Cats and Lions
Except otherwise stated, all results include the premium.
See also : Animals Sculpture Ancient sculpture Persia Imperial seal Picasso Picasso 1940-1960 Picasso in Mougins Koons Ancient Germany Cranach Ancient French painting Louis XVIII to 2nd Empire Central and South Americas Mexico
Chronology : Origin 1520-1529 1730-1739 1860-1869 1940-1949 1941 1988 1989
See also : Animals Sculpture Ancient sculpture Persia Imperial seal Picasso Picasso 1940-1960 Picasso in Mougins Koons Ancient Germany Cranach Ancient French painting Louis XVIII to 2nd Empire Central and South Americas Mexico
Chronology : Origin 1520-1529 1730-1739 1860-1869 1940-1949 1941 1988 1989
3000 BCE The Guennol Lioness
2007 SOLD for $ 57M by Sotheby's
The Guennol Lioness was sold for $ 57M by Sotheby's on December 5, 2007, lot 30. The image is shared by Wikimedia.
This very finely chiseled stone figure 8.3 cm high has the head of a lioness on a human body. It certainly comes from the Iranian plateau and was sold in 1931 to a New York merchant. Its discovery thus precedes the excavations of Tell Agrab, begun in 1936 by a team from the University of Chicago appealed by other finds among the antique dealers of Baghdad.
Such hybrid representations between human and feline date back to prehistoric cultures. The ivory lion-man from the Hohlenstein-Stadel cave, dated ca 35,000 to 40,000 years ago by radiocarbon, is the oldest authenticated example of figurative art. The Chauvet cave, painted 30,000 years ago, also includes a lion-woman hybrid.
The Guennol Lioness was sculpted about 5,000 years ago. It belongs to the Proto-Elamite culture, characterized by the development of a proto-writing that has not been decrypted. It is several centuries earlier than the use of the sphinx as a necropolis guardian in Egypt.
It is one of a kind in the round, but is related to similar figures that raise mountains or huge trunks in two-dimensional sigillary iconography. These representations are therefore symbols of extreme power, confirmed in the Guennol Lioness by the hypertrophy of the muscles and the authoritarian position of the head. The head is pierced, allowing to hang it to the neck of a prominent character.
Its name and its exact role in the mythology of that time are not known. It must be analyzed alongside its male counterpart, a bull's head on a human body, of which a kneeling figure is kept at the Metropolitan Museum in New York. Unlike the Guennol Lioness whose hands are joined on the abdomen, this proto-Elamite hybrid holds a liturgical vessel.
Guennol is the pseudonym chosen by the couple of collectors who acquired it in 1948 and entrusted its exhibition for almost 60 years to the Brooklyn Museum of Art.
This very finely chiseled stone figure 8.3 cm high has the head of a lioness on a human body. It certainly comes from the Iranian plateau and was sold in 1931 to a New York merchant. Its discovery thus precedes the excavations of Tell Agrab, begun in 1936 by a team from the University of Chicago appealed by other finds among the antique dealers of Baghdad.
Such hybrid representations between human and feline date back to prehistoric cultures. The ivory lion-man from the Hohlenstein-Stadel cave, dated ca 35,000 to 40,000 years ago by radiocarbon, is the oldest authenticated example of figurative art. The Chauvet cave, painted 30,000 years ago, also includes a lion-woman hybrid.
The Guennol Lioness was sculpted about 5,000 years ago. It belongs to the Proto-Elamite culture, characterized by the development of a proto-writing that has not been decrypted. It is several centuries earlier than the use of the sphinx as a necropolis guardian in Egypt.
It is one of a kind in the round, but is related to similar figures that raise mountains or huge trunks in two-dimensional sigillary iconography. These representations are therefore symbols of extreme power, confirmed in the Guennol Lioness by the hypertrophy of the muscles and the authoritarian position of the head. The head is pierced, allowing to hang it to the neck of a prominent character.
Its name and its exact role in the mythology of that time are not known. It must be analyzed alongside its male counterpart, a bull's head on a human body, of which a kneeling figure is kept at the Metropolitan Museum in New York. Unlike the Guennol Lioness whose hands are joined on the abdomen, this proto-Elamite hybrid holds a liturgical vessel.
Guennol is the pseudonym chosen by the couple of collectors who acquired it in 1948 and entrusted its exhibition for almost 60 years to the Brooklyn Museum of Art.
1366 Monument of King Charles V of France
2017 SOLD for £ 9.4M by Christie's
In the long line of the kings of France the succession of Jean II in 1364 during the Hundred Years War is one of the most disputed. The 26 year old dauphin had been régent while his father was a prisoner and he was clever. Having won this ruthless dynastic competition, he will be Charles V le Sage.
The divine authority claimed by the legitimate heir is not sufficient to preserve and protect his power. Upon his accession Charles V multiplies the symbols of his superiority and of his prosperity. The lion is his emblem.
To maintain the chain of legitimacy they must also rehabilitate the ineffective Jean II. In the very first year of his reign Charles V decides to build the funerary monuments of Jean and of Jean's parents in the traditional necropolis of the Capétiens at Saint-Denis. He adds the commission for his own tomb, which is a considerable innovation for the time.
The contractor of the four monuments is the best sculptor of that period, known from a royal document as Andreu Bauneveu, André Beauneveu in modern French. The king is powerful and must be honored as a priority : his gisant (recumbent) is the best of the four with a beautiful polishing of the white marble. Beauneveu worked until 1366 on that site.
The royal monuments of Saint-Denis were dismantled in 1793. The outstanding pieces were recovered by the archaeologist Alexandre Lenoir, founder at the request of the government in 1791 of the Musée des Monuments Français for collecting artworks confiscated to the clergy by the Révolution. During the Restauration in 1816 King Louis XVIII obliged Lenoir to relocate to Saint-Denis what remained from the monuments of the necropolis including the gisant of Charles V by Beauneveu.
The monument of Charles V included a group of two addorsed lions which was placed at the feet of the king. This group was only known from one sketch drawing made by an antiquarian scholar. It has just been rediscovered in the descendance of an English collector who had acquired it in 1802, certainly bought to Lenoir whose financial backing was low at that time.
This group of lions is a marble of the same quality as its gisant and certainly executed by the same artist. The fixing points of this statue match exactly the distance of the associated points on the feet of the gisant.
The Beauneveu lions, 45 x 29 x 12 cm, was sold for £ 9.4M as lot 10 by Christie's on July 6, 2017. Please watch the video shared by the auction house.
The divine authority claimed by the legitimate heir is not sufficient to preserve and protect his power. Upon his accession Charles V multiplies the symbols of his superiority and of his prosperity. The lion is his emblem.
To maintain the chain of legitimacy they must also rehabilitate the ineffective Jean II. In the very first year of his reign Charles V decides to build the funerary monuments of Jean and of Jean's parents in the traditional necropolis of the Capétiens at Saint-Denis. He adds the commission for his own tomb, which is a considerable innovation for the time.
The contractor of the four monuments is the best sculptor of that period, known from a royal document as Andreu Bauneveu, André Beauneveu in modern French. The king is powerful and must be honored as a priority : his gisant (recumbent) is the best of the four with a beautiful polishing of the white marble. Beauneveu worked until 1366 on that site.
The royal monuments of Saint-Denis were dismantled in 1793. The outstanding pieces were recovered by the archaeologist Alexandre Lenoir, founder at the request of the government in 1791 of the Musée des Monuments Français for collecting artworks confiscated to the clergy by the Révolution. During the Restauration in 1816 King Louis XVIII obliged Lenoir to relocate to Saint-Denis what remained from the monuments of the necropolis including the gisant of Charles V by Beauneveu.
The monument of Charles V included a group of two addorsed lions which was placed at the feet of the king. This group was only known from one sketch drawing made by an antiquarian scholar. It has just been rediscovered in the descendance of an English collector who had acquired it in 1802, certainly bought to Lenoir whose financial backing was low at that time.
This group of lions is a marble of the same quality as its gisant and certainly executed by the same artist. The fixing points of this statue match exactly the distance of the associated points on the feet of the gisant.
The Beauneveu lions, 45 x 29 x 12 cm, was sold for £ 9.4M as lot 10 by Christie's on July 6, 2017. Please watch the video shared by the auction house.
Medieval re-discovery: Marble lions from the tomb of King Charles V of France lead our July Exceptional Sale https://t.co/koBGpTxseZ pic.twitter.com/Pjb4ckDSrf
— Christie's (@ChristiesInc) February 21, 2017
later 1520s Bocca della Verita by Cranach
2015 SOLD for £ 9.3M by Sotheby's
Lucas Cranach enjoyed all topics related to morality, not without humor. On July 8, 2015, Sotheby's sold for £ 9.3M from a lower estimate of £ 6M a Bocca della Verita painted at the end of the 1520s. This oil on panel in large size, 111 x 100 cm, is estimated £ 6M, lot 8.
The artist transposes a medieval ordeal with characters in clothes of his time. The mouth of truth is a lie detecting test to convict or release the adulteress. Included in the legends of Tristan and Iseult and Merlin, this story was previously used by illustrators including Altdorfer and Lucas van Leyden.
Each character has a role. The woman puts a hand in the mouth of the lion raised on a pedestal to be at her level. She is held at the waist by her supposed lover disguised as a fool. Two men wait to establish the minutes of justice.
The alleged cuckolded husband is on the far right of the picture, opposite to the lion. He is accompanied by two lovely ladies who are his witnesses. At his side, a last character sends a wink of complicity towards the viewer of the painting.
This is not a comic book and the verdict of the lion is not known. The lack of fear in the attitude of the woman tells that she wants to win the ordeal. The scene becomes a funny symbol of feminine cunning.
Please watch the video shared by the auction house.
The artist transposes a medieval ordeal with characters in clothes of his time. The mouth of truth is a lie detecting test to convict or release the adulteress. Included in the legends of Tristan and Iseult and Merlin, this story was previously used by illustrators including Altdorfer and Lucas van Leyden.
Each character has a role. The woman puts a hand in the mouth of the lion raised on a pedestal to be at her level. She is held at the waist by her supposed lover disguised as a fool. Two men wait to establish the minutes of justice.
The alleged cuckolded husband is on the far right of the picture, opposite to the lion. He is accompanied by two lovely ladies who are his witnesses. At his side, a last character sends a wink of complicity towards the viewer of the painting.
This is not a comic book and the verdict of the lion is not known. The lack of fear in the attitude of the woman tells that she wants to win the ordeal. The scene becomes a funny symbol of feminine cunning.
Please watch the video shared by the auction house.
1735-1738 Qianlong Soapstone Seal
2022 SOLD for HK$ 153M by Sotheby's
Qianlong yulan shi bao means Treasure admired by his Majesty the Qianlong emperor. This mark was printed by the emperor with red cinnabar paste on selected masterpieces from the imperial collection of tens of thousands artworks. His grandfather and father had used similar stamps.
When he acceded to the throne in 1735 CE the Qianlong emperor was already a keen connoisseur of arts. He picked out for his own yulan shi bao a 7.8 cm square 10.7 cm high soapstone seal finial from the Kangxi-Yongzheng transition. This piece is carved in the round with a crouching mythical winged lion, fitted with flames on the body and dragon scales on the legs, mothering two small creatures. Its eyes are set with black gemstones.
The terminus ante quem of the face with the six character Qianlong mark is the 3rd year of the reign when the complete set of seals needed for the immediate use of the new emperor went to be complete. The soapstone in intaglio has been slightly worn by its extensive stamping use before the preparation in 1745 of the Shiqu Baoji inventory catalogue of the imperial collection.
Resurfacing in 1965 at auction by Sotheby's, the seal was again out of public view afterwards. It was sold for HK $ 153M by Sotheby's on April 29, 2022, lot 3801. Please watch the video shared by the auction house.
The paintings bearing the imperial appreciation from that specific seal include among others Travelers among mountains and streams by Fan Kuan, Early spring by Guo Xi and A Thousand Miles of Rivers and Mountains by Wang Ximeng, plus many top level calligraphies.
The Qianlong emperor owned six other yulan shi bao connoisseur seals of various sizes.
When he acceded to the throne in 1735 CE the Qianlong emperor was already a keen connoisseur of arts. He picked out for his own yulan shi bao a 7.8 cm square 10.7 cm high soapstone seal finial from the Kangxi-Yongzheng transition. This piece is carved in the round with a crouching mythical winged lion, fitted with flames on the body and dragon scales on the legs, mothering two small creatures. Its eyes are set with black gemstones.
The terminus ante quem of the face with the six character Qianlong mark is the 3rd year of the reign when the complete set of seals needed for the immediate use of the new emperor went to be complete. The soapstone in intaglio has been slightly worn by its extensive stamping use before the preparation in 1745 of the Shiqu Baoji inventory catalogue of the imperial collection.
Resurfacing in 1965 at auction by Sotheby's, the seal was again out of public view afterwards. It was sold for HK $ 153M by Sotheby's on April 29, 2022, lot 3801. Please watch the video shared by the auction house.
The paintings bearing the imperial appreciation from that specific seal include among others Travelers among mountains and streams by Fan Kuan, Early spring by Guo Xi and A Thousand Miles of Rivers and Mountains by Wang Ximeng, plus many top level calligraphies.
The Qianlong emperor owned six other yulan shi bao connoisseur seals of various sizes.
masterpiece
1905 Le Lion ayant Faim by Rousseau
Fondation Beyeler
Exhibited at the Salon d'Automne in 1905 beside avant-garde paintings by Matisse and Derain. Commented as follows by Rousseau for the exhibition :
"Le lion, ayant faim, se jette sur l'antilope, la dévore. La panthère attend avec anxiété le moment où, elle aussi, pourra en avoir sa part. Des oiseaux carnivores ont déchiqueté chacun un morceau de chair de dessus le pauvre animal versant un pleur! Soleil couchant."
A Renaissance style sculpture was also exhibited in the same room. Vauxcelles commented : "Donatello chez les Fauves". So was coined the term Fauvisme for the new style of Matisse and Derain.
The image is shared by Wikimedia.
"Le lion, ayant faim, se jette sur l'antilope, la dévore. La panthère attend avec anxiété le moment où, elle aussi, pourra en avoir sa part. Des oiseaux carnivores ont déchiqueté chacun un morceau de chair de dessus le pauvre animal versant un pleur! Soleil couchant."
A Renaissance style sculpture was also exhibited in the same room. Vauxcelles commented : "Donatello chez les Fauves". So was coined the term Fauvisme for the new style of Matisse and Derain.
The image is shared by Wikimedia.
1941 Dora Maar au Chat by Picasso
2006 SOLD for $ 95M by Sotheby's
Dora Maar au Chat is an oil on canvas 130 x 97 cm painted by Picasso in 1941. Among the many portraits that Picasso made of his mistress, it is one of the most meticulous, with vibrant colors.
Contrary to the artist's usual practice, it is dated by the year without indication of the day, thus appearing beside the rest of the work. Picasso gathered here his admiration and emotion in front of Dora. He emotionally departed from Dora in 1943 and from this specific painting before 1947.
Throughout Picasso's career, the excessively abundant work is dotted with some dazzling illuminations in which he expresses his deep feelings. Dora Maar au Chat is one of these masterpieces, alongside for example Le Garçon à la pipe, Les Demoiselles d'Avignon, La Minotauromachie, La Femme qui pleure and Les Femmes d'Alger.
It is war time. The armchair is a space that might seem open but is in fact an obstacle to freedom, like the throne of Innocent X by Velazquez. Dora is willing to react, with her elegant clothes and her big hat as for going out. She smiles.
And then there is the cat. It is very small. Perched on the back of the chair, it walks towards the woman who does not care at all about it. Black in the least contrasted part of the image, it is sneaky. Pablo and Dora did not like cats, these pets that scratch for a simple change of mood. They preferred dogs. For these reasons this tiny cat cannot be a personification of the artist. It is at best an unsolicited visitor, at worst the danger of the outside world.
The amalgamation between human and animal interested Picasso. In the same phase, he paints portraits of Dora with the muzzle of their Afghan hound. Here Dora's very long nails are in some way the claws of the cat.
Dora Maar au Chat was sold for $ 95M by Sotheby's on May 3, 2006, lot 14.
Contrary to the artist's usual practice, it is dated by the year without indication of the day, thus appearing beside the rest of the work. Picasso gathered here his admiration and emotion in front of Dora. He emotionally departed from Dora in 1943 and from this specific painting before 1947.
Throughout Picasso's career, the excessively abundant work is dotted with some dazzling illuminations in which he expresses his deep feelings. Dora Maar au Chat is one of these masterpieces, alongside for example Le Garçon à la pipe, Les Demoiselles d'Avignon, La Minotauromachie, La Femme qui pleure and Les Femmes d'Alger.
It is war time. The armchair is a space that might seem open but is in fact an obstacle to freedom, like the throne of Innocent X by Velazquez. Dora is willing to react, with her elegant clothes and her big hat as for going out. She smiles.
And then there is the cat. It is very small. Perched on the back of the chair, it walks towards the woman who does not care at all about it. Black in the least contrasted part of the image, it is sneaky. Pablo and Dora did not like cats, these pets that scratch for a simple change of mood. They preferred dogs. For these reasons this tiny cat cannot be a personification of the artist. It is at best an unsolicited visitor, at worst the danger of the outside world.
The amalgamation between human and animal interested Picasso. In the same phase, he paints portraits of Dora with the muzzle of their Afghan hound. Here Dora's very long nails are in some way the claws of the cat.
Dora Maar au Chat was sold for $ 95M by Sotheby's on May 3, 2006, lot 14.
1951 La Grande Dame / The Cat Woman by Carrington
2024 SOLD for $ 11.4M by Sotheby's
Leonora Carrington was born in England to an Irish mother. As a young girl she was fascinated by the stories of the occult told to her by her maternal grandmother. Exiled in Mexico during the Second World War after having tried a Surrealist life in France with Max Ernst, she became aware of Aztec and Mayan traditions.
La Grande Dame, English title The Cat Woman, is a larger than life sculpture painted in oil by Carrington with fantastical creatures of witchcraft and rebirth. The wood had been carved by Jose Horna, the husband of her fellow surrealist the photographer Kati Horna. The overall shape reminds an antique Egyptian hybrid goddess. The figure was indeed influenced by the cat goddess Bastet.
This 2 m high figure executed in 1951 was sold for $ 11.4M from a lower estimate of $ 5M by Sotheby's on November 18, 2024, lot 103. Please watch the video shared by the auction house.
These themes were in the air. It is no coincidence that the UK lifted in the same year the prohibition of the studies about the magic and the occult. La Grande Dame is also a representation of the female energy by a woman in the art world dominated by men.
La Grande Dame, English title The Cat Woman, is a larger than life sculpture painted in oil by Carrington with fantastical creatures of witchcraft and rebirth. The wood had been carved by Jose Horna, the husband of her fellow surrealist the photographer Kati Horna. The overall shape reminds an antique Egyptian hybrid goddess. The figure was indeed influenced by the cat goddess Bastet.
This 2 m high figure executed in 1951 was sold for $ 11.4M from a lower estimate of $ 5M by Sotheby's on November 18, 2024, lot 103. Please watch the video shared by the auction house.
These themes were in the air. It is no coincidence that the UK lifted in the same year the prohibition of the studies about the magic and the occult. La Grande Dame is also a representation of the female energy by a woman in the art world dominated by men.
1955 Le Chat by Giacometti
2010 SOLD for $ 21M by Christie's
The existentialist universe of Alberto Giacometti was started with his Trinity in 1947. The artist will then have to complete this staging. L'Homme au doigt is not continued, leaving face to face L'Homme qui marche and La Femme debout. The meaning of isolated organs like La Main or Le Nez is rather hermetic. Alberto prepares assemblies like La Forêt, La Clairière or La Place. The busts of Diego are in the position of an idol.
The human being does not have the monopoly of existence. In 1951 the artist decides to add the animals. This theme does not excite him : he will not make Noah's ark and will start with some familiar specimens, the cat, the dog and a group of two horses. It is said that he made the three plasters in the same day.
The horses are too big to stay in the workshop. The rain returns them to the clay. He will not try again. The dog is ugly, altogether filiform and skeletal. His head bent to sniff, he has no dynamism and no presence. Alberto will later say to Genet that he wanted to identify himself with this sad street dog. We believe him or not.
The cat has a better personality. It is built on a horizontal 81 cm from head to tail mounted on its two pairs of high legs in the position of walking. The heavy head in line with the wiry body expresses the desire to move forward.
Bronzes of cat and dog have been edited. Le Chien has never been highlighted at auction. A Le Chat cast by Susse in 1955 and coming from the Brody collection was sold for $ 21M by Christie's on May 4, 2010 and for £ 12.6M by Sotheby's on June 19, 2018,, lot 13. Please watch the video shared by Sotheby's.
This experiment of animal figures is the only one attempted by Alberto. He will leave complacently to Diego this theme that indeed did not appeal him.
The human being does not have the monopoly of existence. In 1951 the artist decides to add the animals. This theme does not excite him : he will not make Noah's ark and will start with some familiar specimens, the cat, the dog and a group of two horses. It is said that he made the three plasters in the same day.
The horses are too big to stay in the workshop. The rain returns them to the clay. He will not try again. The dog is ugly, altogether filiform and skeletal. His head bent to sniff, he has no dynamism and no presence. Alberto will later say to Genet that he wanted to identify himself with this sad street dog. We believe him or not.
The cat has a better personality. It is built on a horizontal 81 cm from head to tail mounted on its two pairs of high legs in the position of walking. The heavy head in line with the wiry body expresses the desire to move forward.
Bronzes of cat and dog have been edited. Le Chien has never been highlighted at auction. A Le Chat cast by Susse in 1955 and coming from the Brody collection was sold for $ 21M by Christie's on May 4, 2010 and for £ 12.6M by Sotheby's on June 19, 2018,, lot 13. Please watch the video shared by Sotheby's.
This experiment of animal figures is the only one attempted by Alberto. He will leave complacently to Diego this theme that indeed did not appeal him.
1964 Femme Nue Couchée jouant avec un Chat by Picasso
2023 SOLD for $ 21.2M by Sotheby's
In 1961, Picasso moves to Mougins with Jacqueline and discovers again, aged 80, the joy of being a newlywed. He enters the quietest period of his life. His wife adores him. They live together apart from society as an ordinary couple despite their 45 year difference of age.
In 1963, he devotes a large series of paintings to the theme of the painter and his model. The surroundings are varied, outdoors or in the studio. The naked woman is confident, with an evident pleasure to let herself being looked.
They are not self-portraits. The man has various faces. Pablo is not bearded and never uses the attributes he provides to his characters, easel and palette. The woman is not Jacqueline.
He paints very quickly, in a hurry, without trying a structured suite. Some of these oils are little more than sketches. The surface is divided into two equal parts with the artist in close-up on the left and the nude woman on the right.
Femme nue couchée jouant avec un chat, oil on canvas and Ripolin 130 x 195 cm, was painted on February 17, 1964 and from 7 to 9 March of the same year. The black cat supersedes the absent man on the left side of the picture. It is standing on its four legs, looking at a toy or a sweet hanging to a string, brought to it by the woman. She is reclining on a divan in full nudity. Her crossed leg does not hide the sex.
This painting was sold for $ 21.2M by Sotheby's on May 16, 2023, lot 125.
In 1963, he devotes a large series of paintings to the theme of the painter and his model. The surroundings are varied, outdoors or in the studio. The naked woman is confident, with an evident pleasure to let herself being looked.
They are not self-portraits. The man has various faces. Pablo is not bearded and never uses the attributes he provides to his characters, easel and palette. The woman is not Jacqueline.
He paints very quickly, in a hurry, without trying a structured suite. Some of these oils are little more than sketches. The surface is divided into two equal parts with the artist in close-up on the left and the nude woman on the right.
Femme nue couchée jouant avec un chat, oil on canvas and Ripolin 130 x 195 cm, was painted on February 17, 1964 and from 7 to 9 March of the same year. The black cat supersedes the absent man on the left side of the picture. It is standing on its four legs, looking at a toy or a sweet hanging to a string, brought to it by the woman. She is reclining on a divan in full nudity. Her crossed leg does not hide the sex.
This painting was sold for $ 21.2M by Sotheby's on May 16, 2023, lot 125.
1988 Pink Panther by Koons
2011 SOLD for $ 17M by Sotheby's
Jeff Koons became famous in 1988 by projecting into art his idea of the kitsch. His Pink Panther is an archetype. Appropriation, banality, false innocence, humor in the style of Playboy magazine : all these features enable to qualify this sculpture as iconic.
A young blonde woman is shown at mid-length, naked above the waist (but dressed below). She is closely pressing the pink panther on her breast.
This embracing couple is not Rodin's Kiss : it indeed has humor in addition. The contrast is striking between the ecstatic attitude of the pin-up blonde and the boring mood of the animal wondering if he really did well in superseding Teddy Bear for the outbursts of feelings of his partner.
It is a porcelain group 1.04 meter high, life size, in an edition of three plus the artist proof which was sold for $ 17M by Sotheby's on May 10, 2011, lot 10, and for $ 16M by Christie's on November 12, 2014.
Let me add a word to my French speaking friends who often believe that the Pink Panther is a female due to an ambiguity in the French language. This character is a male in his adventures in comics and movies, and there is no homosexual message in this masterpiece of Koons.
The Banality exhibition happened in the fall of 1988 in Cologne, New York and Chicago, each one featuring a Pink Panther.
A young blonde woman is shown at mid-length, naked above the waist (but dressed below). She is closely pressing the pink panther on her breast.
This embracing couple is not Rodin's Kiss : it indeed has humor in addition. The contrast is striking between the ecstatic attitude of the pin-up blonde and the boring mood of the animal wondering if he really did well in superseding Teddy Bear for the outbursts of feelings of his partner.
It is a porcelain group 1.04 meter high, life size, in an edition of three plus the artist proof which was sold for $ 17M by Sotheby's on May 10, 2011, lot 10, and for $ 16M by Christie's on November 12, 2014.
Let me add a word to my French speaking friends who often believe that the Pink Panther is a female due to an ambiguity in the French language. This character is a male in his adventures in comics and movies, and there is no homosexual message in this masterpiece of Koons.
The Banality exhibition happened in the fall of 1988 in Cologne, New York and Chicago, each one featuring a Pink Panther.
1989-1994 Le Chat au Miroir by Balthus
2021 SOLD for RMB 167M by Yongle
In 1977 Balthus moved permanently with his Japanese wife to a chalet in the canton de Vaud. His paintings then represent a synthesis of his signature themes, fancies and enigmas. He works in parallel on many compositions but completes few of them, sometimes after several years, progressing slowly in an anti-modernist mood.
Le Chat au miroir is a series of three completed works from that period of semi retirement.
The main character is a girl seated on a sofa. On the other side a cat is watching. The girl turns her eyes to look at the pet through a translucent hand mirror held by her stretched arm.
The peeping cat is featuring the artist himself since the 1935 roi des chats. The awkward pre-adolescent girl is reminiscent of the series started in 1936 with an 11 year old Thérèse. The mirror between them is both a helper and a liar, reminding Alice's Wonderland.
In Le Chat au miroir I, painted in 1980, the smiling girl is nude excepted an underwear on an arm. The cat is ready for an attack with its raised ears and mewing mouth. In the opus II, painted in 1986, the barefoot girl is clothed in a tight shirt revealing the torso with the growing breast.
The opus III is the culmination of the series and even of the career of the artist. Started in 1989, it is considered as his latest finished large work, completed five years later in 1994 when he was 86 years old.
The still barefoot girl is now fully clothed in saturated colors. The dark cat with piercing eyes is more threatening than ever. The Japanese words reading cat and mirror constitute a title in nearly imperceptible blue lines.
Le Chat au miroir III was sold for RMB 167M by Yongle on December 3, 2021, lot 2035. Please watch the video shared in 2018 by VernissageTV during its exhibition by Fondation Beyeler at Martigny.
Le Chat au miroir is a series of three completed works from that period of semi retirement.
The main character is a girl seated on a sofa. On the other side a cat is watching. The girl turns her eyes to look at the pet through a translucent hand mirror held by her stretched arm.
The peeping cat is featuring the artist himself since the 1935 roi des chats. The awkward pre-adolescent girl is reminiscent of the series started in 1936 with an 11 year old Thérèse. The mirror between them is both a helper and a liar, reminding Alice's Wonderland.
In Le Chat au miroir I, painted in 1980, the smiling girl is nude excepted an underwear on an arm. The cat is ready for an attack with its raised ears and mewing mouth. In the opus II, painted in 1986, the barefoot girl is clothed in a tight shirt revealing the torso with the growing breast.
The opus III is the culmination of the series and even of the career of the artist. Started in 1989, it is considered as his latest finished large work, completed five years later in 1994 when he was 86 years old.
The still barefoot girl is now fully clothed in saturated colors. The dark cat with piercing eyes is more threatening than ever. The Japanese words reading cat and mirror constitute a title in nearly imperceptible blue lines.
Le Chat au miroir III was sold for RMB 167M by Yongle on December 3, 2021, lot 2035. Please watch the video shared in 2018 by VernissageTV during its exhibition by Fondation Beyeler at Martigny.
