ 90M privately after the sale.
Traditionally, such announcement includes fees.
The "palace bowls" were produced for a very short period not exceeding 7 years, from 1481 to 1487 in our calendar at the end of the reign of Chenghua, the seventh emperor. This utensil is by nature an object to be touched. These Chenghua bowls reach a perfection of tactility that will never be exceeded.
They are very rare, and the copy for sale by Sotheby's in Hong Kong on April 7, estimated HK $ 80M, takes its place among the masterpieces of Chinese porcelain.
Measuring 15 cm in diameter, it is inscribed with the six-character mark of Chenghua and decorated with melon vines including leaves and fruits.
POST SALE COMMENTS
1
Perfection of manufacturing and scarcity were not sufficient arguments to justify the estimate. Unsold.
2
A later buyer let this bowl win its rightful place in the cultural hierarchy of the results.
The press release of Sotheby's indicates that it was sold HK $ 90M privately after the sale.
Traditionally, such announcement includes fees.
Chenghua - The Tableware of the Principal Concubine
2016 SOLD for HK$ 64M including premium
The Chenghua Emperor of the Ming dynasty did not leave significant traces in Chinese history but his tableware reached the highest level in luxury throughout the ages and categories.
These pieces are innovative by the extreme care in realizing the porcelain, both fine and sturdy with a tactile quality that will never be available again. The gently curved shapes of their walls are also new, in several variants.
Cups are used for wine and bowls for food. These pieces bearing the imperial mark are mainly made for the use of the principal concubine Wan Guifei whose demands were evidently extreme. They are highly rare and not even found as failed or waste pieces, demonstrating the rigorous surveillance made on site in Jingdezhen by imperial eunuchs.
This limited production was so expensive that the emperor's advisers were able to terminate it after about ten years, during the 20th year of the reign corresponding to 1485 of our calendar, two years before the death of the emperor and his concubine.
The color technique is not new: cobalt blue in two hues for bowls and doucai for cups. The drawing is innovative with asymmetrical compositions often adorned with spirals. The chicken cups are prestigious. One of them in an admirable state of preservation was sold for HK $ 280M including premium by Sotheby's on April 8, 2014.
The bowls decorated with flowers can be exquisite such as the musk mallow bowl sold for HK $ 140M including premium by Sotheby's on 8 October 2013. Vines of melons are a rare theme symbolizing an auspicious prosperity to the offspring. The bowl from the Meiyintang collection with a nice balance of blue and white was sold in post sale for HK $ 90M at Sotheby's on April 7, 2011.
On April 6 in Hong Kong, Sotheby's sells another melon bowl, lot 25 estimated HK $ 50M. This piece is unique in the details of its pattern by the quantity and density of the fruit. Its size is 15.4 cm in diameter.
These pieces are innovative by the extreme care in realizing the porcelain, both fine and sturdy with a tactile quality that will never be available again. The gently curved shapes of their walls are also new, in several variants.
Cups are used for wine and bowls for food. These pieces bearing the imperial mark are mainly made for the use of the principal concubine Wan Guifei whose demands were evidently extreme. They are highly rare and not even found as failed or waste pieces, demonstrating the rigorous surveillance made on site in Jingdezhen by imperial eunuchs.
This limited production was so expensive that the emperor's advisers were able to terminate it after about ten years, during the 20th year of the reign corresponding to 1485 of our calendar, two years before the death of the emperor and his concubine.
The color technique is not new: cobalt blue in two hues for bowls and doucai for cups. The drawing is innovative with asymmetrical compositions often adorned with spirals. The chicken cups are prestigious. One of them in an admirable state of preservation was sold for HK $ 280M including premium by Sotheby's on April 8, 2014.
The bowls decorated with flowers can be exquisite such as the musk mallow bowl sold for HK $ 140M including premium by Sotheby's on 8 October 2013. Vines of melons are a rare theme symbolizing an auspicious prosperity to the offspring. The bowl from the Meiyintang collection with a nice balance of blue and white was sold in post sale for HK $ 90M at Sotheby's on April 7, 2011.
On April 6 in Hong Kong, Sotheby's sells another melon bowl, lot 25 estimated HK $ 50M. This piece is unique in the details of its pattern by the quantity and density of the fruit. Its size is 15.4 cm in diameter.
Auction Dossier: The State of Chinese Porcelain Glaze - See more at: https://t.co/psDjPNe2Oz pic.twitter.com/guNMlcqUd3
— ARTINFO HongKong (@ARTINFOHongKong) March 16, 2016
1486 The Mid-Autumn Moon
2016 SOLD for $ 2.17M including premium
The Mid-Autumn Festival is celebrated in China for over 3,000 years. The Full Moon is closely associated as a symbol of vigor. It is harvest season.
Under the Ming, scholars often identified as Literati maintain a communication with nature. They occasionally draw, without being art professionals. Mid-Autumn is enjoyed as an opportunity to eat crabs and fish and to have wine to drunkenness with one's best friends.
On September 14 in New York, Sotheby's sells a hand scroll from Ming time that evokes such a happiness. It is signed by Shen Zhou, a literati who founded and animated the Wu school calling for a freedom of poetic expression similar as what was practiced under the Yuan. The scroll 29 cm high is in two parts : a drawing 92 cm long and an autograph calligraphy 10 m long. It is estimated $ 1.8M, lot 530.
The friend brought the paper and invited Shen to record that privileged moment in the bamboo hut of the garden. The drawing in a simple and speedy line is composed from a model by a Yuan master named Wu Zhen.
The poem in calligraphy explaining the circumstances of the artwork and the hedonistic interpretation of the event has been executed by Shen, certainly just after completion of the drawing. The sharp and wide characters essentially in two rows are in the style of a famous Song poet.
We learn that Shen and his friend were both 60 years old. If the poet told the truth about his age, this festival was held in 1486 in our calendar. The Mid-Autumn Moon behaves as a reference for the passing time which they neglected before having white hair. Shen hopes that the Moon brings forty additional autumns to them. This wish was not far from being fulfilled as the poet was to die an octogenarian.
Under the Ming, scholars often identified as Literati maintain a communication with nature. They occasionally draw, without being art professionals. Mid-Autumn is enjoyed as an opportunity to eat crabs and fish and to have wine to drunkenness with one's best friends.
On September 14 in New York, Sotheby's sells a hand scroll from Ming time that evokes such a happiness. It is signed by Shen Zhou, a literati who founded and animated the Wu school calling for a freedom of poetic expression similar as what was practiced under the Yuan. The scroll 29 cm high is in two parts : a drawing 92 cm long and an autograph calligraphy 10 m long. It is estimated $ 1.8M, lot 530.
The friend brought the paper and invited Shen to record that privileged moment in the bamboo hut of the garden. The drawing in a simple and speedy line is composed from a model by a Yuan master named Wu Zhen.
The poem in calligraphy explaining the circumstances of the artwork and the hedonistic interpretation of the event has been executed by Shen, certainly just after completion of the drawing. The sharp and wide characters essentially in two rows are in the style of a famous Song poet.
We learn that Shen and his friend were both 60 years old. If the poet told the truth about his age, this festival was held in 1486 in our calendar. The Mid-Autumn Moon behaves as a reference for the passing time which they neglected before having white hair. Shen hopes that the Moon brings forty additional autumns to them. This wish was not far from being fulfilled as the poet was to die an octogenarian.
The Roy and Marilyn Papp Collection of Chinese Paintings comes to #NY this September: https://t.co/PpcGvbjS48 pic.twitter.com/saryrkmCIw
— Sotheby's (@Sothebys) August 3, 2016
1508 The Sorrow of the Old Poet
2019 SOLD for $ 3M including premium
Shen Zhou was born to a family of wealthy landowners in the vicinity of Suzhou, 100 km northwest of Shanghai. Having received an excellent literati training, he manages to escape the official functions by an action that is characterized as a filial piety. He is known for his human qualities, transcribed in the line altogether firm, frank and serene of his drawing and of his writing.
Far away from the imperial court, he becomes a professional artist and poet. Along with his disciples, he forms the informal School of Wu, a former name of Suzhou. The reputation of this provincial group becomes national.
In 1502 CE, Shen Zhou loses his son. He expresses his sorrow in the following year with a collection of ten poems on the theme of falling flowers. The literary quality of this work provokes a dialogue between the old poet and his disciples through the composition by all parties of additional poems, some of which reusing the rhymes of the original poems.
An autograph handscroll, signed but undated, consisting of the complete set of the original ten poems plus three responses by the same author, is estimated $ 1.2M for sale by Sotheby's in New York on March 22, lot 1168.
This piece applies the style of Huang Tingjian, one of the greatest masters of calligraphy under the Song. It is very comparable in its writing to a scroll kept at the Taipei Museum which includes an autograph painting and a frontispiece as well as a response dated 1508 CE by his best disciple. Shen Zhou dies in the following year at 82 years old.
Please watch the video shared by the auction house.
Far away from the imperial court, he becomes a professional artist and poet. Along with his disciples, he forms the informal School of Wu, a former name of Suzhou. The reputation of this provincial group becomes national.
In 1502 CE, Shen Zhou loses his son. He expresses his sorrow in the following year with a collection of ten poems on the theme of falling flowers. The literary quality of this work provokes a dialogue between the old poet and his disciples through the composition by all parties of additional poems, some of which reusing the rhymes of the original poems.
An autograph handscroll, signed but undated, consisting of the complete set of the original ten poems plus three responses by the same author, is estimated $ 1.2M for sale by Sotheby's in New York on March 22, lot 1168.
This piece applies the style of Huang Tingjian, one of the greatest masters of calligraphy under the Song. It is very comparable in its writing to a scroll kept at the Taipei Museum which includes an autograph painting and a frontispiece as well as a response dated 1508 CE by his best disciple. Shen Zhou dies in the following year at 82 years old.
Please watch the video shared by the auction house.
#AuctionUpdate Shen Zhou's 'Poems on Falling Flowers in Running Script', a rare and extraordinary handscroll, soars to $3 million, well exceeding its $1.8 million high estimate #SothebysAsianArt pic.twitter.com/6opS9kywrt
— Sotheby's (@Sothebys) March 22, 2019
1516 Poems on planting bamboo by Li Dongyang
2019 SOLD for $ 4.6M including premium by Christie's
#AuctionUpdate Li Dongyan’s ‘Fourteen Poems on Planting Bamboo’ has achieved an incredible $4,575,000, more than five times its low estimate, in our #NewYork Fine Chinese Paintings sale #AsianArtWeek https://t.co/tYv8y3Wkk0 pic.twitter.com/ht1ztznzRT
— Christie's (@ChristiesInc) March 19, 2019
Jiajing - The Carps of the Heavenly Pond
2017 SOLD for HK$ 214M including premium
The palace bowls of the Chenghua emperor were fabulous by the quality of the porcelain and their early application of polychromy but the pieces were small and the drawings were naive. A period of inactivity begins because of court protests against the onerous taste of the leading concubine for such a luxury.
The progress of Jingdezhen porcelain is restarting with the Jiajing emperor, an art lover and an adept of Taoism. Becoming emperor at the age of 14 in 1522, Jiajing reigned for 45 years. Large pieces are made under his rule, using the bright color palette identified as wucai. Wucai literally means five enamels, five having here a meaning of plurality adjusted to the five elements
This emperor liked to state that he was the fisherman of the heavenly pond. The pattern with fish swimming amidst aquatic plants enables a pleasing interweaving of the drawings on the walls of the jars and Jiajing himself promotes this theme by massive commissions. The details of the themes are related to homophonic rebuses bringing to the emperor the auspices that he so much enjoyed.
A 46 cm high jar with its cover is one of the biggest pieces of that type. It is animated by carps of two different sizes. The suspension of the fish in water allows various attitudes. The porcelain was first painted with the classical underglaze blue. The other colors were added over the glaze. Experts believe that three firings have been necessary.
Pieces which are still with their original cover are very rare in private hands. This one was sold for HK $ 44M including premium by Sotheby's on October 29, 2000, a very high price at that time for a Chinese porcelain. It will be sold by Christie's in Hong Kong on November 27, lot 8006. Please watch the video shared by Christie's.
The progress of Jingdezhen porcelain is restarting with the Jiajing emperor, an art lover and an adept of Taoism. Becoming emperor at the age of 14 in 1522, Jiajing reigned for 45 years. Large pieces are made under his rule, using the bright color palette identified as wucai. Wucai literally means five enamels, five having here a meaning of plurality adjusted to the five elements
This emperor liked to state that he was the fisherman of the heavenly pond. The pattern with fish swimming amidst aquatic plants enables a pleasing interweaving of the drawings on the walls of the jars and Jiajing himself promotes this theme by massive commissions. The details of the themes are related to homophonic rebuses bringing to the emperor the auspices that he so much enjoyed.
A 46 cm high jar with its cover is one of the biggest pieces of that type. It is animated by carps of two different sizes. The suspension of the fish in water allows various attitudes. The porcelain was first painted with the classical underglaze blue. The other colors were added over the glaze. Experts believe that three firings have been necessary.
Pieces which are still with their original cover are very rare in private hands. This one was sold for HK $ 44M including premium by Sotheby's on October 29, 2000, a very high price at that time for a Chinese porcelain. It will be sold by Christie's in Hong Kong on November 27, lot 8006. Please watch the video shared by Christie's.
Jiajing - The Sixth Color of the Wucai
2012 SOLD 2 M$ including premium
PRE SALE DISCUSSION
The multicolored porcelain was developed during the Ming dynasty. It takes the name of wucai, which means "five colors". It is already very decorative, with bright and pure enamel colors.
In the sale of 11 and 12 September in New York, Sotheby's has a covered pot decorated with fish, with the mark of the Jiajing Emperor. These animals swim above the weeds, between plant motifs regularly arranged.
The reign of Jiajing (not to be confused with Jiaqing of the Qing) was very long, from 1521 to 1567 of our calendar.Disgusted by politics, he turned to Taoism. We could consider fish as a Taoist symbol of life in freedom, in contrast to the rituals of the court, but remember that it is also a symbol of abundance.
Despite its etymology, wucai fish pots have a sixth color, the beautiful dark orange of the animals. This is not an anomaly, "five" in this case being a way of expressing a plurality.
Other jars, in the Musée Guimet in Paris or in the Museum of Beijing, show the fish in the same attitudes as in the Sotheby's lot, while the plant environment varies. A pot without its cover was sold RMB 15M including premium byChina Guardian in Beijing during the 2012 spring auctions.
The jar for sale by Sotheby's comes from the Walters Art Museum in Baltimore, which had never exhibited it because they also have another similar piece. It is estimated $ 500K, very reasonably. It is illustrated by Sotheby's on the page announcing the sale.
Here is the link to the catalogue, and the size : 41 cm high.
POST SALE COMMENT
As I told it, the estimate was too reasonable, especially since the provenance was impeccable. Result for the pot: $ 2M including premium.
The multicolored porcelain was developed during the Ming dynasty. It takes the name of wucai, which means "five colors". It is already very decorative, with bright and pure enamel colors.
In the sale of 11 and 12 September in New York, Sotheby's has a covered pot decorated with fish, with the mark of the Jiajing Emperor. These animals swim above the weeds, between plant motifs regularly arranged.
The reign of Jiajing (not to be confused with Jiaqing of the Qing) was very long, from 1521 to 1567 of our calendar.Disgusted by politics, he turned to Taoism. We could consider fish as a Taoist symbol of life in freedom, in contrast to the rituals of the court, but remember that it is also a symbol of abundance.
Despite its etymology, wucai fish pots have a sixth color, the beautiful dark orange of the animals. This is not an anomaly, "five" in this case being a way of expressing a plurality.
Other jars, in the Musée Guimet in Paris or in the Museum of Beijing, show the fish in the same attitudes as in the Sotheby's lot, while the plant environment varies. A pot without its cover was sold RMB 15M including premium byChina Guardian in Beijing during the 2012 spring auctions.
The jar for sale by Sotheby's comes from the Walters Art Museum in Baltimore, which had never exhibited it because they also have another similar piece. It is estimated $ 500K, very reasonably. It is illustrated by Sotheby's on the page announcing the sale.
Here is the link to the catalogue, and the size : 41 cm high.
POST SALE COMMENT
As I told it, the estimate was too reasonable, especially since the provenance was impeccable. Result for the pot: $ 2M including premium.
Wanli - scroll painting by Wu Bin on a journey of 18 monks
2009 SOLD 170 M RMB yuan by Poly
Later Ming - North and South according to Dong Qichang
2015 SOLD for RMB yuan 69M including premium
In the later Ming Dynasty, 400 years ago, Dong Qichang is a theoretician of graphic art. He describes two opposing traditional tendencies named by him Northern school and Southern school. These wordings are now regarded as unfair because they correspond in no way to geographically distinct artistic styles.
Dong attributed to the North a realism in the Confucian tradition, more concerned by objectivity than by art. His Southern school promotes free forms close to the later European romanticism. The southern artistic creation invites to emotion and dream in the Taoist tradition.
On November 15 in Beijing, China Guardian sells a mountain landscape by Dong Qichang, hand scroll 26 x 146 cm, lot 1327 estimated RMB 60M.
The clean and sharp ink line defines a mountain landscape where the accumulation of rocks is beautifully exaggerated. The ground is scattered with more realistic trees, which could help the lovers of Northern art of his time to accept the romanticism of the artist. The scenery is not animated, but a discrete group of thatched cottages brings a human dimension.
Dong attributed to the North a realism in the Confucian tradition, more concerned by objectivity than by art. His Southern school promotes free forms close to the later European romanticism. The southern artistic creation invites to emotion and dream in the Taoist tradition.
On November 15 in Beijing, China Guardian sells a mountain landscape by Dong Qichang, hand scroll 26 x 146 cm, lot 1327 estimated RMB 60M.
The clean and sharp ink line defines a mountain landscape where the accumulation of rocks is beautifully exaggerated. The ground is scattered with more realistic trees, which could help the lovers of Northern art of his time to accept the romanticism of the artist. The scenery is not animated, but a discrete group of thatched cottages brings a human dimension.
1638 Traditions and Colophons
2012 SOLD 1.76 M$ including premium
PRE SALE DISCUSSION
The figurative Chinese art, like their pottery, has been for centuries a matter of continuous improvement. The best painters wanted above all to be regarded as perfect imitators of the great old masters and endeavoured to transfer their reputation.
This activity involves a deep feeling in art criticism, especially when considering that scientific methods of authentication were not yet existing. The court artists frequented assiduously the scholars who commented directly on the artworks through the signed and dated colophons which prolonged the scrolls.
On September 13 in New York, Sotheby's sells a mountainous landscape made by one of the last artists of the Ming court, Lan Ying. This huge horizontal handscroll, 49 x 1022 cm, is estimated $ 1.2 M. Here is the link to the catalog.
Famous in his time, Lan is known as an imitator of more than twenty masters. In these troubled times preceding thefall of the Ming, he feels in harmony with artists who, three centuries earlier, sought the Taoist peace despite the foreign domination of the Yuan.
So, the scroll for sale is an imitation of Wu Zhen. Five contemporary colophons enable to date it in 1638 of our calendar. Commentators praised: the artist reached the same perfection as the master. One of them even told that he accompanied Lin when he visited the mountains to perceive the landscape just like the Yuan artist had viewed it.
POST SALE COMMENT
This monumental work remained in the lower range of the estimate. It was sold $ 1.76 million including premium.
Realized in the same period by Hongren, a smaller handscroll, 15 x 347 cm, was sold $ 3.2 million including premium.
The figurative Chinese art, like their pottery, has been for centuries a matter of continuous improvement. The best painters wanted above all to be regarded as perfect imitators of the great old masters and endeavoured to transfer their reputation.
This activity involves a deep feeling in art criticism, especially when considering that scientific methods of authentication were not yet existing. The court artists frequented assiduously the scholars who commented directly on the artworks through the signed and dated colophons which prolonged the scrolls.
On September 13 in New York, Sotheby's sells a mountainous landscape made by one of the last artists of the Ming court, Lan Ying. This huge horizontal handscroll, 49 x 1022 cm, is estimated $ 1.2 M. Here is the link to the catalog.
Famous in his time, Lan is known as an imitator of more than twenty masters. In these troubled times preceding thefall of the Ming, he feels in harmony with artists who, three centuries earlier, sought the Taoist peace despite the foreign domination of the Yuan.
So, the scroll for sale is an imitation of Wu Zhen. Five contemporary colophons enable to date it in 1638 of our calendar. Commentators praised: the artist reached the same perfection as the master. One of them even told that he accompanied Lin when he visited the mountains to perceive the landscape just like the Yuan artist had viewed it.
POST SALE COMMENT
This monumental work remained in the lower range of the estimate. It was sold $ 1.76 million including premium.
Realized in the same period by Hongren, a smaller handscroll, 15 x 347 cm, was sold $ 3.2 million including premium.
set of four Ming huanghuali armchairs
2015 SOLD for $ 9.7M including premium by Christie's
Mr. Ellsworth's Extremely Rare and Important Set Of 4 Huanghuali Horseshoe-Back Armchairs realized $9.685million. pic.twitter.com/haHf0DKkvB
— Christie's (@ChristiesInc) March 18, 2015