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1883

Except otherwise stated, all results include the premium.
​See also : Cézanne  Seurat  Orientalism  Orientalism 1830-1900
1882

CEZANNE

1
​​1883-1885 L'Estaque aux Toits Rouges
2021 SOLD for $ 55M by Christie's

The impressionist solutions are no longer suitable to Paul Cézanne. He comes back to Provence with the aim of expressing the quintessence and the warmth of the most beautiful Mediterranean landscapes.

L'Estaque is one of his first choices, prompted by memories from his youth when his mother had rented a cottage for summer holidays. From the top of the hill and beyond the houses, the bay and the islands of Marseille offer a vast and sumptuous panorama.

In the early 1880s Cézanne rents a small house in L'Estaque, away from his family left to live in Aix. He works outdoor like the Impressionnistes, but his synthetic and cloisonné analysis of shapes and colors is paving the way for the 20th century art. He is already meticulously in quest of the perfection of colors in their whole range. He manages to provide to the viewer a sensation instead of a mere copy of the landscape.

Painted in that early phase between 1883 and 1885, L'Estaque aux toits rouges is a significant demonstrator of these fertile experiments. In this panoramic view from the top of the hill, the contrast is striking between the geometric pattern of sun bathed houses with no shadow and the blue hues of sky and sea.

​This oil on canvas 65 x 81 cm was sold for $ 55M from a lower estimate of $ 35M by Christie's on November 11, 2021, lot 10C. Please watch the video shared by the auction house. The image is shared by Wikimedia.
L'Estaque aux toits rouges, par Paul Cézanne
Cézanne
Decade 1880-1889

2
1882-1883 L'Aqueduc du Canal du Verdon
2023 SOLD for £ 7.2M by Christie's

A landscape painted by Cézanne was sold for £ 7.2M by Christie's on February 28, 2023, lot 30, oil on canvas 60 x 73 cm.

The very long aqueduct at mid distance is a part of the canal du Verdon, completed in 1875 for supplying water to the city of Aix. The view is realistic, with tiny elements confirming this location. 
A date around 1882-1883 is plausible.

​The image is shared by Wikimedia.
Cézanne - FWN 186

​1883 Antony and Cleopatra by Alma-Tadema
2011 SOLD for $ 29 M$ by Sotheby's

The Dutch artist Lawrence Alma-Tadema moved to England in 1870. Taking advantage of the pre-Raphaelite fashion for ancient themes, he spent the rest of his career there. His business was flourishing and meticulously managed, and he was covered with honors in Victorian and Edwardian England.

Alma-Tadema paints the antique passions, with a sharp drawing and bright colors that evoke the Orient. He depicts the most beautiful women and their lovers, languid to the limits of debauchery. He surrounds them with luxurious objects for which he accumulates a strong documentation through his trips to Greco-Roman sites, his visits to museums and his abundant collection of photographs.

In 1883 Alma-Tadema is inspired by Shakespeare's play to paint the First meeting of Antony and Cleopatra for a private commission. The queen displays her beauty as in a window, in a barge covered with a canopy. The lover docks in a sort of gondola driven by Roman soldiers. Between the two, a slave girl plays the flute.

The composition is bold, letting see through the boats the sea and some elements of antique architecture. According to historians, this scene took place in Tarsus in 41 BCE. Never mind : it especially gives Victorian England the envy of the scandalous pleasures which indulgently appealed the greatest characters of antiquity.

This Antony and Cleopatra is the opus CCXLVI in the chronological list maintained by Alma-Tadema for avoiding counterfeits. This oil on panel 66 x 91 cm was sold for $ 29M by Sotheby's on May 5, 2011 from a lower estimate of $ 3M, lot 65. The image is shared by Wikimedia.

The display of an instant effect into a dramatic action is a specialty of Alma-Tadema and will influence the scenarios and even some framings of the cinema. He is in some way an orientalist precursor of Norman Rockwell.
Lawrence Alma-Tadema Antony and Cleopatra
Orientalism
Orientalism 1830-1900

​1883-1884 Study for Une Baignade à Asnières by Seurat
2015 SOLD for £ 7.8M by Sotheby's

Georges Seurat was a great experimenter of the artistic language and the first post-impressionist. During his short career, he produced six great paintings, beginning with La Baignade à Asnières (Bathers at Asnières) in 1884.

As Constable, Seurat built his composition in successive stages, with many preparatory drawings and paintings. He was the most innovative draughtsman of his time, mixing the subject and the background by blurring the edges. Like the Impressionists, he removes the line while strictly maintaining shapes, proportions and perspectives.

On February 3, 2015, Sotheby's sold at lot 13 for £ 7.8M from a lower estimate of £ 5M a drawing for the nude of a young boy which is one of the earliest studies for La Baignade. This drawing in conté pencil on paper, 32 x 24 cm, may have been executed as early as 1883.

The boy is viewed in profile with a detailed anatomy. His attitude of cry for echo was kept unchanged in the full size version where he is the bather in the foreground with shorts. The drawing offered a chiaroscuro effect that has not been used in the painting.

Record for a work on paper by #Seurat: study for @Nationalgallery’s iconic ‘Une baignade, Asnières’ sells for £7.8m pic.twitter.com/jGAMQtKJ0Z

— Sotheby's (@Sothebys) February 3, 2015
Seurat

1883 MONET

1
Summer - L'Eglise de Vernon
​2020 SOLD for $ 4.7M by Christie's

Claude Monet moved to Giverny with Alice in April 1883. Vernon, 4 km downstream on the Seine from his new home, could not escape his very first excursions. In the beginning of summer, he executed three views of the Gothic church.

The first of them is titled L'Eglise de Vernon. The church is hiding behind the pattern of poplars on one of the tiny islands. The view is taken from Monet's bateau atelier moored in another island. The trees are reflecting in the river. The sunny light of the late morning in rendered in a myriad of varied colored touches.

This oil on canvas 65 x 81 cm was sold for $ 4.7M from a lower estimate of $ 4M by Christie's on October 6, 2020, lot 21. The first Impressionniste acquisition of a US collector, he had been kept for 130 years in his family. The image is shared by Wikimedia.
Monet w842 the church at vernon

2
December - Route de Monte-Carlo
2024 SOLD for HK$ 61M by Sotheby's

In the fall of 1883 Claude Monet was busy in preparing indoor decorations, in the apartment of Durand-Ruel. That did not match his irresistible desire to paint outdoors. Renoir managed to have his friend discovered the beauty of the light in the Riviera. Both did together a short trip in December.

Looking at first to new visual stimuli as he he will do much later in Venice, Monet did not paint much during that stay.

One of the first two works, titled Route de Monte-Carlo, features the village of Bordighera under a midday sun, nestled in the hills with a path in the foreground. A group of three is hardly visible at mid distance. The impasto provides the effects of chromatic complementarities.


This oil on canvas 66 x 81 cm was sold for HK $ 61M from a lower estimate of HK $ 45M by Sotheby's on April 5, 2024, lot 1547. The image is shared by Wikimedia.

Bordighera is 32 km away from Monte-Carlo by the road, through Ventimiglia and Menton.
Monet w850

3
December - Près Monte-Carlo
2016 SOLD for $ 7.1M by Sotheby's

The other example was taken by Monet from a spot beside the same road as the example above, but facing towards the sea and shore with some shrubs in the foreground. The sky is reflecting in the sea.

Titled Près Monte-Carlo, this oil on canvas 66 x 81 cm painted by Monet in 1883 and dated 1884 was sold for $ 7.1M from a lower estimate of $ 5M by Sotheby's on May 9, 2016, lot 59.
​The image is shared by Wikimedia.

Bordighera will be Monet's main theme when he came back alone a few months later in the region with a desire for prolific work.
Monet w851

CAILLEBOTTE

Gustave Caillebotte was a man of many passions. Born into a wealthy family, he did not need to work for his living and was able to accompany and support the Impressionists.

Monet lived in Argenteuil from 1871 to 1878. In 1881 he convinced Caillebotte to settle in this small town on the Seine where he could spend his time in the double pleasure of painting and of competitive sailing.

In Argenteuil Monet had experienced with the outdoor painting, with his touch so original, his bold composition, his studies of colors and reflections. The young Caillebotte was gifted, too.

1
1882-1883 Le Bassin
2022 SOLD for $ 4.9M by Christie's

Views of the Seine by Caillebotte are common, with the blue river, the reflections, the small boats, almost always in medium format. In two years, 1882 and 1883, he executed no less than 15 paintings on that theme, with a low traffic on the waterway, for his own contemplation. 

An oil on canvas 
60 x 73 cm painted in 1882 was sold for $ 5.1M by Christie's on November 3, 2010, lot 7. It shows two small boats at rest, awaiting their sails. The boats have been identified as belonging to the artist. He departed from one of them in May 1882. 

A view 65 x 81 cm of the 1882-1883 series, painted by Caillebotte from Petit-Gennevilliers was sold by Christie's for $ 4.2M on May 7, 2002, lot 17 and for $ 4.9M on November 17, 2022, lot 44. The image is shared by Wikimedia.

Bateaux au mouillage, oil on canvas 60 x 73 cm painted in 1883, was sold for £ 3.3M by Christie's on June 23, 2010
, lot 13.
Gustave caillebotte le bassin dargenteuil113947)

2
1883 Allée de la Villa des Fleurs à Trouville
​2018 SOLD for $ 5M by Sotheby's

Chemin montant, oil on canvas 100 x 125 cm painted by Caillebotte in 1881, is a view of a path amidst the villas of Trouville, sold for £ 16.7M by Christie's on February 27, 2019, lot 28.

Allée de la Villa des Fleurs, oil on canvas 60 x 73 cm is another view of Trouville, in the same style and composition with the same brush stroke rendering the light and shades of a sunny weather in the style of Renoir. The unidentifiable woman with a basket may be going to pick some wood.

It had been executed in 1883 as a wedding gift to a fellow member of the Argenteuil located Cercle de la Voile de Paris. Hitherto unrecorded, it surfaced more than 130 years later from that family before being sold at Sotheby's
for $ 5M from a lower estimate of $ 2M on November 12, 2018, lot 39. The image is shared by Wikimedia.
Gustave Caillebotte - Allée de la Villa des Fleurs à Trouville

​1883 Where are the Boats by Homer
​2018 SOLD for $ 4.6M by Christie's

Winslow Homer begins his career as an illustrator for magazines during the US Civil War. He is more interested in the daily life of soldiers than in military events. He is in Paris during the Universal Exhibition of 1867 and is most certainly influenced by the social realism of Courbet.

Homer crosses the Atlantic again in 1881. Far from the noise of the cities, he settles in a fishing village near the Tyne estuary, in the north-east of England, where he stays for two years. He is seduced by the preservation of a humble ancestral lifestyle and more particularly by the work of the girls.

The fishermen's daughters are active throughout the day and their role is vital for the village. They prepare the boat, sew up the nets, collect crabs, mussels and worms on the beach, unload the boat, carry the fish to the market while the fishermen are resting. They are young, strong, healthy and tanned.

Homer's work in Tynemouth is in some way an ethnological report, objective and without sentimentality or narration. He adopted the practice of English travelers of making sketches outdoors before painting the final work in the studio and abandoned oil painting for watercolors.

On November 28, 2007, Sotheby's sold for $ 4.5M 
a watercolor on paper 36 x 51 cm painted in 1881. In a yard, three girls repair baskets and nets and clean boots. A rooster and a hen are pecking.

A watercolor of same size and year passed at Sotheby's on December 11, 2020
, lot 16. On the beach, two barefoot girls look into the distance to watch for the return of fishing. Their big baskets are still empty.

A watercolor and pencil on paper of the same size painted in 1883 is titled Where are the Boats?. It was sold for $ 4.6M from a lower estimate of $ 1.5M by Christie's on May 9, 2018, lot 438 in the sale of the Rockefeller collection. Three girls climbed the cliff to better watch the return of the boats. The image is shared by Wikimedia.
Where are the Boats
1884
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