20th Century Furniture
See also : Furniture Modern French furniture European ceramics Women artists Current art by women Dragon Australia
Chronology : 1920-1929 1936 1939 1948 1952 1966 1970 1983
Chronology : 1920-1929 1936 1939 1948 1952 1966 1970 1983
<1920 Yves Saint-Laurent in an Armchair ... made by Eileen Gray
2009 SOLD 21.9 M€ including premium
In the very large sale of the collection of the fashion designer Yves Saint-Laurent, the furniture of the 20th century will be led by an armchair made by Eileen Gray.
It is a seat only 61 cm high. The sitting height is normal, but the back is small. It is large (91 cm), making it a comfortable chair. The press release from Christie's describes it as a Dragon armchair, certainly for the sculptures of its armrests. For this seat dating from about 1920-1922, prepare 2.5 million €.
In the work of Eileen Gray, other seats have generated one of the most remarkable results of auctions in recent years. On June 1, 2005 in Paris, Camard sold a set of six armchairs à la Sirène, for a total of nearly 9 million € charges included. Sold separately, these six lots were eventually divided between two buyers. They had belonged to Damia, the music hall singer woman with whom Eileen had a love affair. From a very different model from the chair of the Saint-Laurent collection, their sculpture of the women fish was enhanced by an open back.
Eileen Gray was renowned for the luxurious finish of her lacquered furniture.
The sale will be held at the Grand Palais in Paris from 23 to 25 February. It is jointly organized by Christie's and Pierre Bergé et Associés.
POST SALE COMMENT
This seat had it all. We imagine it perfectly in the middle of the living room of Yves Saint-Laurent, a famous person. It may equally be regarded as a work of art or as a piece of furniture.
Christie's has presented it as one of the top lots in the sale, from the first press release last September. The estimate probably took into account the results obtained at Drouot on the armchairs à la Sirène, remembered in my article above. Cautiously, the estimate had been made a little lower (2 M €) in the catalog than in the first releases.
As I have already written, the current crisis of confidence affects the sellers, not the buyers.
The chair of Yves Saint-Laurent by Eileen Gray was sold € 21.9 million including premium.
The low resolution image below is shared by Wikimedia for fair use :
It is a seat only 61 cm high. The sitting height is normal, but the back is small. It is large (91 cm), making it a comfortable chair. The press release from Christie's describes it as a Dragon armchair, certainly for the sculptures of its armrests. For this seat dating from about 1920-1922, prepare 2.5 million €.
In the work of Eileen Gray, other seats have generated one of the most remarkable results of auctions in recent years. On June 1, 2005 in Paris, Camard sold a set of six armchairs à la Sirène, for a total of nearly 9 million € charges included. Sold separately, these six lots were eventually divided between two buyers. They had belonged to Damia, the music hall singer woman with whom Eileen had a love affair. From a very different model from the chair of the Saint-Laurent collection, their sculpture of the women fish was enhanced by an open back.
Eileen Gray was renowned for the luxurious finish of her lacquered furniture.
The sale will be held at the Grand Palais in Paris from 23 to 25 February. It is jointly organized by Christie's and Pierre Bergé et Associés.
POST SALE COMMENT
This seat had it all. We imagine it perfectly in the middle of the living room of Yves Saint-Laurent, a famous person. It may equally be regarded as a work of art or as a piece of furniture.
Christie's has presented it as one of the top lots in the sale, from the first press release last September. The estimate probably took into account the results obtained at Drouot on the armchairs à la Sirène, remembered in my article above. Cautiously, the estimate had been made a little lower (2 M €) in the catalog than in the first releases.
As I have already written, the current crisis of confidence affects the sellers, not the buyers.
The chair of Yves Saint-Laurent by Eileen Gray was sold € 21.9 million including premium.
The low resolution image below is shared by Wikimedia for fair use :
1936 The Luxury of Nothingness
2014 SOLD 3.7 M€ including premium
The Parisian Art Décoratif is sumptuous : after the First World War, customers expect a new style of life. Jean-Michel Frank is one of the most avant-gardist designers. His work must be analyzed in the broader context of the art history.
Frank is an aesthete, inspired by Proust and friend of Crevel and Cocteau. For his customers and for his own use, he creates a minimalist theme, strictly geometric. He uses any material provided that it is close to white. His inlay blends the luxury of galuchat or parchment with rougher materials such as straw or burlap.
The main role is given to the light that illuminates the matt surfaces unsoiled by the usual accessories such as handles or hinges, carefully hidden. The goal is an atmosphere of asceticism. The style of Frank has been named the Luxe du rien.
On March 11 in Paris, Sotheby's sells a cabinet with gypsum panels 109 x 75 x 22 cm estimated € 400K, lot 63 in the catalog. Probably made for his personal use, this small piece of furniture was exhibited in 1936 and now comes from the Félix Marcilhac collection. This is apparently the only identified use of gypsum in a cabinet by Jean-Michel Frank.
The art of Frank was adapted to the demands of the aesthetes of the time of his youth. Times change and he fails to follow. He committed suicide in 1941 at age 46. One of his former collaborators was to become one of the most famous artists : Alberto Giacometti.
His work was forgotten until 1963 and his minimalism could not have inspired Klein or Fontana. It must be looked beyond : the atmosphere of the creations of Jean-Michel Frank anticipates the quests by Judd on the use of light.
POST SALE COMMENT
The gypsum cabinet is an amazing example of the original features in the art of Jean-Michel Frank. It was sold for € 3.7 million including premium.
Here are some results for shagreen furniture by the same designer: € 750K including premium on a pair of armchairs circa 1928, 375K including premium for a coiffeuse circa 1925.
Frank is an aesthete, inspired by Proust and friend of Crevel and Cocteau. For his customers and for his own use, he creates a minimalist theme, strictly geometric. He uses any material provided that it is close to white. His inlay blends the luxury of galuchat or parchment with rougher materials such as straw or burlap.
The main role is given to the light that illuminates the matt surfaces unsoiled by the usual accessories such as handles or hinges, carefully hidden. The goal is an atmosphere of asceticism. The style of Frank has been named the Luxe du rien.
On March 11 in Paris, Sotheby's sells a cabinet with gypsum panels 109 x 75 x 22 cm estimated € 400K, lot 63 in the catalog. Probably made for his personal use, this small piece of furniture was exhibited in 1936 and now comes from the Félix Marcilhac collection. This is apparently the only identified use of gypsum in a cabinet by Jean-Michel Frank.
The art of Frank was adapted to the demands of the aesthetes of the time of his youth. Times change and he fails to follow. He committed suicide in 1941 at age 46. One of his former collaborators was to become one of the most famous artists : Alberto Giacometti.
His work was forgotten until 1963 and his minimalism could not have inspired Klein or Fontana. It must be looked beyond : the atmosphere of the creations of Jean-Michel Frank anticipates the quests by Judd on the use of light.
POST SALE COMMENT
The gypsum cabinet is an amazing example of the original features in the art of Jean-Michel Frank. It was sold for € 3.7 million including premium.
Here are some results for shagreen furniture by the same designer: € 750K including premium on a pair of armchairs circa 1928, 375K including premium for a coiffeuse circa 1925.
1939 The Goodyear Table by Isamu Noguchi
2014 SOLD for $ 4.5M including premium by Phillips
Link to catalogue.
1948-1949 Noguchi, Sculptor of Tables
2012 SOLD 2.9 M$ including premium
The son of a Japanese poet and his American publisher, Isamu Noguchi was a pioneer of international modernism. Deeply influenced by Brancusi, with whom he worked for several months in the late 1920s, he pushed the search for fundamental forms up to abstraction.
Noguchi was also a precursor of utilitarian sculpture. Too far ahead of his time, he first had trouble developing his projects for park decorations. Fortunately, in 1947, the agreement with the U.S. company Herman Miller, design specialist, brings him a considerable and sustainable success.
Herman Miller publishes several coffee tables of Noguchi. The most popular type, of free shape with a wooden base and a glass top, will be produced along several decades. Other materials are also available. An early copy of IN-62 model, 68 cm high, was sold $ 630K including premium by Wright on December 6, 2005. It is made of marble, birch wood and steel.
Apart from his association with Herman Miller, Noguchi exploits this new industry by making abstract sculptures-tables on request. He remembers that his preferred material is stone.
Made in 1948-1949, a luxurious and unique specimen made in marble is estimated $ 800K, for sale by Christie's in New York on June 14. This table measures 34 cm high with an oval top 125 cm wide.
I invite you to play the video shared by Christie's.
POST SALE COMMENT
This table made by a sculptor could well be sold for the price of a sculpture. The result, $ 2.9 million including premium, is excellent.
Noguchi was also a precursor of utilitarian sculpture. Too far ahead of his time, he first had trouble developing his projects for park decorations. Fortunately, in 1947, the agreement with the U.S. company Herman Miller, design specialist, brings him a considerable and sustainable success.
Herman Miller publishes several coffee tables of Noguchi. The most popular type, of free shape with a wooden base and a glass top, will be produced along several decades. Other materials are also available. An early copy of IN-62 model, 68 cm high, was sold $ 630K including premium by Wright on December 6, 2005. It is made of marble, birch wood and steel.
Apart from his association with Herman Miller, Noguchi exploits this new industry by making abstract sculptures-tables on request. He remembers that his preferred material is stone.
Made in 1948-1949, a luxurious and unique specimen made in marble is estimated $ 800K, for sale by Christie's in New York on June 14. This table measures 34 cm high with an oval top 125 cm wide.
I invite you to play the video shared by Christie's.
POST SALE COMMENT
This table made by a sculptor could well be sold for the price of a sculpture. The result, $ 2.9 million including premium, is excellent.
1952 The Primordial Chandelier
2018 SOLD for £ 7.6M including premium
In 1947 and 1948 Alberto Giacometti defined his existentialist pantheon with his primordial trinity and some accessories including the cage.
For their friends the Giacometti brothers also remain the pre-war decorators who created models of furnishing for Frank. Diego continues in this specialty and Alberto still accepts some private orders. A plaster chandelier with geometric figures made by Alberto in 1954 for the Tériade apartment was sold for £ 2.05M including premium by Phillips on April 26, 2017.
Louis Broder was a Swiss publisher. For his Paris apartment he commissioned in 1948 to Alberto a chandelier adorned with his new characters. The original plaster, 60 cm high and 136 cm in diameter, was supplied in 1949 or 1950 to Broder and donated in 1983 by Berggruen to the Centre Pompidou.
This private work is an interesting synthesis of Giacometti's metaphysics. The central position is a gloriette in which the Femme debout opens her arms, holding two side columns as if she was ready to go out for discovering the world. She has the main role, superseding the ephemeral Homme au doigt.
The Homme qui marche starts away from the cage in a centrifugal force that ignores the existence of the woman. Smaller than her, he does not have the importance he would like to have. The trinity is completed on the other side by a bird. The four lights are installed in crocus flowers.
In 1952 Alberto made three bronzes of this chandelier, also for Broder. One of them is estimated £ 6M for sale by Sotheby's in London on February 28, lot 4.
For their friends the Giacometti brothers also remain the pre-war decorators who created models of furnishing for Frank. Diego continues in this specialty and Alberto still accepts some private orders. A plaster chandelier with geometric figures made by Alberto in 1954 for the Tériade apartment was sold for £ 2.05M including premium by Phillips on April 26, 2017.
Louis Broder was a Swiss publisher. For his Paris apartment he commissioned in 1948 to Alberto a chandelier adorned with his new characters. The original plaster, 60 cm high and 136 cm in diameter, was supplied in 1949 or 1950 to Broder and donated in 1983 by Berggruen to the Centre Pompidou.
This private work is an interesting synthesis of Giacometti's metaphysics. The central position is a gloriette in which the Femme debout opens her arms, holding two side columns as if she was ready to go out for discovering the world. She has the main role, superseding the ephemeral Homme au doigt.
The Homme qui marche starts away from the cage in a centrifugal force that ignores the existence of the woman. Smaller than her, he does not have the importance he would like to have. The trinity is completed on the other side by a bird. The four lights are installed in crocus flowers.
In 1952 Alberto made three bronzes of this chandelier, also for Broder. One of them is estimated £ 6M for sale by Sotheby's in London on February 28, lot 4.
1954 Giacometti with Frank and Tériade
2017 SOLD for £ 2.05M including premium
Alberto Giacometti arrived in Paris in 1922. He was 21 years old. A sculptor, he created forms in plaster. Some were painted or cast in bronze. Two contacts, in 1927 and 1928, were decisive for the rest of his career.
Jean-Michel Frank is at the forefront of furniture and furnishing with his designs already announcing the post-Art Déco. Alberto exercises his skills to create for Frank new utility models of lamps, vases, bowls, andirons, consoles and chimneys. With Tériade who was to be the creator of the magazine Verve, Alberto tries to define his own way between surrealism, cubism and tribal art.
Frank dies in 1941. Becoming after the war a major artistic creator, Alberto leaves his decorating activity except for very few friends including Tériade. His chandeliers are thus extremely rare examples of abstract sculpture from the period of his greatest maturity.
On October 20, 2007, Artcurial sold artworks by Alberto from the deceased estate of Alice Tériade. Amateurs recognized the importance of that provenance and the estimates were totally overcome. This group consisted of a torch lamp and two floor lamps from the Frank period, the bronze of a standing woman and three chandeliers that had adorned Tériade's residences.
The largest chandelier, 129 cm in diameter, made of iron and plaster around 1954 with four lights between two circles surrounding a large suspended cone, was sold for € 1,92M including premium over a lower estimate of € 70K. It is estimated £ 1.5M for sale by Phillips in London on April 26, lot 215.
Here are the results obtained by Artcurial for the two other chandeliers : € 1,82M including premium over a lower estimate of € 200K for a chandelier in iron and plaster 45 cm in diameter made before 1951 with the collaboration of Diego, and € 720K including premium over a lower estimate of € 25K on a bronze chandelier of the same diameter.
Jean-Michel Frank is at the forefront of furniture and furnishing with his designs already announcing the post-Art Déco. Alberto exercises his skills to create for Frank new utility models of lamps, vases, bowls, andirons, consoles and chimneys. With Tériade who was to be the creator of the magazine Verve, Alberto tries to define his own way between surrealism, cubism and tribal art.
Frank dies in 1941. Becoming after the war a major artistic creator, Alberto leaves his decorating activity except for very few friends including Tériade. His chandeliers are thus extremely rare examples of abstract sculpture from the period of his greatest maturity.
On October 20, 2007, Artcurial sold artworks by Alberto from the deceased estate of Alice Tériade. Amateurs recognized the importance of that provenance and the estimates were totally overcome. This group consisted of a torch lamp and two floor lamps from the Frank period, the bronze of a standing woman and three chandeliers that had adorned Tériade's residences.
The largest chandelier, 129 cm in diameter, made of iron and plaster around 1954 with four lights between two circles surrounding a large suspended cone, was sold for € 1,92M including premium over a lower estimate of € 70K. It is estimated £ 1.5M for sale by Phillips in London on April 26, lot 215.
Here are the results obtained by Artcurial for the two other chandeliers : € 1,82M including premium over a lower estimate of € 200K for a chandelier in iron and plaster 45 cm in diameter made before 1951 with the collaboration of Diego, and € 720K including premium over a lower estimate of € 25K on a bronze chandelier of the same diameter.
1966-1969 Bibliothèque by Diego Giacometti
2017 SOLD for $ 6.3M including premium by Sotheby's
Link to catalogue.
1969 Installation of Young Women at Home
2013 SOLD 2.17 M£ including premium
The sexual revolution is on, in 1969, for better and for worse. Contraception changes the lives of women. Playboys are tempted by deviations such as sadomasochism.
The British artist Allen Jones, aged 32, realizes a set of three anthropomorphic elements which is the masterpiece of pop furniture. Attractive and undressed young women sculpted in resin and painted fiberglass form the structure of these three pieces.
Jones's work has inspired Stanley Kubrick in A Clockwork Orange in 1971, the famous nightmare movie demonstrating that it is now impossible to curb the instincts of youth.
The archetypal playboy Gunter Sachs, who was the husband of Bardot, had one of the six copies of this set. In the sale of his collection at Sotheby's on May 22, 2012, it was divided into three lots, each one estimated £ 30K, which generated the great surprise of the sale.
The table, whose top is placed on the back of the woman, was sold £ 970K. The chair whose back consists of two upward legs terminated by stiletto heels, was sold £ 840K, and the welcoming hatstand with thigh-high boots, 780K. These prices include premium.
On February 13 in London, Christie's sells a complete set estimated £ 1.5 million, fortunately as a single lot to preserve to this copy its feature as an art installation. Here is the link to the catalog.
POST SALE COMMENT
Curiously, the price of the set, £ 2.17 million including premium, is less than the result obtained last year by Sotheby's after separating the three pieces. The Gunter Sachs provenance and the surprise have certainly played for Sotheby's.
The British artist Allen Jones, aged 32, realizes a set of three anthropomorphic elements which is the masterpiece of pop furniture. Attractive and undressed young women sculpted in resin and painted fiberglass form the structure of these three pieces.
Jones's work has inspired Stanley Kubrick in A Clockwork Orange in 1971, the famous nightmare movie demonstrating that it is now impossible to curb the instincts of youth.
The archetypal playboy Gunter Sachs, who was the husband of Bardot, had one of the six copies of this set. In the sale of his collection at Sotheby's on May 22, 2012, it was divided into three lots, each one estimated £ 30K, which generated the great surprise of the sale.
The table, whose top is placed on the back of the woman, was sold £ 970K. The chair whose back consists of two upward legs terminated by stiletto heels, was sold £ 840K, and the welcoming hatstand with thigh-high boots, 780K. These prices include premium.
On February 13 in London, Christie's sells a complete set estimated £ 1.5 million, fortunately as a single lot to preserve to this copy its feature as an art installation. Here is the link to the catalog.
POST SALE COMMENT
Curiously, the price of the set, £ 2.17 million including premium, is less than the result obtained last year by Sotheby's after separating the three pieces. The Gunter Sachs provenance and the surprise have certainly played for Sotheby's.
1967-1970 Ostrich Bar by François-Xavier Lalanne
2017 SOLD for € 6.2M including premium by Sotheby's
1976 A Flock of Seats in a Barn
2012 SOLD 5.7 M$ including premium
An unusual idea can provide an overnight fame to an artist. In 1965, François-Xavier Lalanne creates a sensation in Paris at the Salon de la Jeune Peinture.
He designed a small bench in wood and aluminum, covered with wool, with four feet. All furniture manufacturers run their models in multiple copies: Lalanne standardizes the quantity to 24. Thus was born his flock of life size sheep, worthy of the best ideas of surrealism but in an extreme simplicity of interpretation.
The set is funny. Sheep are actually in two models: with head held high, and headless. This is a clear invitation to leave the pieces together : headless animals are considered occupied to graze within the group, protected by the external figures.
The owner of a herd gets a modifiable furniture of wide area and high friendliness where guests can sit, lie, hang their hat.
On November 14 in New York at Christie's, a flock of 24 seats is estimated $ 4M, in the evening sale of post-war and contemporary art. Here is the link to the catalog.
This set had been purchased in 1976 by an American couple to fill a barn. These clients have devised a clever refinement: one sheep, and only one, is in black wool, to anticipate the case where a guest would like to be on his own!
POST SALE COMMENT
This lot is certainly one of the most complete sets of Lalanne sheep: $ 5.7 million including premium.
He designed a small bench in wood and aluminum, covered with wool, with four feet. All furniture manufacturers run their models in multiple copies: Lalanne standardizes the quantity to 24. Thus was born his flock of life size sheep, worthy of the best ideas of surrealism but in an extreme simplicity of interpretation.
The set is funny. Sheep are actually in two models: with head held high, and headless. This is a clear invitation to leave the pieces together : headless animals are considered occupied to graze within the group, protected by the external figures.
The owner of a herd gets a modifiable furniture of wide area and high friendliness where guests can sit, lie, hang their hat.
On November 14 in New York at Christie's, a flock of 24 seats is estimated $ 4M, in the evening sale of post-war and contemporary art. Here is the link to the catalog.
This set had been purchased in 1976 by an American couple to fill a barn. These clients have devised a clever refinement: one sheep, and only one, is in black wool, to anticipate the case where a guest would like to be on his own!
POST SALE COMMENT
This lot is certainly one of the most complete sets of Lalanne sheep: $ 5.7 million including premium.
1980 Diego in the Style of Alberto
2017 SOLD for € 4.2M including premium
Diego Giacometti was thirteen months younger than Alberto. Decorators and sculptors, they establish their studio together in Montparnasse. The pieces of furnishing that they realize in the 1930s in particular for Jean-Michel Frank appeal by their modernism.
The war separates them temporarily. At that moment their art takes very different directions. While Alberto expresses existentialism by relying on surrealism, Diego does not leave decoration and realism. He meets the desires of his customers with his nice and humorous themes where animal figures come to perch on the struts or to huddle in the table legs.
Circa 1978, twelve years after the death of Alberto, Diego designs and executes for a customer a bronze table in the shape of a regular octagon 170 cm wide. The top is carried by eight legs in front of which the artist dispositions in the extension of each horizontal bar a standing figure in the threadlike style of Alberto.
This late synthesis of the art of the Giacometti brothers is scarce and unexpected. The table was sold for $ 3.8M including premium by Sotheby's on November 15, 2016 over a lower estimate of $ 300K.
In 1970 Hubert de Givenchy is seduced by the simple and effective creations by Diego with which he will populate his manor. The collection of the works executed by Diego for Givenchy is dispersed by Christie's in Paris on March 6.
This set includes three examples in bronze and wood of the octagonal table "aux caryatides et atlantes". A table 162 cm in diameter made circa 1980 is estimated € 600K, lot 16. Two tables 190 cm in diameter were made circa 1983. Each of them is estimated € 800K, lot 7 and lot 11.
RESULTS INCLUDING PREMIUM
Lot 16 (1980) : € 4.2M
Lot 7 (1983) : € 3.8M
Lot 11 (1983) : € 3.3M
The war separates them temporarily. At that moment their art takes very different directions. While Alberto expresses existentialism by relying on surrealism, Diego does not leave decoration and realism. He meets the desires of his customers with his nice and humorous themes where animal figures come to perch on the struts or to huddle in the table legs.
Circa 1978, twelve years after the death of Alberto, Diego designs and executes for a customer a bronze table in the shape of a regular octagon 170 cm wide. The top is carried by eight legs in front of which the artist dispositions in the extension of each horizontal bar a standing figure in the threadlike style of Alberto.
This late synthesis of the art of the Giacometti brothers is scarce and unexpected. The table was sold for $ 3.8M including premium by Sotheby's on November 15, 2016 over a lower estimate of $ 300K.
In 1970 Hubert de Givenchy is seduced by the simple and effective creations by Diego with which he will populate his manor. The collection of the works executed by Diego for Givenchy is dispersed by Christie's in Paris on March 6.
This set includes three examples in bronze and wood of the octagonal table "aux caryatides et atlantes". A table 162 cm in diameter made circa 1980 is estimated € 600K, lot 16. Two tables 190 cm in diameter were made circa 1983. Each of them is estimated € 800K, lot 7 and lot 11.
RESULTS INCLUDING PREMIUM
Lot 16 (1980) : € 4.2M
Lot 7 (1983) : € 3.8M
Lot 11 (1983) : € 3.3M
1983 Octagonal Table by Diego Giacometti
2017 SOLD for € 3.8M including premium by Christie's
1990 A Social Breakthrough in a Lounge
2015 SOLD for £ 2.43M including premium
The lounges by Marc Newson are an important milestone in contemporary creation. Just out from his sculpture training, he executed in 1986 his first prototype named LC in homage to Le Corbusier.
Australians love surfing. Newson appreciates that the manufacturing techniques of the surfboards may be used for more complex and modern structures. The shape is achieved by covering the foam with fiberglass. Then comes the finish.
The sculptor Newson wishes a metallic finish. After various tests in his garden in Sydney, he manages to keep the convex and concave curves of the cast by hammering sheets of aluminum joined by many blind rivets. The texture is similar to an aircraft fuselage. The new model in 1988 is named Lockheed lounge without the involvement of that industrial company.
The Lockheed Lounge is abstract art applied to furniture, with unprecedented materials and techniques. In 1990, ten units plus four artist's proofs are edited, bringing their figure to a final fifteen.
We do not sit on a Lockheed lounge but may recline on it for a social activity. The new Madame Récamier is the entertainer Madonna. A Lockheed Lounge appears sporadically in 1993 in the video Rain, a song from her highly successful Erotica album. Newson's chair becomes an icon of contemporary lifestyle.
The 1988 prototype was sold for $ 2.1 million including premium by Phillips on May 13, 2010. The 10/10 unit from the 1990 edition is estimated £ 1.5M, for sale by the same auction house on April 28 in London, lot 226.
Australians love surfing. Newson appreciates that the manufacturing techniques of the surfboards may be used for more complex and modern structures. The shape is achieved by covering the foam with fiberglass. Then comes the finish.
The sculptor Newson wishes a metallic finish. After various tests in his garden in Sydney, he manages to keep the convex and concave curves of the cast by hammering sheets of aluminum joined by many blind rivets. The texture is similar to an aircraft fuselage. The new model in 1988 is named Lockheed lounge without the involvement of that industrial company.
The Lockheed Lounge is abstract art applied to furniture, with unprecedented materials and techniques. In 1990, ten units plus four artist's proofs are edited, bringing their figure to a final fifteen.
We do not sit on a Lockheed lounge but may recline on it for a social activity. The new Madame Récamier is the entertainer Madonna. A Lockheed Lounge appears sporadically in 1993 in the video Rain, a song from her highly successful Erotica album. Newson's chair becomes an icon of contemporary lifestyle.
The 1988 prototype was sold for $ 2.1 million including premium by Phillips on May 13, 2010. The 10/10 unit from the 1990 edition is estimated £ 1.5M, for sale by the same auction house on April 28 in London, lot 226.
1998 In the Privacy of Tracey Emin
2014 SOLD 2.55 M£ including premium
Provoking and feminist, Tracey Emin has shaken the language of contemporary art. She early realized that much of the public is accessible through voyeurism. In 1993, aged 30, she exhibits trivial ready mades and sordid details of her personal life.
Her first major work, in 1997, is titled Everyone I have ever slept with. The viewer must get inside a tent to discover the names of her bedfellows, including those of her infancy which obviously do not have a sexual connotation. The ambiguity of the message regarding her relationships generated the success of that work which was destroyed by an accidental fire in 2004.
In 1998, Tracey lived several days of suicidal depression after a disappointment in love. Waking up dazed after the fourth day, she observes the condition of total mess of her bed. She decides that the unmade bed reflecting her intense emotion is a work of art and brings around the furniture many orgiastic, sexual and intimate garbage from her four morbid days.
My Bed is estimated £ 800K, for sale by Christie's in London on July 1, lot 19.
Tracey Emin is a versatile artist, using alternately materials as diverse as neon, photography or textile. She is lucky to be British : London is the best place in the world to support a true artist beyond scandal. Member of the Royal Academy of Arts, she is the second woman in two and a half centuries to have become a professor in this institution.
POST SALE COMMENT
This installation has the great merit of being completely out of the traditional artistic language. It was sold for £ 2.55 million including premium.
Her first major work, in 1997, is titled Everyone I have ever slept with. The viewer must get inside a tent to discover the names of her bedfellows, including those of her infancy which obviously do not have a sexual connotation. The ambiguity of the message regarding her relationships generated the success of that work which was destroyed by an accidental fire in 2004.
In 1998, Tracey lived several days of suicidal depression after a disappointment in love. Waking up dazed after the fourth day, she observes the condition of total mess of her bed. She decides that the unmade bed reflecting her intense emotion is a work of art and brings around the furniture many orgiastic, sexual and intimate garbage from her four morbid days.
My Bed is estimated £ 800K, for sale by Christie's in London on July 1, lot 19.
Tracey Emin is a versatile artist, using alternately materials as diverse as neon, photography or textile. She is lucky to be British : London is the best place in the world to support a true artist beyond scandal. Member of the Royal Academy of Arts, she is the second woman in two and a half centuries to have become a professor in this institution.
POST SALE COMMENT
This installation has the great merit of being completely out of the traditional artistic language. It was sold for £ 2.55 million including premium.
