1878
Except otherwise stated, all results include the premium.
See also : Manet Caillebotte Renoir Sargent Paris Self portrait II
See also : Manet Caillebotte Renoir Sargent Paris Self portrait II
MANET
1
1878-1879 Self Portrait with palette
2010 SOLD for £ 22.4M by Sotheby's
In 1878 or 1879, Edouard Manet painted two self portraits, which were the only ones of his career. Perhaps he wanted to change the image that his contemporaries had of him, fifteen years after such powerful and scandalous progresses of modern art as were le Déjeuner sur l'herbe and Olympia.
Manet is not a rapin. This colloquial term used in Paris at that time applied to partygoer artists who courted easy milliners who were known as grisettes. Instead, his elegant jacket and hat, and his full and forked beard provided the image of a grand bourgeois.
The oil on canvas 85 x 71 cm reinforces the quest for respectability by including the professional attributes of the artist: his brushes and palette. There is however an obstacle to the social success of Manet : he stares into space, sadly. Aged 47, he is already sick.
Manet is often classified among the Impressionists, whom he was one of the first to support. He was rather a great experimenter of the artistic language, and each of his paintings is a bit unique. This one is among the most prestigious. It was sold for $ 18.7M by Christie's on May 12, 1997, lot 107, and for £ 22.4M by Sotheby's on June 22, 2010, lot 9. The image is shared by Wikimedia.
Manet is not a rapin. This colloquial term used in Paris at that time applied to partygoer artists who courted easy milliners who were known as grisettes. Instead, his elegant jacket and hat, and his full and forked beard provided the image of a grand bourgeois.
The oil on canvas 85 x 71 cm reinforces the quest for respectability by including the professional attributes of the artist: his brushes and palette. There is however an obstacle to the social success of Manet : he stares into space, sadly. Aged 47, he is already sick.
Manet is often classified among the Impressionists, whom he was one of the first to support. He was rather a great experimenter of the artistic language, and each of his paintings is a bit unique. This one is among the most prestigious. It was sold for $ 18.7M by Christie's on May 12, 1997, lot 107, and for £ 22.4M by Sotheby's on June 22, 2010, lot 9. The image is shared by Wikimedia.
1 bis
for reference
1878-1879 Self Portrait with cap
Bridgestone Museum, Tokyo
For Edouard Manet, a portrait painting had to consider the transition between light and shadow like for any other theme. He preferred executing it outdoors, quickly, in a single sitting session. Commissioners did not like his candid unflattering representations which in some way anticipate by around 10 years the self portrait masterpiece by le Douanier Rousseau.
The self portrait with cap, which is the only full length standing self portrait in his career, meets these rules. Its image is shared by Wikimedia.
The self portrait with cap, which is the only full length standing self portrait in his career, meets these rules. Its image is shared by Wikimedia.
2
1878 Rue Mosnier aux Drapeaux
1989 SOLD for $ 26.4M by Christie's
A keen Republican and a friend of Zola, Edouard Manet was appealed by the depiction of daily life with its pleasures and pains.
After the Franco-Prussian war and the Commune, the Troisième République was established, endeavoring to bring back peace and prosperity. From May to October 1878 in Paris, the Exposition Universelle is the showcase of that recovery.
A Fête de la Paix is inserted in the calendar of the Exposition at June 30 to honor the French Republic. It is an opportunity to let crowds occupy the streets and to hang from the windows the French tricolore flag. Two years later the feast becomes yearly and national and is transferred to Bastille day.
Monet and Manet represented the feast in an opposite style. Monet's Rue Montorgueil is a masterpiece of Impressionnisme, intermingling the atmosphere of the feast with the colors of innumerable flags.
Manet's depiction is not festive but social. The rue Mosnier was painted from Manet's studio window. It is only occupied by sparse horse carriages with bourgeois at mid and far distances. and a disabled man in the foreground, behind a ladder carried by a worker out of field. The one legged beggar in a difficult walk with crutches symbolizes the ravages of war. The top down view reveals a garbage area behind a fence.
Rue Mosnier aux drapeaux, oil on canvas 65 x 80 cm, was sold for $ 26.4M by Christie's on November 14, 1989. The image is shared by Wikimedia.
After the Franco-Prussian war and the Commune, the Troisième République was established, endeavoring to bring back peace and prosperity. From May to October 1878 in Paris, the Exposition Universelle is the showcase of that recovery.
A Fête de la Paix is inserted in the calendar of the Exposition at June 30 to honor the French Republic. It is an opportunity to let crowds occupy the streets and to hang from the windows the French tricolore flag. Two years later the feast becomes yearly and national and is transferred to Bastille day.
Monet and Manet represented the feast in an opposite style. Monet's Rue Montorgueil is a masterpiece of Impressionnisme, intermingling the atmosphere of the feast with the colors of innumerable flags.
Manet's depiction is not festive but social. The rue Mosnier was painted from Manet's studio window. It is only occupied by sparse horse carriages with bourgeois at mid and far distances. and a disabled man in the foreground, behind a ladder carried by a worker out of field. The one legged beggar in a difficult walk with crutches symbolizes the ravages of war. The top down view reveals a garbage area behind a fence.
Rue Mosnier aux drapeaux, oil on canvas 65 x 80 cm, was sold for $ 26.4M by Christie's on November 14, 1989. The image is shared by Wikimedia.
for reference
1878 Fête de la Paix (Rue Montorgueil) by Monet
Musée d'Orsay
The image is shared by Wikimedia.
1878 La Rue Halévy by Caillebotte
2019 SOLD for $ 14M by Sotheby's
Paris is experiencing cultural transformations. Inaugurated in 1875, the immense Opéra de Paris becomes the symbol of the wealthy bourgeoisie to which the Caillebotte family belongs.
La Rue Halévy vue du sixième étage, oil on canvas 60 x 73 cm painted by Caillebotte in 1878, was sold for $ 14M from a lower estimate of $ 6M by Sotheby's on May 14, 2019, lot 17. The image below, shared by Wikimedia, was copied from an art book.
As wide as a boulevard, the rue Halévy leads from the boulevard Haussmann to the Opéra, which is visible beyond the Haussmannian buildings. This aerial cityscape is bold for its time. The street is pleasantly animated with sparse pedestrians and carriages.
Caillebotte definitely likes this district. After the death of their mother in that same year, Gustave and his brother Martial move to the 3rd floor at 31 boulevard Haussmann, less than 200 meters from the position of the previous sight. Their balcony overlooking the boulevard is the theme of several paintings in 1880 and 1881.
La Rue Halévy vue du sixième étage, oil on canvas 60 x 73 cm painted by Caillebotte in 1878, was sold for $ 14M from a lower estimate of $ 6M by Sotheby's on May 14, 2019, lot 17. The image below, shared by Wikimedia, was copied from an art book.
As wide as a boulevard, the rue Halévy leads from the boulevard Haussmann to the Opéra, which is visible beyond the Haussmannian buildings. This aerial cityscape is bold for its time. The street is pleasantly animated with sparse pedestrians and carriages.
Caillebotte definitely likes this district. After the death of their mother in that same year, Gustave and his brother Martial move to the 3rd floor at 31 boulevard Haussmann, less than 200 meters from the position of the previous sight. Their balcony overlooking the boulevard is the theme of several paintings in 1880 and 1881.
1878 RENOIR
1
L'Ombrelle
2013 SOLD for £ 9.7M by Christie's
On February 6, 2013, Christie's sold for £ 9.7M from a lower estimate of £ 4M a small oil on canvas, 62 x 51 cm, made by Renoir in 1878, lot 13. Please watch the video shared by the auction house.
The woman is quietly sitting alone in the garden. She holds an elegant ombrelle (parasol) that protects her from the sun.
The garden of Renoir vibrates of many colors to such an extent that we do not even notice that the flowers were not drawn. The impression is due to the texture, so anticipating also the art of Van Gogh and Klimt. Monet had opened the way with his grassy slopes of Argenteuil.
Renoir, aged 37, is at the best of his creativity. Two years before, he had painted the Bal du Moulin de la Galette whose sharp drawing looks closer to Manet, and which was sold $ 78M by Sotheby's on May 17, 1990.
The style of the Femme à l'ombrelle is rather in the following of another of his masterpieces of 1876, the Swing (in the Musée d'Orsay), where the sunspots filtered through the undergrowth are added to the mystery of the garden.
In a comparable Impressionist style, an oil on canvas painted in 1881 by Berthe Morisot was sold for £ 7M in the same 2013 sale.
The woman is quietly sitting alone in the garden. She holds an elegant ombrelle (parasol) that protects her from the sun.
The garden of Renoir vibrates of many colors to such an extent that we do not even notice that the flowers were not drawn. The impression is due to the texture, so anticipating also the art of Van Gogh and Klimt. Monet had opened the way with his grassy slopes of Argenteuil.
Renoir, aged 37, is at the best of his creativity. Two years before, he had painted the Bal du Moulin de la Galette whose sharp drawing looks closer to Manet, and which was sold $ 78M by Sotheby's on May 17, 1990.
The style of the Femme à l'ombrelle is rather in the following of another of his masterpieces of 1876, the Swing (in the Musée d'Orsay), where the sunspots filtered through the undergrowth are added to the mystery of the garden.
In a comparable Impressionist style, an oil on canvas painted in 1881 by Berthe Morisot was sold for £ 7M in the same 2013 sale.
2
Les Lilas
2024 SOLD for £ 6.9M by Sotheby's
The Impressionnistes painted potted flowers after they reassessed Chardin. Still-lifes made a substantial contribution to securing the livelihood of the young artists.
Throughout his six decade career Renoir executed about 600 still life paintings, most of them to be immediately sold to collectors. He specially enjoyed painting flowers which brought him a relaxation and freedom that he could not feel with human sitters.
Les Lilas, oil on canvas 65 x 54 cm painted in 1878, was sold for £ 6.9M from a lower estimate of £ 2M by Sotheby's on June 25, 2024, lot 37. Please watch the short video shared by the auction house.
The dense bunch of purple lilacs perfectly matches the early impressionist vibrant brush style, providing an impression of freshness. The bouquet is placed in a ceramic vase that reminds an early occupation of Renoir as a porcelain painter at Limoges.
Throughout his six decade career Renoir executed about 600 still life paintings, most of them to be immediately sold to collectors. He specially enjoyed painting flowers which brought him a relaxation and freedom that he could not feel with human sitters.
Les Lilas, oil on canvas 65 x 54 cm painted in 1878, was sold for £ 6.9M from a lower estimate of £ 2M by Sotheby's on June 25, 2024, lot 37. Please watch the short video shared by the auction house.
The dense bunch of purple lilacs perfectly matches the early impressionist vibrant brush style, providing an impression of freshness. The bouquet is placed in a ceramic vase that reminds an early occupation of Renoir as a porcelain painter at Limoges.
#AuctionUpdate: Standing as one of his most accomplished floral compositions, ‘Bouquet de lilas’ by Pierre-Auguste Renoir fetched £6,880,000 after a nearly 10 minute bidding battle, more than 2X its high estimate.#SothebysLondon pic.twitter.com/Yn4hxaEsvy
— Sotheby's (@Sothebys) June 25, 2024
1878 Fleurs dans un Pot by MONET
1
Roses et Brouillard
2021 SOLD for $ 10.4M by Sotheby's
Facing a great financial hardship, Claude Monet and his family moved in August 1878 from Argenteuil to Vétheuil. Obviously the degradation of Camille's health worsened the situation.
Renoir was keen of painting still lifes of potted flowers. Monet managed to follow because tabletop with flowers would be easier to sell than his outdoor paintings. His output in that new theme in very scarce. In 1879 and 1880 he will also try the tabletops of fruit and game.
The two flowers paintings acquired from Monet in June 1878 by a Parisian collector were very probably Roses et brouillard and Bouquet de glaïeuls, lis et marguerites.
Monet was a skilled painter whatever the theme and these two works are very different. Roses et brouillard displays a very tight texture of tiny vegetal elements in a ceramic pot, just as Renoir did in the same year with his pot of lilacs, sold for £ 6.9M by Sotheby's on June 25, 2024, lot 37.
Fleurs dans un pot (Roses et brouillard), oil on canvas 83 x 62 cm, was sold for $ 10.4M from a lower estimate of $ 4M by Sotheby's on May 13, 2021, lot 1007. The image is shared by Wikimedia. Brouillard is a French obsolete wording for the gypsophila, in English baby's breath.
Renoir was keen of painting still lifes of potted flowers. Monet managed to follow because tabletop with flowers would be easier to sell than his outdoor paintings. His output in that new theme in very scarce. In 1879 and 1880 he will also try the tabletops of fruit and game.
The two flowers paintings acquired from Monet in June 1878 by a Parisian collector were very probably Roses et brouillard and Bouquet de glaïeuls, lis et marguerites.
Monet was a skilled painter whatever the theme and these two works are very different. Roses et brouillard displays a very tight texture of tiny vegetal elements in a ceramic pot, just as Renoir did in the same year with his pot of lilacs, sold for £ 6.9M by Sotheby's on June 25, 2024, lot 37.
Fleurs dans un pot (Roses et brouillard), oil on canvas 83 x 62 cm, was sold for $ 10.4M from a lower estimate of $ 4M by Sotheby's on May 13, 2021, lot 1007. The image is shared by Wikimedia. Brouillard is a French obsolete wording for the gypsophila, in English baby's breath.
2
Bouquet de Glaïeuls, Lis et Marguerites
2018 SOLD for $ 9.6M by Sotheby's
In a more classical composition than the example above, Bouquet de glaïeuls, lis et marguerites features a tight spray of gladioli, lilies and daisies in a painted vase.
This oil on canvas 83 x 62 cm was sold for $ 9.6M from a lower estimate of $ 7M by Sotheby's on November 12, 2018, lot 44. The image is shared by Wikimedia.
Such a vivid rendition of flowers will inspire van Gogh in the next decade.
This oil on canvas 83 x 62 cm was sold for $ 9.6M from a lower estimate of $ 7M by Sotheby's on November 12, 2018, lot 44. The image is shared by Wikimedia.
Such a vivid rendition of flowers will inspire van Gogh in the next decade.
1878 SARGENT in Capri
1
Rosina
2001 SOLD for $ 5.4M by Sotheby's
The Mediterranean island of Capri is famous for its beautiful coastline just outside the Bay of Naples, blue-green water, architecture, rich culture and the beauty of its people.
Born 22 years earlier in Florence during one of the regular trips of his expatriate parents, the US artist John Singer Sargent spent the summer 1878 in Capri. He was welcomed to work in the local studio of Frank Hyde and took as a model a beautiful girl of Greek ancestry aged 17 named Rosina Ferrara.
Girl on a rooftop, oil on canvas 50 x 64 cm, features Rosina dancing a tarantella. She turns her back to the viewer and to a seated young man providing the music. The bold composition offers a vertiginous view of the white wall, arguably of the Marina Hotel where Sargent was residing, and a dynamic view of the girl against the sky in an unbalanced position of her solitary jig.
It was sold for $ 5.4M by Sotheby's on May 24, 2001, lot 15. The image is shared by Wikimedia.
Born 22 years earlier in Florence during one of the regular trips of his expatriate parents, the US artist John Singer Sargent spent the summer 1878 in Capri. He was welcomed to work in the local studio of Frank Hyde and took as a model a beautiful girl of Greek ancestry aged 17 named Rosina Ferrara.
Girl on a rooftop, oil on canvas 50 x 64 cm, features Rosina dancing a tarantella. She turns her back to the viewer and to a seated young man providing the music. The bold composition offers a vertiginous view of the white wall, arguably of the Marina Hotel where Sargent was residing, and a dynamic view of the girl against the sky in an unbalanced position of her solitary jig.
It was sold for $ 5.4M by Sotheby's on May 24, 2001, lot 15. The image is shared by Wikimedia.
2
Staircase
2016 SOLD for $ 4.1M by Sotheby's
After four years of training in Paris with Carolus-Duran, Sargent studies in Capri the diagonal of sunlight and shadow within a long and narrow stone staircase leading to a bright blue sky between two rows of typical dazzling white Mediterranean walls.
This oil on canvas 82 x 46 cm painted in the summer of 1878 was sold for $ 4.1M from a lower estimate of $ 1.8M by Sotheby's on May 18, 2016, lot 14.
This oil on canvas 82 x 46 cm painted in the summer of 1878 was sold for $ 4.1M from a lower estimate of $ 1.8M by Sotheby's on May 18, 2016, lot 14.
1878 Proserpine by Rossetti
2019 SOLD for $ 3.5M by Christie's
In 1857 Rossetti is engaged to Lizzie. That does not stop him from watching the girls. He is dazzled by the beauty of Jane, a tall brunette with fine features and white skin just 18 years old. Entering the Pre-Raphaelite circle, Jane marries William Morris.
Jane is not happy with William but this husband is not jealous. From 1871 Morris and Rossetti lease together a residence in the English countryside. Morris is often traveling, leaving his wife and their two young girls alone with Rossetti.
Rossetti is an artist but he is also a nostalgic poet. He paints Jane as Pandora in 1871, on the theme of beauty that does not prevent the triggering of the curse by a clumsy action. It is probably William who suggests Rossetti to interpret Jane as Proserpine.
This period lasts about three years. Rightly worried about Rossetti's mental health, Jane distances herself from her admirer. Rossetti continues his quest for the expression of misfortune. His Proserpine is caught at the very moment when she frighteningly appreciates that she has just eaten in the forbidden fruit, a pomegranate that she still holds in her fingers.
The realization of the paintings goes badly. Several oils on canvas are damaged, increasing the obsessional attachment of the artist to this theme. The seventh version, 125 x 61 cm, is finally completed in 1874. It is kept at Tate Britain.
Rossetti restarts later without major modification of the composition but by varying the technique. On October 28, 2019, Christie's sold for $ 3.5M a watercolor and gouache 78 x 38 cm on paper made in 1878, lot 208. No other Proserpine has been painted by Rossetti with this technique. The strong colors anticipate the works on paper by Burne-Jones.
On November 19, 2013 a Proserpine 120 x 56 cm made in colored chalks in 1880 was sold for £ 3.3M by Sotheby's. The artist returns to oil on canvas in 1882 with the final version completed a few weeks before his death.
Jane is not happy with William but this husband is not jealous. From 1871 Morris and Rossetti lease together a residence in the English countryside. Morris is often traveling, leaving his wife and their two young girls alone with Rossetti.
Rossetti is an artist but he is also a nostalgic poet. He paints Jane as Pandora in 1871, on the theme of beauty that does not prevent the triggering of the curse by a clumsy action. It is probably William who suggests Rossetti to interpret Jane as Proserpine.
This period lasts about three years. Rightly worried about Rossetti's mental health, Jane distances herself from her admirer. Rossetti continues his quest for the expression of misfortune. His Proserpine is caught at the very moment when she frighteningly appreciates that she has just eaten in the forbidden fruit, a pomegranate that she still holds in her fingers.
The realization of the paintings goes badly. Several oils on canvas are damaged, increasing the obsessional attachment of the artist to this theme. The seventh version, 125 x 61 cm, is finally completed in 1874. It is kept at Tate Britain.
Rossetti restarts later without major modification of the composition but by varying the technique. On October 28, 2019, Christie's sold for $ 3.5M a watercolor and gouache 78 x 38 cm on paper made in 1878, lot 208. No other Proserpine has been painted by Rossetti with this technique. The strong colors anticipate the works on paper by Burne-Jones.
On November 19, 2013 a Proserpine 120 x 56 cm made in colored chalks in 1880 was sold for £ 3.3M by Sotheby's. The artist returns to oil on canvas in 1882 with the final version completed a few weeks before his death.
Inspired by classical mythology and reflecting a love triangle that changed British art, #Rossetti’s Proserpine comes to auction on 28 October in #NewYork https://t.co/gEwtU5F44w pic.twitter.com/nfcr7i2V1u
— Christie's (@ChristiesInc) October 9, 2019
